having issues with unsoldering

I'm currently recapping my arcam delta 290p (started on 1 of 3)
i am having an issues where once the small cap is out the hole get filled with solder that i cant get out or melt
i have used a desoldering tool
it just keeps getting worse the more i try.

has anyone get any tips i have thought to get a 0.3mm drill bit but i really dont want to go down that road.


thanks for any help

Also i use the hakko FX-888D and EDSYN DS017 DESOLDER TOOL

Wavecor WF152BD07 4ohm. What would you build with this driver?

I have a pair of Wavecor WF152BD07 4ohm drivers. Really nice 5 1/2"ers with Balanced drive. Originally thinking a small bookshelf speaker for my TV room, but now I am using a sealed box with a SBAcoustics SB17CRC for that application.

So, What would you build with the Wavecor? Bookshelf? Use it as a mid in a 3way? I am open to suggestions.

All Diyaudio Threads about not available Optical Pickup's from Sony's KSS-Series

There are many threads about SONY's laser heads (optical pick up's) from the KSS-Series. I have started also some threads in this case. The reasons are clear. First the no longer availability of most of them and second the big error rate sometimes after a short time of use. In general - from all laser units that I know, Sony's laser heads above KSS-120 by far the worst of all (life time, reliability), even the models for the ESPRIT series like KSS-272A. Two main reasons are therefore responsible:
1) the suspension of the collimator lens (plastic leaf spring instead spring wire)
2) the diode itself
Obviously it can happen sometimes (fortunately not often) that other laser head manufacturers than Sony also used such worse Sony diodes. If by such older CD players the RF level very low, you can assume, that a Sony diode is inside.

By JVC-, Pioneer- and Hitachi laser heads after more than 20 years in use there are still virgin light power (after lens cleaning) and thus good level by RF signal. Also the tracking behaviour isn't impaired due collimator lens suspension without plastic.Unfortunately for most brands SONY was the main supplier of optical pick up's.

After a certain time this threads are relatively hard to find. Therefore at bottom an URL overview of all threads from diyaudio about SONY's KSS series.
If one of you discover additional threads that I have overlooked, you can add here

Basic subjects regarded KSS Series from Sony
http://www.diyaudio.com/forums/digi...ter-laser-death-great-vintage-cd-players.html
http://www.diyaudio.com/forums/digi...ser-pickups-why-not-replacing-diode-only.html
http://www.diyaudio.com/forums/digital-source/25540-sony-cd-head-repairs.html
http://www.diyaudio.com/forums/digital-source/88928-electrical-adjustment-laser-pickup.html
http://www.diyaudio.com/forums/digi...uccessor-sld-104u-sony-esprit-kss-series.html
http://www.diyaudio.com/forums/digi...ick-up-cd-player-wholesaler-manufacturer.html
http://www.diyaudio.com/forums/digi...k-about-sonys-kss-optical-pick-up-series.html
http://www.diyaudio.com/forums/digital-source/38894-full-range-sony-cd-laser-pick-ups-photos.html
http://www.diyaudio.com/forums/vendors-bazaar/108098-new-optical-pickup-spare-parts-arrive.html
http://www.diyaudio.com/forums/digital-source/133261-whining-kss210a-after-replacement.html (adjustments)

Threads about KSS120C / KSS123A / KSS-152A
http://www.diyaudio.com/forums/digital-source/158651-kss-122a-kss-123a-they-interchabgeable.html
http://www.diyaudio.com/forums/digi...ns-magnetic-linear-rails-laser-transport.html (KSS-123A)
http://www.diyaudio.com/forums/digital-source/155077-revive-heavy-weight-denon-dcd3300.html (KSS-123A)
http://www.diyaudio.com/forums/digital-source/96953-disc-table-height-kss-laser-units.html (KSS-123A)
http://www.diyaudio.com/forums/digi...ichi-oms-5eii-7eii-weak-error-correction.html (KSS-123A)
http://www.diyaudio.com/forums/digital-source/67783-test-cd-cd-player-adjustment.html (KSS-123A-151A)
http://www.diyaudio.com/forums/digital-source/109082-trying-repair-old-onkyo-dx-1500-a.html (KSS-152A)
http://www.diyaudio.com/forums/digital-source/79903-luxman-d-105u-transport-identification.html (KSS-152A)
http://www.diyaudio.com/forums/digital-source/158453-sony-kss-152-replacement.html

Threads about KSS-151A
http://www.diyaudio.com/forums/parts/153347-laser-sony-kss-151-fore-denon-cd-s1.html
http://www.diyaudio.com/forums/digital-source/157687-kss151a-kss-151a-10-x-new.html
http://www.diyaudio.com/forums/digital-source/147776-laser-replacement-teac-vrds-10-a.html (KSS-151A)
http://www.diyaudio.com/forums/digital-source/27647-kss151a-laser-replacement.html
http://www.diyaudio.com/forums/digital-source/88594-how-evaluate-laser-pick-up-remaining-life.html (KSS-151A in CDP338ESD)
http://www.diyaudio.com/forums/digital-source/89000-laser-diode-current-kss-151a.html
http://www.diyaudio.com/forums/digital-source/91184-denon-dcd-1520-not-recognise-some-disc.html (KSS-151A)
http://www.diyaudio.com/forums/swap-meet/127868-fs-kss-151a-laser-pick-up.html
http://www.diyaudio.com/forums/swap-meet/119113-fs-sony-kss-151-laser-mechanism.html
http://www.diyaudio.com/forums/digital-source/67783-test-cd-cd-player-adjustment.html (KSS-123A-151A)
http://www.diyaudio.com/forums/digital-source/27376-laser-replacement.html (KSS-151A)
http://www.diyaudio.com/forums/digital-source/53874-kss-151a-pickup-wanted.html (KSS-151A needed)
http://www.diyaudio.com/forums/swap-meet/134760-fs-sony-kss-151a-laser-head.html
http://www.diyaudio.com/forums/digital-source/75337-wadia-drive-8-laser-unit.html (KSS-151A needed)
http://www.diyaudio.com/forums/digital-source/135202-sony-cdp-950-vs-m95-vs-222esd.html (KSS-150A-151A)
http://www.diyaudio.com/forums/digital-source/100420-teac-p10-transport-what-laser.html (KSS151 or KSS213 ?)

Threads about KSS-272A
http://www.diyaudio.com/forums/swap-meet/99773-wanted-laser-pick-up-kss-272-a-3.html
http://www.diyaudio.com/forums/digital-source/132147-kss272a-working-not.html
http://www.diyaudio.com/forums/digi...er-pickup-adjustment-accuphase-cd-player.html (KSS-272A)
http://www.diyaudio.com/forums/digital-source/89220-accuphase-dp-90-laser-head.html (KSS-272A needed)
http://www.diyaudio.com/forums/digital-source/43349-sony-cdp-x779es.html (KSS-272A needed)
http://www.diyaudio.com/forums/digital-source/97681-sony-cdp-x707es-diy.html (KSS-272A needed)
http://www.diyaudio.com/forums/swap-meet/122407-wtb-new-sony-khm-230aaa-kss-272a.html
http://www.diyaudio.com/forums/swap-meet/85287-wtb-sony-kss-272a-laser.html
http://www.diyaudio.com/forums/parts/99774-hard-find-laser-pick-up-kss-272-a.html
http://www.diyaudio.com/forums/digital-source/132147-kss272a-working-not.html
http://www.diyaudio.com/forums/digital-source/39405-sony-cd-laser-replacement-availability.html (KSS270A-KSS272A)

Threads about KSS-270A / KSS-271A / KSS-273A-B / KSS-281A
http://www.diyaudio.com/forums/digi...ble-use-kss240a-cdpx55es-instead-kss270a.html
http://www.diyaudio.com/forums/digital-source/154699-cdp-x333es-kss-271a-tracking-offset-probs.html
http://www.diyaudio.com/forums/digital-source/154669-cdp333es-skips.html (KSS-271A)
http://www.diyaudio.com/forums/digi...ter-laser-death-great-vintage-cd-players.html (KSS-273A)
http://www.diyaudio.com/forums/digital-source/82754-sony-optical-pick-up-kss-273-a.html
http://www.diyaudio.com/forums/digital-source/105295-laser-kss-273-b-hard-find.html
http://www.diyaudio.com/forums/parts/100577-need-help.html (KSS-273B)
http://www.diyaudio.com/forums/digital-source/30585-sony-cdp-x777es.html (KSS-281A needed)

Threads about KSS-240A / KSS-213A-V / KSS-210A / KSS-150A
http://www.diyaudio.com/forums/digital-source/81103-broken-arcam-alpha-8-trichord.html (Sony CDM-14/KSS-240A)
http://www.diyaudio.com/forums/digital-source/82612-troubleshooting-pick-up.html (KSS-240A)
http://www.diyaudio.com/forums/digital-source/101935-denon-dcds10-cd-player.html (KSS-240A)
http://www.diyaudio.com/forums/digital-source/32730-teac-vrds-t1-cd-transport.html (KSS-240A)
http://www.diyaudio.com/forums/parts/39473-sony-mhc1600-hcd-h1600.html (KSS-240A)
http://www.diyaudio.com/forums/digital-source/139605-kss-240a-based-transport-diy-player.html
http://www.diyaudio.com/forums/digital-source/100978-cdp-591-a.html (Solder bridge KSS-240)
http://www.diyaudio.com/forums/digital-source/108381-sony-laser-arcam-mcd.html (KSS-213-240)
http://www.diyaudio.com/forums/digital-source/26399-kss-213-laser-family.html
http://www.diyaudio.com/forums/digital-source/85363-taking-apart-rega-planet.html (Rega Planet 2000-KSS213B)
http://www.diyaudio.com/forums/digital-source/126608-sony-mhc-rv22-cd-section-problem.html (KSS-213B)
http://www.diyaudio.com/forums/digital-source/59654-tascam-cd-302-modifications.html (KSS-213B to C)
http://www.diyaudio.com/forums/digital-source/107257-cd-player.html (MHZS33-KSS213Q)
http://www.diyaudio.com/forums/digital-source/95276-sony-cd-player-optical-pickups.html (KSS-213A-V/KSS-210A-C)
http://www.diyaudio.com/forums/digital-source/96961-rotel-rcd930ax-help.html (KSS-210A-D)
http://www.diyaudio.com/forums/digital-source/94694-naming-conventions-sony-drives.html (KSS-210-KSM2101)
http://www.diyaudio.com/forums/digital-source/77734-sony-laser-alignment-kss-nad-cd.html (NAD502/512-KSS-210A)
http://www.diyaudio.com/forums/digi...8-based-sony-philips-need-service-manual.html (KSS-150A)
http://www.diyaudio.com/forums/digital-source/107757-comments-onkyo-dx-703-a-2.html (KSS-150A)

Threads about other KSS models
http://www.diyaudio.com/forums/digital-source/74910-sony-bu-1e-laser.html (Laser head without type No - BU = Base Unit = transport mechanism)
http://www.diyaudio.com/forums/digital-source/140856-heavyweight-sony-laser-loader.html (KSS-100A)
http://www.diyaudio.com/forums/digital-source/46796-laser-mechanism-sony-ex7esd.html (KSS-190A needed)
http://www.diyaudio.com/forums/car-audio/141649-kenwood-kdc-m9021se-laser-unit-problem.html (KSS 24430 Car Hifi)
http://www.diyaudio.com/forums/parts/21016-anyone-knows-where-can-i-buy-sony-cd-pick-up.html (KSS-331C needed)
  • Like
Reactions: nanocamp

Help with a Sansui G-5500, tripping relay after restoration

Looking to see if anyone can help steer me in a different direction than I’ve been going with a Sansui G-5500. It belongs to a friend of mine who asked me to diagnose a problem that I could not duplicate, and once we knew it was pretty solid we decided to do a restoration on it; change out the caps, trim pots, full cleaning etc.

So this worked out originally, and the unit was perfectly fine after the work. A month or so later he told me it was popping through the speakers even at low volume, so I have it back here again.

I have not been able to duplicate the issue he was having, but instead somehow introduced a new one which was that the unit was now going into protection when I was about halfway up on the volume level (sinewave test). In playing around with stuff I’m not sure how I did it but I managed to blow the outputs on the right channel. So I replaced them with the NJW equivalent subs and once I knew those were ok I also replaced all the sketchy driver transistors that I didn’t feel needed to be done the first time around. Now I am getting the relay to click into protection at about a quarter of the volume. Same input level, and also still no right channel.

I’m not sure if I’m concentrating in the right area right now because I’m getting flustered on this one. Anyone here familiar with the G-5500 by chance? I did check the stupid stuff like open emitter resistors, and I have pulled all my replacement parts and double checked. I’ve also replaced the HA12002 protection IC because I thought maybe I had damaged it when I was cleaning the corrosive glue away on the board. All the voltages look fine there, as well as on both channel outputs I’m getting my +/- 43v. I’m just a bit stumped at the moment…

Recommend me the woofer for my big Heresy

Hi everyone, I'm starting a new project for the heresy big version (Klipsch Forte style), the components will be:
-B&C DE10 tweeter
-K53k medium with 15" horn.
As for the woofer, I don't know, I have selected some models that I can easily find, with a price around €150 and they are:
Eminence beta 12A (I already have this one)
B&C 12NDL76
RCF LF12X401
Dayton pa 310-8
LaVoce waf122.50
For each I attach the technical data sheets.
The dimensions will be approximately 100l like the FASTLANE AUDIO version with 4" port.
Which of these woofers might be best for you? I chose these because they are easy to find and affordable, but I could use others in that price range.

Thanks
1000054165.png
1000054166.png
1000054167.png
1000054168.png
1000054169.png

Grado Labs Prestige Series SR80 Headphone repair Help

Good afternoon. So I have had my Grado Labs Prestige’s Series SR-80 headphones for 28 years now. They have been sent back 1 time for the plastic part that holds the head band on and a wire finally broken in the middle. Well after sending them in to get repaired from 5 years ago it has happened again. I don’t want to send in my headphones for repairs I would like to fix it my self (if I can?). So where I began this repair is asking all of you what wire can I buy in bulk to repair the wire? I can buy, a wire pants boot Y splitter and the 3.5mm connector end. I can solder and I have a soldering station for that. So with all this out of the way now here’s a few final questions?
1. What kind of wire can I use? Balance or unbalanceed wire? Does it make a difference’s in the overall sound?
2.How does the plastic piece covering the driver come off to expose the wire so I can replace it?
3. Will the ohms change if I switch the wire and will it Be close to the ohms the head phones are now? I hope am not being too critical or going overboard?

Here are the wire Companies I am familiar with over the years that I have used in 1 way or another.

1. Gotham Audio.
2. Mogami Wire.
3. Canare Wire.
4. Supra Cables
5. Parts Express’s house brand now (Audtek).
6.Kimber Cable. (Diy stuff only).
7. Duelund Cables. (Given to me only 4 feet).
8. Wire World Cables.
9. Linn Speaker Cables.
10.Audio quest (years ago $5.00 bulk speaker cables).
11. Mono Prices 12 gauge wire (40 feet of it years ago).
12. I hate to say it last but, not least Monster cable ugh I said it. 🫢.

A lot of cables and info. I now it was a long post but, I wanted to put everything out on the table to see where I can go from here? Thanks for reading my post. Here are 2 pictures of the head phones with the wire showing and just my headphones model and series. Thanks Jeff

Attachments

  • IMG_3392.jpeg
    IMG_3392.jpeg
    804.3 KB · Views: 125
  • IMG_3394.jpeg
    IMG_3394.jpeg
    403.6 KB · Views: 95

Altec 515B: speaker enclosure

Hi,

I have one Altec 515B that needs a speaker cabinet, the woofer will be matched with a 288 driver and a 1005 multicell:

I am very eager about this project, but a DIY project that incorporates the original A5 cabinet is not the way I want to go..

I was wondering if anyone had inputs on which way to go: traditional bassreflex, do fancy the Altec 612 cabinet proportions, but is an Onken design also a way to consider with the 515B?, how big volumes are we talking about : question concerns both the traditional bassreflex ( Altec 612 ), but will a Onken design for a 515 be bigger the 360L Onken?

The whole system is rated 20 ohms... the 515 first needs a recone, guessing there is no point in measuring ( Dayton DATS ) the woofer before that time...

Unknown diode

Can anyone help me identify this diode? They come from an Audiosonic ST-8000, about which no information can be found. It appears that the diode with 689mv is defective.
I want to replace them both and thought about 3x or 4x 1N4148, but when measuring I can't get an exact result/match. (By the way: Uf 2.59v on the tester gives Uf 2.21v on my multimeter with leads)
Does anyone have any good advice? Thank you!

Attachments

  • 20240313_194940.jpg
    20240313_194940.jpg
    231.9 KB · Views: 232
  • 20240313_195001.jpg
    20240313_195001.jpg
    244.9 KB · Views: 219
  • 20240313_181400.jpg
    20240313_181400.jpg
    332.6 KB · Views: 219

Stovey

'Lil Stovey'

IMG_20240307_150218.jpg

It's kind of an art project, but also a fully functional 5 gallon bucket shop sub with a chimney port.



8" driver from a Sony bookshelf system

Metal, wood, plastic, bedliner, acrylics

IMG_20240307_140436.jpg

IMG_20240307_140442.jpg

I have a few build photos but it seems pretty self-explanatory? 🙂

It was fun having an excuse to use an external port.

The holes in the chimney are so the port length is at the holes, but the chimney is visually as tall as it is. I think they might whistle a little at the very highest volume due to the relatively sharp edges, so I probably won't do that again. The straight part of the chimney is removable and usable at a higher tuning without it (the elbow alone is around 8 inches of port length, best as I could tell).

I learned that common buckets are HDPE, so nothing really sticks to them... I used PL 3x as a sealant but the end caps are mechanically fastened with (many) screws.

It's running full range in the video but will be crossed over to a matco 'bumpboxx' (which seems to have a nice volume-controlled line-out). And the video is just to show off the looks, not for the sound, fwiw 🙂

B&W Matrix 805 problem

I have recently purchased a Matrix 805 from a friend. Have been using it since the past 3 months and it performed very well. Since last morning, I am only getting the tweeter to work on one speaker. The mid-woofer is not working. Tried swapping to the other amp and problem is definitely with the speaker. The tweeter is working well. Opened the back panel and everything seems connected perfectly well at the binding posts as well as the driver side in the front. Please guide me if this is a Crossover problem and how I can diagnose it. Thank you

For Sale miniDSP nanoDIGI 2x8 audio processor and active crossover

Discontinued by miniDSP, but this processor still delivers the goods, especially on a channel-per-dollar basis.

In short:
  • 2 channel input (1 stereo SPDIF coaxial in or 1 Toslink optical in, both stereo)
  • 8 channel output (4 stereo SPDIF coaxial outputs)
Read the plugin spec here.

Works perfectly and will include the plugin software for both Mac and Windows for free.

Available for local pickup in the SF Bay Area

Asking $140 shipped in the US but open to reasonable offers. Global shipping available, message me.
Thanks!

Also selling 2 Soncoz DACs that I used with this miniDSP to create a killer budget active signal path.

Attachments

  • _VCL8465.JPG
    _VCL8465.JPG
    155.3 KB · Views: 162
  • _VCL8464.JPG
    _VCL8464.JPG
    158.7 KB · Views: 177

Hello everyone My New Head Phone Amp

Hello everyone

I’m thrilled to join the DIY Audio community. As an avid enthusiast of audio engineering and a DIYer at heart, I’ve been passionately involved in creating and tweaking my own audio equipment.

My latest project, a headphone amplifier that has CR-type phono equalizer and I have employed a circuit that applies the same amount of feedback to both the inverted and non-inverted outputs of the balanced output.

I look forward to exchanging ideas, learning from the community, and contributing to our shared passion for high-fidelity sound.😊

Best regards, Eri Hiromu

Attachments

  • Image_HD_PHONE.JPG
    Image_HD_PHONE.JPG
    93.9 KB · Views: 110

Focal Kevlar Speaker Chassis 5K013L vs. 5K4211

For repair of an old Focal Point Source Aria Five (from 1993, Manfred Zoller HiFi Design)
I want to know the difference between this two chassis models.
5K013L is to find here:
http://nedlab.com/wp/wp-content/uploads/2014/06/5k013l.pdf
http://www.diyaudio.com/forums/swap-meet/182448-4-focal-kevlar-5k013l-midbass.html
5K4211 is to find here:
http://www.diyparadiso.com/datasheets/speaker/focal/5K4211.jpg
Which of this both is the best choice?
Thanks for advices.

Attachments

  • Focal Point Source diy.jpg
    Focal Point Source diy.jpg
    863.1 KB · Views: 897

GB For Salas I-Select Mesmerize Type input selector and volume control

The I-Select board takes the selector functionality and volume control from the old mesmerize boards and implements in a standalone fashion.



This gives one a relay based selector control, relays perform reliably with great longevity and have superior electrical isolation characteristics.

This can also act as a standalone passive preamplifier, or be tied to the input of the DCB1, DCG3 or any other type of input for that matter.

The boards are $16.00



I am making a minikit available for this. It will come with no volume control, 4 inputs and a selector switch. However, read the guide, there are other ways to set this up to gather off a previous DC output voltage, and to power another unit if need be. So this is just a 'basic' type kit. More relays available on request.

4-EA2-12NJ-12V relays
8-1N4003G
1-EEU-FC1V222-Panasonic FC 35v 2200uf
1-Molex 2P Terminal Block Black
1-Headers & Wire Housings HSG 7P SINGLE ROW
1-Headers & Wire Housings 7P STRT 1 ROW GOLD 5.5MM MATING PIN
4-Headers & Wire Housings 3P STRT 1 ROW GOLD 6.8MM MATING PIN
4-Headers & Wire Housings HSG 3P SINGLE ROW NON-POLARIZED
25-Headers & Wire Housings 22-24 TERMINAL BULK
1-Wakefield 637-10ABPE heatsink
1-7812 voltage regulator
1-Rotary Switches ROTARY 2POL 6POS NS Alpha
1-Vishay MBB Through Hole .6w 10k 1% 50ppm
1-Kemet Film Capacitors .1uF 100volts 5%
1-20ma LED
$36.00

Attachments

Possible Mark Levinson 431 Problem

Hello All,
I have a 19-year-old Mark Levinson model 431 power amplifier. After sitting unused for about 2-years, I wanted to compare it to my current amplifier. I powered it up for a few days to let it warm up. While checking the input and output to adjust gains for the two amplifiers, I noted a -140mV DC at the input, the output was 0VDC. Both channels measured the same.

My question is, can that be considered normal? The manual says the input is a balanced topology, but I use it in single-ended mode. I noted that if I add a load (if that is the proper term here) of about 1K, the DC goes to zero.

Thanks for any help
Cheers,
ceulrich

recap/rebuild the crossovers on ESS AMT bookshelf speakers

I plan to recap this crossover and put new speaker cable binding posts on this ESS AMT bookshelf

I emailed ESS. They told me that they're looking for the manual and schematics of this ESS AMT Bookshelf.

here is the schematics I found:
https://audiokarma.org/forums/index.php?threads/ess-amt-1d-schematic-upgrade.306388/

ess amt schematic.jpg



On this particular crossover, which part should I replace? Thank you in advance!

Velodyne CHT headache

Good day all. I ecently got a Velodyne CHT avtive subwoofer from a friend. Im needing some advice regarding this subwoofer....and Im hoping to get it here. When I initially plugged it in....it worked but as soons as I increased the volume...it would clip and the relay would kick in. It would only start playing again once I lowered the volume. I checked voltages going to both op amps and its spot on 14.8 volts. What i did find is.... on the attached schematic..... Q709 and Q708 which are the output transistors base-collector come up as a dead short when testing with a MM on continuity. On Q713 and Q716 the collector-emmitter comes up as dead shorts using the multimeter set to continuity. There are numerous other components in the circuits like resistors, diodes and even caps that do the exact same thing. Polarized caps do the exact same thing when testing with a multimeter set on continuity...but it only does it for a second and then no continuity. So far I have replaced all the smaller transistors...becasue I had them. Im hoping some of the more experianced techs could maybe have a look at the below schematic and maybe offer some advice on what to check...if at all possible. any help would be appreciated. Atatched schematic is from Velodyne support. Thanx in advance.....have a blessed and prosperous 2024.

Bildschirmfoto 2024-01-04 um 18.34.21.png

TDA1558Q DC voltage on the inputs!

Hello Everyone!

Recently ive been working on some amplifier project and im using the TDA1558Q. Im very confused with this chip, First of all ive copied the exact stereo circuit with the one in the datasheet and im facing problems. While pin 14 is low (Mute) everything is normal about a 100mA draw, but when the pin 14 goes high (Vp) it draws 1.2A with no external input and it measures 2.2V dc at the inputs and 6+V dc output. I thought it might be a faulty chip so i used a new one it does the same thing. Anyone that knows what is going on and what am i doing wrong with this because im very confused.

For Sale Actidamp MK3 v2 (PCB only)

I sell PCB for MM preamplifier Actidamp MK3, designed by Mr. Dudek. It is a preamplifier with active damping. Another possible improvement of modern operational amplifiers.

I will supply all documents to the interested party.

Price: 30€ + shipping

Payment: Paypal, Wire transfer
Worldwide

Attachments

  • schematic.jpg
    schematic.jpg
    272.9 KB · Views: 270
  • IMG_20231106_103715.jpg
    IMG_20231106_103715.jpg
    512 KB · Views: 203
  • IMG_20231106_103725.jpg
    IMG_20231106_103725.jpg
    399.6 KB · Views: 205

NAD C316BEE - V2 version ( schematics ? )

Dear All,

My Nad C316BEE is broken : it does not turn on !
To fix it, I am looking for the schematics ( service manual ).
Of course there is service manual online, but for only the initial version.
Mine, version V2, has the Main VM3.0 card, with a different diagram.
Also totally different the POWER SWITCH board.
Without these diagrams, I do not know how to repair ( possible that it is problem with +5volts lost ? ).

If any of you had the diagrams ( sm will be the best ) for this V2 version...
And if he agrees to communicate them,
I will be eternally grateful to him !!!

Raymond
( pardon me for my poor English, I am French )

Carte MAIN VM3.0 (a).jpg

Carte POWER SWITCH VM1.0 ( endroit ) .JPG

Etiquette désignation arrière .jpg

Wire Post for Wire Mangement [3D Print]

UPDATED on June 7, 2024 with "Rev C" design.

NOTE: The improved design, now "Rev C version" attached as a zip file here is designed to be used with an M3 bolt (10-12mm) and associated nut (5.2mm wide by 2mm thick). The design now is such that the M3 nut inserts into the slot, then must be "set" into it's pocket by tightening with the bolt first, to pull it into the hex nut slot. Then the bolt can be removed and the post used as intended. There are 4 different lengths you can print, which are attached below in the zip file (57mm, 100mm, 130mm, & 160mm). Specifically, the change in design from Rev B to now Rev C is the nut is required, whereas previously, you could "thread" into the plastic without a nut. Now the hole is larger than the bolt (or just about same size) and requires the nut to be set into it's pocket first. This is a more secure method and avoids the chance of the nut spinning by creating a pocket perfectly sized for the nut to set into. Reach out to me with any questions.
Pocket View.png


I'm giving these iterations away for free as a thank you to the diyaudio community. Interested parties who need me to print parts for you just send me a prepaid shipping label so no money needs to be transferred. Reach out via PM to coordinate. Cheapest option is print yourself or use a buddy who has a hobby 3D printer.

I created the wire post to help with wire separation and management in my F5m chassis (but works on all amps), and plan to share a final product as I go through iterations to optimize the design. There are now 4 different versions that are based on height (57mm, 100mm, 130mm, and 160mm). They all work well and create great zip tie points to hold wiring firmly in place and appropriately spaced (that part is up to you).

These mount to the bottom plate with a M3 bolt and nut (nut is technically optional). It will thread securely into the PLA print as the pocket/hole is 19mm deep and smaller than the thread outer diameter, however, there's also a slot if you want to add additional "rock solid" connection using an M3 nut (just slide the nut down the slot prior to bolting the post to the plate so the bolt threads into the nut).

The whole point is to create a structural point to connect to that guides and separates the various wire runs (filter board to amp board, amp board to speaker out, etc...). The goal is to make numerous versions for a variety of applications you can print at home (or use a buddies 3D printer, maker space, or fab house). The inspiration is from aerospace industry wire posts used to control and separate wire runs.

Although the material is "PLA" (Polyacitic acid), it's thermal properties seem to sill hold up inside the class A amps. I have not seen any deformation due to heat, even when the post is very close to the hot heat sink (heat sink is 60°C and PLA softens around 100°C) so as long as the loads are low (aka, just holding wires in place), the post does not deform under the heat loads.

I printed a bunch of these to give away to interested parties. Reach out via PM if you're interested.
Wire Posts Compared.png



M3 Nut just slides into the slot before bolting on.
20240317_015747.jpg


20240317_020024.jpg



20240319_004304.jpg

Attachments

  • 1710666781389.png
    1710666781389.png
    34.9 KB · Views: 127
  • 20240317_015511.jpg
    20240317_015511.jpg
    386.5 KB · Views: 114
  • Wire_Posts_RevC.zip
    Wire_Posts_RevC.zip
    1.1 MB · Views: 57

Active Xover with USB DAC or "sound card"?

Not many options for USB devices that can be used as a DSP/Xover for running 2 way active speakers? After lots of looking I've only found minidsp 2x4hd, sound blaster X3 and X4, and Asus Zonar U7.

So few options exist? There's like hundreds of single channel/headphone output USB DAC's.... but none have the ability to be used as active crossovers due to having only one output.
What are people using? I bought a used X3 and played some music (before trying it with apps to control 2 channels for the xover) and it doesn't sound clean enough to me to consider using it. I'm assuming the X4 is worse, as it's specs are worse. Then the minidsp 2x4hd has a rather poor review on audiosciencereview, and some people say the top end is missing some clarity. I'm coming from a pretty decent DAC I guess, or the X3 is this bad? So I'm worried the minidsp will sound worse too.. will it?

Any other decent performing mulitchannel output DAC I can buy without selling a kidney? It seems to be slim pickings. Also I prefer line-level output, or RCA.

VFET2 Amplifier Kit - all of the good parts!

SOLD!!

For Sale is one Sony VFet2 amplifier kit. You'll get ALL of the interesting/good/hard to find parts in closely matched pairs/quads. You just need to add the generic bits, a power supply, and a chassis to enjoy this beautiful and awesome amplifier.

This kit includes the following:

One pair of original DIYAudio VFet heatsink mounting brackets with predilled holes appropriately spaced for TO-3 cans
One pair of original DIYAudio VFet2 boards
Two complimentary pairs of original Sony Vfets: 2SJ28s measure 7.5v and 7.6v, 2SK82s measure 7.8v and 7.9v
One matched quad of original Toshiba jFets: 2SK170 measure 9.9mA and 9.8mA, 2SJ74 measure 9.9mA and 9.7mA
One matched quad of original Toshiba Fets: 2SK2013 measure 2.27v and 2SJ313 measure 2.27v
One pair ZTX450 transistors (unmatched)
One pair ZTX550 transistors (unmatched)
One pair of IRFP240 transistors (unmatched, but from same die)
One pair of IRFP9240 transistors, matched at 4.16v
Mica insulators for VFet TO-3 cans

Original Toshiba Front End Transistors:
2SK170/2SJ74 jFets were sourced from Spencer at FetAudio years ago. These are known/verfied original Toshiba jFets and a well-matched quad. 2SK2013/2SJ313 Fets were sourced from DIYA member NicMac long ago. They are known/verified original Toshiba parts and a well-matched quad.

Original Sony VFets sourced from Acronman at CircuitDIY years ago. These are known/verified original parts and a closely matched quad.

Here's a photo of everything that is included (oops, the ZTX450 transistors are not in the image, but still included):

VFet2 Kit.JPG


Price: $475 via PayPal "Friends & Family" delivered to your door in the continental US.

Technics SA-303: R703 thermal management

Hi folks,

I found a working Technics SA-303 and want to replace the stock R703 (470ohms - 5 Watts) due to heat damage on the board (circled in red). I don’t think there are any faults. I’ve measured 40 volts across the resistor. That is 3.5 Watts for a 5 Watt rated resistor! I found a thick film 10 Watt TO-220 package resistor and a heatsink that will fit in the volume (30mm x 30mm x 30mm). Wondering if there is a more common replacement for these power resistors. All of the other 10 watt rated resistors are too big. Thanks. Schematic and photo attached.
IMG_3550.jpeg

Attachments

Transformer Chassis Seat - vertical mounting of Antek 300/400VA (3D Print Files)

UPDATE NOTE: If you want to use an Antek 400VA transformer with this seat, you do need to use some 10-15mm spacers for the 130mm pipe strap. The slightly larger diameter of the 400VA over the 300VA transformer means there's a gap that exists between the chassis perforated plate and the strap ends. If you don't care what it looks like, then spacers really aren't needed as they don't increase the strength of the "grip". You do need to use longer M4 bolts (M4 10-12mm work for a 300VA, but 20-25mm are needed for 400VA. The spacers just make a cleaner look is all by flattening the tabs (see pics at end of this post and associated ZIP file with the 11mm spacer 3D file). Don't buy 150mm straps and think they'll fix the issue as those are too long. Stick with 130mm and either use spacers, or live with floating tabs (secure as a rock with either option).

I'm posting the 3D print files here for the Transformer Chassis Seat I created for my F5m build. Version 2 is now the most up to date (3-19-2024), which simply allows a "lip up" option to the perforated pate. The title to this thread says "Antek", but this may work for other transformers with similar widths/diameters. Making tweaks for other transformers is not hard, so feel free to reach out via PM to create a new version for other transformers.

For now, please see pictures from my build in the F5m Kit thread here: https://www.diyaudio.com/community/threads/f5m-kit.408290/post-7627904

Below is a zip file which contains both version 1 and version 2 STL & 3MF files for anyone to download and use however they see fit.

  • Version 1 - Original Design, no slot for "lip up" perforated plate orientation. [I don't see any reason to use this since Version 2, does what this does and more. However, maybe being 2mm closer to the bottom is beneficial for a few folks.]
  • Version 2 - 2mm Taller (allows more squish and squeeze) and has a slot to allow for "lip up" orientation of perforated plate if you go that route. Pics below are of version 2 showing the slot.
1710638632304.png
1710638690439.png


Hardware required:
  • 2x qty: M4x10mm bolts with standard nuts to mount the seat to the chassis. [2x bolt and 2x nut]
  • 2x qty: M4x10mm (or 12mm) bolts with lock nut, or lock washers, and fender washers to hold the pipe strap down. [2x bolt, 2x locknut, 2x fender washer]
    • NOTE: If you want to use a 400VA transformer you'll need M4 x 20mm bolts (25mm also works). Spacers are not a requirement, but will certainly make it look more professional. Spacer print is attached below, or use any spacer that is between 10-15mm.
  • 1x qty: 130mm Stainless Steal Pipe Strap with Rubber Cushion (cost is around $2 or $3 for one, but you typically have to buy more than one)
1710638913826.png



Assembly
  • Start by mounting the seat itself and ensure transformer has a little clearance around it.
  • Set the transformer up with the wires off to sides to avoid interfering with sides of seat.
  • Loosely attach one side of the pipe strap with the lock nut.
  • With your three hands (yeah, a third hand would help as its tricky), put the other end of the strap on compressing the transformer into the squishy seat to get the nut to thread.
  • Tighten it all up nice and tight....all done.

More to come as I try out different designs and try to make something that's more "universal" for different applications.

1710639391396.png


20240316_123722.jpg


Here's a 400VA using 20mm M4 bolts without spacers. Still crazy secure, but kinda looks "janky". (not that anyone sees this once case is closed up)
20240402_145508.jpg


Here's what the 400VA transformner looks like using 11mm 3D printed spacers. Just looks better, but no more, or less secure. Purely cosmetic.
20240402_175524.jpg

Attachments

For Sale ACA Mini Stereo Amp

Selling the first ACA Mini I built which used the ACA Mini Essentials kit, parts from Mouser and extra parts I wasn’t using. Upgrades include DynamiCap input film caps, a medical grade switching power supply, a P089ZB clone of a SMPS DC filter and Welwyn RC55 resistors in the signal path. Everything was mounted on a wooden board for expediency. Ugly, but sounds great!

$100obo including shipping to the lower 48.

Also included is a bare ACA Mini PCB and the original instructions left over from building a second ACA Mini using PCBs of my own design mounted on huge heat sinks.

ACA Mini Amp.jpg

Attachments

  • ACA Mini Dynamicaps.jpg
    ACA Mini Dynamicaps.jpg
    105.9 KB · Views: 136

Rotel RX 400A Repair - Transformer problem?

Hello All

I have chanced upon a faulty Rotel RX 400A

The previous owner said when it was switched on, it briefly lit up (the front illumination) and then smoked and shut down.

On examining the amp, the transformer doesn't seem to be producing any secondary AC - only shows 3VAC.
The schematics do not show any clear transformer specs. It does produce various DC voltages using a bunch of resistor divider networks, but the max seems to be 47V (B1 in the diagram). There is also a DC smoothing cap of 50v 6300uF.
There is an odd 6.3v shown on the primary side that goes to the pilot lamps. Not sure what this is ...?

I am attaching a pic of the transformer, and the relevant extract of the power circuit schematic.

The amp specs are 25w into 8ohm per channel.

So... I am looking for some advice on the specs of a replacement transformer. I presume I need 220V : 50-0-50V , and maybe 100VA atleast? The pilot lamps are a confusing element here, but maybe I can build a DC alternative for them, and/or swap to LEDs. Any further info on this 6.3v is helpful.

Or should I junk the whole power section and drive it with a modern power supply to get 47v DC, and let the other voltages stand as they are off the dividers?

Any advice or pointers are much appreciated.

Attachments

  • circuit.jpg
    circuit.jpg
    533 KB · Views: 144
  • transformer.jpg
    transformer.jpg
    516.6 KB · Views: 130

Humming noise Problem on the inputsignal

Hi There, need some help

i own an effect unit from Ensoniq the Dp4. I have problem with the input signals, there is completly distorted a lot of hum and noise.
i did a check after the D/A converting and the effects blocks. on the signal path after the effect which is going to the outputs everyhing is okay because i can generate i sine wave signal in the effect processor and it sounds good.
What are the possibilties of these issue ?

Grounding?
a faulty Tl074?

Tweeter to crossover at 1KHz?

I'm looking for recommendations for tweeters that can cross at 1KHz. Planning on an MTM with dual 8" woofers that shouldn't be taken higher than 1KHz. It will be active, so steep slopes are possible and OK.

High on my consideration list is the ESS HEIL AMT...it's actually the only one on my list at the moment. What else can do this that's not a large compression driver needing a large waveguide?

Thanks in advance.

driver/amp recommendations for dual mono sub

I currently have lowther dx4 in BLH cabinets, which bass is rubbish, my first plan will be to try and EQ some bass using Nelsons EQ board, if this works, great.

If not then i have 3 thoughts:

1. leave the drivers in the BLH cabs and build/add a couple of subs

2. make and transfer the drivers to open baffle and build/add a couple of subs

3. make and transfer drivers to TQWT (or ML voigt)


Would appreciate any thoughts/recommendations

Thanks

Two Hifonics BXI-2610D, one repaired, another component ID PWN

One amp died when Main positive and negative power in crossed, and the other failed with a multimeter attached while connected to speaker terminals while loaded. Of these two are the components I have to replace with bd139 & bd140, IRFP064N, IRF640. The first amp I have replaced with bd139 and bd140, new 47ohm resistors & IRFP064N, and repaired a trace under the coils.
I have the other amp all with the same symptoms, but additionally, the pwm/protection board has some failed components I have been scouring the forum for. I found here the schematic to help Identify resistor values but no ID on the transistor in position Q5. I dont know what Q5 is, a pnp transistor or linear voltage regulator? https://www.diyaudio.com/community/...-type-3-protectionmarkedtype3-01-pdf.1270452/
Im also reading a handful of odd resistor values on the pwm board as well.
9.jpg2.jpg3.jpg4.jpg5.jpg6.jpg
Where I can get a hold of a replacement board? Tracing Q5 to r10A (top), bottom middle leg to pin 1, left leg to C1898, But What does the right leg lead to seeing as it blown the trace? Probing what little left of the trace shows that its connected to pin1(bottom leg & top). What is the transistor of Q5?

Which Preamp for Less Than Great Sounding CDs?

Much of my source material (uncompressed CD track rips; no SACDs or vinyl), are 60s pop, r&b and soundtracks, which were often victims of excessively applied compression. And some tracks during multi-vocal passages and when orchestrations get busy sound “congested”; possibly due to poor miking/baffling (??), other acoustical and/or electronic causes. So, while not outright crappy (??), much of my music was certainly less than pristinely recorded and/or mastered, even though almost all were issued by major labels.

Further complicating matters was that I had originally attempted to wed this superb midwoofers with cone HF and MF drivers. Login to view embedded media
Luckily, I caught that mistake before wasting time and funds. Troy Crowe and I are now deciding among horn drivers to finish this build. The trouble is that no matter which drivers are chosen I might end up not smiling so much while those speakers are playing anything but my tip-top quality CDs. No doubt that’s one reason why so many horn speaker owners prefer SACDs and even less than high quality vinyl over most music released only on CD.

Thus, while I do have some well recorded and well mastered CDs, perhaps the only way to make most of my stuff sound more pleasing is through careful preamp selection-and/or, where possible, tube rolling and “voicing”, as Aikido owner PierreQuiRoule suggested.

To this end, I’ve heard the Aikido described as very neutral sounding. Whether this is true and/or is the same as transparent sounding, while either may be an asset for playing high resolution source material, how would such a preamp feeding my First Watt F4 power amp driving my >94db/m/watt horn speakers present my more sonically troubled CD tracks?

I’m hoping that the Aikido, built with high quality parts and using the right tubes would somehow behave friendlier towards most of my CDs. If yes, please suggest the best caps, even some of more costly Jupiter models. If the values are too big to fit on John Broskie’s updated Noval board, I might elect to ask John and Phil Marchand about the tradeoffs of redesigning the board to accommodate them.

John also mentions here that he suspects tighter bass can be realized with an electrolytic-free power supply. https://tubecad.com/2018/03/og0415.htm

Also important to know is which are the tubes known to create the most lifelike imaging and largest sound stage?

But which are the tubes which may be too revealing for my more crappier sounding CDs?

Alternately, is there another preamp which would be altogether better for my situation, such the Nelson Pass B1 Korg Triode, or others?

For Sale Capehart Field Coil 12" Speakers

FS Pair Nice Capehart Jensen C12R Field Coil Speakers $400 shipped
These are in excellent condition as removed from a working high end radio. Nice matching readings VC 8 ohm, FC 680 ohm. These have quite the following. Only $350 with free CONUS

Attachments

  • 51A35F2E-81FB-4C1C-8BF9-CFE51CDAF945.jpeg
    51A35F2E-81FB-4C1C-8BF9-CFE51CDAF945.jpeg
    504.3 KB · Views: 58
  • 0AB2C66C-8E2E-48CF-8F2B-E2E662F6F758.jpeg
    0AB2C66C-8E2E-48CF-8F2B-E2E662F6F758.jpeg
    487.6 KB · Views: 70
  • E346093C-65F5-4F5C-8E2F-0A78BD042164.jpeg
    E346093C-65F5-4F5C-8E2F-0A78BD042164.jpeg
    56.2 KB · Views: 67

$325 Lab 12 based PA tapped horn ~ 35Hz extension

There aren't many 12" tapped horns for prosound. The Lab 12 is a great driver for the price, has a strong cone for tapped horn high(ish) compression ratios, and a good amount of Xmax.
12" tapped horns can be much skinnier than 15" and 18" horns, and with the price of the Lab 12 ($165) one can use 4-8 horns and not hurt the wallet too much.
With multiple horns as opposed to one or two large 18" horns, you have more options for stacking and setup.

Figure with the 400w rms rating of the driver, huge amps aren't needed to drive the cabinets to full output.

So here is the breakdown:
$165 Eminence Lab 12 (readily available, been around forever, now two voice coil options available)
$60 per 5x5' 3/4" Baltic birch (2 sheets required)
$40 for Casters, Durtatex, terminal, screws etc

Simple folding, easy to construct. Will have handles and casters for easy transport.
38" High x 30" Deep x 15" Wide cabinet (about 10 cubic feet or 300L)
Low corner of about 35hz
15" wide cabinet maintains truck packing dimms
Group of 4 plus 2000watt amp will provide plenty of output for as little as $1600 ($1300 for 4 cabinets plus $300 for amp)
This build is with the original 6ohm driver. The new Lab12c may also work, not sure.

Lets call it "PAL12 Subwoofer" For P.A. Lab 12 Tapped Horn

DIRECTORY FOR THIS THREAD
AutoCAD drawings, 2D: (post #123)
$325 Lab 12 based PA tapped horn. ~35hz extension - Page 13 - diyAudio

3-D rendering: (post #127)
$325 Lab 12 based PA tapped horn. ~35hz extension - Page 13 - diyAudio

Construction Technique, order of panel installation: (post #129)
$325 Lab 12 based PA tapped horn. ~35hz extension - Page 13 - diyAudio

Initial measured results: (post #82)
$325 Lab 12 based PA tapped horn. ~35hz extension - Page 9 - diyAudio

Now that the sub is constructed and tested, we can post some final specs.
Operating frequency: 34Hz----120Hz +/-3db
Dimensions: 30"x38"x15"
Impedance: 4 ohms
Power handling: 400w rms, 800w program High pass 32Hz 24db/octave minimum
Weight: TBD

Woofers & tweeters by Visaton

Hi,

I am selling surplus drivers left from various projects in the past that I do no longer need :

1) Woofers W-300. Almost like new. Asking 50 euros per piece, I have 4 units in total.
2) Mid bass units AL-170. Good condition. 70 euros for piece, 2 units total.
3) Tweeters KE25SC, highly valued. 85 for piece, 2 units total.

I sell only in pairs, shipping from EU. All speakers come with original boxes and are fully working. Used very little, mostly stored for several years.

Attachments

  • IMG_0350.jpg
    IMG_0350.jpg
    404.8 KB · Views: 70
  • IMG_0353.jpg
    IMG_0353.jpg
    339.1 KB · Views: 62
  • IMG_0355.jpg
    IMG_0355.jpg
    357.9 KB · Views: 59
  • IMG_0357.jpg
    IMG_0357.jpg
    411.9 KB · Views: 57
  • IMG_0396.jpg
    IMG_0396.jpg
    394.2 KB · Views: 58
  • IMG_0397.jpg
    IMG_0397.jpg
    382.4 KB · Views: 60

Modular phono preamp

I've just finished the build for the first pcb of my modular phono preamp project.

It does RIAA compensation and basic amplification suitable for an MM input.

I intend to design an MC stage pcb, an input connector pcb, an output connector and power pcb (perhaps with battery option), a rumble filter pcb. They will slot together with dupont-style edge connectors, allowing various configurations.

The two channels are independent in this pcb, roughly mirror-image, allowing a star-ground to be used at the power supply end.


modular_riaa_preamp.jpg


SMT is used where possible to keep size down. PPS capacitors seem to be the best compromise for low distortion and SMT availability - here a single value, 10nF, is needed.

The RIAA circuit topology is slightly unusual in that each of the poles and zeroes is an explicit separate RC pair. Care has to be taken to keep the opamps stable into capacitive loads in this topology (the 33pF capacitors and 470 ohm resistors).

The nominal component values give exactly 75µs, 318µs and 3180µs time-constants. Alas I could only source 2% PPS capacitors, but 0.1% thin-film resistors are used throughout.


Where DC-blocking is needed I used back-to-back electrolytics of high value with a centre bias to keep them formed over time. The 22M resistors were a guess for this purpose - the time constant is measured in hours so in theory won't have any impact audibly.


modular_riaa_preamp.png


There is no input DC-blocking capacitor, as my calculations show the tiny bias currents of opamps are not going to have any effect on a MM pickup (despite what a lot of people glibly state). 500nA in a 1k5 winding gives an offset of a fraction of a mV, and a few mA-turns of magneto motive force, insignificant compared to signal levels, especially when the inefficiency of the MM cartridge as a motor is considered. I think I'd need to see some hard evidence to the contrary, such as a plot of THD v. offset current.

Yamaha P2200 replacement amp boards

Hello DIY'ers.
I have been given a Yamaha P2200 that is completely broken and not worth repairing - particulary so as the whole left channel has been removed. The best path forward is to try and reuse the chassis and toroid etc to build a whole new amp.
The power supply consists of a couple of 100v 22,000uf cans and I'll be replacing that fully. No problem there.
The rail voltages are very high though @ +/- 80VDC and I'm wondering whether anyone has some recommendations on suitable amp modules for this. I did read a very old thread in here about repowering a P2200 with Aussie Amplifier modules and while this is an option, it's a very expensive one.
So, does anyone have some thoughts on what I can possibly use or consider?
Cheers

FR-64s endpoints of the horizontal movement

Hi everybody,
I have two Fidelity Research FR-64s tonearms. They both work perfectly.
I noticed, however, that they have the different endpoints of the horizontal moving.

One of the arms can be placed directly above the TT spindle, just this position is the endpoint of its horizontally
movement.

My other FR-64s can be horizontally moved through the above mentioned endpoint a little bit further (apr. 20 degrees after the reaching the TT spindle).

The same situation by the moving right: the first arm can be horizontally moved just to the rest area, my other Fr-64s can be moved outward after the reaching the rest area a little bit further.
Is with this FR-64s something wrong and the arm must be repaired or serviced?
Thank you for any advice.

Paul

Automatic volume leveler

I've got the following circuit which keeps the level of an audio signal fairly constant.

Due to adding a VU meter circuit and only having a dual OP-AMP to drive the meter, I have an extra OP-AMP section.

Is it possible to connect the inputs to the + and - inputs of the OP-AMP and use it to drive a meter to indicate how much the circuit is operating on the signal?

FB_IMG_1710602130814.jpg

LX Mini 3D Print

After my fateful post re:LX Mini plan pricing, I did order the kit and plans from Madisound. Par for my course anyway, I decided to improve the WAF. Others have done 3D printing but I suspect they narrowed the focus a bit. These prints took a while and are (hopefully) cosmetic only. At least I’ve tried to make that way….

C786BB0A-A84D-443D-AF81-F72564DF1745.jpeg


It’s not finished as I plan to incorporate a white wooden base (next time I would use a different filament color). And just to further my appreciation of “measure twice, cut (print) once” I managed to use the 6” flange OD as the bolt circle instead of the actual bolt circle. Damnit.

Z

For Sale Iron Pre Single Ended Essentials KIT

SOLD!!

I've decided to sell my unassembled Iron Pre Single Ended kit. You get everything that came with the kit from the DIY Audio store. I could post an image, or you could just look at the link to kit in the DIYA store. You get:
  • 1x Iron Pre SE PCB, good for two channels
  • 1x Iron Pre “Twister Board” PCB for Input Selection with LED indicator and Mute x 1 positions (LEDs not included)
  • Active Devices (QTY based on SE board)
    • 2x 2SK370 Matched JFET Pairs (J1, J3)
    • 2x 2SJ74 (J2, J4)
    • 1x BD139 (Q1 )
    • 1x BD140 (Q2)
    • 7x BC546 (T1, T3, T5, T7, T9, T11, T13)
    • 7x BC556 (T2, T4, T6, T8, T10, T12, T14)
    • 2X LM336 2.5 (U1, U2)
    • 1X IRF510 (M1)
    • 2X IRF9510 (M2, M3)
  • 2X CineMag CMOQ-4HPC (high nickel laminations) Signal Transformers
Everything is completely new and unused/never soldered. I opened the static-safe just once in order to verify the contents to make this list. Your price is exactly what I paid for it from the DIYAudio store: $150 + $15 for paypal fees and shipping. Shipping to the continental US only. First response gets it.

If this is still available in the morning, I'll post a few images (exactly the same as what you see on the store link).

Tube Lab SPP build

Been a long time since I have posted in here. Starting a Tube Lab SPP build and have ran into an issue with a bit of a solder bridge and was wondering if this will be an issue?

R204/R203 and pin 8 on the V200 tube socket? I've been trying to clean it up🥴
17105933222312925920875283613752.jpg


Looks like R204/R203 are connected? But definitely get the solder away from pin 8. Just want to make sure before I overdue it trying to remove something I don't need to.

Thanks in advance

SSL Matrix 2

Please let me know if you have any questions about this board. I have one of these at my studio in Orlando, FL. East Rom Suites It is by far one of the best consoles for a small studio footprint. It is definitely an amazing bridge between analog and digital.

10c93055-8023-4394-9a3a-dd4b542f9955.jpg
76fcd8d2-16a8-4d62-8eca-343d01b6ca26.png


The Standard information:
  • 32 x 16 x 16 'Insert Router' for up to 16 external hardware processing devices
  • Hardware processors can be inserted via console controls or cross-platform drag-and-drop software browser
  • Stereo or 5.1 EXT monitoring outputs with independent Main and Mini monitor control
  • Hardware processors can be inserted individually or as 'chains'40 input Super Analogue summing console
  • Stereo Aux Send and 4 x Mono Sends per channel
  • 4 Stereo Returns with full stereo mix bus routing
  • Dual Stereo Mix Busses with summing Inserts and reassign In Line' DAW monitoring with 'SuperCue' headphone mode
  • Stereo or 5.1 External Monitor inputs
  • Stereo digital I/O (S/PDIF, AES/EBU) with SSL converter technology
  • iJack front panel Monitor input
  • Heavy-duty external PSU16 analog line channels with two inputs per channel
  • Artist Monitor output with independent EQ and monitor source selection
  • Single button push flips control between the analog signal path and DAW software
  • Multi-layer control of up to four DAWs simultaneously
  • Ergonomically advanced hybrid hardware control surface
  • Digital scribble strips for constant visual feedback
  • Fader-linking for analog channels
  • Additional motorized 'Focus' fader for simultaneous DAW/Console control
  • 16 channel strips each with motorized fader and assignable rotary encoder
  • Total Recall for analog console controls
  • General purpose MIDI controller mode
  • A-FADA or MIDI Fader automation
  • Ethernet MIDI connectivity
  • Simple drag and drop insert router page for configuring hardware device chains and loading inserts
  • Intuitive cross-platform remote browser for system configuration and project management
  • Cross-platform 'Logictivity' remote browser interface
  • Programmable hardware buttons for sending standard USB keyboard commands

The "Dutch" Karlson 12

- has been a popular build in Europe and spoken of, like Karlson boxes in general, as playing very loud with very little visible cone movement.

I would assume its based upon Karlson's 2nd K12 with a distributed slot port which appeared around 1956 and published in the July 1958 issue of Popular Mechanics. Its 3 port slots are much larger than Karlson's K12 with 6 saw blade-width cut slits, so should have less velocity. The panel above the speaker baffle, fully perpendicular.

IIRC, there was a build some years back on Diyaudio, but I've not been able to locate the thread or post.

Article https://i.imgur.com/SBDGevY.png

Plan http://home.planet.nl/~ulfman/images/Plans/new12in.gif

Karlson's 2nd K12
6553ba203ae53f80f8cb08e62dda952a--speaker-plans-hifi-speakers.jpg


a couple of Karlson's mid 1960's K12 - one apparently offered with a blank port panel

(the first pair are mine)
PvBejSd.jpg

ZxGbIup.jpg

6PBeU6n.jpg



A down-scaled version of the "Dutch" Karlson 12
7cd715fb96541892e2aa2b06e624674d--transparent-speakers.jpg

Alternatives to The Beaglebone

I don't think there are many of us left using the Beaglebone/Hermes/Cronus. It seems development for the Botic driver has been dropped. I have been using GentooPlayer but the developer no longer supports the BB. He said it's not worth his time. This is really too bad because the BB is much superior to the RPi for our purposes. One alternative is supplied by IanCanada. He has a lot of products and it takes some time to sort them out. Just thought I'd post my experiences with this in case anyone is interested.

I use HQPlayer on a separate PC to convert everything to DSD256 and send over the network to the BBB.

I purchased a FiFoPi from IanCanada along with his PurePi power supply. I connected the BuffaloPro to the FifoPi using I2s. Just to get started I loaded RoPieee on a RPi4. Had to choose "Generic I2s DAC" nothing else worked. The best I could get was DSD64 using DOP. This is apparently a limitation of Linux on the RPi. The BBB does not have this limitation even though it uses Linux as well.

Initially I felt the sound was improved and more detailed but a little forward in the upper midrange. Bass was very good. I'm told that the clocks need time to burn in so I listened to this setup for a week or so. Ultimately it became a bit fatiguing. I could maybe make some adjustments in my speaker crossovers to help. For now I have gone back to the BBB/Cronus but substituting the clocks from IanCanada. This is a happy medium with bit more detail but not quite so searing.

3-Way design with Dayton RS52AN

I am planning a small size 3 way with Dayton RS52AN which I have, Initially brought with an Idea to build Black Box (Dayton RS270S-8 + Dayton RS52AN-8 + Dayton RS28A-4) --https://www.humblehomemadehifi.com/download/Humble%20Homemade%20Hifi_Black%20Box.pdf but later to my delay RS28A-4 has become obsolete.

Due to space constraints Iam not opting for http://zaphaudio.com/ZDT3.5.html

As I require a small footprint 3-way speaker, My thought is to go with a passive radiator for the woofer.

Has anybody tried building a 3-way Dayton RS52AN ( other than the above builds )?

Kindly help me to complete my build, your inputs are highly appreciated.

3" FR speakers for micro stereo upgrade

I get second hand all in one box micro stereo with 3" speakers and sound of it really needs upgrade.

I made measurements in room from 1m and there are problems to solve. Room modes have very little influence and holes on 500 Hz and 1.2kHz are from speaker.
Black line is bass reflex port near filed and blue is speaker near filed measurement.
Port+box have very low Q, probably because air leaks, this can be easily fixed, but can help only increase very little in bass response.

MicroStereMes.png


My first idea was Alpair 5.3.
Speaker box volumes are 1,75 L what is very little but it cannot be increased.
Simulation of Alpair 5 in existing box with existing port ( 30 mm diameter, 80 mm length) give not best results, solid lines on image
Optimized volume configuration lines are doted, 3,58 L box, port 30 mm diameter, 80 mm length.

What other 3" FR speakers can be used with small bass reflex box volume?

Alpair5.PNG


If I increase port length in simulation to 140 mm change is to better but little.
Alpair5increasedport.PNG

STC 4033X info

Hi, I am wondering if anyone has any information on 4033X's parameters?

Previous links with datasheets appear to be removed a long time ago.

On radiomuseum (without sources), it states that it requires 4V filament, but stated the 6V tube, 4033L as "Normally replaceable-slightly different"

I note that online tube sellers commonly label 4033X together with NT37, which was stated to use 6V (http://www.r-type.org/pdfs/cv1220.pdf)

Any ideas if 4V on radiomuseum is a mistake, or could the 4033X be one of those tubes that are usable on both listed voltages?

Technics SU-7200 Replacement power transistors

Good afternoon, I am writing to inquire about something specific. I have a Technics SU-7200 to which the power transistors have been changed, and that ones are now short-circuited. Could someone advise me on whether using the original 2SD526-Y and 2SB596-Y matched transistors would make the amplifier work perfectly, or if there are other transistors that might work better? I'm not an electronics expert, but I have some knowledge. I would be very grateful for your help as a humble radio enthusiast. Thanks in advance.

Ultra-low distortion, non-GFB, discrete, non-complex, DAC line level amplification ... does it exist?

Hi all,

Well, I reckon this is going to be a quite short thread as my feel is that what I am looking for does not exist ... But knowing that there are many knowledgeable people here there might just be someone knowing something about this ...

Is there an ultra-low distortion (<125 dB THD (DC to ~30 kHz), non-GFB, discrete components (non-opamp), non-complex design (basically "not that many components") DAC line level amplification circuitry (gain 5-10x) in existence somewhere accessible? I am asking because MarcelvdG's RTZ FIRDAC design in this post:

https://www.diyaudio.com/community/...t-register-firdac.379406/page-55#post-7419240

shows great potential, however, I would prefer to have the subsequent amplifier be a non-GFB & discrete design (and, yes, there need be filters but "first things first").

Yet I have never seen a non-GFB & discrete design with such low THD values - so my guess is that it doesn't exist ... ? Or may I just have missed it?

Cheers & thanks for reading & maybe replying with good news ;-)

Jesper

Frankenplanar speaker: Acorn ESL / Maggie ribbon tweeter hybrid

Inspired by StigErik’s hybrid Magnepan speaker project (please come back StigE if you are reading this) I’ve decided to put together an unusual hybrid speaker system comprising Maggie ribbon tweeters, ESL mid range (cut out of some old gen 1 Acorn panels) and OB woofer arrays. The ESL mid range will use a 3 micron diaphragm.

On paper it probably doesn’t look very sensible to mix 3 different transducer types but I’m in a position to try it without going to enormous expense and so why not give it a go. To maximise the chances of success I will be using Audiolense for the crossovers etc.

Still in the planning stage but I will post updates as I progress.

The Pioneer Super Linear Circuit

Every now and then, we do something totally different, for fun but also for bench-marking.

This is almost 180° to what we normally do.
No FETs, no NOS parts, no 0.3% matching (although hfe matching does improve performance significantly).
All parts are in active production; you can get them from Digikey or Mouser for very little money.

It is Class A, has no global feedback, can deliver +/-10V into 30R before clipping.
It delivers 1Vrms into 30R at an amazing -97dB THD, and has a -3dB bandwidth of 2MHz.

You can read about it here :
http://xen-audio.com/documents/SLHPA/SLHPA Description Public 171005.pdf


Patrick

.

Attachments

  • 170928 SL HPA Proto 1 Top.JPG
    170928 SL HPA Proto 1 Top.JPG
    298.7 KB · Views: 7,819
  • 170928 SL HPA Proto 1 Btm.JPG
    170928 SL HPA Proto 1 Btm.JPG
    309.4 KB · Views: 7,707

ECC83 + ECL86 guitar amp pondering...

Hey gang, so I have this old valve radio which has an ecc83 preamp tube run as a two channel stereo and then there are ECL86s for each of the channel in the power amp section.

Now, although it somewhat worked while still in the wooden enclosure, something got damaged while i was taking it out. I don't really feel like bothering to measure all the old dusty buggered semiconductors, also the construction of the multiband radio receiver is a big mess.. or maze.. or both so to get to the board where the amplifier section is mounted is extremely inconvenient, that is why i have decided not to try to mend it but rather salvage what i know is good and functional and build a new simpler amp around those parts in a fresh chasis: the transformers, tubes and sockets and the amp board.

Now my question.. is it possible to rewire the two triodes of the ecc83 as two gain stages and then run it to one of the ecl 86's in the power section?

And if so, is it possible to wire a gain pot? The radio obviously only had a volume one, treble, bass (and stereobalance which i would remove bcs i do not intend to use it as a stereo amp).

I do have a full schematic and parts data sheet. But I am seriously considering just using the ecc83, one ecl86 and just point to point wiring it bcs there is a lot going on the original pcb and there are leads and switches all around the place bcs of the multiband radio receiver..

I know I should probably just buy brand new parts for a simplified princeton or whatever 🙂 but at the same time I would like to give new life and purpose to this old junk which has been lying in the attic for decades. And I do want to build from these parts bcs I know it sounded pretty good considering its age and state and the fact those werent even guitar spekers. Login to view embedded media
Here is the maintenance manual with the schematic of the radio at the end http://www.oldradio.cz/schemata/ts538sn.pdf

Offset voltage in Lang 20W class A mosfet amplifier

Hi everyone. Having built 3 Lang 20W class A amplifiers, after finishing the 4th, during the final measurements, the dc offset is 7mV at the right channel and at the left is -25mV. In all the previous amplifiers the offset voltage was between +5 to +13mV. The only difference among them is that instead of +-20V regulated voltage supply, +-28V unregulated power supply which I think it is not a big deal. My worst problem has been in matching the BC560C. i have bought 100 of them and their Hfe was below 600 except of 2. So While all the BC550C were from 600 to 612, I have placed the only 2 BC560C with Hfe 600 at the differential amplifier and the rest where it has been needed to. The quiescent current was set for 2A as per the instructions of the article. I use separate toroid transformers with 2 separate secondaries 2 X 20VAC/8A and 4 X 6 X10.000uF so every negative and positive voltage use 60.000uF each. All the components have been purchased by Mouser except the BC560C. The output waveform are clean and undistorted at 1Khz/4V input from the wave generator. Do you think that those difference will affect the fidelity of the amplifier and if yes how can I fix it? Check the attached files for every helpful detail. Thanks a lot in advance.

Attachments

  • Lang 1.jpg
    Lang 1.jpg
    328.3 KB · Views: 323
  • Lang 2.jpg
    Lang 2.jpg
    407.4 KB · Views: 314
  • Lang 3.jpg
    Lang 3.jpg
    456.4 KB · Views: 277
  • Lang 4.jpg
    Lang 4.jpg
    392 KB · Views: 277
  • Lang 5.jpg
    Lang 5.jpg
    329.6 KB · Views: 501
  • Lang 6.jpg
    Lang 6.jpg
    294.5 KB · Views: 514
  • Lang 7.jpg
    Lang 7.jpg
    368.1 KB · Views: 506

Matching Tweeter, Woofer, and Amp

I hope I posted this in the right place... I was trying to build a portable speaker. My budget varies but I didn't want to go crazy. It started out as a simple idea... build a speaker box that I could plug in my Qudelix 5K to have the awesome app and equalizer. I didn't care if it didn't sound "great"... My goals were: 1: Try not to spend more than necessary. 2: Don't make it TOO big, I wanted the biggest speaker to be no more than 4 inches if I could help it. 3: I wanted to separate the highs and lows between two speakers, A tweeter and a woofer/full range, with a crossover. Added: 4: I realized flat 20hz to 20,000hz was NOT going to happen, so I decided I wanted it to have around 60hz to 19,000hz on a relatively decent flat overall response curve, made more difficult as most Woofers I looked at had a bit too much fall-off around 100 to 80hz. BONUS: 5: Use 4ohm speakers for power efficiency.
I tried to learn what I could browsing many forums and actual build guides.
Looking at Ohms I saw things like: "Make sure the speakers are the same Ohms as the Amp or you will blow the speakers or burn out the amp," or "The speakers can be a higher Ohm than the Amp but they have to be the same as the other speaker," or build guides where the speakers' Ohms didn't match at all.
Looking at Wattage I saw things like: "Match the RMS wattage of all the components," or "Make sure the wattages of the speakers are a bit higher than the Amp so the Amp can't blow them," or "If the speakers' wattages are too high compared to the Amp's then they will stress the Amp."
Looking at Sensitivity I saw: "The ohms and wattage don't matter, it's the sensitivity of the speakers that matters, match that instead," but on some build guides I saw, none of that matched either! I saw things like a 20w RMS 4ohm 90dB 2.83V/1m Tweeter being used with a 50w RMS 8ohm 80dB 2.83V/1m Woofer!
I'm incredibly confused! I spent several days looking at Speakers and Amps trying to just match everything so I don't have to worry about any of it, but that being very difficult isn't even what has stopped me... It's my realization that I'm in way over my head! I'm obviously either missing something or overcomplicating it... I just want to know how to match a Tweeter to a Woofer with DECENT accuracy and not blow anything up...
...
Now with how expensive the parts are that match in ways similar to those above, I'm considering doing a mono Amp with only 1 Tweeter and 1 Woofer for now and eventually building a second later splicing them together by feeding each the split left and right signal... or using two Bluetooth transmitters, each with a split left and right signal out of my Qudellix to each of the Satellite speakers.

8 vs 16 Ohm drivers: different frequency response?

Having examined the data sheets of 18 sound’s comp drivers in recent days, I’m intrigued by the fact that depending on the 8 or 16 ohm version, there are notable differences in the frequency response, with a tendency to more accidents and decrease in the UHF region for the 16 ohm versions.

The impedance curves also tend to exhibit more accidents with several maxima.

Only explanation I came up til now is that the 16 ohm versions involve a greater distance between core and diaphragm (due to longer moving coil??).

Anyone can comment on the above?

M&K MX5000 Amp

Hello, I’m new to this forum but found it while searching for thoughts on repairing an MX5000 amplifier. My issue started out as loud uncontrolled low frequency noise coming from the sub. I thought it might just be too much gain on the sub so I went to turn it down a bit. I got more of this noise when exercising the gain potentiometer so I thought it might be the issue. It showed as an A50K potentiometer so I ordered what I thought was a replacement. Turns out it was a B50K but I figured it was ok so I soldered it in. Well, it didn’t work and I found/ordered an A50K. I took out the B50K and soldered in the A50K and now I’ve got nothing. Occasionally I get some weird noises. I took it apart this evening just to look over everything and I don’t see any evidence of electrical damage on either of the circuit boards. I connected all the wires back up internally and and plugged it back in. Then got some chattering noise with no audio inputs. Hooked up audio inputs and nothing and the chattering has gone away. I do get a low frequency hum if I touch both the positive and negative terminals on the low level audio inputs. Is the amp dead? Is there anything I can easily check? Can I put some sort of steady state resistor in the place of the pot to just check it? I’ve learned that I can get a replacement plate amplifier which will probably solve my problems. However, I just want to make sure I exhaust all my options before doing this.

Thanks for any help that you can provide.
Projects by fanatics, for fanatics
Get answers and advice for everyone wanting to learn the art of audio.
Join the Community
507,789
Members
7,888,672
Messages

Filter

Forum Statistics

Threads
406,253
Messages
7,888,672
Members
507,789
Latest member
flipzbird