https://shopgoodwill.com/item/193645033

Posting this only as a gesture of "Good Will" for my fellow vintage audio enthusiasts, as I'd consider it a once in a lifetime opportunity. They're pickup only, in Spokane Wa. Perhaps someone in Seattle area - even Canada - would gladly make the trip there and back to retrieve them.

I have enough stuff - and not enough enthusiasm at my age to drive 725 miles round trip to get something more. Another place and time I'd be chewing real hard on that idea. Currently around $50 and no foolin', I saw a nice looking pair of EV Sentry IIs go for $67 - if you happen to live near Brooklyn Park, MN...

I was making experiments with INA chips and I put together a relatively few components differential input phono with such. Thought I'd share. Because easy to configure I nicknamed it Chipomatic 🙄

U1 is AD8429 which is a low noise instrumentation amplifier of very good general characteristics (SMD only). Texas INA217 (through hole) isn't a bad alternative by the way, it only gave ~2.5dB worse noise floor. U2 is a half OPA2134* configured as DC servo. R3 C3 values are chosen for a mild subsonic filtering effect. A passive RIAA equalizes the signal with 20dB loss which is gained back in U3 (the other OPA half) to drive some line preamp. U2 U3 could be done with singles too like the very good LT1792. Should always be a JFET input type due to the passive filter's high source impedance though.

RL1 RL2 are typically 48k total for MM cart or SUT but they would be optimum at 750R each for the AD's input current noise. When driven from say a DENON DL-110 of 160 Ohm source impedance, 1k each is doable for instance. Measuring 3dB better.
If the SUT has a middle tap on its secondary the GND point should be moved there than between RL1 RL2 to improve SNR due to less impedance for U1's input bias currents.

With the ~50R RG shown there's 42dB gain. Good for 2.5mV HMC. Adding 20dB voltage gain with a 10X step up transformer, or with an active differential pre-pre stage, its good for 0.25mV LMC. The graph's noise floor elevates 10dB in that case.

RG=63R gives 40dB gain and RG=100R 36dB gain for 3mV-5mV MM cartridges. 36dB & 10X SUT is good for 0.5mV MC. Output goal is about 300mV RMS nominal at 5cm/sec velocity with all types of cartridges and suitable gains.

I measured 28V pk-pk non clipped output at 1kHz with +/-15V rails thus 30dB overload margin above nominal output.

After breadboard phase I constructed a little matrix board monophonic example for 42dB. Its not best because it takes proper PCB of expert layout with ground plane and copper fill in such gains, especially for high performance chips, but its rather passable as proof of concept. To help against too much hum pick up I rested it on grounded metallized paper from a pack of cigarettes 😉

Anyways, I managed some FR & SPA measurements (using SE signal source and a balanced impedance divider). Showing its RIAA transfer curve, its conformity to flat with software anti-RIAA, and 1kHz 500mV RMS output level FFT for its THD. Also (added later) 1VRMS FFT at 62dB total gain by the addition of 20dB SUT when running on SMPS supplies to avoid mains interference spikes in the grass. Technically not too shabby results I would say. Given the configuration practicality and the matrix build I mean. Acoustically I don't know, I will have to either make yet another matrix channel or a decent printed board and listen to it some day in the near future to let you know. Hey I even have a tube output stage option designed already with 6DJ8 (E88CC) instead of U3 😀

*Update: For U2 U3 servo & output dual op-amp I ended up preferring the AD823 (Through-Hole) and finally the OPA1656 (SMD).

Hi All,

got e12:2 amp for repair. It was initially blowing fuses, SMPS easily fixed. Now, while checking I ran into issue where one channel is 30% quieter then other (pure sine pk-pk measured at output). Good channel is louder, just for reference. The amp is based on custom chip from infineon, irs20956, which is self oscillating digital amp. Chips are all good, swapped between channels with no effect. Supply voltages are all checked good, high-side and low side pins are showing the same AC and DC in both channels. So I am stuck with overall schematic, trying to get the reason why one channel is quieter. Both channels are BTL, which adds complexity to the measurements. Checking everything from input to output I found only one difference: ERR test point (pin 7 of IC202 opamp) shows clear input signal (1V pure sine, 1Khz) at 3,22V (pk-pk) ref to GND in working channel, while faulty channel has only 2,6V pk-pk there. Moreover, pins 5 and 6 are almost zero (AC) in working channel; faulty channel shows there input signal of 0,8V amplitude on each pin. I just dont understand why this difamp is there, what it is doing, and also q200/q201 circuit is weird. All this connected to NFB, so I am lost. Checked all trannies and diodes around, all checked good. No burnt resistors or other traces of fault. Any help appreciated.

This looks interesting...

https://audioxpress.com/index.php/n...ne-x-portable-speaker-with-built-in-subwoofer

Quote: "This new driver utilizes a combination of moving and stationary magnets to create a force that is equal and opposite to the force caused by large air pressure changes within a speaker enclosure. "

If I understand it correctly, the driver's motor is designed essentially to negate the impact of the "air spring" of the sealed enclosure that it's mounted in, so the only restoring force for the cone is the spider and surround. And if that's correct, this is a driver that probably won't work properly UNLESS it's mounted in a correctly-sized sealed enclosure.

New coaxial compression driver with 65mm high-frequency voicecoil and 100mm mid-frequency coil. Annular diaphragms.

More info in a couple weeks.

I'm building a DAC using AK4493 and AK4118 chips. I'm mostly following the datasheets, evaluation manuals and other designs that have been discussed here, but I'm confused about MCLK. This section in the datasheet provides the clock examples, and I would like to use a 24.5760MHz clock provided by AK4118. What happens if the source material is either 44.1kHz or 48kHz but the clock remains fixed?

For a delicate application I need less than 100pF between secondary and mains ground.
I would be glad if someone could steer me in the right direction how to achieve this.

Thx in advance
Hans

I would like to learn how to calculate to choose the correct pnp (2) and npn (2) rectifiers for a Rockville DB15?
I did swap the power to the IRF3205 and output to the IRF640N.

Thanks

Hi All,

This is my first post, so I hope it works ok!

While reading this thread:

much less crazy idea

I noticed the talk of generating floating grounds with big resistors, which reminded of the scheme that Quad used for their 306 amplifer (amongst others, I'm sure). By putting 2 smoothing caps in series, the voltage at their midpoint is roughly equal to half the total supply voltage. To ensure that it remains close to this point, two transistors are used to steer the point to the required voltage. This then forms the signal ground for the whole amplifier.

This arrangement offers DC protection for the loudspeaker - if one of the output devices saturates. the midpoint will be allowed to rise to the appropriate tail, thus avoiding damage to the speaker. The only drawback of this is both capacitors must be rated to the total supply voltage (unlike a conventional split supply, of course)

Hopefully, this might be useful if you happen to have a large mains transformer with a single winding...? Apologies if everyone already knows this!


BTW, click here for the
complete Quad 306 schematic 🙂

Hi, I'd like to make sure I'm using Hornresp properly for a new build.
It worked very well in predicting the response of a vented PPSL I built a few years ago, but there have been some changes in HR I'm not sure I understand.

Here is a version where the slot has parallel walls. The slot is roughly 19" x 11".
I used the wizard to make an Offset Driver , and put the following into the Horn input fields.
Do the horn segment inputs look correct?




Here is a version where the slot is narrow in the back, and wide in the front. With the drivers in about a 90 degree angle like a pict of the sub below.
Slot is about 3" wide in back, and 21" wide in front.
Do the horn segment inputs look right for this version?





I'm not asking folks to check my math (areas and length), just trying to make sure i'm going about it correctly.
Thanks !!!

Within this post,

https://www.diyaudio.com/community/threads/hometaxial-2n3055-mj2955.350298/#post-6099879

post #4 claims that emitter resistors can be avoid when replacing the 2N3055/MJ2955 pair in NAD 3020 type amps if at least one is old style hometaxial.

Would selecting any one from each of the two following sets meet this condition, ie. 1. are they all genuine, and 2. are the 2N3055's hometaxial (since apparently there are no hometaxial Motorola MJ2955's)?

Thanks,

Hello. I recapped a NAD 7020e. It worked after the recap. I went to set the bias when the meter leads got pulled and shorted out. The 2N3055 (Q415) and MJ2955 (Q417) got toasted and have been replaced. In looking for further damage, would there likely be more components beyond Q411, Q413, R453, R455, R457, C431, C433, C435, C437, and C439?

Thanks,

ƑƠɭįƠ is a simplistic, yet automatic outer foil tester for capacitors

Following some discussions about the subject, Outer foil cap measurement with Hantek 6022BE
Cap Foil Side Tester,
here is a small project based on the principles outlined here: Outer foil cap measurement with Hantek 6022BE

The process is rendered completely automatic: one just has to insert the cap to identify into the instrument, and a LED instantly indicates the foil side:



No more need for manipulations, comparisons or measurements.

The principle of operation is to send two antiphase waveforms to the CUT, and detect the polarity of the signal electrostatically leaked to the outside with a synchronous detector.



A single IC performs all the signal processing, and two transistor-based buffers handle the higher currents needed for large value caps (the instrument is designed for up to 4.7µF, but still gives usable indications with 10µF).
For fun and challenge, I built the whole thing into a small box of ear-plugs ("boules Quiès"):



The box is tiny, made of thin and soft PP (thus non-conducting, providing no shielding), and barely contains the circuit and 9V battery.
The power push-button is located underside: you just need to push on the box to operate the tester:



For large capacitors, the tester is equipped with an aluminum bracket and a phosphor-bronze strap, helped by an elastic band:






The smaller caps are handled thanks to a phosphor-bronze spring:



The construction is not especially tidy, but it works well:





The usefulness of such a gadget might seem questionable, but in fact a surprising proportion of capacitors are mismarked: more than 10%.
An example is the small yellow-block shown above: it is from the Philips/MBLE/RTC etc. group, not some dodgy Asian manufacturer

Hi,

I have a Fender-style preamp with one 12ax7.
It gives me hum which seems to be related to the power supply. It sounds like this: Login to view embedded media (normalized).
It's not unbearably loud, I would say it's liveable, but it still is really annoying.

The thing is when I disconnect it from the mains, I get a few seconds of absolutely beautifully hum-free (while there is a charge in the capacitors) guitar sounds.

I believe the preamp circuit doesn't have ground loops (for every ground point in the circuit I have a separate track going to one single point which is connected to the power supply's 0V). The power supply I use is https://www.aliexpress.us/item/1005005909458258.html (seems to be pretty solid).

I have tried a huge 8 Henry choke on the 300V output of the power supply. I have tried balancing the output signal with the transformer (hoping the balanced result will cancel this hum), but nothing seems to help, the hum is still there. I have even dangerously tried to temporarily disconnect the mains earth connection (just to quickly check) and the noise gets much worse when I do that.

I would prepare myself for living with it if not for these beautiful few seconds of beautiful quietness when I disconnect it from the mains...

Could someone help identifying the problem (and finding the solution)?

Thanks.

About a month ago I made a deal to buy a pair of partially assembled 100 watt mono amps from ASUSA. The amps aren’t yet in my possession but are paid for and I should have them this Sunday or Monday - I just need to go pick ‘em up and will post more pictures of these when I have ‘em.
Apparently these use a couple of 6146 output tubes, driven to 100 watts. These amps may or not have been one of their kits but possibly some stock being assembled shortly before their closure (?); I haven’t been able to find any info on these in this 100 watt version and don’t have a schematic.

I’ll be needing help building these up.. I’d like to stay with a 6146 build to try it out. I know that in the ‘50s, Altec made some theater amps using the 6146 tubes so maybe that circuit could be an option.

Pictures I have as of today; more to come when they’re here:

For sale a pair of PA speakers brand FAITAL 12PR300 (12 inch), Neodymium magnet, in their boxes barely worked in fine condition price 300€ per pair. The pair cannot be separated. Location Athens, GREECE

This is my first time building.
I got together some parts and ideas from advice in a post I made earlier and some builds I've seen. I've seen quite a few videos and builds using the ND65 and ND91 speakers and just today I saw this as well: https://www.parts-express.com/Passive-Aggressive-Mini-Speaker-Kit-Pair-300-7148?quantity=1 I remember seeing they are based on the Aurasound NS or something like that.

My goal is to try and build a decent small Bluetooth speaker to plug in my Qudelix 5k Bluetooth DAC/DSP equalizer. I'm still trying to decide if I want to go with the ND65 or the ND91, but im fairly dead set on doing one of the two, now. I have become aware that if I go with the ND91 I will have to build a much bigger enclosure, and my goal is to make this as small as reasonably possible. But I also want hz to go below 100, and as low as I can get it. I can tune it with the passive radiators and the Qudelix 5K's DSP, but I also need to make sure my enclosure is big enough. I've tried using https://speakerboxlite.com/subwoofer-box-calculator/tab-graphs and I think I have an idea of what I want to do. But I'm worried I did something wrong. And I think I might need to add an LPAD to bring the sensitivity of the tweeter down closer to ND65/91... but I also have the Equalizer, so will I need it? Can't I just mass-lower those frequencies? It's more expensive, but should I do a 3rd order crossover? I've also been thinking of getting the TPA3116 50w amp instead,.. but that seemed like a bit much.

hello all,im new here and was wondering what i should do. i recently got a threshold s 500 its the silver 1. i dont know if its series 2 or not.i read on an avs forum that said it could be modified to pure class a @160 watts??? wonder if thats true, im going to try to make this my last amp purchase,does anyone now the best way to make this amp sound its absolute best as far as mods/upgrades. thanx ...janx

Hi,

I'm currently window shopping parts for for an upcoming 300B SET project. I already have the tubes, output transformers and interstage transformers but no suitable mains transformer.
I recently used some transformers from the (seemingly rather unknown) Italian brand Piemme in a project and I'm quite happy with the price/quality ratio of their iron.
They have a few mains transformers that would suit my needs and this one in particular would be perfect, with its high-ish voltage bias winding, high current heater winding for the damper diodes I intend to use as rectifiers (in a hybrid bridge) and a HV winding with several taps that would let me to adjust the B+:


What bothers me is the CT on the HT winding. Using this transformer with a FWCT rectifier wouldn't produce anywhere near the voltages I need (~400VDC) but in theory it would be simple enough to just ignore the CT and use the full winding with a hybrid Graetz rectifier bridge.
The question is: Would in be safe? Not grounding the CT must put more strain on the inter-winding insulation, am I right?
I guess the right thing to do is to ask the manufacturer, but I'd like to hear any opinions the good people here might have on this subject first.

How important is the use of Tolvan's Edge Software?
Take Decware Betsy OB speakers as an example. When Edge is given the dimensions for the Betsy you get an enormous off the chart peak @ 500 Hz (approx. +15dB),
and @ 60 Hz the output is -4dB which is a difference of 11dB.
The Betsy speakers are supposed to sound quite good despite the rather horrible response indicated by the Edge software, so what is going on here?
- Either I'm missing something (which of course is quite possible), or the Edge's response curves aren't really that important.

I am keen to understand more about a decent option of DSP for a large venue. The sound engineer for the venue states that the QSC TouchMix 30 Pro has DSP and the specifications on the website does mention "room wizard to simplify equalization tasks." Does this DSP have enough taps and how would it compare to a DSP such as the DBX or other similar type DSP's such as the Silica?

Apparenlty the QSC even has the option to put a mic and play pink noise to get a measurement. If I am not mistaken the PA2 also has this option which is automatic if I am not mistaken? Any input would be helpful.

Long story short: Can all transformers that have two equal secondaries be connected in parallel? Like these?

Long story...:
I want to build another Raspberry Pi Streamer, and use the "P05" linear power supply from ESP (I have an extra one).

According to the instructions, I should use a transformer with a single 9V output.

Those are hard to find... well, until I realized I can use a 2x9V transformer, and simply connect the two secondaries in parallel.

Some data sheets (like from Triad) specify the serial and parallel specs, but others don't. Does that mean I shouldn't "parallel" the secondaries??

I am talking about toroidal transformers from Vigortronix; here is the datasheet:
https://www.farnell.com/datasheets/3964075.pdf

I am thinking to get part no. VTX-146-030-209, which, with secondaries connected in parallel, should give me 1 x 9V @ 3.34A.

Please let me know if I got this right 🙂

Hello,
I sell this NeutronStar2 clock from NewClassD.
Output frequency => 24.576MHz

Perfect item to use on a DAC / streamer etc…
In my case, this NS2 replaced the Crytek on a digital interface Singxer SU-1. Given that I resample all streams to 24/192, this NS2 was perfect.

I powered it using a transformer & a linear PS (MPaudio HPULN).

Honnetly, I never checked its power consumption… but given that the linear reg module ran "cold", it's for sure well below 1A.

I still have the SMPS from NewClassD (15VDC output), if interested just ask.
But I prefered to use a linear PS to get a better SQ.

Please note that the typical voltage of the PS is 15VDC, but it works perfectly down to 12VDC like I did.
If I remember, 12VDC must be considered as the bottom of the PS range (10VDC and below => too low, it did not starts, as far I can remember)

Its dimensions : 14cm long / 4.5cm wide / 2.5cm high
Output connector is SMB (I provide it, see photo) ; or use the pins on the right of the SMB connector (didn't try that)

Price : 100Eur + ship cost (ship to Europe only, tracking ship No)
Payment : PayPal

I'm living in Paris suburb (FR), if you're around we can meet for free shipping 🙂
Feel free to ask question

Rgds

The audio bugs are getting back to me. I want to upgrade the caps in a tube amp: 0.10uF 600V film capacitors.

I did a bit of homework and found this: https://forum.bottlehead.com/index.php?topic=11668.0
quote, "I bought a pair of Audiocap PPT Theta 0.10uF 600V Film/Foil Capacitors for about $15 USD", by Natural Sound. that was a post from 2019.

but when I look it up. it is more than $70 now for a pair on part express. ouch
https://www.parts-express.com/Audio...lVpu8zb7CyDHJJ21JhQv_excdUjrmcT0aAiEPEALw_wcB


any suggestions? any other caps that will work as well as Audiocap?

I found this one: Jantzen Audio 0.10uF 1200V Z-Superior Capacitor.
https://www.parts-express.com/Jantz...ztNmDwHO8qpDNragLEBeapt2Q95TWts8aAvPxEALw_wcB


or this one,
https://www.digikey.com/en/products/detail/nichicon/PHC1604200KN/13662904?utm_adgroup=General&utm_source=google&utm_medium=cpc&utm_campaign=PMax Shopping_Product_Zombie SKUs&utm_term=&utm_content=General&utm_id=go_cmp-17815035045_adg-_ad-__dev-c_ext-_prd-13662904_sig-Cj0KCQjwhtWvBhD9ARIsAOP0GojGhwOGG7w3brDbw14rqoqIV5aPXe6X-mP1Sps8MkFSS6YhQgA-xfkaAgTFEALw_wcB&gad_source=1&gclid=Cj0KCQjwhtWvBhD9ARIsAOP0GojGhwOGG7w3brDbw14rqoqIV5aPXe6X-mP1Sps8MkFSS6YhQgA-xfkaAgTFEALw_wcB



mundorf for $15:
https://www.madisoundspeakerstore.c...yZXZwMOTTZ8ODXOf1UC0mdWJKpacBnzoaAiDBEALw_wcB


Thank you in advance. Have a great weekend!

Hi

What replacement reference would be good for amplifiers that use IRFB31N20D?
That reference is no longer manufactured.
It would be used in modelos of Soundstream, Boss Audio, etc...

Thanks

Hi All,
Happen upon the above, looks cute & seem to use quality parts & at reasonable price.
Wondering if anyone has heard them playing.

Thanks

Hi all,
I am new here. I picked up a Kenwood DP-1000 CD player which had a few problems that I've already addressed (namely, 2 shorted electrolytic capacitors in DAC section, and CD tray motor belt replaced, and gear lubrication). There is one more issue that it has that I am trying to resolve.

Issue:
Sometimes (not always!) when I attempt to play a CD, the laser pickup seems to "spazz out" for want of a better term and moves too far toward the front of the unit.
When it happens, the gears responsible for moving the laser module are fully torqued and get stuck. If I press Play again, the motor backs off and seems to reset.

It happens maybe 50% of the time when I try and play a CD. I noticed that it will also happen about 50% of the time when I attempt to pause the CD. Sometimes it will pause gracefully and the laser sits in place, and other times it does the "spazz out". I've recorded a couple of short videos which hopefully illustrate the issue. If anyone has any idea on what might be causing this issue, I would be most grateful to get your advice.

This shows how the motor and gear assembly gets stuck during playback:
Login to view embedded media
This shows how the motor resets itself from a stuck position when I press 'Play' again:
Login to view embedded media

I'm looking to upgrade the digital source of my system. My current system is listed as follows:

Streamer: NuPrime Omnia Stream mini DAC: Soundstream DTA-1 (Yes, it's car audio device)
Integrated amplifier: ADS atelier A2
Speakers: ADS L1590/2

Nowadays, the DAC has a problem of unbalancing between left and right channels. I surfed the internet and found two interesting DACs for sale near me. They are
1) MSB DAC link
2) McIntosh MB20

The MSB is older than McIntosh. It's pure DAC though, and was launched in 1999 with a number of positive reviews. The McIntosh was recently introduced a few years ago. It's not a pure DAC but equipped with a Bluetooth receiver. IMHO, this McIntosh Bluetooth+DAC might be categorized as the lowest model of McIntosh gear. However, the price of the McIntosh is twice higher than the old MSB.

I'd like to ask for opinions, which one will you choose and why?

Hi all, I am having an issue with my Martin Logan Depth I subwoofer. Let's start from the beginning. I found out that my sub was damaged before covid era. Took time to look inside the sub and found out lots of corrosions on the boards..some of the connectors shows signs of burnt ! Called ML back then and was told no parts available during covid due to shortages of parts. Fast foward to today. ML finally got me the power supply, amplifier and the top assembly boards totaling about $700! The good news is the sub is back in action. But the bad news is sub is acting wierd......meaning all 3 woofers would sometimes vibrating without any signal at all. The vibration stops when I put it in standby mode. I also think that when I play the music, the woofers is vibrating even there are no big bass going on. I also notice continuous thumping sound coming from inside the cabinet. The woofers also making continuous clicking sound when the issue arises. When I switch to auto mode, the sub is having trouble recognizing the signal from the source ( the led light keep switching from orange to green back to orange...) I noticed the outer wrapping of the transformer is slightly blackened. Is the transformer bad too?? The problem is intermittent...sometimes I turn it off and it goes away but may come back.. So to wrap it up. Do I have 3 bad woofers? Should I try replacing the transformer and also all the connectors and hopefully fix the issues? I don't have any electrical or audio engineering background. Just swap and plug type of guy. Please help!!

Hoping to build a diy wedge style atmos speaker. My ceiling height is low and due to duct work cant use ceiling speakers.
Thinking of building using https://www.madisoundspeakerstore.com/coaxial/seas-prestige-t18rex/xfc-h1353-7-coaxial-clear-cone/
Most probably use active crossovers.
Anyone used this driver?

I thought that I might share my progress on my repurposed 70's HiFi as a digital Music Streamer project as it is now beginning to gain some momentum.

I have chosen to use my existing RPi3 which I had along with an Allo Digi One hat and a recently acquired 7" touch screen.
After a bit of a tussle I have it running Picoreplayer allowing access to Qobuz and locally stored music files in the Micro SD card. So, all good so far.

Here is a picture of the donor chassis I have a choice of a 1978 JVC or a 1975 Sony Cassette deck, both ebay 'not working' purchases, (Well actually i have since fixed the JVC, loose flywheel issue) so it looks like the Sony is going to be the selected donor. It is also the best made, very solid indeed.



The plan is to remove the cassette mech and put the RPi 7" display behind the front facia in its place. I can see that I am going to need a bigger hole than just that left by the cassette door opening. Careful metal working may be required here!





The usual RPi/Allo Digi guts behind the display.

The plan is to use this as a SPDIF digital out only device with the bnc output going to the back panel and the RCA digital out feeding the VU meters. I have ordered a cheap DAC to provide a line level signal to drive the VU meters and a mini QWERTY keyboard to hack to provide momentary push button inputs to the RPi for functions like, FF/Play/Stop/RW/Pause etc. The plan is to fit new microswitches to the cassette piano keys so that they can operate the Picoreplayer functions of the same description via the hacked USB keyboard.

However I am a 'bit at a loss' to know what to do with the 'Record Level' and 'Line level' Knobs and the 4 No. 'toggle switches' Any ideas?

I can use the keyboard hack to access up/down/left/right in the picore player, but the knobs have potentiometers attached, as you would expect for 70's electronics, I could modify them to operate a couple of micro switches for left/right/up/down 'etch-a-sketch' style, but its going to be quite a task and I really not sure what to do with them that might be worth while even then?

I have tried a USB mouse, but I am not able to get a reaction from Picore to this device. Do you know of any cheap USB devices that might allow me to tap into the rotary action of the knobs that i can use via the Picore player?

The touch screen and phone/tablet interface can do everything but, it would be nice to give most of the front controls a use, don't you think?

I would appreciate any ideas you might have.

Last edited: 13 minutes ago

SOLD!!!

I am putting my AMB γ2 DAC up for sale. It's built with the γ1 "full" configuration without the ASRC chip on the γ2 extension board. For more information, please visit https://www.amb.org/audio/gamma2/ I have been enjoying this DAC for quite a while but it was time to upgrade. Hopefully someone else could make good use of it. Payment is with paypal or cash. I can send it anywhere within the 48 continental states for an additional 10USD. Local pickup in Princeton, NJ.

Price: 100USD

Hi!
Im happy to share with you this 2way project

Regarding
L1 ... looks too small for a woofer? cant find a aircore inductor on 0.0039mH
D1 Cap..... also the value seems odd
sure must be something really wrong or truly right.

Need some light from you experienced folks

All the best Everyone

For sale are eight new in box Oaktron by Misco 127-MR08-01 sealed 4.5" 8Ohm drivers. Fantastic speaker unfortunately my project changed directions and these can be yours at a discount.

I would prefer to sel the lot for $450 plus shipping.

Or

$55 per driver plus shipping.

I'm looking to buy a pair of Svetlana 811-10, new if possible 🙂

Thanks,
Sunil

I want to add a couple of small meters 1-100 mA and 0-10(ish)VDC to the front of my soon to be built 300B amps. There is a large amount of blank green surface I want to create some interest within as well as providing some information.
I have some of those inexpensive meters like below but I'd like something bit more classy and better quality. The advantage of this type is if it fails, it is easily replaced. The vintage stuff, like I've used in the past (second pic), has gotten stupidly expensive and hard to source matched pairs.
Thanks for any leads/thoughts.

Hi all,

First off please excuse any bad wording as english is not my native language.

That's a rethorical question really but I'm curious when I see some people selling their projects. Personnally I'm not confident enough in my electrical knowledge to think about selling anything I design or build especially regarding all the possible hazards; Sell enough things and there will inevitably be problems. My question is, do people selling projects get some sort of insurance against these hazards? I doubt any insurance company would offer coverage of an electrical product that isn't UL/CSA certified, and the process of getting an underwriters' certification can cost in the tens of grands I think, so out of reach of most enthusiasts here. Same goes for personnal liability insurance, I don't think these would cover damage resulting from an non-UL listed appliance. I also do not believe any form of liability waver in the form of a disclaimer can stand in a court of law. I recently learned that at least in Canada, even for used item you can still be held responsible if that old toaster you sold for 2$ burns down the buyer's house. Makes you think twice about selling anything with a wall plug...

Looking forward to hear from experienced sellers !
- Joris

-- Sold --

Hi,

Due to changed plans, i am selling a full set of the UGS Muse preamp PCBs, plus option 1 and option 2 (see the screenshot from the group buy sheet below).

See information here:
https://www.homecinema-fr.com/forum/diy-amplification/ugs-muse-edition-t30058092.html

And the group buy thread here:
https://www.diyaudio.com/community/threads/ugs-muse-preamp-gb.277355/

I am selling for 135 EUR plus shipping, this was the same price i paid for them.
Prefearably only in EU.

Hi,

As per subject, I'm looking for a well matched genuine quad of 2SK2013/J313 (nnnn/pppp)

Please PM me your price

Thanks
Do

Hello everyone,
I have a problem with my NAD 3150, that it " buzzes" on the speakers, equally on the two channels, even with the volume at zero and the pre-main sections disconnected. Also in headphones. I did some checks with my digital multimeter and found some AC voltage on all the power output transistors; kindly ask you if this is normal. Thank you

My tv burned resistor R461 which other resistor number I can use without r461

I figure it's a long shot but maybe I'll luck out...

If you have a Van Alstine ABX comparator you're looking to sell please let me know. You can PM or email at hardisj @ gmail.com.

Thanks,
Erin

EDIT: Found one. Thanks!

Life has intervened 🙁 Price reduced!
I am selling my 2 Amp Camp Amp version 1.6 kits from DIY audio store. It includes case, power supply and updated back panels.
I will pay shipping to continental US. Others, we will talk about shipping.
Asking $250.00 each.
Thanks for looking!

Unfortunately, I can't complete my Tubelab SSE project for various reasons. I would now like to offer an already assembled SSE (TSE-II) board.
I can send photos if required.
I ship from Germany. International shipping is possible.

Price: 70€ (approx. 75$) plus shipping depending on the destination country

I have currently ADC in prototype loudspeaker and thinking if it makes sense and is worthwhile the effort to try CDC as well. Anyone who has the experience with both and can describe if there is any difference in the sound? Thanks...

Many years ago, in fact, I had a gold voice E210 E305 series PCB circuit which imitated the board.
I also made some test boards. The result is: if DIY's golden voice, the performance is not as good as the original machine.
Even the LM3886 estimate is not comparable. So I sent the PCB made. Then? There is no more below.
Especially around 2006, the music fax X-A50 is also being imitated and DIY improved at the same time.
Comparisons show that the X-A50, the later DIY version of MX50X2, is much better than the directly engraved Golden Voice E-210 in all aspects.
So later, the similar circuit in Jin's voice did not continue DIY anymore.
In the following process, I also found some reasons for the problems.
Firstly, the circuit of the golden voice is fully symmetrical. This circuit is symmetrical in theory, but in practice, the inconsistency of the components makes it possible to apply it in practice.
The distortion of full symmetric circuit is greater than that of single-ended amplifier circuit.
For example, L series L12-2 L20.5 and music fax X-A50 distortion, is better than the golden voice, Malanz, similar structure.
Later, after a long period of research, in fact, that is to say, when you have time to study it by the way. It is found that the imitation of golden voice circuit should be made directly according to the original factory.
Not ideal, after all, DIY components are different from the original factory.
Some DIY imitations use the same type of components as the original factory, but the brand is different.
More is the use of alternative components. That is to say, no matter the model, brand, or even the parameters are completely different from the components of the factory.
But the circuit parameters are the same as those of the factory.
There are even some field effect transistors, which are directly changed into triodes, but the circuit structure is exactly the same.
This is a messy approach, but many circuits like Golden Voice use JFET MOSFET, and the model is hardly directly available.
So many DIY can't do anything, only to make a messy change, as long as the final success.
In fact, I do not object to the change, because DIY is not a manufacturer, it can not have exactly the same components. But if we make a random change, only God knows the good and bad.
This kind of DIY is in fact a universal imitation of famous machines, not limited to the golden voice. Other imitation machines are also included. This is also inevitable.
Because many components are not available, and even many of them are out of production. And some manufacturers have changed the model of components. For example, the power transistors of music fax are all MF letters.
MF stands for music fax, but as everyone knows, music fax does not produce transistors. The most important thing is to print your own trademark. We can only guess what model it is.
The end result is. Amplifiers from most imitation manufacturers. The actual performance is quite different from that of the manufacturer.
In my opinion, imitation does not need to copy the parameters of the original factory. At most, if the circuit structure remains unchanged, the application of each transistor can be appropriately based on the needs of the circuit type.
Make some adjustments.
Finally, the most important thing is to measure the amplifier. The measured data are compared with the parameters of the original plant, and then improved to achieve the same results as the original plant. It may even exceed the performance of the original machine.
This is a more practical imitation.
Without changing the circuit structure principle of the manufacturer, it is my personal imitation idea to bring the circuit performance of this structure into a better state.
Most DIYERs do not pursue performance metrics very much, and of course there may be no such condition. After all, a tester AP2722 costs hundreds of thousands of yuan.
But we can try to make it in this direction.
Here I start with the original version. Direct copy of the golden voice E210 PCB. I've done a lot before. They're all given away.

Hey folks,

Just starting out on my diy speaker foray and am aiming for a 7.1 home theater build eventually.

I'm intending to do Overnight Sensations LCR, and probably MTM all round. But the problem is while my rear surrounds I can happily wall mount in the corners of my room the left and rights will need to be in-wall.

Has anyone made an in-wall OS build?

Or would anyone be able to recommend a commercial in-wall option that might have reasonable voice matching to the OS MTM I'll have for the other speakers?

Thanks
--
Ben

Over the past weekend at a Hackathon I have designed and printed a small MEH. I used ATH to generate the horn then simmed the HF and measured it to compare. I then also decided to add some midrange 2" drivers to see how it would turn out.

I am so happy with how it turned out for 1 weekends worth of work and not really any simming haha.

On the midrange measurements there is a big dip at around 1350hz the length of the horn is 120mm which would be half a wavelength from inside the compression driver to the horn mouth. Do you think that could cause the big dip at 1350hz then boost (1/3rd wavelength) at just below 2000hz?



The drivers I used were ones that were already here, it was two Faital Pro 2FE35 and a Lavoce DF10.172k which is way overpowered for the midrange haha. The rear chambers were made out of tape and hot glue.

This is the response after processing:



This is the unprocessed measurements:



The following are the polar plots (only up to 40 degrees each way)





Some pictures of the measuring process:

I don't need my diyAudio store F5m power supply board that I received in the recent 100 kits sold.
Will ship first class mail in the USA, for $12 postpaid. SOLD

Hi All,
I was thinking of changing the phono stage to Fet and increasing the gain for a Denon Dl-103. BJTs to Fets K170bl and J74bl. Worth doing? Just a crazy idea? Would need a little guidance of which fet replaces which BJT.

I'm trying to salvage a small plate amp but the volume control is glued into the front of the cabinet. I've already broken it trying to prise it out.
Any ideas?

Used ~Earthworks Mic Pre-Amp. Some light scratches on bottom (see pics) but overall in great condition. Comes with power cord.

$1250.00 OR BEST OFFER!

Thanks

I recently rehoused my original Aleph J into the 5U chassis, thinking I would take it with me when I move but I cannot take as much as I once thought.

I built it in its orginal form some time back, using DIYaudio store kit parts, scrupulously matched transistors, oversized Antek transformer, original Toshiba JFETs, Russian PIO input caps, military silver plated wire, and a propensity for barrier strips for solid joints assembly and disassembly. However, the damn thing is HEAVY! Note the rear handle/guards and front rack handles for rolling it on its back before picking it up! I do not want to ship this across the country (I once thought I'd palletize it for my move ;-). If you want me to ship it to you at purchase consider it parts as I have had very bad luck with cross county shipping. I would gladly give it over to UPS for pack and ship, I've no idea though how (very) expensive that would be. My price reflects less than a parts cost and does not include shipping.

I live in Traverse City, Michigan, USA 49685.

I built it for keeps but now I cannot ;-(. $600

It's time. I must sell everything. Today I am listing the BA-3 Pre. Like mosts of you I build for myself and have done my level best to create something worth keeping "forever". Oh well, I must move to another country and cannot keep almost anything. Here is a chance to hear a nice one without the expense of time.

I do like that the "warmth" can be adjusted but set it to "neutral" in the end. Funny again, how things go. If you think it pretty, cool, I am told my "dancer" has a strange hairdo, it is taken from an Art Deco figurine. Art is so subjective 🙂. $400. I can ship anywhere and I will pack it well but I cannot guarantee it gets through the gorillas to you in good condition. Think of it as parts.

Hi all
I have inherited a Goldmund Studietto in VERY poor shape. It was completely destroyed during shipping after shipper didn't pack it well. I can restore it somewhat, forget about cosmetics and some parts will have to be replaced with home-brewed variety ))) My main concern was the motor. It is a JVC direct drive unit, same as used in QL-A75. I soldered back some wires, and improvised switch connections (since all three switches were destroyed as well). Great news is that it's working. It starts strong and within 2 seconds quartz lock LED lights-up. But there's something screwy with the ON-OFF switch: the normal state is actually ON, so when I put jumpers in the OFF position, motor stops, but my bench power supply still shows a current draw of 60 mA. I remember way back when I was rich and famous and had a Studio, it liked it's power supply constantly on, and it was slightly warm. So I wonder if this is a factory design to keep electronics warm? Or some caps are leaking on the motor control board? Or? Ant advice appreciated, thank you.

For sale are 4 MIFLEX KPCU-01 0.1uF capacitors. The leads have been shortened from the original length.

!!!!SOLD!!! $74 shipped CONUS only with payment via PayPal.

I have a problem with a Goldmund Studietto, the previous owner was less careful with the player and somehow broke the wiring from the arm to the electronics.
Does anyone have a schematic of this device or can anyone give me detailed photos of the wiring in the arm and the electronics?

thank you in advance.

ALMEDIO is discontinuing production of TEST DISC this year.

Those who wish to purchase it may do so.

https://www.almedio.co.jp/topics/2023/44188/

Ciao perdonate il mio inglese sto costruendo un clone del dynakit st 35 riscontro un problema, non riesco a capire sul pin n 6 del triodo di ingresso 7247 ci sono 52 vdc mentre la tabella schematica riporta 112vcc, grazie per eventuali consigli

Hello all,

I have a peculiar project that I need some insight please.

I own a T10 Shure wireless headset microphone - its cable ends up to a 4-pin (female) plug (maybe the cylinder frame around also acts as a "pin").
I want to connect this microphone to another microphone that I own. The latter is a typical "cone" microphone that when I unscrew the top part, I can see the microphone as well as only two cables connected to it.
My project is the connection of the T10 Shure to the cone microphone but:
1) I don't know which 2 pins of the T10 Shure to connect with the 2 cables of the cone microphone
2) I don't know if this project makes sense anyway in terms of quality of sound achieved

Any input more than welcomed!

Thanks in advance,
Al

Is anyone here looking for JBL d2415k driver ? I have here 2 pcs for sale , box opened but never been use

I'm new to the forum although been registered for a few years, I never actually posted. I need to post a few things for the moderators which is fair enough.

I am about to fit a replacement OLED screen for Naim NDS - thought it might be worth asking if anyone on here has done the same and is there anything to be careful about? Many thanks.

Hi,

I'm planning to make BT audio using one of the mentioned modules.
Is it possible to get song info using UART or any other interface?

Installed this amp with 2 -12" kicker subs and found that it will cut out on certain songs when the lower frequency hits. Thought it was needing more power so hooked up a 3 farad capacitor and still having the issue. I have the speakers bridged and have messed with both the frequency and the gain but get the same results. It doesn't cut out when turning down the gain but then I lose the desired bass. Something not hooked up right or is the amp possibly bad?

Wonder which speaker is this?

Dates from the seventies.

DIY type or some commercial one?

Looks like a big middle tone horn with two 12 or 15 inch

Behind this schematics stands an idea to try using SIT transistors with triode-like output characteristics for simple preamp design. The common source stage based on KP926A Russian SIT transistor is used for amplification (nearly 20 dB) at 100V power supply voltage and 175mA quiescent current, class A operation. Unfortunately, KP926A has 1600pF of Ciss (instead of this transistor much better would be SONY 2SK60 which have Ciss = 190pF). To handle the 1600pF of input capacitance of KP926A one needs a buffer stage, which I decided to make like well known j-fet follower with 25mA quiescent current and plus-minus 15V supply voltages. One needs a decent j-fets for such a buffer, like for instance CP650. In my case I used Russian KP601A, which is close to CP650. The Ciss for KP601A is 6pF. Before this buffer a simple volume control based on 10kOhm ALPS resistor stands more than comfortably. In fact, I used a voltage divider constituted by 7,8kOhm low-noise constant resistor and the variable part of ALPS below it. Capacitors used include Elna Cerafine, Mundorf polypropylene etc. This schematics has no NFB, its output resistance (measured by immitance meter) is 200 Ohms. I compared it sonically with the good Parasound JC2, which has only 60 Ohms output resistance. Power amp was 50W version of Pass Zen9, Shanling CD T-1500 player, speakers are Paradigm Studio 100 v4, cables Stereovox (speaker), Nordost (interconnects), power is provided by PS Audio Power Plant Premier. I can say that I love my Parasound JC2 very much, but in this comparison SIT-preamp sounded more musical. It gave more detailed and pleasant low-mids and the bottom end. At the beginning I thought that SIT-preamp has lower output resistance than JC2, but it is not. So, I do not know what a magic stands behind it. Speaking about transparency of highs the two preamps are very close, in some cases maybe JC2 is a bit better (difference on the level of tiny cabling effects), but JC2 is connected to XLR outs of Shanling (known of being better) on contrary to RCA outs for SIT-preamp. I would be grateful for help in understanding what a “devil” is behind this SIT-sound.

To use a low cost low noise high Hfe bc550C/560C as pre-drivers, I float them with a bootstraped supply. The result compared to Wolverine 3EF with single pair outputs is higher impedance and lower distortion.
These are measured with 1Mohm source 20ua 1khz input vs 22ua for Wolverine.
The biases are adjusted for minimum distortion 0.068% vs 0.31%.

So hello everyone i am new to audio so i have some doubts regarding subwoofers:

•If i have two subs with different sizes or cone area one with 8” and annother with 10” but with same sensitivity ie 90db at 1w/1m and same rms power 200w and same xmax then what is the advantage of 10” over 8” sub?

Good afternoon everyone, on this occasion I am urging you to repair this Kicker brand amplifier model ZX1000.1 REV 2.1. At the beginning, damage was found in the power supply, it has already been recovered and in the output stage there is an auxiliary supply that was damaged, the 2 htp18n06g were replaced and the 1n4002 diode is already oscillating, but now I have stopped at the driver card, I already managed to get it to turn on and stay on, I don't have any pulses in the output fets, I mention that I have the fets outside the board since if I leave them inside they won't stay on, greetings

Hi, i have a 2005 Cadillac STS. I just hooked up a Dual 1000w amp and the fuses in the amp keep blowing as soon as it gets power. Dont know what i did wrong.

I'm using the F5 build guide to put together an F5 v3 amp and I can see that 12 comments have been posted, but I'm not able to see the comments themselves. I have a faint memory that some of these comments were very useful, and I found them useful when building the Amp Camp amp. Am I doing something wrong? I tried different browsers and am signed into my diyaudio store account. (Sorry if this isn't the right forum for this question).

So a fellow member of an astrophotography club I’m in shares my passion for hifi but not the time or ability to DIY and in some deep conversations, I’ve convinced him that we can outdo his Sonus Faber Strads for around 1/10th the cost. He’s paying for the material and absorbing the airfare for our summer photo trip to Utah as a gratuitous bonus for design and labor!….not a bad deal for him! Lol

Promises fulfilled, ……..we’ll make his floor plan more open and his wife happier by replacing the obnoxiously fat body Strads with a tall, slim enclosure only 6.5” wide and 18” deep. Folks here who know me also know I firmly believe that narrow baffles are the ultimate in stereo imaging…..once you’ve done an A/B comparison where the bass response is fairly similar, I don’t think anyone can go back to wide body or offset monkey coffins.

The initial design thoughts are 4 Dayton Signature 150mm midwoofers and a yet to be decided on AMT tweeter. The alignment will be top and bottom midwoofers with a .5 inductor to offset BSC and ported for lower extension…..the two MM midwoofers will be high Q sealed for some midbass slam in the 100-200hz region…….I don’t voice my designs for a flat response……flat is boring

If I choose a high efficiency AMT, we’re right around 95db with this system…….not really required in his case as he’s got some expensive Danish power amp that looks like it belongs in space capsule instead of his home ( the power cord is thicker than the wire that comes into my house!) Secondary hopes is after hearing this, he can ditch that and enjoy the warmth of a nice pair of monobloc tube amps.

What’s your thoughts?……..his space isnt huge at 15ft by 25ft and serves as a media room. He’s already got a pair of REL subs he says he uses them only for movies……turns them off for 2 channel. I’m unfamiliar with commercial subs so I can’t speak to them other than I thought they sound pretty good. My proposed design should have an in room F3 around 45hz……….not nearly as deep as his Strads but I’m hoping to convince him to use the existing REL subs to supplement them……this will take some convincing as he’s more of a hifi purist…..too many years of brainwashing back in the day when we dived through the pages of glossy HiFi mags.

The Jackson is my first tube tester. I just bought it at auction for $20 and it works!
I need to test several 829b tubes and of course it has no 7-pin socket or testing parameters for the 829b.
My "logic" is to fabricate a pair of octal to 7-pin adapters and then select a pentode from the Jackson's parameter list which seems most similar to half of the 829b for testing:

• a pair of sockets to test half the tube at a time
• The curves for the 6L6 look very close
• the objective is not accuracy in testing, but balancing of tubes, so use of similar tube parameters should work in spite of not providing results

So my questions are:

• are there pentodes closer in performance parameters to one segment of the 829b than the 6L6?
• is a pair of adaptors overkill? could I just fabricate one adaptor and move the anode connecter from one side to the other to test each element?

Hello to all on this site. I just purchased an Alpine 3502 and can't get it to turn on. the amplifier only has a din connection for the input. it only has 3 yellow wires. black and red ....the power and ground are 10 gauge and the smaller red wire appears to be 18 gauge. do I need a signal from the radio to get this amplifier to turn on? ...any help would be appreciated.

In servicing this amp, Im not finding proper +-15vDC on preamp components. im unable to determine where to start actually. What components are responsible for housekeeping voltages?

The amp powers on and idles at 1.5A. No passing audio. Looks like the Class-D section and PS is ok

Thank you

Replaced with new components replaced protection circuit. Amp does power up but only 9640’s are with half signal. Audio is distorted. Need some help with further diagnostic on this amp…

Hey all,

Got my hands on Pioneer GM-D8601.
Someone else tried to repair it before me but didnt succeed. Originally it had both psu and output blown. New fets have been fitted along with buffer transistors and drive ic. Psu section runs well but the output is problematic.
When CSD cap is installed it swings back and forth between protection. When i remove the cap amp powers up, output starts switching, draws excessive current and fets heat up, also there's ~2V dc offset on output terminals. I did my best probing all the smd transistors and diodes near the drive ic but cant find anything wrong. Drive wave looks a bit off but for me the switching frequency looks a bit high? Also when i have my rca connected i dont seem to have any signal on pin 3(in) of IRS2092.
Anyone have any ideas of what to check next?

Thanks.

This will document my build of Pete Millett’s DCPP “Engineer’s Amplifier”.

I have 2 Antek 230v toroids to use for B+, and series boost at the output tube plates. I’d like to have this boost on a switch, but biasing might not work out that way.

There’s another small Antek for the bias supply.

I have Edcor CXPP 100 watt 3.3k output transformers.

Currently have 6HJ5 output tubes, but really want something taller with a plate cap - this is purely for aesthetic reasons, but that is important as this thing will sit in my living room. Very open to suggestions on tube choice. The transformers are quite large, and I would like to put covers over them, which will make them look even larger, and the tubes will look a little sparse and small next to these.


Is it ok to stack the toroids like this? They’ll be under a cover and secured properly.

Looking to build the Nelson Pass AB100 which uses TIP147 / TIP142 Darlington Complementary Silicon Power Transistors.

How important is it to match transistors?

What parameter should I be matching and how close should they be?

By what means do I take the measurements?

Any other hints about transistor matching?

Thank you,

David.

Hi. I' m investigating the Masterclock subject and in preparation for some more advanced design I started with the already nice one from Paul, and he based his design on the work of Gertjan Miedema, see the project blog for details. ''Paul's DIY electronics blog_ Building a 10MHz Master Clock'': https://www.paulvdiyblogs.net/search/label/T&M

Paul shared his pcb gerber I had made 5 pcb that fit the specified enclosure. I also had made the enclosure front panel. Since the gerner couldn't be edited, and I wanted Gertjan OCXO heater warning leds, I made a small pcb that you can easily installed on Paul's one to add this function. I confirmed that the Gerber produced pcb and front panel that fit perfectly the recommended enclosure.

Since I have 4 extra PCB sets, I'll sale them at my cost of 10U$ for main PCB, enclosure front panel and small OCXO heater monitoring PCB (the red one) + shipping cost and Paypal fee.

I made a detailled BOM, found all the needed parts (Oscilloquartz 8663 OCXO, enclosure, etc) info and will share that with you if you decide to buy the set.

Let me know if interested.
SB