Gents I’ve screwed up big time

Hoping that after you guys stop laughing and being angry at me you’ll offer me the advice I need .
So I’ve been recapping my Restek integrated with great success until I fitted the last capacitor when I got distracted and forgot to cut the tail from the newly installed capacitor, switched it on and all was well until I turned up the volume slightly then off it went and it won’t turn on now at all despite changing the 4 amp fuse and the relay next to the fuse .
Restek very kindly sent me a schematic.
I don’t have the money to get it repaired professionally so either I fix it or I bin it .
When I took out the main board the capacitor tail was touching another part of the pcb so I think i must have bent it when refitting the main board .
Could/would anyone please help me ?
There was no bang or anything like that.
I haven’t replaced the capacitor

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Autotek M4000.1 D

I have a autotek amp that needs a driver board repair, it seems that autotek ground down the ic identifier numbers. This all I have. If anybody has a driver board or know the ic information that would be awesome.

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S/PDIF input problem

Im struggling with spdif input on aliexpress sharc dps. All i2s in/out work fine, when I connect spdif at beginning all is fine, then noise start to raise slowly, usually takes 3-5min for noise to come. If I power off and back on quickly noise is still there. I need to wait till it 'cool down' like hour or so, then all is fine for that couple minutes when I power on.
Here is sample of how it all sounds:
https://vocaroo.com/1ePE1zNy6Wxg
i tried optical torx176, or csr8675 board.. connected with caps and coil.. or without, result is always the same. I used goldpin to connect around 10cm.. can this be cause? or something else?

Krell S-300i Integrated Amp - Volume Control - Multiple Issues - Service Manual??

Hello. This will be my first post here, so please be patient with me. ANY assistance with this will be greatly appreciated.

I just purchased a Krell S-300i integrated amp ($750 via Facebook) and it has the following issues with the volume control:

1. As you are manually turning it up the volume suddenly drops, sometimes by dozens. The quicker you move the dial, the worse the issue.
-If you use the remote the volume works as it should.
2. The push-action does not do anything. You can feel the click, it just doesn't switch anything.

I've read there is an encoding chip behind the knob that tends to go bad. Does anyone have a service manual or schematic for the S-300i?

Also...any recommended preventative actions to take while I have the unit on the bench? This amplifier looks to have very high-quality parts, other than this volume control that I have learned has several common issues.

So far, I absolutely love this amp, as long as I have the remote handy. I am coming from a Musical Fidelity A300 and really didn't expect this kind of improvement from another integrated.

Many Thanks!

Jared W.
Detroit

Balanced Power Isolation Transformer

Hello, everybody!
I want to build a line isolation transformer, as when bombing infrastructure in my country appear, there are days when there is good electric line and some days i cant listen to anything because of the hum on transformers on my devices and signal, and unwanted oscillations too. I have all tube system, with proper grounding available.
For these purposes I have a winder-guy but need to make a proper task for him to do. So what are the requirements for such a transformer? Plan is to build several, big for AMPs, small for signal, another small for digital. What is inductance, resistance, bifilliarity or other tricks I need to indicate in the task?
Thank you so far.

Components-forms do affect signal, sound? A response offer:

Some forum members think, after many years of practical work with HiFi, audio electronics, that e.g. designs of e.g. electrical parts (transistors, valves, resistors...) have an influence on the sound.
Outside of the discussion about the methods of the collection and evaluation of sound differences, I want to link a short film clip, which could - or can/does;-? - explain the influence physically:

Login to view embedded media

BT AMP Using QCC3003, soldering LED lights to it

Hello all, i think this question could also be answered by people who use the older CSR6xxxx chips as well, i like to use the QCC3003 bt amplifiers as for their size and ability to quickly hook up to a USB/SPI and modify the EQ settings they make great lowfi portable options.

My last project i used the same amp, 3d printed my version of an 80's ghettoblaster and had a great time using it with a nice combo of DMA45's and ND90-PR's. One thing that let me down as that i used about 4-5 3v LED Diodes and significantly slashed the run time of the singular 18650 battery.

As i need to fix up the voltage step up module as i think it failed, it made me think if i could save some of the battery life by attempting to solder 2 LED bulbs directly onto the chip itself, so then they actually have some purpose when the button is activated. Watching a video using the CSR6xxxx chip variant, it looks like a guys managed to do this as it uses 5v (apparently), so was hoping that as it was already pulling down some mA's that i could save by utilising the same. Has anyone done this with any of the variants and is it possible?

I would still like to know if anyone has managed to upload an audio/wav/mp3 to these chips to use as the intiation/bootup sounds, as i beleive it can be done, but might be a little tricky.

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My take on a single supply chip amp

Here is my version of a single supply chip amp. It is a little bit different than your typical datasheet single supply application, but deliberately so. Let me try to explain some of the reasons for the somewhat unusual design choices, together with the constraints that I set and the features that resulted. The working title is ''Single Supply Jelly Bean Bridge Amp'', which already tells half of the story.
  • Single supply voltage, without resorting to high-powered line splitters or switchmode inverters.
  • Not a Class A design, to allow the use of batteries. In fact I had an off-grid solar powered system in mind.
  • No capacitor coupled speaker, to avoid loud thumps on poweronoff.
  • Readily available off-the-shelf parts, easy to put together, no mandatory fancy-schmancy SMD stuff.
  • Expressly NOT meant to dethrone your beloved High-End setup, but a reasonable performer nonetheless.
  • Don't know / didn't care about the actual power output, but it's about what you'd expect from a chip amp.

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The initial idea was to build a useful (read: not totally crappy) amp that would be suitable for a battery powered PV island system, without using a mains inverter and a classical transformer supply. As such I wanted it to be lean on power usage, but without resorting to Class B operation and skimp on bias current. That ruled out anything involving high powered linear line splitters or switchmode supplies. An SMPS might have been viable to generate a second rail with enough power, but that would have been a rather complex thing to build, and I did not actually want anything switchmode in the design to begin with. Class A was not an option due to the high idle current and therefore wasted power. I also did not want any circuit with a capacitor coupled speaker, because that would inevitably produce a loud thump in the speakers everytime power is applied to the amp. Class D would have been a viable option, but I think it is safe to say that you can better buy them ready-made than to go down the DIY route.
That left me with a bridged design, ultimately using chip amps for ease of construction. You might argue that a bridged amp is somewhat like a high powered line splitter, and you would be right; but it has the advantage of a higher output voltage swing and thus making better use of the limited supply voltage. It also eliminates the need for a speaker coupling capacitor. Both ends of the speaker get driven by an identical output stage, which means that both outputs will (ideally) work in unison on power-on, neatly avoiding any voltage transients across the speaker and thus turn-on thumps.

I also wanted the amp to be ''low noise'', both in terms of produced Johnson noise, as well as picked up noise like mains hum and any other RF cruft. Therefore I selected my resistor values one or two orders of magnitude below what you would usually expect. You can easily build an opamp inverting stage with 100 ohm resistors, where 1Vpeak would result in 10mApeak in the resistors, which any of the usual suspects audio opamp should be able to drive. In the current configuration, that's about what is needed at the input to drive the amp into clipping at 30V supply voltage.

Usually a low resistance feedback network around the output stage would necessitate a rather huge capacitor to maintain the low frequency response and keep the output offset voltage at bay. Since I already did away with the output coupling cap, I also did away with the feedback cap. The result is an output stage that amplifies right down to DC, and thus its own input offset, along with any additional output offsets of the preceding stages. That could lead to inacceptably high output offset voltages across the speaker if left unaccounted for. To take care of this, I have added a little offset voltage to one half of the bridge. It is not necessary to trim both halves to exactly 1/2 the power supply; you only need to adjust one half a little up or down (depending on device variation), so that the idle DC voltage between both outputs is zero. The way that I implemented the offset reference voltage generation is decidedly simple and not very sophisticated, and thus not perfect. It could have been even simpler, had I taken the voltage directly off of the wiper of the trim pot, but the way I wired it instead will prevent the amp from going haywire in case the wiper of the pot fails open-circuit or becomes flaky with age. Note the absence of almost any electrolytic capacitors - there is merely a single 220nF foil cap (C8) to keep the power supply noise from coupling into the non-inverting input of the inverting input stage, and that's all that is necessary, really.

In my prototype I have zeroed the offset at a supply voltage of 19V, and the output offset varied about plusminus 30mV along a supply voltage range of 6V to 30V. This is not optimal and might be fixed with little effort, but it is certainly not problematic in normal use, considering that plusminus 50mV are deemed acceptable. I did not test it, but I suspect that adding a fixed voltage reference might add some minor nuisances, like increased noise or thumps. Speaking of thumps, the behaviour of my prototype is not impeccable in this regard. It does produce an audible thump at turn-on and a less audible one at turn-off. They are still a little annoying, but far from the membrane-moving loud thumps you'd expect from a capacitor coupled design and thus much easier on the ears and on the speakers. Of course this behaviour might vary from build to build due to device variations; maybe it's actually possible to match the output stage chips for lowest thump? It is certainly acceptable as it is and I'm fine with it, though. The thumps did not become any louder or more severe during my bench testing, although I varied the supply voltage quickly over a wide range, including hard current limiting and dropouts down to 0V.

To keep the pickup of mains hum and RF interferences to a minimum, I have opted for a rather low input impedance and added some low-pass filters to the input stage as well as to the output stage. The resulting frequency response isn't ruler flat out to 20kHz and beyond anymore, but on the other hand it won't amplify the switching noise of the laptop brick all that much, should you choose to use one. Of course you are free to change the values to your liking, or leave the filter caps out altogeter. Again, an input impedance of about 1k should be no problem to drive nowadays, where your garden variety smartphone or MP3 player happily feeds 16ohm earphones.

As noted above, I have tested my protoype build with supply voltages in the range of 6V to 30V. 5V is too little already; it will still work, but the output is noisy and distorted. With around 6V as a lower limit, I would recommend the use of two Li-Ion cells in series, for a nominal 7.4V, as a useful minimum. Anything up to 8 cells in series (29.6V) will work, even with a charger connected (8x 4.2V = 33.6V). Anything in between is fine, too, like one or two (or three) 9V batteries, 12V or 24V lead-acid batteries with or without charger connected (11V to 14.4V and 22V to 28.8V), 12V wall warts, 19V laptop bricks, you name it. On the upper end of the spectrum I would set the limit at around 34V, depending on the opamps you're going to use. My intention was to hook it up to a 24V PV solar island system, which can see voltages approaching 30V during the day, and it will easily survive that condition. Some more headroom might be squeezed out by adding some zener pre-regs to the opamps and limit their voltage supply to a save value, but then again you'd probably just hit the current limit of the chip amps sooner and have nothing gained in the end.

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My prototype build uses TDA2030A as the output chip amps. Anything similar like the LM1875 should work as well. Gain is configured to 11 (or 20.8dB non-inverting) and should be stable. If not, you can increase the 1k's around the output stages a little, up to around 2.2k I'd say. The feedback networks of the two halves of one bridge channel do not have to be matched at all. They may actually be wildly different and then merely impose a limit on the overall output voltage swing; they won't add harmonic distortion, as described by Douglas Self in his book on power amplifiers.
For the other opamps I have used three of the four sections of a TL074. My next prototype will be a two-channel stereo PCB and thus need two more opamps. I am planning to use a TL074 again for the input stages, and an additional 741 for the rail splitter. Yes, you read that right: a seven-forty-one, in a design from 2023! Since it won't be tasked with any actual audio duty, can deliver more current than the TL074, is cheap and ubiquitous (and I still have some in stock), that should be a fairly good choice. Again, feel free to substitute your own here, as long as it's unity gain stable and can deliver some current.
Powered with 19V from a lab supply, the prototype idles around 40mA and didn't show any traces of oscillation connected to several different speakers.
LTspice schematic attached.

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RCA lineout to Balanced input - Arylic Up2Stream Pro to IcePower 200AS2

Hi all,

I've been reading a lot of posts in there but couldn't figure out my issue - Project is combining Arylic Up2Stream Pro (https://www.arylic.com/products/up2stream-pro-receiver-board) with an IcePower 200AS2 amplifier (https://icepoweraudio.com/buy/as-series/200as2/)

I thought it was going to be a simple matter of connecting wires together but I've discovered the world of balances input (XLR and everything) with the Icepower inputs.

I've seen some schematics online about XLR -> RCA but I keep getting a static when trying with the cables.

Has someone already used these two components together ? What am I doing wrong with the input.

these are the cable coming out from IcePower input.

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Thanks for the insights.

Amp picking up laptop noise

Just got me a Crown XLS 602 used at a price I couldn't resist, sounds great but when hooked up to the laptop which is 90% of my music, picks up lots of noise. I know the noise comes from the crappy laptop PS, but I don't get any noise with any other amp or any other combination amp/preamp other than with the Crown. I've used other Crowns in the past with no issues. Grounding everything and using different outlets doesn't help, also tried different DAC's.

cutting panels down to size

Do you ever grab the router for this, even if you have a table saw? Are both methods just as well.

What is your primary source of weaponry for cutting panels?

Is it a crazy idea to use a router primarily for cutting all the needed cabinet panels. With 1/4" jig and a straight edge for guidance. If you use a fresh carbide it should only need a light sanding before assembly. And one or two passes if the router is powerful enough.
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Spectral DMA 50 schematic

I remember someone looking for a Spectral DMA 50 schematic. I have one from Nelson via a customer that couldn't get it fixed.
I generated a schematic from the board. It is pretty close I may have a part or a connection in the wrong place. This is just the front end.
A pretty nice amp with low noise and distortion in the working channel. It's bandwidth exceeds 200K the limits of my AP. A nice 100 Watt amp in a compact package.
The outputs are four Hitachi Mosfets per channel.

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Amplifier RE-Vamp Or Scratch

OK- so I have a Xantech 1235X which I have dumped gallons of contact/electronics cleaner through its mint on the inside but still pops my CD's when powered on.
I have a POS Pyle 12 Channel Class D PT12050CH but noise floor is so bad I want to run it over with my suv.

I need channels to power my DIY speakers actively- As of right now I use 6 separate channels for drivers, but soon that will jump to needing 14 or more as the woofers i want to feed 100w-

Is there a amp that i can just drop in replace say the Xantechs with or a amp board that can easily be wired by an idiot like me to like 1-2 SMPS or Toroidal.

I don't have thousands to drop on a stupid multi channel amp- I just need an affordable/cheap 50W per @8Ohm with option to bridge and noise floor thats not ungodly.

I have way to many kids and working 10hr days so taking hours to make my brain bigger with learning all the ins and outs aint happening. Yes Ive been on Dayton Audio I already tried the Wondom/Sure 6 channel and its was gross noise floor. I tried "daytons" adau1701 DSP chip and it introduced train levels of noise so I wont even try "their" amps.

Aleph J hum

Hello, a couple of weeks ago I was on this site trying to get some help to better understand the inner workings of this amplifier. I purchased a scope and wanted to learn how to use it. The amplifier has a hum from both speakers with nothing connected to the inputs. I will attach some pics of the internals hoping someone can see any faults with my wiring and make some change recommendations ............also I am using a 20volt antek transformer instead of the recommended 18volt.. would appreciate any help thanks.

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Suggestions/help on biasing Marantz 500 amplifier

I finished rebuilding a Marantz 500 and I’m wanting to make sure I get the bias done correctly. The instructions are a bit difficult.

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After feeding a 20 kHz signal until I got 4.5v output I got no change to the waveform as far as “large peaks indistinguishable from the distortion”. I read that someone was setting each channel for 14.5w of power consumption at idle, but that’s somewhat difficult with it having a 10w drift. I’m measuring across one of the emitter resistors and would like to calculate for bias current.

Also, the instructions don’t say, but should bias be set before the amp has a chance to warm up? I did a Kyrocera that insisted on having the bias set within the first 2 minutes of power up.

What’s a good number to shoot for? At what I felt was close to 15w consumption I was seeing about 3 mV across the .15 ohm emitter resistor which is about 20 mA. It did fluctuate, liming to 4.4 mV (30mA) and then back down to 3 mV after about an hour of being powered up.

I’d like an idea of how much current once warmed? 15-20 mA? A little higher, 20–25?

I guess anything is better than where it was at, they had 4.7 kohm resistors in which was giving me a reading of about 0.25 mA, so it was way under biased.

Dan

DIY In-ear volume control

Hello guys,

I'm facing a kind of dumb problem here. I'm tryng to build a passive stereo volume controller to use on stage, just so I can attenuate the volume when the band is playing too loud and vice-versa.
It should be basically the input -> pot -> output, right?

But the problem is that, at max vol in the pot it all works fine, but when I turn it down a little bit, the volume drops a lot. For a 2% turn down in the pot I have a 95% decrease of the volume.

I've tried both log and linear pots, 10K and 50K, getting the sound from my mixer and from my laptop, all gave me the same result. The ground from both sides of the pot are connected, input on the right side and output on the center.

Any ideas what would be happening?

I've attached some pictures of my prototype.

Thanks a lot.

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What phono preamp are you using with you ACP+?

Hi, I’m interesting getting back into vinyl again. I’ve settled on the Pro-ject Debut Carbon EVO turntable with the Sumiko Rainier (mm) cartridge. The turntable doesn’t come with a built in preamp so I need to find one. Which brings me to my question, what phono preamp are you using with your ACP+?

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Yamaha A-1020 stuck in protection

Hello all,
I need some advice on a situation I've gotten myself into. I restored an A-1020 that I found online (blown outputs and resistors) as well as completed a full recap. Everything was all and good for about two months until I pushed the class A button. Fuse blew and protection was activated. With the little "driver boards" out, I can prevent the fuse from blowing, but I still have -5vdc and -15vdc across the outputs which is keeping it locked in protection. I've been digging for the source of this dc in the signal path and I'm coming up empty handed and confused. I'll note some of the places I've found the voltage and been stumped.

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Between C208 and C210 I measure 4.25vdc, which seems to be the beginning of where I find it, but it can only come from the node right of R212 which is connected to so many other things I'm not even sure where to start looking next.

In addition, D214 is supposed to have -60vdc on the anode and 1.7 on the cathode (which connects to points e, b, and c to control the transistors on the now disconnected driver board)...yet I get postitive 62vdc on the cathode...which is nearly full rail voltage. No idea where it's coming from since the only other point connecting to that diode is C230, which has 0V on the leg connected to the ground bus and the same +62vdc on the leg connected to D214s anode. The dc seems to appear put of nowhere.

I'm at a bit of a loss here hoping one of you kind folks can point me in the right direction.

Replacing MT-200 and XM20 transistors that are no longer made, modern devices that should work???

I was in need of some transistors to replace the shorted 2SA1169 and 2SC2773 (XM20) outputs in a Yamaha R-1000. I posted a thread at Audiokarma looking for assistance and a very kind forum member messaged me and basically told me he bought out the stock when they were announced to go extinct. He sold me 4 pair, 4 2SA1494 and 4 2SC3858 (MT-200), enough to do two amplifiers. Drop in replacements. Unfortunately I went through them, I repaired two of these R-1000s with shorted outputs. I’m in need of more and instead of going back to ask if he would sell me more, I thought I’d see if I could find a modern replacement that will work with a retrofit.

Below is the NPN I’m trying to replace in the Yamaha.

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I’ve looked through parts I have and I believe this may be the closest I have.

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Only concerning looking thing to me would be the emitter-base voltage max, 6V vs 5V, which looks like it won’t be an issue in this amp, should be under a volt. Otherwise the replacement is more robust all around. Couldn’t I technically drill and tap a new hole and get this pair to work?

Here is the device that was sent to me and I used in the other two R-1000s.
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I’ll keep looking myself, but does anyone know a pair of devices that would be a good go to for these since they’re no longer available?

Dan

Disparate Resistors in Parallel. POWER HANDLING Question?

I need to reduce the value of my (shared) Cathode Resistor, to increase the bias, per pair of KT88 output tubes.

Presently, the Cathode Resistor comprises two 750K/12W wirewound resistors in parallel, combined to deliver 375K/24W.

With 370V measured from Cathode to Anode - and 40V measured across the Cathode Resistor at idle - the KT88 tubes are currently operating well below 50% of maximum dissipation.

To increase the bias, I need to bring the Cathode Resistor down to at least 300K, which is very easy to achieve by adding a third resistor in parallel - at a value of 1.5-Megaohms.

QUESTION: What minimum WATTAGE does the third paralleled resistor need to be, in order to maintain around 24W of power handling at this Cathode Resistor?

Apologies that my extensive scouring of the Internet has not been able to unearth a definitive answer...

Anyone used the JameCo Dual-Output Adjustable Linear Regulated Power Supply Kit for their build?

I was wondering if any of you have used the dual power supply available from JameCo here. A +/- 5-15v Dc adjustable supply kit supporting up to 750mA per channel. It's a whopping $35US, and should be beefy enough for a few varied projects.

I'm ordering PCBs for the Muffsy Clone from the SlowDiyer and was thinking this could make a decent linear power supply for the phono stage.
Any Thoughts?

Cardas Genuine Quadlink 5C RCA pair

Jut found this in my colection,dont used for some years now but in verry nice condition and original terminated with silent cardas conectors.This is verry musical cable ,neutral in character with hint of warmt and top transarency.2 x 1 meter lenght.Price 150 eu including shipping with track to EU!

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Need help with preamplification

Hey Everyone, Im a noob for the most part when it comes to building amplifiers. I have successfully built an amplifier using LM3886. Sounds great. Recently I have built a new amp by bridging the lm3886. I am using my iphone as a music source. My question is this: At some point I must be losing power by running 2 chips on each channel plus a powered subwoofer. What would be a good way to amplify the sound source and maintain sound quality ? Can someone point me in the right direction? Any help would be greatly appreciated.

Question about balanced inputs/outputs

Hello. I asked myself the following question about the balanced inputs and/or outputs in the preamplifiers.
What advantages do they have since I suppose that somewhere along the path of this signal it becomes unbalanced, mainly in the power stage of an amplifier, unless it is a bridged amplifier.
This question arises because I have purchased an IFI Zen Phono phono preamplifier.
The factory, among other characteristics, states that it presents balanced circuits and even apart from unbalanced rca outputs, it has balanced outputs through a special connector.
Greetings and thanks to whoever clarifies it for me.
https://ifi-audio.com/products/zen-phono/

Full bridge feedback stability issue

Hi.

Im struggling with a very basic full-bridge setup. Feedback is a UCD-style back to both inputs of an lm311. No matter what feedback arrangement i try, i get the same odd waveforms when looking at the 2 half bridges individually. When looking at the actual differential signal between the half bridges it looks better, but still odd.

The behaviour is load-dependant. With light/no load the waveform are very good and sine-like. With load and low levels the waveform are also ok. Based on simulator models I have a strong feeling that the change on the sine-wave is where the output inductor goes from continuous to discontinuous mode. Any ideas on what to look for? My control-theory is light-years away from doing a full analysis of this.

First picture is output from the 2 half bridges. Second is a zoom on the point where the sine changes. I realize it's a bit hard to fully see

Can supply schematics later, but it's very basic.

Not looking for ultrahifi. Just stable performance for a sub. -ans some learning🙂

Kind regards TroelsM

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IRS2092S sounds like a tea kettle

Hello

This is my first class D build and it's giving me some issues.

With no input signal and a speaker attached, it will give me a siren/tea kettle sound.

If I input a 40hz tone to the amp, then looking at the output (with speaker connected), it looks like the upper half of the sine wave is not rising correctly, the lower half looks ok?

Looking at the output of the MOSFETs before the LC filter, with no signal input, I do get R-R oscillation but it is in what appears to be pulses. Is this normal? Or should it be continuous.

Another thing I noticed is that the more volume I give the amp, I see the V+ rail start climbing. My rails are +/- 54V, positive rail will climb to 77V whereas the negative rail will stay around 54V give or take a few tenths. When the positive rail hits ~77V the amp will start making a popping sound. If I decrease or remove audio, the positive rail will fall back to 54V and it will stop popping but continue making a tea kettle noise.

I've attached some scope images and schematic.

Note: In the schematic I made a mistake for VCC 12V power. It is referenced to ground. In the actual circuit I am using another power supply referenced to V- rail to VCC. I am also only using 1 pair of output FETs at the moment.

Thanks

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Threshold SL10 or FET10e + FET10Pe combination for phono-centric setup

Hi,

Currently have a Threshold SL10 preamp with the following updates:

  • All electrolytic capacitors in the preamp module were changed for Elna Silmic II capacitors, considered among the very best for audio applications
  • The resistors in the phono input section were changed to Vishay Dale metal film
  • All RCA input jacks were replaced with gold plated copper units
  • The volume potentiometer was replaced with an Alps BLUE
  • All input/output wiring replaced with foamed teflon insulated Single Crystal continuous cast oxygen free copper wire
  • The balance control was taken out of the circuit.
  • Electrolytics in the power supply were replaced with high quality units of higher capacitance (this went up from 13,800 mF to 24,000 mF)
  • The diodes in the power supply were replaced with ultra fast soft recovery hex fred
  • The connecting cable between power supply and preamp was upgraded with higher AWG teflon insulated pure copper wire.
  • The IEC connector was replaced with a gold plated copper unit.

The unit sounds excellent but this might be an opportunity to invest in a rare Threshold Fet10e + Fet10pe combination. I have not read about any comparisons between the SL10 and two-unit Fet10 combination.


Given the system is solely turntable based, can anyone given some direction on if it would be worth investing in a Threshold Fet10e line level + Fet10pe phono combination or would this be a lateral move rather than an upgrade.

Thanks for your help.

P.S.
Amp is a Threshold S/500 II
Cartridge is ZYX Airy 3 (0.34mv output)
Sound Lab A-3's

What is this accessory that is glued to my turntable plinth?

I bought and rebuilt this Technics SL-B2 turntable recently. It's been running great but I'm unable to identify what accessory is solidly glued to the back left corner? It appears that some sort of post would slide into the hole in the middle and be held in place by the long screw that protrudes slightly into the center hole. The other screw is shorter and does nothing I can identify. The screws and entire assembly are non-magnetic so I suspect it's built of brass or aluminum.

Google image search hasn't been able to identify it nor have I found it on Audio Technica's website. I plan to remove this and clean the area but my curiosity would really like to know what it was for!

TT3.jpg

TT2.jpg

TT1.jpg

CK647 Tube Data

I picked up a pair of CK647 tubes at a local military surplus place, as they looked like dual triodes and were cheap. They look like a tall 12AX7, and after some testing with multimeter and tube tester, appeared indeed to be function as dual triode with same pinout as 12AX7 and other similar 9 pin dual triodes. So I went out on a limb and put one in an amp in place of a 12AX7 and it sounded great, maybe a tad less gain than a 12AX7 but louder than a 12AU7, and great tone. I couldn't find any specs on this tube on any of the standard internet tube data sites, so does anyone have any information on this tube?

B52 15" sub matrix 1000 , driver and amp upgrade for more SPL

i just got this used box as a gift
the specs says 400 watts for LF duty
is a reflex system

specs below
  • Subwoofer Freq. Response: 40 Hz; 120 Hz +/- 3dB
  • Sound Pressure Level (1w/1m): 102 dB (half space)
  • Max. SPL: 127 dB @1% THD
  • Weight: 120 lbs
  • Dimensions (Transport): 28" (H) x 19" (W) x 23" (D)
can i swap that 15" for a High Power driver and bypass the internal amp with a 3kw rack amp i have collecting dust
to coax out some more SPL ? of the box

i have the amp already, just need to invest on a suitable highpower driver.
any candidate drivers ?

I was looking at 15tbx100 but recommended vented box volume was around 3.5cuft and the B-52 box is almost 8cuft , i guess some less volume cause I was using the external dimensions , less the plate amp and some bracing , maybe 6cuft.

Jordan Eikona Broken voice coil wire

One channel of a pair both in December 2015 became open circuit recently.This occurs suddenly and no physical abuse by heavy loud music .
This is traced to corrosion of the coil wire at the glue junction. See the whitish powder . The speaker was subsequently repaired locally
Please see picture.


Has anyone else has similar experience?
Any advice on how to avoid similar fate to the other driver?
I measure 6 R across the terminals for both pair even though the speaker is spec at 8R. Is this usual ?
PXL_20230519_111527286.jpg

Rewind’s fabulous **** sandwich

Is your 26mm MDF speaker cabinet resonating like a church bell despite substancial bracing - try this CLD sandwich technique!

This should reduce any nasty peaks and vibrations that might show up in later measurements.

I did not do the whole inside because volume is low as it is. I did not enjoy reducing the depth of the cabinet even more, but something had to be done about this ringing. Bracing is there, and as much as I dare to have, not to create separate compartments within the compartment.

Inspired by the excellent sound of Devore Orangutan O/96, I only put a patch of recycled denim damping material behind each driver, and a small one on the bottom. I don’t want it unaturally dead. More like Schrödinger’s cat dead.

I will avoid polyfill, but might throw in a used merino wool sweater.

Here is before and after, of me finger tapping my woofer cabinet. No music yet, but I expect crap since these cabinets are too small for two pairs of W26FX002 woofers.
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References:
Where did I get this idea? Scroll to the last experiment.
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LP2010 Low pass filter for Class-D teardown

Hi guys,

I wanted to share with you this teardown of a Inhaos LP2010 low-pass filter for class-D measurements. If any of you decides to design one like it, please make it open hardware!

I love this little device. It can easily be configured for 20Vpp or 50Vpp input with some series resistors.

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Examples of adjustable self bias 300b SE?

In an effort to reduce B+ (chifi 110v ps in a 120v country) i made some changes most notable was the cathode resistor of 680 ohms to 1k ohms. The cathode current dropped from 90ma to 70ma.
Was working on whats required to get it to the 80ma range and thought now might be a good time to see if i could add in a pot on both cathodes making the bias somewhat adjustable.
Knowing I know only enough to make many mistakes figured i should see how its been done before.
My search terms are giving me nothing too usefull..
My thinking was to add a 20k pot in parallel with the cathode to ground, figuring I probably forgot something...

Anyone have any scematic examples of how this is done?

1971 Highgate Acoustics Alpha FA-200

This is a small, simple British amp I just bought cheap. Previous owner had spray painted it black, so I cleaned that off. I've ordered some adapters for the DIN connectors, so haven't been able to listen to it yet, but it does power up and seller said it works great.

Opened her up and inside is nice and clean, all components are original.

I'm debating whether I should recap this thing, I'll decide after I listen to it play music I guess.

I can't find any info on this amp or a schematic, the design looks similar to the JLH 1969 amp to my eyes.


Anyone know anything about this amp?

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DIY Carbonfiber tonearm

This is my second DIY tone arm. Based on schroder design with magnetic tread bearing but with some changes.
The arm pivot is stabilized with dual tread architecture and arm gymbal geometric center is achieved with sphere shaped magnet. Antiscating and azimuth can be adjusted while playing.
IMG_5810.JPG

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Hiraga 30W Transistors failing at 200mV bias current

Dear all,


for the last couple of years i have read and found a lot of interesting topics about horns, hifi, amps and other interessting stuff about my hobby (and small business by now next to my full time job as an optics engineer) on this website. Finally i decided to join your community as well and i am very excited to learn and share!


Sadly i directly have to come up with a question on the Hiraga 30W Amplifier...


Short background on the history:


I am running two of those beatiful amps already, which i have build years ago with an friend of mine, who has passed away too early sadly. Now i wanted to give it another try on my own, because i am really fascinated by the sound of these amps and i wanted to learn more about electronics and i have better capabilities to manufacture nice enclosures.


I found the PCB's on Ebay three years ago, a week ago i decided i wanted to finalize the amps already.... It's the blue ones with the little monster printed on them (no link anymore, but see pic's attached). Meanwhile i have found out, that they are very similar (but not identical) to those ones available here:


Hiraga 30W A class Amplifier - HiFiStor


But they are not completly similar, because

- the driver transistors 2SA634 and 2SC1096 are different in my kit.

The power supply came with transistors instead of diodes.

The output transistors were off as well (2SC5198 and 2SA1941 instead of 5200 and 1943)

All in all, looking back, i am afraid the ebay kit was a wierd mix of transistors and PCB's and a knock off....



The Problem:


I have checked the circuit and values of resistors several times. Both channels behave similarly. My Power Supply runs at +-34V with lots of capacitors (see picture), so that should work fine.

I nevertheless only measure a very small voltage across the 0.33R resistor with 47k Resistors as R3 and R2 in place (from schematic in the link above). Putting a 200k Stereopoti in parallel allows me to increase the Voltage drop across R12/R13 (its the 0.33R ones) to around 0.2V to 0.25V (quasi cold state). Slowly lowering the resistance further, all of the sudden i can hear a "plop" and one of the two power transistors shorts and is broken (i think by then i am around 33k in total). They are attached to rather large Fischer Heatsinks (see pictures). The 300R resistor R18 looks a little brownish by now.
I have checked the 0.6mV across Q4 & Q3 and that looks fine. There is supposed to be a Voltage at R10 & R9 of around 1V (1mA@1k from the original Hiraga schematic), which seems to be a little low at my setup with around 0.65V. The zener-diodes show 22.0V, as supposed to be.



I am thinking that my transistors 2SA940 and 2SC2073 do not fit well as the drivers. The datasheets are hard to compare (for me and my limited knowledge/experience) because the data given does not match (Voltages and currents where the Data is given varies, see attached pdfs).


So my question now is:

Can anyone help me to find out what goes wrong here?
Is it worth changing the drivers to the 634/1096 ones?

Might it be a problem of matching the input transistors?

Waht am i overlooking, because the problem occurs in both channels?
How can i systematically track the error (i do not know which voltages should be where without simulation the circuit?)



I am a little lost beacuse i am in the wierd state of generally understanding how a transistor works, but still beeing (massively 😉 ) overwhelmed with analyzing schematics to great detail. And then there are three versions of this amp (my old one, the ebay one which is the problem, the linked one) with different transistors and resistorvalues, which dont make it easier to truly understand the important parts of the circuit.


Sorry for the long story and thanks a lot for your support!



For a better understanding i have attached a few pictures of the amplifer.

Attachments

Bora is a nice guy from Serbia - Yugoslávia

We have been talking for long time, and i asked him to let me post some schematics.

Those circuits i did not assemble, so, i cannot evaluate, as not hearing i have not this condition.

As Bora is experienced, i suppose he had constructed some prototypes.

Now, presenting Bora to forum friends.

regards,

Carlos

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My Hybrid power amp

Counterpoint sa-100 Upgrade version

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Hybrid Question

Hello all, I have always been a fan of the hybrid amps, Llano Trinity, Moscode 600 are the two I'm most familiar with. I'm not an electrical engineer or audio guru, just a kit builder that can follow directions.

My question is, are there any of these power amp boards that could be easily used with a tube driver stage? I was looking at the "Honey Badger" kit, has anybody here done this before? I have a couple different driver stages I would like to "marry" to a high output amp. I have a couple of the boards for the upgraded Dynaco ST-70, one using 12AU7, the other using 6SN7, and then the Llano type is simple to build.

Any thoughts or advice would be appreciated,
Thanks,
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Topdiode offer alternative to INFINEON Audio IC IRS2092 IRS2095

Replace INFINEON Audio IC IRS2092 IRS20957

Car amplifiers are electronic devices that increase the power of the car audio system signals that pass through it. Car amplifiers manufacturers need to use some audio ICs, IGBT, Mosfet and Diodes as following:
  • SMD C.I. DRIVER DIGITAL IRS2092STR SOIC-16
  • SMD CI DRIVER DIGITAL SOIC16 IRS20957STRPBF
  • IGBT FGL40N120ANDTU
  • IGBT FGH60T65SQD-F155-D
  • Mosfet IRLML2244TRPbF
  • Mosfet IRLML9303TRPBF

Previously, these mosfet or audio ICs are mainly supplied by Infineon and Texas. The lead time of INFINEON or Texas is normally 30 to 50 weeks. Car amplifiers factories suffer a lot of bad lead time and unstable prices, especially in 2021.

Topdiode Manufacturer, a Chinese active components manufacturers since 1996 are very professional in providing solutions for car amplifiers and audio cross over circuit.

Topdiode offer replacement of INFINEON Audio IC IRS2092 IRS20957, and lead time only take 5 weeks.

Here it is:
Topdiode Audio IC7012 replace IR_INFINEON [IRS2092STRPBF
Topdiode Audio IC NSA2092 SOIC16 replace IR_INFINEON [IRS2092STRPBF
Topdiode IGBT 40TD120WW TO-264 REPLACE IGBT FGL40N120ANDTU

website: www.topdiode.com

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General rules for designing PCB for valve amplifiers

Hi all,

I'm going to purchase some of Merlin's Universal PCBs to use, and, to try to extract some of his wisdom regarding the way he solved the design problem.

I know chassis layout is a huge part of building an amplifier so the way the PCB is laid out will also be critical. Avoiding ground loops, using star grounds sensibly is high on my priority list. I know ground planes don't really make sense at audio frequencies.

But other than that, are there any general advice for laying out PCBs for valve amplifiers? For example: track thicknesses, maintaining separation between signal carrying track and sources of noise, where to use metallisation, should certain tracks be separated along the front and back of the board?

I am mostly coming from guitar amplifier perspective so I will have a few gain stages, EQ, phase splitter, power section and power supply.

Quite a broad topic, I'm mainly interested in any wisdom I can gather before starting so I don't have to repeat mistakes others have encountered! But also knowing why to do things is a certain way is important I think.

Discrete amplifier using 2SK170 JFETs for LTP inputs and MOSFETs for output stage design and build

Hi all,

I had this idea on my mind to design amplifier that will have 2SK170 (or LSK170 or LS844 matched pair) used as LTP producing respectable THD performance while delivering nice sound.
For output stage I wanted to use IRF9240 and IRF240 MOSFETs.

Theoretically it should work.
But it does not want to for some reason.

I simulated LTP and VAS stages separately and they worked fine.
Adding bias transistor servo and output stage broke it for some reason. Maybe I need to tweak the bias?

Anyway, will be thankful for any help.
Attached is TINA-TI simulation file.

Attachments

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Marantz CD 63SE. RCA output jacks don't make good center contact.

With great help from this community I changed the laser unit in the Marantz CD63SE and it works fine now mechanically. Now suddenly I have an issue with the RCA output connectors. It appears that the center post of an RCA male plug is not making good contact with the RCA output terminal in the CD player. I've tried several different RCA cables and once you get one to work, it works for a while but even a small touch will lose contact. I have tried contact cleaner and bending the external tabs on the jack so the ground is making good contact so it must be the center hot connection that is iffy. If you push the rca plug in one direction it will make contact and play but obviously the contact is not good without some lateral pressure. The rca terminals are housed in a plastic housing directly attached (soldered) to the main board so I either need to find a replacement or figure some other way to cure this problem. Any suggestions? Thanks if you can help.

Threshold 400A Info and Assistance

Hello All,

I posted the below on Audio Karma and it was suggested I come to this site.

I recently picked one up (not working). Did not attempt to power it up. I can't find what fuses are supposed be in this. Assume there are all fast blow fuses.

I removed the top cover to take a look inside. Left channel side there was a 4a 250v fuse and right side was a 4a 32v fuse. The 32v fuse was blown. Are these the correct fuses for this unit? If not, what is correct?

Anyone have the service manual for this? Like I can read schematics...Not! I'm an electronics Newbie. Mechanical side is my forte. Thought this would be a good project for this old retiree.

I would appreciate guidance getting the Amp going. What to do/not do etc.

Considering its age, it is in nice cosmetic condition. SN 770882. Ground broken off the power cord so need to replace the cord.

Thanks much

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Understanding a couple crossover components...

Recently built a DIY speaker kit.....my 2nd after putting together a different one nearly a decade ago.....So far I'm not a huge fan of how it's voiced and how it sounds in my particular application. (I liked my Classix II better......) I've found measurements for this kit that confirmed my suspicions of what I was hearing.....
So I'm looking at altering/experimenting with the crossover, but I'm new to this, and learning about crossovers.... Been reading through some of the massive threads on these, and trying to understand the basics of how they work, etc.

So, I've drawn up the supplied crossover for this kit...... I can understand that that L2 and C3 are a filter for the woofer, basically...and that C1 and L1 do the same for the tweeter....and R1 is probably there to bring the tweeter down to the desired level... But I can't figure out the purpose of the 2nd capacitor in series after the first capacitor/inductor combo on the tweeter....What would this do? And the purpose of the R2 parallel resistor...I assume for impedance matching? Or do the 2nd capacitor and parallel resistor somehow work in combo? Or is there something else I'm not understanding?

Thanks for any insight!

-Nate
Stock-Xover.jpg

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PC88 layout tips?

I am (trying) to build a PC88-ECC88 phono pre— I have gotten the bugger working and it measures and sounds fantastic….but…it is also oscillating and motorboating like crazy. Design is on a PCB and I used separate 100R CC grid stops for all 5 grids. Motorboating is obviously a PSU coupling issue but I cannot get the PC88s to stop squealing. I tried 470R CC grid stops with no luck so I must have a layout issue. Any tips on using high-gm tubes on PCBs?

Dual AD1865 with passive I/V output?

I was lucky to get some AD1865N-K dacs and plan to build dual mono dac with it.

Did anyone do the same and can you please share the output circuit? I would prefer to go with passive I/V (resistor) stage. While it is a simple resistor between the current output end the ground for each channel using single chip, what is the best approach using two chips (dual mono)?

Is it possible at all to use passive resistor also for dual mono differential current output?

E288CC Siemens

Used matched pair of tubes for sale.Iv used this for about 6 months in my tjoeb cd player.I sale the player so dont need this anymore.Buyed by kunisch tube shop germany.Used about 6 hours pro week.There is no hum and no hiss.Verry good sounding tubes.Price would be 60 euro plus 8,90 shipping inside EU with track.Payment paypal for friends.

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Arcam Alpha 10 stuck in protection mode?

Hi everyone,

I have an Arcam Alpha 10 amp that on power up, displays a solid amber LED for around 20-30seconds then drops to the flashing red LED.

I've checked the main rails and the 5v/15v power supplies and they seem to up ok (I can measure them for a few seconds on power up), there are also no signs of DC voltage on the output of the amplifiers. I've also been round and checked all the fusible resistors but these are all ok....

I wondered if anyone had any experience of these and had any advice as to where else I can start looking?

TIA

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