2stageEF high performance class AB power amp / 200W8R / 400W4R

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"The foundation of a "CFA" is the lower impedance on the feedback node. So I use a classic VFA circuit but pull the impedance of that node down with a low resistance in the feedback divider."

naaah. The foundation of CFA is

1. The TIS input current is directly related to the value of Rfeedback in CFA - ergo high SR as a matter of course
2. The lower loop gains mean that the OPS pole falls above the ULGF without pole splitting - i.e. no need for dominant pole comp as in classic VFA - ergo wide closed loop bandwidths

Taken together, they usually result in gain/bandwidth dependence being broken, which of course is not the case in MC comp'd VFA's

(CFA can also be dominant pole comp'd . . . but then you of course loose the wide loop gain bandwidth property which some designers see as a virtue)

But, I will step out of this now - I dont want to hijack Tony's thread.

:)
 
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Fighting the hum ... power supply reloaded ...

... start tuning for lowest SNR with homebrew h-field probe ... need to add some cnc machined mu-metal.

SNR from lab is as low as 125 (A-weighted)
Current SNR is about 110 db (A-weighted)

Picture 3: homebrew h-field probe
Pictures 4 and 5 are showing rectifying spikes. Using the h-field probe it is very easy to find "hum" hotspots. ;)

BR, Toni

Fighting the hum ... power supply reloaded ...

Milling Mu-Metal was a big catastrophe so I decided to go for lasercutted and powder coated steel plates for the powersupply...
 

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As for the lack of input decoupling causing oscillation, here is a real life example that you can investigate if you're curious:

http://www.diyaudio.com/forums/solid-state/173462-studio-reference-amplifier.html#post4076796

You can simulate the circuit and add or remove the cap.

I sim that amp (SR200) and it oscillated. I don't know why builder not report the oscillation? I add Miller compensation to stop the oscillation. May be the PCB add some leakage capacitance?
 
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I have a mill but I have never tried to work Mu-Metal.
I have read that it is difficult, what was the problem?
I expect soft iron will be quite satisfactory anyway.

Best wishes
David

The major problem during milling was the cooling of the cutter. I have used automated spray cooling (lubricant: WST20) which seems to be not enough to cool down the cutter. Even manual drilling is difficult - a HSS drill is unusable after some holes.
The soft iron plates weight is of course higher as the aluminium/mu-metal combination. But soft iron is also much cheaper... ;)

BR, Toni
 
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Fighting the hum using soft iron ...

Using soft iron for power supply housing I got it down to

  • 107 dB SNR full bandwidth and
  • 114 dB SNR A-weighted
referenced to 200W@8R. Mostly noise in the range below 1k.

Seems to be my technical limit putting 4 Channels and 2 x 600VA toroids in one case...

THD+N 20Hz - 20kHz 200W@8R below 0.003%
THD+N 20Hz - 20kHz 230W@8R below 1%

THD+N 20Hz - 20kHz 350W@4R below 0.004%
THD+N 20Hz - 20kHz 390W@4R below 1%
(measurement bandwith 80kHz)

Attached some pictures about "making of" the power supply housing
"part 1".

BR, Toni
 

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Fighting the hum using soft iron ...

Attached some pictures about "making of" the power supply housing
"part 2".

BR, Ton
 

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Thx for the kind words!

To achive lowest possible SNR to come close to the lab measurements it may be necessary to build 2 separate monoblocks. Currently an optimized wiring is difficult as 2 channels share one power supply.

One of my next Ideas is to build a 3 channel monoblock tower design placed directly at the speakers with included active crossover.

Br, Toni
 
I wonder what a modular design in the same chassis would look like i.e. dual mono with room for a third? I'm very intrigued by the performance of the ATI Signature amps versus your project. Of course, I suspect their advertised specs are only good for the two channel amp rather than 7 channels, but it must be quite a feat to have a modular design that can scale the number of channels and still optimise performance.

EDIT: ATI just responded to me re SNR for multiple channels:

The specifications for THD, signal-to-noise ratio, bandwidth, etc. are identical regardless of the number of channels mounted in the chassis. The only spec that changes is crosstalk.
 
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Thx for the kind words!

To achive lowest possible SNR to come close to the lab measurements it may be necessary to build 2 separate monoblocks. Currently an optimized wiring is difficult as 2 channels share one power supply.

One of my next Ideas is to build a 3 channel monoblock tower design placed directly at the speakers with included active crossover.

Br, Toni

Good plan! Have you read Self’s book on active crossovers? I have it but haven’t had time to study it :(

I don’t suppose you could be persuaded to do a write up of this amp design a la Bonsai aka Andrew C. Russell (e.g. http://hifisonix.com/wordpress/wp-content/uploads/2011/03/The_e-Amp_V2.03.pdf?) There’s some really very good stuff in this thread and it would be great to have a summary of the investigations involved and the final conclusions that were reached.
 
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I wonder what a modular design in the same chassis would look like i.e. dual mono with room for a third? I'm very intrigued by the performance of the ATI Signature amps versus your project. Of course, I suspect their advertised specs are only good for the two channel amp rather than 7 channels, but it must be quite a feat to have a modular design that can scale the number of channels and still optimise performance.

EDIT: ATI just responded to me re SNR for multiple channels:

The loss of SNR headroom in my 4 Channel amp may be caused by the facts:

  • that 2 channels are sharing one DC power supply.
  • that it has no balanced inputs.
  • using cheap transformers with e.g. no EMI shield between primary and secondary
  • unoptimized cable routing.
BR, Toni
 
I think you should be very proud of your achievement nonetheless.

Have you measured crosstalk? I'm still learning about this stuff but I assume when you measure noise and calculate SNR you are measuring a channel at a time, shorting the input and measuring noise on the output.

Fully balanced typology is likely key. Re toroids, I've found these guys helpful.
 
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Good plan! Have you read Self’s book on active crossovers? I have it but haven’t had time to study it :(

Yes - I have this book (IMHO very good and detailed).
In 2012 I have build a LR24 active crossover and I'm using it for every day listening. The main reason, why I always build 4 channel amplifier...;)

I don’t suppose you could be persuaded to do a write up of this amp design a la Bonsai aka Andrew C. Russell (e.g. http://hifisonix.com/wordpress/wp-content/uploads/2011/03/The_e-Amp_V2.03.pdf?) There’s some really very good stuff in this thread and it would be great to have a summary of the investigations involved and the final conclusions that were reached.
Very good document. If I would have enough spare time...
For now there is a maintained index in post #1

BR, Toni