Chip amp temperature

I put together a small amp with the LM 3886 chip and it is currently powering my AR3A's which are 4 ohms. The power supply is putting out 28 volts +- and the unit operates without noise or any issues so far. I do not listen at very high levels and wanted to find out the current temp on the chip and the heatsink. The laser temp gauge indicates 95 F on the chip about 100 on the heatsink after about 3 hours of normal to moderate volume levels

My concern, after reading some threads that running 4 ohm speakers is not a good thing with these chips, is are these temps too high and will there be issues and possible melt down.?. I do have 8 ohm speakers to substitute and will do that to see the difference in operating temps.

Anyone have any advice on this? Thanks for the time Cheers Wayne

Dongle driver problems ATB PC Pro

Hello,

It's been a long time since I did anything on the DIY grounds.
I'm trying to pick up from 2013, but a lot is lost from memory.

In Windows 10 Home edition, I can't install the ATB dongle driver, because it's not certified, not digitally signed.

I've tried 4 different ways to overcome this in Windows, no luck...

I really would like to start learning the measurement program again and get back on the DIY-train.

thanks!

What's wrong with astable multivibrators?

Hi all,

I've been interested in class D for a while now and have been wondering how simple they can get. Simple in terms of discrete transistor count, no ICs.

This lead me to various differential pair circuits like comparators and astable multivibrators. Following that trail took me to some old patents such as this: US3445788A - Pulse-width modulation circuits
- Google Patents


I know part of the motivation and benefit of the UcD is a low discrete parts count. An astable multivibrator with variable duty cycle appears at first glance to fit the bill, but they obviously have some fatal flaw, otherwise they'd be common - that patent was filed in 1966. I'm sure the short answer is poor sound quality.

Can anyone explain some of the technical disadvantages?

Thanks!

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Behringer PMP4000 Distortion and low power

Hello. I have a bit of an issue with my powered mixer. My Behringer PMP4000 has an issue with output. The sound is very under-powered and distorted even at the lowest levels. The cooling fans do not energize and even the small distorted sound it does pass through, seems to fade to mostly noise only. Any and all help would be greatly appreciated. I did have an issue with the PSU and had to replace T3 and T4 power Mosfet's, which gave me power to the amplifier board again but I am not sure if the current issue is because of a low power supplied from the PSU or if it is a Amplifier board. The schematic for this unit is not readily available, but the Behringer PMP6000 schematic is available in many places and that unit is very similar to the 4000. The SMPSU29 Power supply board in both units are exactly the same. Again, any and all help would be greatly appreciated. Thanks.

Bandstop design in a crossover

I had experimented on my commercial speaker. It is a 3-way with a tweeter, a dome midrange and a woofer. The original crossover network for mid used components that are nearly symmetric: 11 uF + 0.6 mH for low pass and 11 uF + 1 mH for high pass. The calculation suggested there was a bandpass filter with 1.5 kHz HP and 1.9 kHz LP. I tried to convert it from a bandpass to a bandstop filter by adding a 10 uF capacitor parallel to the 11 uF of low pass section, thus, total capacitance is 21 uF. Now, the LP section became 1.4 kHz cut-off frequency from calculation. Expecting that this would created a bandstop filter by theory, the result wasn’t at that though. I could hear the midrange sound from the midrange. Could anyone please explain me why? Also, another question, is the original crossover weird design? Says is it too narrow bandwidth for bandpass design? I’ve heard that the closeness of LP and HP section should not be exceeded some number of octaves, not sure 1 or 2, could anyone please clarify me? Thank you

Lockdown project Nostalgia build

OK So maybe I'm just bored but I have almost finished the new shed build and soon I will have a workshop of sorts.
I've had some drivers sitting on the shelf for yonks and it's about time I either used them or chucked them out.:rofl:

I'm thinking 1970's Japanese Rock&Roll speakers using a little Coral woofer I salvaged 30 years ago as the midrange.
It was labeled 10watts input when I grabbed it off the street in a pile of stuff. Box was rotten and no other parts salvageable
It got very hot using it in something else so I glued a heat sink to the magnet back, scrapped that experiment but kept the driver.
I have a pair of 15" woofers from a Jaycar party box and a selection of old cone tweeters and cheap dome midranges
Input asked for but somewhere in the stash would be a pair of old Tandy 3-Way crossovers that might suit this sort of cobbled together junk or I could find enough bits to assemble a near enough good enough project. Then use it in the shed until it blows up

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RD50a Amplifier clone question

Hi Everyone...
I have 'cloned' an RD50a (Musicman) amp but I'm having problems.
I had to use a power transformer that is somewhat lower in voltage(s)
than the schematic. I have 450v to the plates, 225v to pin(s) 4, and +30v to pin(s) 5. I get approx. 40v at the collectors of Q3 & Q4. The waveform going into the bases of Q3 & Q4 is a very good looking sine wave (1khz). The waveform at the collectors is flattened on top at all levels. I am using 35w transformers (output) that spec to the 6L6 tubes. I have to turn the preamp up over half volume to get any sound, and it is very distorted. Any ideas? Is it bias related? or will it even work with the voltages I have available? Any advice will be greatly appreciated.

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Pensil 10.3 first build questions

I just built my first full range from this plan:

http://frugal-phile.com/boxlib/pensils/Pensil10p-plan-140613.pdf

and I must say I'm quite impressed already. I just could not find details about placement of stuffing, only the amount which has to be adjusted anyway.

Also, if I go for the larger volume box, how much more lower extension can I expect?

http://frugal-phile.com/boxlib/pensils/Pensil103-plan-300114.pdf

How about adding another driver in the same box?

Lowering Gain

Could anybody enlighten me on ways to lower gain?

I've built a hybrid power amplifier with a Korg B1 pre and a Bottlehead quicksand amp. There's no potentiometer. Rather I have a voltage divider at the input. If I understand correctly, maybe I could lower gain by changing the values to attenuate the input signal further? The Quicksand is 20dB, that already is the lowest setting according to TPA3122 schematic. Then the Korg B1 has 16dB. I'd rather not lower that. Otherwise what's the point? I would be reducing the tube effect and it serves little purpose then.

So that's a total of 36dB. I am wondering if there's something I can do at the speaker posts. Ideally, something that would solve turn on and turn off thump too.

FS: SSR DC speaker protector module

DC speaker protect for power amplifier.
150WRMS into 4 ohms or
300WRMS into 8 ohms.
Four second anti thump power up delay.
If it detects DC for 250mS it shuts down SSR relay and lights protect LED.
UK mains only (230VAC)
£9.99 + p+p
p+p is £3.99 to UK and £9.99 rest of world.
An externally hosted image should be here but it was not working when we last tested it.

Another Urei LA-4 Modification

I recently made several modifications to a Urei LA-4 leveler/compressor to improve noise and dynamic response performance. The LA-4 seen in the attached photos was initially upgraded by a previous owner who used one of the well-known vintage audio upgrade services. That service upgraded both RC4136 op-amps with premium types which is curious since one of the RC4136 devices is used strictly for gain control; audio does not pass through the device. As such, I decided to change the gain control IC back to a 4136. However,I did conduct a systematic upgrade of the LA-4’s audio path and that’s the subject of this post.

The stock Urei LA-4 (early version) audio path is as follows:

4136 è4136 èLDR è4136 èLM301A èPP AB driver èUrei Output Transformer.

And after the mods:

Jensen JT-11P line input transformer è AD797 è LDR è AD797 è 990C+ Discrete Op-amp è Jensen JT-11 DMCF high-nickeloutput transformer.

Nichicon Muse UES bipolar electrolytic caps with paralleled film caps are used for inter-stage audio coupling and replace the back-to-back tantalum caps which were used by Urei to create a quasi-non-polarized capacitor.

Noteworthy here is that the 4136 differential input stage was changed to a line input transformer, just like the Urei LA-3A. Although the stock 4136 differential input topology has a CMRR adjustment, it’s vastly inferior to a 3-stage instrumentation op-amp circuit. The stock configuration cannot maintain high CMRR across a broad range of spectrum, especially at RF frequencies where high CMRR is required (e.g., in a co-locate broadcast facility with a nearby AM or FM transmitter).

Although there are some good 3-stage input designs, some of which are on monolithic chips, I elected to utilize the Jensen JT-11P for its exceptional wideband CMRR characteristics. Careful attention was paid to the secondary load impedance and R/C overshoot compensation network. The transformer's load impedance remains constant regardless of the LA-4’s High/Low switch setting. That was accomplished by reversing the inverting and non-inverting inputs at IC-1C such that the transformer terminates into the non-inverting input and the switchable gain leg is now shunted with resistors to signal ground.

After the input transformer, two sections of the 4136 were replaced with AD797 op-amps. I designed my own PC boards to convert two sections of a 4136 to an AD797 pair and includes SMD pads for additional distortion cancellation caps. Analog Devices specs the use of the added cap when the voltage gain factor A > 10 (i.e., > 20 dB).

Next, the LM301A and PP AB sections were gutted and replaced with a John Hardy 990C+ discrete op amp module. The 990 includes a complimentary-symmetry pair of MJE-171/181 high-current driver transistors biased class AB. The990C+ is installed on a custom PC board with ground plane that I recently designed. The board includes power supply bypass and decoupling. The +/-18V power entry bus is further filtered with two 100 uF “reservoir” caps in parallel with 0.1 uF NP0 MLCCs.

Finally, the Urei output transformer was replaced with a high nickel core composition Jensen JT-11 DMCF. This transformer exhibits low distortion even at very low frequencies when operating at a high output level.

At a later time, I will add a pair of 990C+ modules to create an active output transformer as a rear panel connection option. The PC board design for that option is now complete.

The changes I’ve described are primarily intended to lower system noise, increase input CMRR and improve slew rate over the stock design. The replacement components also exhibit very low THD, TIM, and IMD characteristics. However, the reality is that any improvement in THD is mostly masked by the non-linear cadmium sulfide LDR cell. The LDR gain control mechanism is the equivalent of a potentiometer with the upper voltage divider composed of carbon, while the lower shunt divider section is composed of cadmium sulfide.

Paul

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FS or Trade: Many Items

Hello,

I am selling multiple items. I would consider trades, though there's not a lot that I need.

- (2) Tectonic TEBM65C20F-8 drivers. Like new condition, used for 10 hours.

- Random parts (presumably none are valuable enough to ship individually, but make good throw in items or sold as a lot):
(1) ACA heatsink - never used though attempted assembly, one mount hole got trashed--to use hole you would need the enlarge & thread
(1) NEW TPA3125 integrated circuit
(4) NEW Parts Express gold extra long binding posts (091-340)
(2) NEW Parts Express dual gold binding posts (091-335)
(1) NEW unknown 1/4" headphone jack
(1) NEW NKK S339R dpdt toggle switch
(1) NEW Jameco MTS-2 dpdt mini toggle switch with flat actuator
(1) NEW unknown dpdt mini toggle switch with round actuator
(1) NEW unknown XLR connector
(2) NEW Dynakit RCA-1-M retro plastic jacks
(1) 3+1 terminal lug
(2) USED Harman and Kardon RCA jumpers
(1) USED Bourns 50k potentiometer (used for a single test)
(1) NEW Corcom 10CE1 power inlet with rocker switch
(1) NEW Bourns 3386 trimmer
(2) NEW red LEDs
Random high quality resistors and capacitors

I can provide pics for anything, just ask. Thanks

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Pair of My_Ref FE pcbs with smd components Rev 1.72

SOLD - Pair of My_Ref FE pcbs with smd components Rev 1.72

SOLD

For sale 2 pcs of My_Ref FE pcbs with smd components already installed by Dario (Clave Freemen).
They should be one of the last version, they are Rev 1.72, below you can see front and rear pictures.

I bought them directly from Dario more than a year ago, and never was able to even start the project, so now I hope to find someone that can happily conclude it!

Price is 60€ shipping costs included for Italy (my country). No problem for international shipping, I have to ask for the price and then we settle for a total.

You can check the pictures at 20191003-083649 — imgbb.com and 20191003-083703 — imgbb.com .
(sorry, I can't find a way to show them properly here🙁)

Threshold Fet Ten/HL E power connectors?

Hi,

Can anyone please identify the power jack and plug used in the Threshold Fet Ten E power supply? I'm building a larger power supply and don't want to cannibalize the factory power supply. This is the larger detent type with locking collar, compared to the mini-XLR.

Thank you,

Greg

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CS8412-CP and TDA1543 Seriously! Just $15

Do you want to make your own DAC easily!? Grab a few of these and check out the dozens of decent designs, especially Peter's, here on DIYaudio. You might get away with 20 or fewer components. Literally a breadboard DAC if you wanted.

$15 total for a CS8412 and a TDA1543 plus shipping. If you need more components for it I probably have half of them here anyway so just say so and I'll help you out as much as I can for nothing extra.

These were bought a while ago from a US company that buys stock of electronics companies going out of business. Thought I might make a kit and I still might but right now lets raise a bit of cash.

Check out this link to Peter Daniel's TDA1543 DAC. Super easy folks. You can do this in your sleep and if you somehow happen to screw it up I've got more. Lots more.

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Need XPS foam help

Hi all, to any working with XPS foam...

I'm in process of making some secondary flares for a synergy project out of Lowes XPS foamboard.

All web searching leaves me confused how to best harden and strengthen it.

Ideally I'd like something that brushes on thin per coat (less than 1/16th) and is sand-able, and of course paint-able with nothing special.

Many Thanks 🙂

foam help 1.jpg

Stereo and Mono Amps

Hi guys, I have a really dumb question out of curiosity. Can I use my stereo amplifier as a monoblock?
Use Objective2 as an example. If I connect the RCAs with both left channel, is it bad for the amp or it's gonna work? Does the amp care about the channel of signal?
Or in another case, I only connect the left channel on one Objective2 and right channel in another, do I lose anything?
I'm just curious if I can make a pair of monoblock using stereo amplifiers with specific connections.
Thanks!

Design and Construction Process

Hi guys,
I'm Seb and new here and to the world of DIY audio. Sorry if this wasnt the right area but none of the others seemed right either.

I have a project, and very little understanding of how to do it. Two years ago in boarding school I savagly attacked a pair of speakers i owned, crammed the drivers from both enclosures into one enclosure along with a car radio and a 12v LiPo. Believe it or not it worked, but the cheap amp I used distorted quickly and the speakers were choked for space.

So my project is to redesign from the ground up. I want to keep the drivers as they have been with me a long time and have some amazing memories but other than that I am willing to completly replace. I don't have a huge budget, but also don't have a deadline so if I can't yet afford something I can simply save.

I am CAD able and have a well equiped workshop at my disposal. My plan was to design and order a custom pcb and solder up my own amp (with inputs, potentiometers and bluetooth). My problem is I can't find any information on my drivers. The drivers are from a pair of Wharferdale Laser 80s and I can give more info if needed.

My basic question is how to work out what AMP would work well (to power the drivers well and run off battery power (I read that I should look at lead acid rather than lithium ion?)) also how to work out acceptable enclosure dimentions (I don't want to sacrifice fidelity but also dont want to sacrifice portability). Lastly, how can I design a crossover? I read that its dependant on the enclosure so the ones I already have from the original speakers won't work. But how can I design and build my enclosure before knowing where my crossover will be and how much space it will take?

Sorry for being clueless, figured I'd ask rather than continuing to try and learn on my own.

Thanks


Seb

Marantz PM-94 Replacing Power Supply Caps

Standard the Marantz has 2x 18000uf 80V and 2x 27000uf caps 50v (50mm x 100mm).
1x bridge diode 4A 200V and 1x 10A 200V. There is a soft start, see schematics in attachment.

I am limited in my options due to dimensions (max. about 50mm wide and not taller than 100mm).

I have found the following options and would like to know what you think.

- 2x LNR2A223MSE 100volts 22000uF + LNR1H683MSE 2x 50volts 68000uF (51mm x 100mm)

- 2x LNR1K223MSE 80volts 22000uF + LNR1J333MSE 63volts 33000uF (51mm x 80mm)

Would it be possible to choose the first option without changing bridges and resistor on soft start?

Is more better in this case or will it put a strain on the transformer? (can't figure out the specs of it)

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FS: Matched Quad 6550 EH tubes

I purchased a matched quad of 6550 EH brand new from tubesandmore. Tried them on my Allen Organ 75 PP amp but i preferred the sonic of KT88 Gold - Lion instead so i put these away and decided to give it to others who enjoy the sonic quality of 6550 on their amp.

The tubes are almost brand new and literally have less than 2 hours of play time. No issues/gas/leak/noise. I tested them on my tube amp. The quad sound perfectly fine but i just prefer the sonic quality of KT88 on my particular amp.

The price is 100 USD includes shipping from Southern California to all CONUS in the US only. No intentional shipping

I originally paid 145 + Shipping for the matched quad.

Vacuum Tube - 6550, Electro-Harmonix | Antique Electronic Supply

Thanks

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  • Locked
Flat Earthers

So I have this friend that I am not joking you is convinced the earth is flat. He will not accept any scientific data as he says it is all fake. 🙄

All images of the earth are altered according to him. So any image we can find he won't believe. His mind is made up and it is driving us nuts.

This is no joke.

The flat earthers think there is a giant ice wall at the edge of the flat earth that NASA guards.

https://theflatearthsociety.org/home/




We have spent all weekend trying to put forth all the information possible to him and after 1.5k comments later on facebook he still hasn't changed his mind one bit. He actually says he feels sorry for us "globeheads" He says we have been lied to by the government yaddayaddayadda.

I came up with an idea. I want to put him on a Concorde jet and fly him over a pole, maybe send him to China and back or something. I haven't quite figured on the best flight path. I really would like to fly him all around the world but that might get too expensive. Anyway since the Concorde flies at higher altitude (50-60,000') I was told you can easily see the curvature of the earth from that high. He said if he sees the curve with his own eyes he will believe us. I feel like this would be a breakthrough.

I started a go fund me page to get him airborne as I can't do this on my own. Please check it out and share. I will continue to update the go fund me page with the plan as it evolves. If you have any ideas on the plan please share and I will consider them. I am sending him with a camera for which he has to document his whole trip which I will edit later and make a short documentary on the whole thing. He is a devout flat earther and I feel like his fellow flat earther friends will take his word for it if he sees the curve and therefore it will make the world a better and hopefully smarter place.

Here is the page: https://www.gofundme.com/flat-earth-fight-around-the-world

Please share and or contribute what you can.

So besides that what do any of you think of this theory? Complete quackery? Are there any flat earthers here on DIYAUDIO? We had a crazy thread going on facebook so maybe we will get one on here too. I also would like for you to share any easily explained science to me so I can relay it back to him. We tried everything though I am afraid.

-bird

Question about dual (positive-negative) power supply board

Hi guys,

this is most probably a stupid question but i just want to be sure I don't mess anything up... 🙂

I built a dual (positive/negative) AC to DC power supply board using LM317/LM337 (it's that in the photo attached).

Is it ok if at any given time I use only the positive output of this power supply
to power a device or would that be a problem for the circuit ?

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Working the crossover for better impedance

:cop: This thread has been split from - What amp should I be looking at for 4 ohm?

****

Wow thankyou! Just the answer I was looking for!

My speakers share two 8ohm woofers in parallel.

Zaph|Audio - ZA5 Speaker Designs with ZA14W08 woofer and Vifa DQ25SC16-04 tweeter

I have the 5.3T.

The crossover is there too.

Would someone be able to guide me on how to go on about working the crossover for better impedance?

Klipsch La Scala

Hi,

Will the Klipsch La Scala be a good match for an Aleph5, or will I never get te amp "quite" enough for the high sensitivity of these speakers (104 db/1 watt)??
I am planning to use that pi filter (CLC) thing with 8 * 22000 uF per channel (and a "L" of around 2-3 mH).

Also the impedance has a dip of 4.5 ohm around 55 Hz and a peak of 42 ohm around 2150 Hz. Is that a problem?

Powersoft K8

Hi all.
A Powersoft K8 came in for repair due to water damage.
Upon repairing a track on the underside of the pcb, i also found
a bad voltage regulator.
Unfortunately it is cracked open and i am not able to see which one is it.
I am referring to U4 in the power amplifier section.
Here is a pic that might help.

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Roksan M1 vs M2

Firstly thank you in advance for reading;

I have a Roksan Caspian Mk1 and am looking to upgrade to a M1 or M2. There's a lot on the net about them individually but very little comparing the two despite seeing many post where owners have/have had both. I'm aware that with the M1's you could buy as dedicated pre / power but that has since changed.

The only downsides I'm aware of is that the Caspians need cranking to get the best which isn't always the most appropriate listening level - I find my current amp needs to get to 11 o'clock and beyond to sing whereas 10 o'lock is the general listening level. Also, there's a suggestion that the amps have got more clinical and less warm.

Question: What are the key differences between the M1 & M2 integrated / against the Mk1?

My set up is currently as follows:
- Roksan Caspian Mk 1 Integrated
- Arcam irDac (potentially being replaced by the Chord Qutest)
- Monitor Audio Silver S8 (will eventually be upgraded, maybe even downgraded to the S6 as their size would probably suit the room better)

The room size is approx 4m x 3.9m, no solid walls : (

Lastly, (ironically) <this all started with wanting to upgrade the irDAC, its been great and full of energy and musical but it's not the last word in resolution and has also developed a clip on one of the inputs.

Audio Concepts Little V Sub - DVC

I built Mike Dzurko's Audio Concepts' Little V Sat/Sub system from a new kit decades ago, and it's been pretty much one of the best audio values of my life... still enjoy it very much, and currently being fed by an Adcom GFP-565 pre and a Hafler XL-280 amp. I just noticed a strange anomaly, and wondered if anyone had any insight.

For those not familiar with the system, it utilizes a single down-firing dual voice coil sub driver housed in an "aperiodically" damped enclosure (oversimplified, a sealed box with a designed amount of leakage). The sub's XO is fed by both channels of the amp. Each channel goes though a low pass filter and on to one of the two voice coils (left channel goes to one voice coil, right channel goes to the other), and through a high pass filter and onward to each of the two satellites. In each satellite, that signal is then fed directly to the mid-woofer and through a high pass filter to the tweeter.

Here's the anomaly. I have the satellites set up as expected w/ respect to the listening position, and the subwoofer is towards the left corner of the room, about a foot away from the left wall and about three feet from the back wall. While listening to a mono signal, I noticed that the image did not seem to be centered, with the right channel appearing stronger than the right. With the mono switch engaged on my pre and manipulating the balance control, what was happening was that the subwoofer's output was greatly reduced when the balance control was set full left, but full strength full right, giving the right satellite speaker the "appearance" of being stronger. Up close, both satellites sounded identical as one would expect. Laying on the ground next to the sub with a finger lightly touching the driver verified the difference in strength between responses to left and right channel feeds.

Is this to be expected? How does a DVC driver deal with a stereo and therefore possibly different signal, compared to how it deals with a mono signal from two different feeds?

Even stranger... about 20 minutes after turning the system on, this issue seems to have disappeared and the response is now equal. Will have to see if this is repeatable every time I turn on the system after being unused for a while.

What could cause this? It's been decades since I built these speakers, and I can't recall exactly what the XO looks like and the manuals I have don't include schematics... just very generic pictorials showing locations of components. It LOOKS like each voice coil is fed by a series coil with a shunt cap or resistor to ground. I built the Hafler XL-280 amp even earlier... probably late 80s?.. and it's never hiccuped and always worked beautifully. Any ideas? We had been away for a few weeks and the system has probably been powered off for about a month until today. Would it be normal for a solid state amp to take some time to stabilize? One or more caps in the XO or amp on the way out? Coils are either good or bad, no?

Any ideas much appreciated! Thanks in advance. Is Mike Dzurko here or around? I spoke with him about ten years ago... good guy and very knowledgeable.

Transformer in seperate enclosure : what connectors ?

Hi, I have copied my original message from the parts section here, I figure it's best off seeing as it's a PSU question.

My new phono pre has a hum issue. It is seriously helped by moving the board away from the R core transformer I installed in it.
Unfortunately I dont have enough room in the box to get it far enough to not cause trouble, so I'm thinking of putting it in a seperate enclosure.

I therefore need to bring 5 wires from the transformer box, to the preamp:

- 2 for 230VAC
- 2 for 14VAC
- 1 for gnd

What sort of cables and connectors do you use when faced with this kind of situation ?

Cheers

Outboard transformer cables and connections

Hi,
My new phono pre has a hum issue. It is seriously helped by moving the board away from the R core transformer I installed in it.
Unfortunately I dont have enough room in the box to get it far enough to not cause trouble, so I'm thinking of putting it in a seperate enclosure.

I therefore need to bring 5 wires from the transformer box, to the preamp:

- 2 for 230VAC
- 2 for 14VAC
- 1 for gnd

What sort of cables and connectors do you use when faced with this kind of situation ?

I was thinking DIN or XLR and a suitable 5 conductor cable

Cheers

Do i blown the transformer? Rotel RC 1070

Hello all.
I've made a mistake and connect the preamp ( Rotel RC 1070) to 220V, smoke...
I have dismantling the unit, and try to wire the other 115V part of the transformer..smoke.

As i'm a neophite, i have a dream, and maybe i've blown an internal fuse...and the transformer is not dead.😡

the main fuses (3) are after the transformer, so no fuses between the mains and the transformer.

The secondary values of the transformer are 19V-0-19, and 11V-0 ( i have read that on the web)

Some knows where i can find a replacement?, i've searched, and ...nothing. Any tip?

Here, diagram, and picture of the beast.

Thanks for your opinions!!

Fabian

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DB Drive WDX3k

DB Drive WDX3K has a nasty turn on pop. And a slight turn off pop. When amp came in, it had shorted outputs, damaged drivers. The gain was full blast and the lpf was all the way down, lol. Not sure if the cranked gain might have damaged something else.. it's running fine aside from the turn on/off pop. is there something I can do to make it fix the problem or make it better? Owner said it did it before the repair... but ya... it's a nasty startup pop.

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UcD400OEM ground loop issues

Hi everybody,

I am still working on my 5.1 DIY CLass-D amplifier, but abandoned the TPA3255 modules for an all-Hypex-setup.

I just finished everything, all bench testing went fine (all channels work, dead quiet speakers, clear sound when connected to battery powered mp3 player on all six channels).

But connected to a Denon X4000, I have terrible ground loop noises on all 4 UcD400OEM channels, but NO ground loop noises on the UcD700HG channel...???


The setup is:
2 * UcD400 OEM V6 on one (non Hypex) SMPS, connected to RCA, RCA GND and UcD GND tied together
3 * UcD400 OEM V6 on one (non Hypex) SMPS, connected to RCA, RCA GND and UcD GND tied together
1 * UcD700HG on Hypex SMPS1200U700, connected to RCA, RCA GND and UcD GND tied together

The 400OEMs are using the buffered inputs (shortened ping 30-31, 26-27)

I just installed the big hypex SMPS, since the former solution of using a generic 80V SMPS never worked so well.

The UcD700 runs dead quiet, even if connected to the Denon X4000. It is only the OEM modules which expose the noise.

I already tried connecting just one UcD400 module to one SMPS, same story (ground loop noise when connected to consumer audio device).

I also tried an old stereo UcD180 amp (which is wired the same way) I had lying around - no noise at all.

I know of both hypex docs "AN amplifier signal wiring", and the longer document where the AES48 / RCA / banlanced connections are explained in detail.

I tried connecting RCA signal GND to the chassis, and leaving cold input floating, no change.

What I did not try so far is put in the 100nf/100 ohms filter to GND in place at the RCA input.

So, with all the six RCA input GNDs just tied to each GND (pin 1 XLR), and connected to a battery powered device = no noise
All the six RCA input GNDs just tied to each GND (pin 1 XLR) , UcD700 connected to a mains powered device = no noise
All the six RCA input GNDs just tied to each GND (pin 1 XLR) , UcD400OEM connected to a mains powered device = terrible noise

What is mystefies me is that the UcD700 behaves differently than the UcD400OEM... One could guess that it has something to do with all UcD400OEM modules being connected together through their backplates, but I already measured the connection to each modules GND plane, their is none.

I hope you can help me, I want to finish this project...
To be clear, I also reached out to Hypex support, but maybe somebody else here has an idea.

Now I could also buy a Hypex SMPS3kA400, but I do not think that the "generic" SMPS are to blame (because of having no issues if a signal source with no mains connection is being used).

Regards,

Arndt

DC blocker not working ?

hi,
I have a 6ch power amplifier for my active system. It has two toroidal transformers each 600w. They are buzzing occasionally, if i put my finger on them i can feel the buzzing. So i decided to make a dc blocker circuit. I made it but the noise is still there. I used 1 bridge 1000/V35A and 4 capacitors 22000uF/35v each. My circuit is like the one in the picture but i have another one pair of capacitors connected in series like the pair in the picture. The second pair have the same polarity and is paralleled to the first pair.
Despite having this circuit the transformers are still buzzing. They buzzing when i use hair dryer, microwave oven even when my neighboor use something which produce dc on the main line.
When i am measuring ac voltage across the bridge, i have about 180mVac so the diodes are not conducting. So how the dc pass through? cannot understand what is happening.

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New Guy

Hi all,

So allow me to introduce myself:

Kinda got into audiophilia by accident: my grandfather gifted a Marantz 1040 that he said was not working in the treble section. Turns out it was his hearing not being so sensitive any more.

Got myself some vintage Sony SS-7300 speakers, and then upgraded my amp to a Yamaha A-S700.

Most recently my grandfather gave me his TD124, so I spend this past weekend in lock-down reading up, opening up and cleaning it, with some mini-heart attacks along the way.

Glad to be part of the community, and enjoying learning new (old?) things.

Hope you guys stay safe.

What effect of adding a Helmholtz Resonator to a cabinet?

I've recently come across the idea of adding a Helmholtz Resonator to a speaker cabinet. I can't find much information about it though. I've thought through how it might work. It seems that when it resonates, it does so in phase with the driver. So it draws air into it's chamber as the cone moves backwards and pushes air out as the cone moves out. It makes it easier for the cone to move, so you get more displacement for a given electrical power. All very nice. I can design a resonator for a given frequency, that's easy enough, but there are still things I need to know.


How does the size of the port affect the cabinet? Does a bigger port and cavity mean a bigger effect on output? That would seem to make sense.


What is the Q of a resonator? I would need to know this to know how low before the cabinet's F3 I'd need to tune it in order to get a flat response.


Am I right in thinking it would act a bit like a reflex port, in that you get bass extension, but it takes a few cycles to start to resonate, you the bass is less responsive?

choosing your house location for audio !

I heard that astronomers buy houses where there are fewer city lights, where the air is dry and still. The HAM folk look for accommodation away from EMI sources, especially power lines, and where local rules allow large antenna and with a good line of sight.

What about audiophiles, where should they live ?

Looking for good mains power, stay away from industrial power noise sources, stay away from strong radio transmitters. Ideally be close to a glacial lake for cooling of that Class A monster. Are there audiophile communities in these spots?

Trend of crossover point for high region

In a 3 to 4-way system, consider 1-3kHz for low x-over point and 4-6 kHz for high x-over point, the tweeter’s crossover point should be at low or high frequency point? I see many hi-end speaker manufacturers at present usually use their tweeters at “low” frequency point. Does this a trend for nowaday (hi-end) speaker? Compare to those hi-end builds from 70s to 90s, they tend to be “high” x-over point for the tweeter. Please help to clarify my suspicion. Further discussion about advantage and disadvantage would be really appreciated. Thank you

For Sale 2 x 25W Class A amplifier modules

For Sale 2 x 25W Class A amplifier modules.

These are really quite good and sound very nice. I only built them as an experiment and was really impressed with the results.

They need +/- 24V DC and do need substantial heatsinks.

The outputs are MJ15003's so are substantially better than the 2n3055s in the original schematic.

I'm not even trying to recover what they cost to develop and build. These are offered as a baseline for someone who would like to try them.

I'm after about £40 plus P+P for the pair.

The PCBs are professionally made, not home brew.

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Continuity between OPTs - help!

Hello - I've been around for a bit but don't post much. This DIY hobby is largely responsible for helping me maintain most of my sanity in my off hours during these trying times, but recently it's having the opposite effect.

My current project is my most ambitious to date, and essentially follows the schematic found Thorsten's article "Calculating DC coupled Single Ended Valve Amplifiers", specifically post #12 (https://www.diyaudio.com/forums/tub...d-single-valve-amplifiers-1-a-post372236.html).

The power supply is housed in a separate chassis, feeding DC for the heaters, filaments and B+. Chassis ground is separate from circuit ground and is common to both chassis. The 5842s share regulated 6.3VDC, and each 45 has its own DC supply and Coleman regulator.

Overall, the amp appeared to work properly. While I had sanity checked the supply voltages and dialed in the filaments, and did some initial listening through test speakers, I didn't do any further measurements. However, after some listening in the main rig it was clear that the right channel was louder than the left. Not drastically, but enough that I noticed pretty quickly. Swapping driver and power tubes and interconnects had no effect; the right channel was always the louder of the two. I measured the cathode current, and the right channel was lower by 10-15mA. I then discovered that the voltage drop across the OPTs was not consistent - there was a roughly 20% discrepancy. They are Lundahls, which require some jumpering by the consumer, and I have since confirmed that they were both wired correctly.

Then things got weird.

The resistance across both the primary and secondary was consistent between both OPTs. I also confirmed that there was no continuity between primary and secondary, nor between circuit ground and chassis ground. The negative binding posts are both connected to circuit ground, and confirmed with a meter. However, I found that there was continuity (1 ohm or so; a dead short is 0.7 ohms on my cheapo multimeters) between the L positive binding post and the R negative binding post, as well as between the R and L positive binding posts!

I have never seen this before, and I'm at my wits end having traced wiring and checking for continuity at various places. Though there are a few new twists for me with this particular build, in general this is not a complicated circuit - but I am stumped. I don't see how both OPTs could be coupled this way, let alone still appear to operate more or less correctly in this state.

I'm sure it's something simple that I'm overlooking, and it wouldn't be the first time, but if anyone can point me in the right direction I would be forever grateful.

Cheers,
Joe

RIAA Noise Calculator

Here is a link to the RIAA noise calculator I mentioned a few months ago that I was working on. Its linked to in the 'broadcast blues' thread as well.

The spread sheet is derived from Stuart Yaniger's one with additional inputs to allow the real world noise for up to 5 opamps or discrete amplifiers to be compared.

So Just How Quiet is Your Phono Stage?

!ONLY ENTER DATA IN THE GREEN CELLS!

Concerns about tube CF in solid state amplifier

Hi, guys!
I'm working on a hybrid headphone amp with TPA6120 and AD1865 as DAC. I want to place cathode follower circuit between them, but I'm consirned about possible damage from the tube power supply +-140v. I'm providing schematic. Can someone with more experience in such a type of circuits give some advices. Thank you!

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Push-Pull VAS [50W@8R]

Hello, after a long time, I've finally built a working amp based on the designs discussed on THIS thread.
What I can say right away is: I was impressed with how the circuit showed great stability on a breadboard and with no compensation network, no thermal feedback and exhibited symmetrical clipping and no visible crossover distortion even at insufficient bias.

The circuit (all components used are exactly the same):
XFbtuGQ.png


Shown below is the early prototype (with much reduced parts count):
l9LMzaG.jpg


Final prototype (25000uF per rail):
fr9XjnM.png


I see you doubled the output devices for only 50W output, why was that?
With only one pair, the THD was limited to 0.005% @1W and 0.030% @50W, adding an extra pair allowed me to have much better THD at full power and also increased the Damping Factor from ~300 to the values shown below.

Now let's jump to the measurements:

  • Frequency Response: 4Hz ~ 147kHz
  • Noise (Max Vpp): <20mVpp
  • Noise (Max Vrms): <4mVrms
  • Slew Rate: >30V/us
  • Max DC Offset: <3mV
  • Damping Factor (50W/8R/20Hz): 1820
  • Damping Factor (50W/8R/100Hz): 1870
  • Damping Factor (50W/8R/1kHz): 1870
  • THD (1W/8R/1kHz): <0.002% (limited by signal gen. THD)
  • THD (50W/8R/1kHz): <0.006%
  • Phase Shift @20kHz: <10.2°
  • IMD (1W/10kHz+11kHz/1:1 ratio): <0.004%
  • Input Sensitivity: 360mVrms
  • Voltage Gain: 34dB

Some extra considerations:

— Sound card used was a Creative Sound Blaster X-fi HD (SB1240);

— You can get more than double the SR by changing the compensation network and the low pass input RC filter, I only chose these values so I could show that the amp is stable with unrealistic capacitive loads;

— I only chose a TL081C as DC servo because I didn't want to use my expensive JFET input op amps (also it'd be a pain to solder because they're all SMD) but I encourage everyone to use something better, the datasheet says it's immune to latch-up but THAT'S A LIE, and a HUGE problem if your finished design doesn't have output DC protection;

— I couldn't realiably measure damping factor at and above 10kHz because my multimeter does not have the bandwidth (I don't think most of the do anyway) and my scope doesn't have the accuracy (I was measuring at full power output) for measuring high voltages with mV precision, but I have strong evidence that the DF doesn't stray far from the 1800:1 across the entire audio spectrum;

— I didn't measure IMD at full power because the generator was the same external sound card that was analyzing the output signal and I had no way to isolate the input to prevent a ground loop (at low power it was fine because no high currents were involved and the grounding layout worked fine). For those interested, it measured 0.045%;

— The heatsink used is working on its limit, I had to set the idle (cold) current very high to achieve the idle (hot) current I wanted. Before I realized this, the insufficient heatsink size made it so that after 30min the idle current had fallen way below what I had set initially. I recommend choosing a bigger heatsink;

— You can extract more power from the circuit by making the driver stage a single BJT emitter follower instead of the discrete Darlington emitter follower I chose, at the cost of higher loading of the VAS;

— The amp was not tested with 4R loads because my transformer can't supply enough current, thought the circuit can probably handle 4R without problems.

Applying capacitive loads:

  • 1nF and lower: no visible change
  • 10nF: no visible change
  • 100nF: small oscillation over the negative part of the square wave
  • 1uF: very large overshoot but stops immediately, doesn't break down into a chaotic oscillation
*Details for 100nF and 1uF loads are shown in the attached pictures.

I will not be supplying the .asc file (unless someone really wants) because I don't have most of the models, I just renamed the components on the schematic above to match what I used in real life.

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Miscellaneous parts and boards

Hey all!
Have some miscellaneous parts and boards boards I no longer need.

  1. Peranders RFB02 Bridge Rectifier (rev 1, with 30CPQ100G diodes, see here) sold
  2. Sigma 11 (30V, The σ11 regulated power supply) $50
  3. DIY dual bridge rectifier (with 2x 1000uF 50V BG caps, and 8x MSR860 diodes) $50
  4. 2x Auricaps (1uf, 200V) $30 the pair
  5. Caddock MK132 resistors - 2x 2.7K, 1.5K, 330 and 75 $15 the each, $60 the lot
  6. Audioquest angles IEC adapter $12, new in box
  7. Furutech FI-03(R) Fused IEC inlet sold
  8. 2 pairs Furutech FP-800B(G) binding posts sold
  9. 1x Alps 100kax2 pot. sold

Let's say shipping is $10 for each time ($5 for the caps).
If you want everything, we'll sort something out 🙂

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Madisound Recession Buster 3 build

Hi all.

Not sure if this is appropriate here, but I believe somebody recently inquired about the availablity of the Vifa PL18WO08 woofer and that prompted me to share this, in these stay-at-home times...

In late 2009 Madisound was offering leftover RB3 kits, just the drivers and crossovers for 235$US. At that time, Parts Express still had piano finish cabinets of the right size, so I ordered two along with port kits and stuffing. It then all sat in the basement for more than ten years...

Only last week I started putting it together!

First, protection is mandatory! Not for me, this time. Two layers of masking tape. Second picture shows the port flare inserted in the recess cut with the help of a Jasper's circle cutting jig. Very accurate. Because of the shape of the cabinet, the port needed to be mounted with the 'inside' flare outside. The other flare is huge, but the 7" overall port assembly (insane luck here) happened to juuuust clear the shelf brace round hole (see photos 3, 4 and 7).

The only way I could fit the crossover in the curved cabinet was behind the tweeter. Not seen on the photo, but there is stuffing between the crossover and the PCB. This makes for a very easy to modify/repair setup, as the front baffle is attached with four hex machine bolts into metal inserts: no problem when re-opening multiple times. Baffle appears to be sufficiently air tight for a ported design (would have to use some sort of gasket for a sealed box).

I hate the shiny screws, but black ones are on the way from Parts Express. The speakers sound very sweet, the bass does not seem to be too boomy/lazy. This is the first ported system I build, everything else before was 'transmission line'. For instance you can see them next to my poor man's Thor approximations, those were designed (in 2002) with Vifa 5.25" plastic frame drivers costing around 20$ each and nice Vifa tweeters. The enclosure was designed by extrapolating/interpolating the numbers found in J. D'Appolito original AudioXpress article. I had Madisound calculate a LEAP crossover for that. This service will be missed...

Anyway, folks might be interested to know that a kit that had sat in a basement for a decade is now alive and well! Cheers.

--Christian

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Greeting and Hallucinations

I am so glad to have come across this forum. I am getting up in age and I have limited knowledge on the vintage electronic stuff. My father was the crackerjack when it came to vintage electronic stuff. He has since passed and now I have items that I wish to use that are in need of service. It is a bucket list stuff for me. Thanks for being here and hope not to ask too many common-sense questions and use the forum to find answers already posted. Thanks for your input.

electron don

KISS: or the art of the 2.5 way

Just wanted to get back to something simple for my new home. I started with my super lightweight bamboo enclosures filled with my custom FR151's, along with a miniDSP 2x4HD, and it's sure fun, but as an incorrigible DIYer: I wanted another project. 😱

So, using the same 2x4HD, what are the options?

Well, i'm not a big fan of 2-ways... It's either fullrange or 3/4 ways.

But what about a 2.5-way?

A 2.5-way is the poor man's 3-way, which means I use the highpass channels to feed both the mids and tweeters, and I finish the job with some basic passive xovers (6db/oct in my case, cannot be simplier).

I'm not saying it's an easy task to make it work properly nor that the results can compete with an elaborate 4-way system, but it can be excellent for the money/time spent.

So here is my new little 2.5 project:

Tweeter: RAAL 64-10 (ribbon)
Midrange: Visaton B200 (widely used as a fullrange)
Sub/woofer: JL audio 8W1v3 (4 total)
Dayton 12'' passive radiator (tuned @ more or less 33hz)
Very thin on-wall enclosures, made of 10mm bamboo

MiniDSP: 315hz xover @ 48db/oct BW
Tweeter/mid @ 4.5khz @ 6db/oct
Amplifier: ICEpower

Basically, I chose a recipe with what I had on hand. But first I designed the project using (2) TW1 subwoofers and finally added bamboo panels to modify the whole thing to fit (4) 8w1v3, for a better 150-300hz response, which is not the Visaton's forte and even less the TW1's...

After few hours spent on the measures and EQ, I can say: mission accomplished. 🙂
Now, all I need is to finish the job with some protective grill to cover that DIY mess 🙄


IMG-9804.jpg


IMG-9805.jpg


IMG-9802.jpg

Alpair-10M Gen3 Bass Reflex Enclosure Advice

Hi there, I hope you are all well and staying safe during these unprecedented times!

I want to build a set of full-range driver speakers for my desk.

I have narrowed my driver selection down to the Alpair-10M Gen 3, but any other suggestions are welcome. I have a wide range of musical tastes from the blues, 70's 80's & 90's rock, soundtracks to deep house/chilled EDM.

I respect that there are a ton of amazing plans here but I have chosen this specific driver due to the reviews as well as the cabinet plans found on the Madisound website. I have chosen the Alpair-10 Bass Reflex Design due to the limitations of desk space and the fact that it is front ported.
https://www.madisoundspeakerstore.com/pdf/markaudio-enclosure-plans/Alpair10-BR-nocover.pdf

I would like to construct the cabinet out of birch wood but will gladly use MDF if suggested and dress it up with wood on the outside.

The questions I have:

1) Would this driver be ideal for a desktop setting in this particular box or should I step down to the Alpair-7?

2) Would I line the box with dampening foam, stuff the beauties or both?

3) What would I require to hook the drivers up to the jacks? Do I need a crossover or filter? If so is there anything I can purchase that is premade or do I have to solder something myself? Would prefer to do less soldering as possible.

4) What amp would be preferable? Suggestions in the 100 to $200 range would be preferable. My current amp Maximum Output Power is 70W @ 8ohm.

I appreciate your time and look forward to your feedback!

Many thanks,

Neil.

Technics SA-TX50 Hissing

I just got my hands on a beautiful Technics SA-TX50. I've been slowly building my setup, and while this is not the king of all amps, it's the best I've had.

My issue is that it has a constant hiss! It doesn't matter which input is selected or what power outlet I'm plugged in to, it constantly hisses. The hiss gets louder as I increase the volume and can be heard faintly behind the music when it's playing. I have tried reseting, plugging in to non-grounded power bars, plugging in different inputs, no inputs plugged in at all, it always hisses!

Please Help!!

Which speakers are you using with your TSE?

I'm starting a 300B build but don't have speakers yet.
I have a Frugal-Horn mk3 flat-pak which I originally planned on building with FE126En drivers but that project may take a while.
I like the looks of vintage Klipsch, JBL and Yamaha but never actually heard any.
I am very curious to hear peoples experiences with different speakers and the TSE. Both good and bad impressions welcome!

Tubes for sale

I am selling my stash of tubes. Most of these are unused (NOS) or have less than 200 hours. Purchase the entire lot for $375 or pick-n-choose what you want.

GM70 copper plate
Valvo Aa
394A
Brimar 4004
and much more

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Bluetooth, mp3, fm board. What chip is this? Is it supposed to sound so terrible?

Hello, this board is from Ebay, and it sounds terrible, no bass really, any type of source or mode (bluetooth, aux, fm).

Can datasheet be found somewhere for this chip? I'd like to see on paper some specs showing me it's really built to sound terrible.

I'm thinking about buying another similar one to try, because I like the versatility, but maybe all these boards/ics sound bad? Is there similar board with hifi sound?


Thanks

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120w PP UL monoblocks

I've finally finished my first valve amp build, it's taken about two years. I built the amp once in one chassis, wasn't happy so started again.

Each mono block has it's own PSU with a 625VA handwound/overwound toroid mains tfmr with 9 second soft start for the HT/B+. There is also two protection circuits so that that if Ik of each EL34 exceeds 100mA a thyristor engages a relay that cuts the neutral to the main tfmr as well as no speaker/load protection.

Specs - 0.01% @ 1w, 0.07% @ 10w, 0.21% @ 50w and 0.28% THD @ 112.5w this at 1khz. N/ripple = 20mV. F response 3dB @ 1dB @ 5hz, flat to 28khz, 3dB @ 33khz.

Valve line up 6AU6 triode strapped for the front end with CCS load, two ECC99/6H6N's as the LTP phase splitter with CCS in the tail.

OPT's are Hammond 1650TA, caps 105 deg mostly of reputable makes, Bourn pots, Vishay resistors so most components of good quality but not boutique.

Woodwork is sycamore, hand planed from a tree, took ages as my tools are very basic. Chassis handmade from 2mm ali sheet.

Lastly though the design of most of the amps is my own work I lifted quite a few ideas of Patrick Turner and also picked his brains via email, thanks Patrick. Anyone wishing to build high powered amps or any valve/tube amp should have a butchers at his site, an invaluable resource for tinkerers and artificers.

Andy.

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  • PSU - capacitor board, SS relay,chassis connect, etc.JPG
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  • 6.3v regulator, bias and soft start board and AC fuse board.JPG
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No clue with Stanton t.60 and vestax vmc 004

Greeting to everyone seeing this !
I stumbled upon the two items listed in the title and have absolutely no idea on how to go about connecting them, for the purpose of playing vinyl record's. Total disclosure, I've never hooked up any audio system before, so Im clueless to what I need to know. As much as I could figure out, I need speaker's, if they're stand alone, I need an amplifier, the two must be compatible for the set up to work. From the vestax manual I found out that the controller doesnt work as an aplifier, dont even know if I need it for playing record's. What if I use a wireless speaker like a jbl go and convert the rca phono from stanton to aux to fit the jbl, will this set up work ? I mean the speaker has it's own power, so theoretically it might. Again, no clue, just shooting ideas here. A friend of mine has speaker's that he is about to bring, and Im guessing they will need an amplifier, and the quality vs the jbl go should be substantial. Yet I also have so pc speakers laying around, how would that work ? And if this is not too much trouble, I might want to buy a second hand amplifier, saw prices locally from 40eur+ so that might be worth it. Any information regarding this setup is most appreciated, thank you for reading up to this point stranger 🙂
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