SEAS Odin MK3 - Opinions? Thoughts?

Hello all!

Does anyone have any opinion on the SEAS ODIN MK3 speaker?

I have seen a pair for sale locally - and they are beautifully made. Looking at some of the reviews on-line - I am getting a mix of LOVE and HATE.

Thoughts? Offered at $1200 with high end cabinet (Which was beautifully constructed). Though I love the look - I have concerns about the mixed reviews.

I am wondering if I am better off to wait for a Troels Gravesen design to come available.. Harder on my wallet - but seems to be a much better pedigree.

Thoughts?

Spontaneous electrical failures

G'day Guys,


What causes a perfectly functioning device to spontaneously fail?


Exhibit A:
IMG_1519.jpg
IMG_1520.jpg
This is the controller pcb from a commercial blender.

The blender functioned perfectly until it suddenly decided to put out some magic smoke.
To me it appears as though an arc has occurred across the lead of a diode to the lead of a mosfet.


Exhibit B:
IMG_1521.jpg
This is an Ebay speaker protection board. It worked perfectly the first 5 or so times it was powered up however during a recent test of an amp I was building I saw a little puff of smoke come out and found the melted pcb trace.

  • Locked
GUSTARD DAC-A22 (AKI's AK4499EQ AK4499 AK 4499EQ 4499 in use) - who have heard ?

transformer coupled mosfet gain calc?

Unsure of what configuration this would be.... but take a power Mosfet and split a trifilar output transformer windings between its Source, Drain, and output stage.

What would its gain be? What would its input impedance be? Its kind of a cross between a Source follower and a Common Source.

I am sure this has a name... its like the McIntosh output stages I believe.

Just trying to figure this out.

Thanks!

Hum Balance Switch for Bell 3030

Hi, the hum balance rotary switch on my amp needs to be replaced. The spec listed on the Photofact is 200 ohm's, and the switch is dual gang. I'm having no luck finding such a switch. I've looked at Digikey, Mouser, Antique Radio Supply, and have performed multiple web searches with no luck. I've found single gang 50 ohm and 100 ohm for guitar amps. Any insight as to where I can find a replacement switch? Thanks.

Multiple secondaries vs multiple transformers

G'day Guys,

I'm brewing up a tube preamp and my question regards using a single transformer with both a HV and a heater secondary vs using separate transformers for HV and heaters.

I'm not going to claim I understand all of the issues involved. However from my research on the matter it appears to be that multiple transformers is the better solution.

This appears to be for 3 reasons:
1) Interwinding capacitance
2) Magnetic coupling of noise between the secondaries
3) Cost: I asked our local transformer winder for a quote for a single EI transformer and was quoted $100. Versus roughly $60 for 2 appropriate toroidal transformers from Farnell.

Am I correct in my thinking that where physical space allows, multiple transformers is the better approach?

Are there any advantages to a single transformer with multiple secondaries that I am not be aware of?

DIY Active Loudspeaker Switcher

Hey there, I want build a device to switch between active loudspeakers which use balanced connectors. I have 4 (or more) different active loudspeakers (stereo) and I want to switch between these without a pop noise (and without removing the cables).

I simply have one DAC and I will use its stereo output, to the input of the switcher and I am going to need 4 (or more) balanced outputs to switch between while listening.

I would like to hear your comments about how I can build it. I I appreciate your help, thanks in advance...

12V DC tube amp

Hello guys, first post here. I imagined this would be a popular topic, but couldn't turn anything up in the search.

I play slide guitar through a Gibson GA5T, a ca.1960 5w tube/valve combo with an 8" speaker. It's near-perfect for my purposes.

My girlfriend and I are planning a long road trip and electronics are an issue. I'd like to take along a small valve combo that I can power off the car battery.

I know that tubes need high voltages to produce the sounds we all love. I'm aware of a number of pedal designs which manage this, and (of course) the Zvex Nano Head, which is kinda my fallback. But I'd really like too build something myself. Does anyone have a 12V DC tube amp design for DIYers?

Best, WM.

add a line out to a tube preamp, with one triode and one transformer per channel

Hello,
i'm working on a tube preamp, it began with the restoration of a dynacord eminent amp, i removed the power section, inputs have been rewired to stereo, and it sound very good !
Now i have one unused 9 pin socket (used to be the phase inverter for the EL34s), and 2 signals coming from the plates of one 12AX7 (left and right channel).
That 2 signals sounds very good with just a 0,01uF cap from each plate, a 470k resistor and a 250k pot to ground, and then the pots feeding a sound card.


But i'd like to add 2 transformers to protect the sound card from potential DC (coupling cap failure) and give some more color to the sound.
With only 1 socket left, i can use one triode for each channel...
Any idea of the tube i could use and the arrangement ? i need some current to drive the transformer so maybe a 12AU7 ou a ECC88? single ended output, or cathode follower AC coupled ?


I will feed a sound card so i need line level.



Thanks !

Vibrapod Isolators (used). Models 2,3, and 4

Virapods. Set of 4 each. Model 2 with packaging $10.00 Model 3 with packaging $12.00, loose $10.00 Model 4 with Packaging $10.00, loose $8.00.
$58.00 for the whole lot.

Buyer pays for shipping.

An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.



Abe

paradigm CC690 v4 sound issues

I recently picked up a studio CC690.
when i started playing it, i noticed an annoying sound like the highs are echoing or vibrating,especially at louder volumes, where my dali is doesnt have this issue
its hard to explain, no amp issues or stupid sound fields, plug and play with my other centre doesnt have this issue.
it appears to be coming from the mid speaker below the tweeter.
I have pulled the cross over out for the tweeter / mid and found that it has 4 caps.

1. largest 5.65uf 250v - read 5.6 uf

2. bennic bipolar 100wv 10uf - read 11.24
3. bennic bipolar 100wv 33mfd - read 38.03uf
4. bennic bipolar 100wv 33mfd - read 37.53uf

They dont show any +- values.

3 and 4 seem high.
would these cause sound issues?
i have tried replacing the tweeter/mid with the same outcome thats what makes me feel its the cross over.
any thoughts on this? how much would a new cross over cost from paradigm?
what caps could i use to replace these with ?
thanks in advance

Loudspeaker Cabinet Volume question.

Okay, so, I am sitting here trying to learn what physical attributes, relations and equations is used to determine cabinet volume. I have documents lined up that I need to go over, but I figured I would make a thread and possibly get some answers, the answer or a rewarding debate.

There exist online calculators, but I don't want to use that. I want to understand what goes into such decisions. So without adding any information, what say you: What are the references ?

Oneminde

JL 300/4 Amp repair.

I have a JL 300/4 that JL actually repaired a few years ago because of the same issue but now its happened again, and absolutely refuse to give them another $150 for them to repair it when i am completely capable of doing the repairs my self. My problem is that i dont have enough knowledge of the components inside the amplifier to troubleshoot it so this is where i need some advice. The amp turns on, powers on fine it does not go into protect mode. I get no output on any channels, its not a wiring issue, i already replaced the amp with a jl 300/4 v2 and everything in the car is working fine. It started by the driver side speakers would hiss and pop every time i turned the amp on, then proceed to play music, however now there is no output on the amp at all in any of the 4 channels. Can anyone help me trouble shoot this amp and tell me what needs to be replaced in order to get this to work again?

Thanks

-Rob

New USB 2.0 digital audio interface card

Hi,

Just stumbled upon this one on ebay;

USB digital interface AS318B PCM1536 DSD1024 compatible with Amanero Italy XMOS | eBay

Does anyone have any experience with it? Very much reminds of Amanero's USB card, though specs are inflated (not that it really matters). If the crystals's specs are to be believed it should have pretty good jitter performance. I worry about support for the product.

Happy New Year!!

SET amp

Hi,
A new member to the forum who has never owned a SET amp. Wondering if the Elekit 8600 SET amp will drive my Spatial Audio X3 (97 db) speakers. The 9.2 wpc does seem low but the Stereophile review by HR who carries on about how Elekit drove the Devores makes me think I would be ok. Your advice and suggestions for other DIY SET amps I might consider would be appreciated as well. Thanks,
ONACLEARDAY

Help with biasing STAX SRM T1

Hi everyone,

First time posting,
I am trying to bias a STAX SRM T1, the old version of STAX SRM T1 with 2 transformers.

I am trying to bias the T1 Right Channel with my multimeter, I observed the voltage while biasing, fluctuates from -5 to 600 VDC. I proceeded to adjusted the trimpot to stop this fluctuation to no avail.

As the SRM T1 has 2 PRO- Stax Output, I plugged into one of the outputs and plugging my multimeter in, to bias. I notice that when the voltage was at 600VDC, there was a buzzing sound coming out of my earspeakers. However voltage was near zero, it was fine.

The left channel was ok, I was able to bias without an issue.
I have tried swapping out the tubes to no avail.


Any advice?

Alpair 5.2 WAW bass driver size

I’m making a pair of WAW for a friend. We’ve settled on the alpair 5.2 but am unsure which bass assist driver size to use. Cabinets can be stand mount or floor standing.

Looking at SBAcoustics drivers of 5-8 inch sizes which will run downwards from about 300hz. Crossover will likely be PLLXO

Dual opposed drivers is also an option

Are there any rules/benefits regarding certain woofer sizes?

Taramps MD8000

Could somebody provide me the schematic for this amp? I have a HD schematic and it’s similar but missing a few circuits. Amp came in from somebody attempting to repair and didn’t know what they were doing. Replaced power supply and outputs and had under voltage protection circuit engaged replaced voltage regulator for protection circuit and now getting a flashing blue light.

How should I go about running S/PDIF for 10m?

I'm not quite sure how to approach this. I have an S/PDIF output from my home theater PC which is currently optical, but obtaining TTL level or a 0.5v coaxial output wouldn't be a problem.

How can I send the signal 10m without it degrading? Would 10m of digital coax be fine or should I look at using some sort of balanced signal? I'll be sending both raw PCM and Dolby Digital data down the line...

Cheers all,
- J

Resistor input power supply

I've been playing around with a few ideas for the power supply in my SET tube amp.
Specifically thinking about using a resistor input layout. I found one thread on the subject on the forums, but there wasn't really much info in it. I couldn't find much else online either.

I understand that introducing additional resistance into the B+ rail will drop voltage and create heat, also that if I were dealing with something other than a fully class A amp, the regulation of the power supply would be worse..

But for my application where I'm running with a constant current, and can deal with (and would actually prefer the lower voltage), other than creating heat in the resistor(s) prior to the first cap, I don't really see any downsides.. Am I missing anything with this thought process.

I've attached a couple PSUD2 sims, same power supply, except that one has resistance before the first cap. To me it looks like RMS current draw from the transformer is reduced fairly significantly, current spike when powering up is nearly halved, rectifier peak voltage is reduced, RMS current through the chokes and over caps is reduced, and ripple stays basically the same.

It seems to me that the pros outweigh the cons in my particular use case scenario. I just wanted to see what others thought about this idea though, and see if anyone has done this before and can comment on it.

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Need help building boombox/ portable speaker?

I'm thinking of building boombox/ portable speaker, i have an idea how to make the box for the amplifier, speakers, input board and battery or transformer (im thinking to put 12v small car battery and transformer so i can use it to power it up trough main voltage or trough battery)

this is how i planned building it (this is rough demonstration)

I want to keep it on budget, i don't want to spend a lot of money on it.

What i need is some good amplifier board to run the speakers, 30W-50W per channel will be good i think 😀
What resistance speakers would i need? (4Ω, 6Ω or 8Ω?)
Should i make it with 2-way or 3-way speakers? What is better and why?

I want to build something like this because before thinking of building boombox, i wanted to buy a karaoke speaker but for playing music only i really did not enjoyed the sound and the bass of it, so i came up with this idea to build myself a portable speaker/boombox.

There are some videos on youtube building something like this but all of them are using car radio for input and output. Should i use car radio too? 😕

Edit: i fount these amplifier boards on ebay but i don't know if they are good (I was researching for some amp Boards and i found these. If you have some better suggestion for amp Boards please tell me.
XH-M510 TDA7498 Receiver Digital Stereo Audio 2X100W Amplifier Board Module a | eBay
x2 of these for Left and Right speakers ( i want to be Stereo)
TPA3116 D2 DC DA 12V - 24V 100W Mono Channel Digital Power Audio Amplifier Board 827159755946 | eBay

DC 12V TDA7850 4X50W Car Audio Power Amplifier Board Module BA3121 Denoiser | eBay

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World's largest offshore wind farm

...is nearly complete - can power 1 million homes. I read "the blades cover an area bigger than the London Eye observation wheel as they turn. Just a single rotation of one of the turbines can power the average home for an entire day"

Makes me wonder what fraction of the recent atmospheric turmoil caused by humanity's pollution is "reinvested" and if there's any "compounding" toward helping to clean up some of the mess. It's probably unmeasurable.

Congrats to the UK and Orsted, the Danish energy company that built it. Certainly a (gigantic) step in the right direction.

radiation in mine home from nabure.

Ho All

You now mine nabure is not so kind for me, I get all jinds of rf signals for what I get sleep distorder who is find in hospital sleep test. Outcome is eelctro stress.

The nabure has a ruckes long distance transmittor antenna, but this I think do no harm because I do measure just small signal and I am on the back.

But maybe you guys can help me out, as so far it can be the smart meter, or the nabure using a pulsing radar to radiate me, this is not so nice, and the signal is quite strong, he do works on a company who do data, heating and other technical stuff, the ruckus is from this company. Maybe a ham radio expert is here, I do live in the netherlands, the frequency of what I get in home is between 7.5 and 9.4 Ghz, the measurement you see is 9.4 ghz with 1 Mhz bandwith and 50 mS sampling.

I want to start again with the amp designs but do not need radar pulses on the measurement equipment like the mic for speaker tests.

YouTube

wider measurement 8 till 9.4 Ghz is max meter maybe there is more higher, I have a friend who has a rode and swartz spectrumanalyzer, think to ask his help.

YouTube

and one outside to clear out meter faults, there it is clean.

YouTube




thanks for helping me.

kees

Graaf input selector identification help

Trying to find a replacement input selector for a Graaf 13.5Bii looking at the Elma data chart for type 4 selectors I think it may be an Elma 04-1453. Shorting, single wafer, 4 pole, 5 input

The switch fitted looks to have input terminals in banks of 5 which appears to match the data sheet but images I found on line look to show 22/24 terminals. That is to say lugs between the banks of 5 which the fitted switch does not appear to have.

As the switch is soldered directly to the board I need an exact fit drop in replacement.

VGCs5hG.jpg


VhxcjfQ.jpg


anyone had experience of this amp/switch that can shed some light on the matter

Failure

So a few minutes ago I tried to let the magic smoke out of my output transformers and was fortunately unsuccessful. I have my speakers setup on a switch to play on either my tse ii or my avr. I didn't realize that it was switched to the avr and I started feeding a signal to the tse. I couldn't figure out why I was getting no sound from the speakers until I realized the switch was in the wrong position. The odd/scary/funny part was that I was still getting music from the amp but instead of coming from the speakers, it was playing straight from the output transformers.... Learned something new today and luckily didn't cost myself a few hundred bucks in the process.

Onken cabinet with a Siemens Klangfilm ARO9415 driver

Hi every one.
I visited a good friend this afternoon and had a rather interesting listen to a pair of 15" speakers in an Onken style box. The highs are taken care of by an Altec Lansing 908-88.

Sound was very open and dynamic, but I noticed that he was running the 15" fullrange and it was far from ideal.

Can someone please help with a possible crossover for him, or at least a place to start so that he can enjoy the speakers without the nasty peaks coming from the woofer.
Driver specs are as follows:
Thiele-Small parameters:

Fs = 46.10 Hz
Re = 13.80 ohms [dc]
Le = 6171.43 uH
L2 = 2634.74 uH
R2 = 35.26 ohms
Qt = 0.27
Qes = 0.30
Qms = 3.04
Mms = 45.42 grams
Rms = 4.320739 kg / s
Cms = 0.000262 m / N
Vas = 253.67 liters
Sd = 829.58 cm ^ 2
Bl = 24.635715 Tm
ETA = 7.99%
Lp (2.83V / 1m) = 98.76 dB

Added Mass Method:
Added mass = 77.00 grams
Diameter = 32.50 cm

Resonance: 45 Hz


Type: ARO 9415
Diameter [mm]: 390
Impedance [ohm]: 15
Max. Power capacity [W]: 100
Own resonance [Hz]: 25
Frequency response [Hz]: 25-6 000
Efficiency [dB]: 98 (some have this as 100).
Weight [kg]: 10,5 (per unit)
AlNiCo magnet

Compression Driver is:
Altec Lansing 908-88
Power rating – 150 watts continuous program (1000 Hz to 20 000 Hz)
Frequency response: 500 Hz to 20 kHz
Pressure sensitivity: 105 dB SPL measured 1 meter from mouth of Altec 511B horn with 1 watt (2.83 V)
Minimum impedance 8 Ohms
Flux density: 1.8T

Thanks in advance

Problem with buffered opamp HPA

I've built this headphone amp as detailed here and I'm not getting any sound out from it. I can feel (through my cheapo headphones used for testing) that the driver gets warm.

The power supply is OK, feeding +/-12

I've done some basic checking - so as far as I can see all polarities are observed and the correct parts installed according to the BOM (the empty holes are for optional diodes according to the BOM).

I've cleaned the boards again and checked for obvious shorts.

I've swapped out the BUF634s and LM4562s

What should I look for now?

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FS Seas CA15RLY midbass drive units

Up for sale, I have a pair of brand-new Seas CA15RLY 5in midbass drivers from their Prestige series.

One of Seas's best known and loved units, and rightly so. Classic coated paper cone, very open cast aluminium basket for excellent venting & high rigidity, very smooth and extended response with well-controlled roll-off and all of Seas's legendary build quality. T/S spec. suitable for many different applications, a traditional, high quality and well-implemented motor with CCAW coil and long-throw suspension design. Easy to use, easy to listen to, flexible, high quality midbass. Like many others I've used these in several DIY and commercial designs. Some stock images of the unit attached.

As noted above, these are brand-new units; I'm asking for £70 + delivery for the pair.

On the subject of packaging, I use cardboard wrap and sustainable FSC rated outer cardboard boxes fastened with heavy-duty packing tape. These are reinforced inside with recycled heavy-duty cardboard and packed with recycled brown / grey packing paper and high quality bubble-insulation.

As always, thanks for looking. 🙂

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PCU Preamp-Control-Unit

it's done

It took a little longer to write the descriptions.
I hope my English is good enough for the descriptions to be understandable.
If you have any questions, I will answer them, of course

first the minimal configuration:

PCU -> Preamp – Control - Unit

minimal configuration (Main board, Display OLED or LCD)

with the minimal configuration
(without the pcb for multiple input channels)
the following functions are available:
-volume
-balance
-gain (for values bigger than 0 the pcu works as an preamp)
also all standard functions like:
the real-time clock
startup volume configuration
remote control as well as controlling with rotary encoders.


and here now the complete PCU with all possibilities


Preamp - Control - Unit

the pcu is a modular expandable preamp-controller unit,
working with the muses72320 audio chip.
all functions and sectors of the pcu, as well as the digital and analog sections are separated across different pcbs, to avoid unwanted noise in the audio signal path from the digital section. the pcu can also work as a preamp itself, according to the digital selectable gain value. because of the modular design, many different expansion states and configurations are possible. going from a simple volume regulation up to full functionality including phono-preamp (mm/mc), subwoofer control unit, different input channels, oled display, smartphone as remote control over bluetooth and an ir-remote (learnable). furthermore you can select different grades of operational amplifiers for the preamp functionality, which can also be swapped at any later time. an upgrade is always possible, so that you are also able to use future hardware developments and connect them simply to the pcu. extra functionalities can also be unlocked with a new software. the power supply is handled by specially designed low noise power supplies. you have the possibility to install software updates on the processors, to always get the latest fixes and new functionalities/options.
Main-Board:
digital and analog section are completely isolated. high quality parts used in the audio signal path, to prevent signal distortion. muses72320 chip for volume, balance and gain control. muses01 operational amplifier (highest opamp configuration) with digitally configurable gain for the preamp. software can detect, if an audio signal is present (i.e. to control the standby of external devices, threshold adjustable). emi filter in the audio and power signal paths against noise in the frequency range of cellphones or wlan. high quality smb-connectors for lossless signal transmission. all extension boards share the same connector to connect them to the main-board. because of this a confusion of the connectors is not possible. a security mechanism exists, to prevent damage from wrong connected boards; no electrical damage can occur. updates can be installed with an optional usb-software-updater and included software for mac or pc. every input channel can be given a custom name, an offset of the volume and gain adjust is also available separately for each input channel, to hold every channel at the same base volume and select different preamp values. the time, how long a channel is active, is saved (i.e. to monitor the playtime of phono cartridges). when switching to another input channel, the volume gets faded down first, the input signal get galvanic isolated (mute), only now the actual channel is switched and the volume fades back up. the startup volume is adjustable (or use the previous volume from last power on). subwoofer: an extension board to control a subwoofer is available. the cutoff frequency and phase (including graphical rendering of the functions) for the subwoofer signal can be digitally adjusted. however,
no digital parts are used in the signal path.
digital section: automatic detection, which extension boards are connected and which configuration is present, without manual adjustment. this enables easy plug and play. monitoring of all critical components and extension boards to show the user a warning if incorrect wiring or defect components are present. setting current time and date, real time clock chip included. the clock will pre preserved during power down. status and error display using seven segment display and leds. monitoring of all voltages in the system, over and under voltage protection. monitoring of the current in the system. if an over or under voltage case is detected, the protection circuit will shut off every component to prevent electrical damage. polarity protection, temperature protection and monitoring. every board can be shut off separately and the digital sections can be put into a deep sleep mode to enable standby functionality. if connections for the power supply are missing, the user will get an according error message and all components and extension boards will not be started to prevent electrical damage.

now I make the descriptions for the power supplys

+/- 15 V (PCU)
24 V (Nutube)

How to Define Non-inverting Amplifiers in Electronics?

Hi,
I'm an electronic am amateurs. Recently, I have a paper work to make a complete paper about Non-inverting Amplifier.

I have read so many electric note about it, one of them is "When a positive phase is received, a positive phase is output, whereas the negative phase is output. The phases of non-inverting end and the output end are the same. In other words, the signal is applied to the non-inverting input of the op-amp, and it is not inverted at the output when compared to the input."(source: Non-Inverting and Inverting Amplifiers Basic Analysis), I think is simple but give no examples to explain clearly. So I want to get more idea about non-inverting amplifier from different aspects, wiki, electronic articles, electric forums, whatever...

Many thanks
Perreny

Korg Nutube B1 Line Build, I need some help....

Greetings: Built it last year for a friend. When finished it produced an intermittent whistle type noise in both channels simultaneously which I thought I had solved by taking and applying all your advices set forth in my consultation on this forum at that time. I thought it had been solved by making sure the PCB outer trace where the 4 bolts are, was connected electrically to the chassis.A few days ago my friend brought it to me because the same noise was being produced again in the right channel. It comes on after a few hours of playing time and if I press or touch the chassis it goes away, as well if I press the “tube” case. Later on the whistle starts again....so I’m including photos of the built to see if anyone of you catches something amiss. Thanks in advanced.

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LKS Audio USB 100 Interface problem

Hello,
I bought a LKS Audio USB 100 Interface from ebay. Unfortunately when i checked inside i noticed that instead of Crystek clocks they installed Femto Clocks. I wrote to seller to compansate me 100 USD for the clock replacement cost and waiting the answer. The second problem is, when i turn on the device first it shows me 44.1khz on its screen. When i open hi resolution music on youtube, nothing changing on the screen and all the time shows 48. I wrote to LKS Audio and waiting their response.

Any idea for this ???





pictures up loader website

Audio Research D90 Noisy Power Transformer

Hi everyone!

I've got a problem with an Audio Research D90. The power transformer was buzzing, mechanically. I assumed there was a problem with degraded varnish and took it to a motor rewind shop and had the transformer re-dipped in Glyptol then baked. The buzzing has been slightly reduced (not sure it was worth doing, actually) but now I'm getting quite a decent 60Hz hum in both speakers when the tubes warm up. It didn't do this before. There isn't any appreciable ripple on the power supplies and audio is clean in both channels. I'm seeing 55 volts AC (which I believe is being induced) on the insulated bolts that go through the core and mount the transformer to the frame of the amp, and I believe the audio amp is picking this up and sending it downstream. I didn't notice any grounds to the transformer when I took it out of the amp and the schematic doesn't show an electrical ground to the core. Can I shield this tranny and tie it to ground without blowing anything up?

Anybody have any experience with this unit or one of it's close AR relatives? Thanks in advance.

Resistor value to swith Phono stage from MC to MM?

I got this nice Famco Nuance preamp. It is currently set to use MC phono cartriges, and has a switch inside that you can use to switch between MC and MM. However, just switching to MM and using an MM cartridge give a dull tone which is lacking the hi frequencies. I've noticed there are two 1K resistors put in sockets (each for each channel) that you should, or may replace to support either MC or MM, but I'm not sure. Should the resistors be replaced so MM sounds right, and to which resistor values?

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Xtant X1001

Got this amp with 4 A56 and 2 10ohm resistors blown due to dropping a screw driver in that area. I replaced the blown parts and replaced 494 also. Amp produces rail voltage and regulated voltage however there is no rail to rail oscillation on outputs. On one octocoupler with red on pin 8 and black on pin 5 of DMM I get 20volts on the other octocoupler I have 2 volts. Noticed the low independence light is on also.

Solved- Fastest, Easiest, & Cheapest adjustable enclosure

Finally, I’m able to contribute back to the community a little something after learning so much from so many helpful members. This is a way to test speakers by changing the volume, the stuffing and the type of enclosure in less than 30 seconds. It cost me less than $12..

Why an adjustable enclosure:
  • We all have speakers without T/S parameters so no simulation is possible
  • Manufacture’s T/S parameters may be off by as much as + - 15%
  • Non-broken in speakers have different parameters
  • Modeling and exchanging different stuffing (fiberglass, poly, bubble wrap, foam, wool,etc.) to figure how it affects is time consuming to open and close an enclosure
  • We want to see how our speaker performs in different enclosures. Using the below technique, you can change between a closed, vented, 4th and 6th order band pass, or a straight transmission line in 30 seconds. I changed from a vented test to a 6th order band pass enclosure in 9 seconds. For a tapered transmission line or horn, then a little longer. More on that in a later post.
  • This technique works for 6, 8, 10, 12 inch speakers and with a little more cutting, any other size; or special order for larger sizes. A 4” speaker well have a different container.

    Here’s how:
  • Take your speaker to your big box store and look for a sonotube, a round cylinder. AND HERE IS THE MOST IMPORTANT POINT: Don’t get one where your speaker drops into it. Since the diameter varies by as much as a 1 /4 inch, you want one where the speaker sits on top of the sonotube. This solves a big problem about cutting end pieces for the sonotube – you don’t need them for testing. If you have a 4 inch speaker, ask for a discarded carpet cardboard tube.
  • You will need:
    • Two pieces of closed cell foam larger than the diameter of the sonotube and about 1 /4 inch thick. Buy at hobby store for a couple of dollars, cut a yoga mat or whatever.
    • If your speaker is larger then a coffee table book, then you will need a flat board larger than your speaker
    • A hole saw to drill a vent hole so you can use the round left over piece to plug the vent hole when testing a sealed enclosure using tape on both sides of the piece and covering the hole.
    • While you are at the big box store, you might want to get different vent pipes sizes, fittings and reducers if you want to try vented or band pass configurations. As well as an adjustable pipe clamp (the one you screw to tighten) for an easy way to ‘square” the mark around the sonotube before cutting. When tightening, it will automatically “square” the line around the tube.
    • Something heavy like a large book or ??
Here’s how it works:
  • Take the 48” sonotube and cut it into sections. I did; 24”, 12”. 8”, 4”. Best way to cut it “square”, is on a table saw using the rip fence but you can do it carefully with a saber saw. Most important is to have a “square” line drawn around it.
  • Place the closed cell foam mat on your table with one section of the cut sonotube on top of that. The foam will seal the bottom.
  • Wire your speaker with thin wire (we are just testing so thin will work) and rest your speaker on top of the sonotube with the wire coming out below the speaker’s rim. Remember, you did follow my advice and did not get the sonotube where the speaker “drops in.” It may be necessary to place “open” cell foam around both sides of the speaker’s rim to make a seal.
    • You are now done if testing a closed enclosure. You may need to press down on the speaker’s rim at higher spls.
    • To test stuffing, just raise the speaker and place different stuffing inside.
  • To test vented: After hole is drilled, cut and glue a piece of donut shaped foam around the hole for the pipe seal. Then cut and insert different length pipes. For more accurate testing of the port’s spl, it needs a “flat plane” at the outside end of the pipe just like it has in a regular enclosure. Go to Dollar Store, spend one dollar and get a sheet of foam core (shout out to XRK member for his foam core thread where he has helped me so much.)
  • To test band pass: On top of the speaker, place another cut sonotube section. Place an open cell foam sheet on top of the sonotube and place something flat and heavy above that. For 6th order band pass, have another vent in that top section.

    There you go: the fastest, easiest and cheapest adjustable enclosure to test speakers.

    Caveats – 1. Cylinders produce different harmonics than other enclosures so you need to take that into account. 2. The sealing between the sonotube and speaker needs to be tight otherwise the bass will be less. And others commenting can add to these concerns.

Arta and mike correction file ?

Hallo everbody.

I have an issue with ARTA. I changed my mike and have to change the correction file for the new mike. I cannot load it up and I suppose this is due to the fact that the old correction file is loaded. Can anyone tell me how I can discard the old mike correction file in ARTA ? or how to replace the old one with the new one ? Best Regards, Raymond Liljeros.

Car Audio DIY Crossover Design Help

So I'm going to change my car audio system to the following:

Woofer/Midbass: Dayton Audio RS180-4
Tweeter: Dayton Audio ND25FN-4

Firstly, does this combination seem good? Looking at the frequencies and from what I've read about the RS180-4 drivers, they need crossing over about 3khz for best performance and the tweeters should be okay crossing over above 2.5khz.

I've had a go at designing a crossover on xSim and wondered if the more knowledgable on the forum could point out my errors.

Any help would be greatly appreciated!

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Low-phase noice clock for ethernet, 25Mhz

Here is my current little DIY project, not very advanced 🙂

I took a cheap TP-Link PCIe network card, cut the 3.3v to PCIe/motherboard and replaced it with external power through a linear voltage board. The result so far is very good, sounds better than my battery driven switch.

I haven't cut the ground to PCIe though, I'm afraid it might prevent the card from functioning, but it would be preferable if it was possible.

However, to complete it I would like to replace the clock as well, so does anyone know of a low-phase noise quality clock for 25Mhz that can be ordered online and in quantity of 1?

Btw, if you don't believe that tweaks like this matter for sound, feel free to do that but please don't post about it here. Lets keep this an informative DIY post and not yet another flame-war about "bits are bits". Maybe the mods can help keep it clean?

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DIY amp completed - part II : FB Custom

I built this one for an amateur luthier friend who helped me restore guitars and built some custom-made models for me... 🙂

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The FB CUSTOM offers a 10WRMS clean power output, plus FSWable booster and master volume, allowing to juggle on with an array of clean-unboost / overdrive-boost settings if desired, even at home loudness.

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And this time, the weight is correct with (only 🙄) 10.5kg FSW incuded... 😎😉

A+!

Retrofit of a Cambridge Audio Minx subwoofer X200 (TPA3118)

I loved this sub-woofer, but the second time it broke I wasn't able to get it back for repair due to lock-down. Having been lurking on the site, and looking at the information on here about the low cost class-D amps, I decided a nice project would be a retrofit of a TPA3118 1x60W from ebay, and a Mean Well LRS-100-24.

The standard design had a 48v PSU which is safely to one side as it may well be useful for a future project, and the Mean Well PSU fitted into the space vacated by the original PSU. And the amp wired simply, as it only has power, line in, and speaker out,I have temporarily secured it in place with foam and cable ties as I wanted to see how it sounds.

I'm using the Sub output from my NAD 3020D, which according to the white paper says its passed through a digital low-pass filter, and running the sub on its own it sounds like it is filtered.

But, my speakers have a bit of bass response, and I used to have my cross over set at ~150Hz, currently I'm guessing its a little higher as the lower end of speech really booms.

So - which direction would anyone recommend with a low-pass filter? Is it a case of some Op-amps in a traditional active xO, or are there any funky new chip solutions that do it all in one go?

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Hello from boonies in Wyoming

Ok just getting back into audio after 40 year semi hiatus ya I'm old, Had good system out of high school, sold to pay for kids, bought an all in one RCA in early 90s really didn't use much, now I'm building up from it. I built a Hagerman Bugle2, now I've ordered a Tubelab SSE. will be a slow build. Also was just given 2 pioneer CS-66G speakers and 2 cheap mitsubishi SS2100 speakers which need new tweeters, mids and good crossovers also dampening. Well thats my story!

Simple DIY volume control for a subwoofer

Hi,


Looking for a simple volume control for my subwoofer....its currently "Thumping"


The subwoofer on my Sony surround system failed,so i was gifted an active subwoofer my mate had not even opened never mind used. Some people, more £££ than .....:shutup:


I was able to get sound to the sub but with a high hum(a google chk told me its normal for this particular sub), so not a wiring issue. I decided to bypass the control panel and just wire up direct to the speaker....worked fine,hum gone... just its a bit loud and with limited bass/sub adjustment on the amp im hoping i can do something like this.....


How to Build a Speaker Circuit with Adjustable Volume


The above uses a headphone jack which i would not use...just the potentiometer somewhere on the speaker cable.


Would this work? or should i be looking at something else.


Thx Jack

FS: FET-Less F5 Boards (U.S. Only)

Up for sale here is a pair of "FET-less" DIY Audio Store F5 v.3 power amplifier boards. These boards include all parts except for the input JFETs and the output MOSFETs (i.e. "FET-less"). The optional P3 is not stuffed.

I used this F5 in my DIY system for about a year before changing speakers and moving to an F6, which is a better match for the new speakers.

Price is $30, which includes U.S. priority mail shipping. This is ultimately less than buying new, as it includes nearly all the parts to get the F5 up and running. Add your own FETs, and it should be good to go.

PayPal only (fees included in price). I will be offering a couple of other boards (M2X and BA-3 preamp) for sale. I am willing to combine sales, with discounts if shipping is combined. PM with any questions.

Unfortunately I am not willing to ship these outside the United States, as that would require me to go to the post office in person to fill out customs forms (which I am not able to do in the midst of the pandemic).

Pictures attached. Thanks for looking!

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FS: BA-3 Gain Stage + Antek Transformer (U.S. Only)

Up for sale here is a DIY Audio Store BA-3 Gain Stage board. The board is largely built, missing only C3, R2, R13, and the input JFETs (Q1/Q2). This board was previously fully built, and worked flawlessly. I am only selling as I preferred the B1 Korg in my system, and I'd like to finance some new projects.

I also have an excellent transformer for this project, the Antek AS-0520.

Price for the combined board and transformer is $40. Board alone is $20 and transformer alone is $25. All prices include U.S. priority mail shipping. PayPal only (fees included). I have a few items up for sale currently (M2X, F5, and the BA-3). I am willing to combine sales, with discounts if shipping is combined. PM with any questions.

Unfortunately I am not willing to ship these outside the United States, as that would require me to go to the post office in person to fill out customs forms (which I am not able to do in the midst of the pandemic).

Pictures included. Thanks for looking!

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FS: Fully Built M2X Boards (U.S. Only)

Up for sale are a full set of M2X boards, including fully built main boards and fully built Mountain View and Tuscon (w/SMD opamp) daughter boards. The three other daughter boards are unstuffed, but included in the sale (as is hardware to mount the daughter boards to the main boards).

This M2X was fully tested in my DIY system, and I am only selling to finance new projects (as I preferred the F6 in my current set up). The MOSFETs are mounted to fit the DIY Audio universal chassis. The one adjustment I might recommend would be to shield the Edcor transformers in a final build, as they do have a tendency to hum.

The sale therefore includes all of the DIY Audio Store boards (originally $37 shipped), the Edcor transformers (originally $36 shipped), and all BOM parts for the stuffed boards.

Price is $120, which includes U.S. priority mail shipping. PayPal only (fees included in price). I will be offering a couple of other boards (F5 and BA-3 preamp) for sale. I am willing to combine sales, with discounts if shipping is combined. PM with any questions.

Unfortunately I am not willing to ship these outside the United States, as that would require me to go to the post office in person to fill out customs forms (which I am not able to do in the midst of the pandemic).

Pictures included. Thanks for looking!

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Build: Dual mono push-push

This is not a recent build, but I have been meaning to post it for several years. It is also a precursor to a 3-way speaker build thread I intend to post that builds on this one.
Design Requirements

I was replacing an old NHT1259-based sub that had been in the corner and had sufficient output for the room, but I wanted lower distortion, more headroom and it had to be hidden. I was also planning on replacing closed cabinets with an open stereo rack that would be perpendicular to the wall, and obscured from view by a screen. This would allow me to easily access the front and back of each component, and had no doors that would trap heat. I could have built subs into the front corner wall, but this would have been an involved project entering attic space below a sloping roofline, and I decided it would be easier to push the stereo rack to the ceiling and leave room underneath it for the sub (centered on the front wall). Here is a rendering with the outgoing sub under the new rack:

TV_room_7.0.jpg

Being directly under the stereo rack (but not touching it), I knew I wanted to limit vibration, so I decided to build a push-push sub. Limiting it to the width of the rack above it did not leave enough depth for back to back drivers, so they would need to be rotated and fire along the length of the room instead of left to right. However, I did not like the idea of them firing into the wall and the back of the screen, so I decided to have them face each other and radiate out a slot.

sketchup_dimensioned.jpg

Design Details
  • (2) Dayton Audio RSS315HF-4 12" Reference
  • HF Subwoofer 4 Ohm in sealed cabinets.
  • Dual drivers face each other for force cancellation, which works quite well. Cabinet vibration is almost imperceptible.
  • Both cabinets are cut from a single sheet of plywood, well braced, and doubled up on some walls.
  • The cabinets are joined by heavy, threaded rods which are concealed by aluminum tubing. I think the tubing is causing the high frequency ringing during sweep measurements, but it is far outside the passband.
  • Rubber gaskets under large diameter washers ensure an airtight seal for the threaded rods.
  • Copious use of shellac prior to priming ensures no seams are visible through the paint.
  • Spray painted using rattle cans, but finished with General Finishes flat water-based poly via HVLP.
  • Total dimensions (including 4” gap between cabinets) is 23” W x 19.25” H x 16.25” D
  • Internal cabinet volume is approximately 30 liters with a QTC of 0.83, but as built, it measures like 20 liters with a QTC of 0.96.
  • Crossover and room EQ provided by MiniDSP 2x4HD

The room is an odd L shape to the back left, and with an additional bump out and a sloped ceiling to the right. I did not try to simulate room gain or modes. I did simulate and measure the nearfield response, and I measured the response at the listening position with room gain. Coincidentally, the room gain flattened most of the low end falloff and I did not have to apply any EQ to raise the low end. The sub is crossed over to the main speakers at 80Hz and room modes are equalized out at the listening position below 150Hz.

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318.3 Rsub GPout noEQ distortion percent.png

More build photos available here.

Nearfield/studio Constant-Directivity/Cardioid DIY recomendations.

I'm looking for suggestions or links to relevant past discussions.

Small studio nearfield (<1.5m) monitoring. Long rectangular room 2.5x8m and speakers 1m out from the corner.

I would like to build a 2-way with constant directivity down to crossover at 500-800hz. Bass is for another day. I would like some advice or pointers as to the best alternative to achieve a focused, linear, Wideband/Full range solution.
I've read about constant directivity, but not heard. Logically speaking, in my listening environment, the minimisation of sidewall reflections with all information arriving in a small sweet-spot appeals to me. I am standing (working) in a fairly localised area/space in the room at quite discreet volume levels (by choice as its a sound-proofed room).

I have read Patrick Bateman's thread on his Unitized Image Control Wave guide with interest and have considered building a pair. Also, I have considered Kali IN-8. The Geithain product line is unfortunately out of my price range as I would have pushed the button long ago!

Currently considering either the ESS AMT or the B&C Planar product ranges. Confused about how to load each of these to work best for my needs.

Feel free to put me on the best path if I'm going in the wrong direction.

Heybrook HB2 series 2000

Hi All,
I've just bought a pair of HB2 series 2 to go with my A&R A60 and Arcam Alpha 5 plus (upgraded) in place of my Dali Zensor 1's (still a very good speaker indeed). The HB2's seem very detailed and open sounding.
However, I really don't believe I have the positioning correct. I'm limited for space as they in my box room office which measures 2.4 x 2.4m and they on 1.5m Atacama speaker stands at the back of my office desk (back of the room as far apart as possible forward facing and not turned in at all).
As you can image they do look very big on 1.5m stands in a small room.

Is there any recommendations what I do to make minor improvements (if any)?

I still my Mission 770's that I'm working on to try too.

I do have to say that the HB2's are brilliant with jazz and classical. The quality of recordings really do make a difference.

Best Regards

Rob

NAD 326BEE Problem

Request for expert advice:

Experiencing problem with my NAD 326bee:

I still hear a whisper level music coming out of the Right Channel Speaker even though the volume level is off or at zero.


At volume level zero, when i turn the BALANCE KNOB to Left, there is still sound coming out of the Right Channel. And Left Channel is silent.

What could be the problem with my amplifier?

Note: already clean the Pot (Balance & Volume) using Contact Cleaner but still the problem.exist.

Thank you in advance for the advice..

Bias and co. in a 1960s SS amp Hohner Electra Piano

Hey everyone,
Long-time lurker posting finally something.
I recently got into recapping an amp of a Hohner Electra Piano. It's kind of the german version of the Fender Rhodes: very cool instrument released in 1968.

The electrolitics were the original ones and needed to be changed. Since I usually deal with tubes, I want to be sure that what I'm doing is correct before screwing up.
1. Please correct me if i'm mistaken with the trim-pot adjustments:​

  • Adjust 100k pot so the middle-rail (excuse my lack of correct jargon) is one half of the supply voltage.
  • Adjust 250R and 1k pots so the the voltage between the base and emitter of T4 and T5 are the same.
Thank you for your help. As I said, usually I'm doing things on tube amps, so I just want to be sure that I am doing things correctly.

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Subwoofer Help

First time poster here. I'm looking for some help in subwoofer design for a 3.1, or 3.2, home theater/music system.

Probably 20% movies, 80% music. Musical tastes are very broad with favorites being, RATM, Tool, Zep, Pink Floyd, Chicago, Vulfpeck, Snarky Puppy, you get the idea.

I've got some older SVS SC-01, MTM, to use for my fronts for now. All run through an Onkyo TX-SR705. Center channel horizontal, with matching left and rights positioned vertically, 10" off the floor with a 5 degree tilt to position the tweeter at ear level.

The only place I have to incorporate a subwoofer(s) is directly underneath the TV between the left and right speakers.
TV wall is only 7' in length with about 5' actual usable floor space.

My maximum outside dimensions for subwoofer cabinet 24"H x 24"W x 12"D, or split in half two smaller cabinets. Prefer either a down firing or side firing to protect from nieces, nephews, cats and dogs. Front firing could be an option with grills I suppose.

Room size is roughly 1,550 cuft. Oak hardwood but not afraid to put carpet tiles underneath subs.

I'm open to either ported or sealed which ever would give me the best sound for my musical tastes. Volume levels are low to moderate except for when the wife is away.

Budget is around $600 for driver(s) and amp. I have all other building materials on hand. Probably end up going with an MDF box and some nice book matched Walnut 1/4" homemade veneer.
Hit me with suggestions or point me in the right direction, I'm eager and willing to learn.

Thanks a ton.
Nathan

Dropping Voltage

hi,

I have access to a transformer that has parallel 24v outputs - but I need 12v outputs. I think a couple of 20k resistors on a heatsink will do the job dropping the voltage (warning - I'm new to all this so please feel free to call me out if I'm totally off here!)

PF2205-20KF1 Riedon | Resistors | DigiKey

My question is, if I throw a couple of these on a heatsink and use them to drop 24>12, how much heat is this going to produce/will it be too much head inside an enclosure (with minimal ventilation/no active fans ideally).

Primarily, this will drive a DAC and tube stage buffer - so there shouldn't be too much draw (the tube buffer runs on 12vac)...

ACF 12Vac Tube Stereo Buffer
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