GRS Planar Midranges and Tweeters

FOR SALE Pair of GRS Planar 10” Mid / Tweeter Model PT5010-8 with optional Mounting Frames
Almost brand new as purchased new from PE in mid-2023; Barely broken in (30 Hours)
200Hz-8000Hz range ; 70 Watt; fs: 200Hz ; 8 ohms
c/w Free optional Mounting Frames

SOLD


Pair of GRS Planar Tweeter Model PT2522-4 with optional Mounting Frames
Almost brand new as purchased new from PE in mid-2023; Barely broken in (30 Hours)
800 – 20kHz range ; 20 Watt; fs: 800Hz
c/w Free optional Mounting Frames

SOLD


Comes with optional aluminum mounting frames

Thanks everyone!

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Unorthodox 2x18 slot loaded PA sub

HI Everyone
I'm Ale from Italy
My english is anything but perfect.
This is my second audio project and I know this is a strange way to do a sub.
I decided to build a sub for my coaxial synergy PA tops built in this thread with the help of many diyaudio guys
https://www.diyaudio.com/community/threads/2x12-and-1-4-coax-cd-synergy.373100/
My main limitation is dimension: 970x750x550mm ( my car trunk dimensions).
My goals are:
1- high spl that can match the tops (105-ish db/1m and about 3kw each)
2- not very low extension needed because I will use only for live rock music so from 45-50hz to 100HZ.
3-possibilty to transport and assemble secondary flare for bigger venues.

I absorbed some ppsl design principles reading a good part of the big ppsl enclosures thread here even if my design is push push.
Usually the plenum depth need to be the smallest possible but with my data I can lower the highest peak down to 100hz using deeper plenum.
no flare 6800w a re_2 data.pngflare 6800w at re_2 data.png
With 18ds115-8 I can use little box volume.
The driver chambers are separated.
The triangular BR ports are 440cm2 total (but I can modify easily) with 50m/s velocity at 6800w.
I want to create guides in the wood for the ports to shift it inside and outside and tune differently when I use 2 flare or not.
The secondary flare can accomodate the sub box for compact transportation.
PPSL NO FLARE.png
Now i would decide which position is better for left br port. (last picture).
wqoeòfjn.png

Do you see any problems in this design??
I really appreciate you opinion and suggestions!!!!

Thank you very much
Ale

Creek Audio T50 Tuner: Help with disabling RDS from printing on display.

Hi folks,

Is there a pin I can lift or easy adjustment to stop RDS from printing to the display, and only display the FM radio station frequency? I’ve attached the datasheets for the 4 ICs I found on The Control Board. unfortunately I do not have the schematics for the T50.

SAA6588T: RDS/RBDS pre-processor (pins 8 or 16 look interesting)

PIC16F76-I/S0: CMOS FLASH Microcontrollers

Holtek HT16512: Duty VFD Controller

PCF8594C-2: CMOS EEPROM with I2C-bus interface

Thank you

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TSA9840B (TinySine) Mono/Stereo Programming Issue

I have a TSA9840B (TWS/Apt-X) module I'm wanting to change from stereo to mono. I keep getting an error each time I try to connect. I've followed the instructions on the TinySine website but no luck. I keep getting a Read Config Error (unable to read product ID) has anyone been had this same error? If so, how did you resolve it?

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Android phone. Musicplayer with EQ (on bluetooth too) that will access my Tidal

Hi good people.
Is this the right subforum?

UPDATE: HiByMusic seems to do all I requested in this post and its headline. Only used it for half an hour. Will try to remember to update if the good news changes and when I have compared it to a working Usb Audio Pro.

I have:
Tidal subscription.
An android phone.

I want:
A player with minimum 10 bands of equalisation or equally useful eq that will let me enjoy Tidal content and playlists.

Today I use the Tidal app and Flat Equalizer app. Both nice but would be nice to delete both and use only one app to enjoy my music voiced how I like it.

Flat Equaliser sometimes stops EQing. Maybe its posible to give it advanced rights to always be on and turn on at startup.
It automaticallly sence which bluetooth device is connected and aplies your prefered voicing for the device. Sadly it doesnt seem to be able to do it in the background. Maybe android expert can enable it to. -Not me 🙂

Therefore i hope to find one app that takes care of both Tidal-streaming and eq.

Cheers!

Hypex filter design

Hey,
I'm trying to install firmware and a dsp file onto some new Hypex Fusion amps. I was able to install the amp firmware but have been completely stonewalled on installing the dsp filters. When I open the HFD program I can see the correct amp firmware is loaded (version 5.7 for a FA 252) which if I'm understanding it correctly then requires a separate download to install the dsp filters? Problem is when I select the firmware update window the necessary file isn't available. I'm not used to using windows so maybe I'm not downloading the dsp files correctly? At least not storing them in the correct location for HFD to recognize? I've been banging away on this and have yet to get it right. This is probably because I'm unfamiliar with windows and hopefully is an easy fix?
Please advise if you can help
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Dynamic range exhancer for an FM tuner

I recently acquired a Kenwood KT9900 tuner... it sounds really good and there are some good radio stations around, but when I turn the volume up it becomes obvious they are compressing the signal too much for my taste: Fine for background listening but disappointing when I want to LISTEN to it.

My system has a very low noise floor so there a no issues with noise and this FM tuner was well maintained and it sounds really good and quite quiet.

What are my options for expanding the dynamic range of the signal? I figure I'd put between the tuner and the preamp.

Martin Logan Gen. 2 questions

I have just bought two used panels for a Vantage / Vista. The previous owner said one loudspeaker started doing crackling sounds only when playing music, not when idling with the HV on. He replaced them with new panels at the advice of the European representative of ML and that solved his problem.

The panels look absolutely fine to me, i.e. no holes, uneven metallization, tears, dust, hairs, etc. I guess I will need to cobble up my own HV supply and step up transformer for testing while keeping an eye for a very cheap set of ML or other ESL speakers to salvage such parts.

Will the actual voltage and step up transformer be substantially different between Gen 1 and Gen 2? And between different panel sizes?


Bonus question: I understand the Gen 1 panels had an issue with the conductive coating which was maybe just carbon powder rubbed onto the mylar foil and with the foam spacers. Gen 2 should be much more durable with the vacuum deposited coating and the clear spar spacers. I read in some review that the already vacuum coated foil receives an additional coating to seal any tears intruduced by tensile stress during mounting. On the other hand, I have now come across several used Gen 2 systems that seem to have the classic problems of much decreased sensitivity and dull sound. How common is this? Are there any pics or instructions out there on refurbishing Gen 2 panels?

Carver Receiver 900 User Manual. Can find service manual, but not user manual.

Looking for Carver Receiver 900 User Manual. (NOT PM900 or other XX900, just plain old 900.) Can find service manual, but not USER manual. WiFiEngine website says it has the user manual, but new registrations are closed permanently so can't log in to get it. Electrotanya doesn't have it. Any suggestions? Thanks.

Is choosing a Woofer the same as choosing fruit at the market?

I was researching on the internet about woofers and how to use them, I saw tutorials and such.
But the main thing I wanted to know is what are the starting points to know if a woofer is good or not?
What parameters do I have to observe to know?
Is choosing a Woofer the same as choosing fruit at the market?
How do you know if it's bad or not?

Lower gain Tubelab SSE build

I'm planning on building a Tubelab SSE and am currently in the research phase. In addition to studying the theory behind its design and operation, I've also put together a SPICE model (ngspice to be precise), so that I can study the circuit with fewer possibility of electric shock. (Well, I'm running the simulation on a desktop computer, so there's still some possibility.)

After familiarizing myself with the basics, I though that, since I'm planning to use the amplifier with a DAC that outputs a 2VRMS signal, which seems to be way too high for the "default" 12AT7/EL34 configuration, perhaps it might be worth looking into whether a lower gain build would be preferable. At the very least, it might let me avoid using an attenuation network between the DAC and the SSE, without worrying about overdriving the latter.

In looking into this I've used the simulator (with whatever models I could find) and I'd like to double-check, some of my findings with more experienced folks. So here goes:

1. My circuit is attached below. As shown the B+ voltage comes from the V0 voltage source for convenience and the power supply section is not used. Results are similar when using it, apart form needing to simulate a bit longer to wait for the B+ voltage to stabilize. I'm getting "reasonable" results with it, apart from being able to get on the order of 5W of output at 1% THD from an input of about 1V p-p at 1kHz. This seems a bit low given the results posted by George on the simulations page of the SSE's documentation and also measurements from existing builds. (The output transformer has an inductance ratio that should yield a 5 kOhm impedance from the 8 Ohm load.) I understand that the simulation disregards some sources of THD (e.g. the output transformer), but I wonder if that is that the only issue, or if perhaps something is more seriously wrong with the simulation itself.

2. Assuming the simulation is more or less ok, I find that removing one or both of the bias resistor bypass capacitors, tends to yield lower gain at lower THD. Removing both C10 and C12 for instance, I seem to be able to achieve the same 5W of output as before at about 0.5%THD from an input of about 2V p-p. In both cases, the distortion is predominately 2nd harmonic with some lower 3rd and 4th harmonic components. I understand this is because the absence of bypassing effectively constitutes local NFB. Do these results seem reasonable? Is there any reason to include the bypass caps, even if the increased gain is not required?

3. In trying to reduce gain even more, I've looked into substituting the driver tube with a lower gain part. Initially I've thought about using the 12AV7, but since this seems to be relatively rare, I turned to the 12AY7. Changing R13 to 1K to get about 3 ma of cathode current and R10 to 910 for about 3V of bias, I again get about 5W of output at about 0.5% THD, but now at 3.6V p-p. The driver tube is now being driven hard and the distortion measured at its output is much higher than before, at about 1% THD, but it's almost entirely 2nd harmonic and seem to partially cancel at the output stage. Does that make sense? Is there any reason not to use the 12AY7 then? I figure, apart from needing less attenuation after the DAC, the THD+N figure should be better, since less noise will be amplified.

4. I've found some NOS Russian (or, rather, Soviet) parts locally at pretty good prices, so I thought I might look into the 6N1P-EV, or the 6N23P-EV, which seem to be well regarded. I also found a matched pair of NOS 6P3S-E tubes at the same source, again pretty cheaply and I thought I'd try that too. With a 6N1P, with associated current and biasing changes and a 6L6GC model substituting for the 6P3S-E (which I know is not the same) I could get about 6W at 0.4% THD from a 5.2V p-p source, which is close to the 2VRMS target. I then found out that the filament pins of the 6N1P are not compatible with the 12AT7 used by the SSE. Can I use an adapter to deal with this? I see some "12AX7 to 6N2" adapters; will these work? If so, is there some reason no to use the 6N1* and/or 6P3S tubes?

Thanks to everyone who's read so far; I know it was a lot and thanks in advance for any comments.

screenshot_20240513_225808.png

Aikido "oTTo" All jFET Phono RIAA Pre-Amplifier - Schematic wanted

I want to have a schematic from this FET RIAA Preamp for removing unwanted AM reception:
https://luckyx02.de/data/documents/Aikido_Phono_Prospekt_Mail-1.pdf
Der Aikido von H.-U. Otto - Lucky's Hornpage

from the MC head amp (Pre-Pre) therefore there is to find a schematic here - go to the seventh circuit under
Aikido Tube Amplifiers
Even from the tube-version of this FET RIAA preamp there are the schematics - go to
Aikido PH-2 Phono Stage
Aikido All in One.pdf - Tube CAD Journal
https://de.scribd.com/document/150411742/Aikido-All-One
http://www.hifi-forum.de/viewthread-26-12463.html (post #16)

Thank you for upload schematics from oTTo's jFET version like to see in the attached images

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Buzz kill

Hello, I have just rebuilt an old Playmaster Electronics Australia Mosfet amp (circa 2002 or so). Firstly I am looking for a circuit diagram, It has 6 power mosfets each channel and from memory it's 200watts RMS into 8 ohms. However I found some old circuits using 4 power mosfets that also claims to be 200 watt RMS and these have similar topography but not exactly the same . They all run on +- 70vDC rails. Anyway it basically works perfectly except when I join the minus of the inputs at any point I get a very low transformer buzz from both speakers. You have to stick your ear right to the speaker to hear it. I am on a mission to make it perfectly quiet! Chassis is grounded to mains, centre tap of both transformers goes separately to the PCB ground (0v) tracks (that track also connects directly the centres of an array of 2 x 2 x 6800uf caps per side), then single ground (0v) wires from those tracks to the centre bolts of each of the bridge rectifiers (chassis). One diagram I have has those grounds connected to chassis via a 0.1uf cap?? The signal input minus passes through a 10 ohm resistor to ground (0v) and as I mentioned above any joining at any point of that left and right signal minus creates the exact same level of buzz. Secondly the bias: currently at idle I have set about 12mv across the .22 ohm FET source resistors , though some of them are showing about half that. So I figure that is about 50ma per power FET except the ones that are about 7mv. Just curious. It is driving a pair of 1988 vintage AE1's sounds totally awesome.
Mosfet amp 1.jpg
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OPA1612 from Aliexpress, no counterfeit but why so cheap?

After working with some OPA1612 on my recent Topping PA5 D01 Module replacement project (at ASR),
a friend sent me a few OPA1612 opamps he ordered when they were in stock since i couldnt get them anywhere.
alongside with some aliexpress el`cheapos for like 2 buck a piece instead of 7..8 bucks for a genuine part.


i expected them to put some cheap crap in there, so i didnt wanna use them.
but was curious whats in there, so i opened one up.. surely they have put a tl072 or ne5532 in and relabeled it..
turns out, after extracting the Silicon Die, they are genuine.

Do they not meet the manufacturers specifications and are rejects or something else?
nothing my budget equipment can measure, but they worked fine, didnt have any louder hiss than the original parts and didnt oscillate or anything, even power draw was about the same.

this was from two different sellers at two difference price points on aliexpress, it doesnt mean everyone on there sells genuine parts.
i now ordered some more for like 80 cents a piece to see, whats going on with them. gotta wail til they arrive.

hearing them vs. the genuine part thats in spec, isnt conclusive either, its differences are so minor, my ears cant pick them up.



Original (mouser):
e-CAMView_slg6h7xnyD.jpg

from a device that used them (actually the topping i mentioned above, extracted from the module)
, the damage to the right might be due to my extraction methods.. this chip is barely a millimeter in height and im not using any chemicals.
e-CAMView_yRq9xU3HZe.jpg

Aliexpress seller 1
e-CAMView_iZIC86G8BN.png

Seller 2

e-CAMView_2v5ejO3UXO.jpg


(zoomed out, not to scale anymore)
for comparison, a genuine OPA1656
e-CAMView_eduvzjgvg3.jpg

Ti NE5532
e-CAMView_ePdV66W06X.jpg

TL072
e-CAMView_JxvDlIdIWq.jpg
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Ideas input for a Interstage driven 300B SET

Hi,

First post here after reading many interesting and enlightening topics. I’ve just finished a simple 45 amplifier, and was so positively surprised I decided to build a second amp. This so the 45 can do what I built it for: drive my headphones in the office.
I just made the mistake of trying it on my speakers and despite their low efficiency the sound is so addictive the amp is not moving to the office until I’ve built a proper “speaker” amp!

So here we are, I’d like to build a 300B amp: I’ve acquired a pair of tango NC20 interstage transformers (original make) and have a set of Audio-note Output transformers (single ended). All I need is a schematic 🙂

I do like the idea of keeping everything DHT and simple, because then it’s easier to grasp given my limited knowledge and philosophically I like simple: also this would allow me to study the effect of swapping individual components to tailor the sound. (I’m not looking for something that measures well per se, it should sound well, not for opening that discussion🙂 )

I like the 45 sound but that probably has too little amplification to keep it two stages, which would be the preference, also one could avoid coupling capacitors but am open to be convinced otherwise. Should I look at a 10y? EML 30a?

In any case curious to hear peoples thoughts.

Cheers!

Matthew

Bliesma T34 Tweeter

hi there,

I know that some of our users here have pre-ordered some of those new Bliesna T34 tweeters which are shipping now.

It's a brand new company, the owner and inventor was former developer at Morel and later product-engineer at Accuton.

Now he came up with his very own product. The T34 tweeter.
A 34mm (1.3") aluminium/magnesium alloy dome tweeter with varaible thickness.

Have a look at the specs yourself:
http://www.bliesma.de/product.html

In this thread I'd like to hear experience with this tweeter and discuss this product.
The price is 580€ (ex. VAT) for a pair.
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Aleph P1.7 assembled board

Aleph p1.7 completed board for sale.
Solid brass bar keeps all mosfets equally hot, relays are itt, gain fets are harris devices, attenuator section uses sfernice resistors and some nos siemens 0.1% resistors. In/out capacitors are roederstein mkc, capacitance is smaller than advices 10uf, but if load is not tough its alright.
Ps photos are from construction, bad soldering on adc chip is corrected.
Asking 230 euro.
Board size 20x30 cm


20230820_180043.jpg
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WTB Rythmik Audio 15" driver

Does anyone have somewhere lying around an 15 inch Rythmik Audio subwoofer driver, does not matter which model DS1501, DS1502, DS1510, etc. Black or silver, does not matter.

I have an damaged driver in my E15 and need a new one and looks like Rythmik Audio does not sell the drivers separately any more.

I'm located in Europe but have an shipping address also in US and UK.

Marantz Superscope CD 330 can't record on left channel

I recently bought on eBay a Marantz CD 330 portable cassette recorder sold as in working condition but with a couple of issues, in part solved but one remains, so I decided to seek advice here.

There was a VU-meter needle stuck at half height, but I solved that by loosening its back screw a little. Now the needle is back at -20dB.

There was a stray black (grounding) wire broken which caused a subtle hum, but I've found its place and soldered it back, hum is gone now.

Also, I put new belts on it as the tape counter was not working because of a belt too loose, and also the others didn't look good. Now the transport works like a charm.

BUT, after changing the belts I did some recording tests and discovered that the left channel is not recording, while the playback of pre recorded cassettes is even in both channels. With the monitor selector on Source I can see the signal coming on both channels, so the problem should be on the left channel recording circuit. Any suggestions? What should I check first in your opinion?

Apart from the dirt collected in 40+ years and the recording issue, the deck is working and looking fine. I would like to find a solution for that problem, so any help is appreciated!

Thanks a lot in advance,
Lorenzo

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For Sale XRK TPA 3255 Ref

I don't know what Iwas thinking. I'll never get these small SMD parts on. I'll end up throwing a fit. Selling the amp and buffer boards as well as the Mouser supplied parts shown in the attached invoice. As I remember it was 99% available/complete, the BOM that is. I also looked for the VR that was totally unavailable. It was Ebay but really did seem kosher. There is a mystery part I purchased outside of Mouser that I can't ID. You'll be 99.5% there. Id like to get $150 shipped.
1000001956.jpg

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12v to dual rail converter

Hi, im having a go at building a dc-dc converter, that will take 12v and output +55v, 0v and -55v.
This is the circuit i am using, with a hand wound toroid transformer:
IMG_0493.jpeg

Unfortunately, im not reading any voltage on the 50-0-50 outputs, however using a basic oscilloscope with channel 1 attached to point 1, and channel 2 attached to point 2, with oscilloscope ground to point G, i believe that the oscillation side of the circuit is working ok (this reading was taken without the transformer attached, so just testing the oscillating circuit)
IMG_0491.jpeg
IMG_0493.jpeg

Im not quite sure why channel 1 is not swinging as much as channel 2. Both read as having a frequency of 35khz.
I may have wound my transformer wrong, anyone know how to wind a transformer like this? I doubt i can purchase a specific one for this.
Any ideas appreciated, better circuits etc.

Any VCV users here?

Hi,
After years of resistance to 64bits OS i finally sold my soul to the devil... and first opportunity to use a soft in this is VCV.

I spent 2 weeks playing with the thingy and i must say it blows my mind.

Not that i'm unfamiliar with modular synths and discovered the unlimited sound design capability this kind of instruments offer as i'm a long time owner of Clavia's NordModular and have a small and humble analog 'frankensynth' diy modular i started 10 years ago and which slowly evolved since, but the sound quality and ease of use of VCV is incredible for something free.

And polyphonic modules are a god send i could only have fantasy about in analog. Not even talking about the possibility offered by the software to interface with hardware world ( cv/gate, midi or audio either in or out).

It even gives access to emulation of some Serge panels, Buchla's inspired modules and synth voices ( Music Easel emulator! YEEESSS!), real time samplers, wavetable... even lunetta's modules are availlable ( as well as Klee sequencer... it seems some electro-music.com people have stamped their signature in modules developement).

It's so good i've not even installed the (free too) Buchla's modulars vst emulation yet to play with!

For those which have more experience with it have you find some limitations? In all honesty at this point i don't find any (for what i do with modular) and really wonder if i will ever continue to invest time in building modules for my analog one.

Threshold SA/1 vs SA/12E

Hello everyone, I'm new to this forum, but have been following some of your threads. This question should be direceted to Mr Pass himself, but if anyone has any experience with an sa/1 comparison to the sa/12e, could you please share. I am considering one of these amps, but not sure what the differences in character are. I have heard the sa/1's and absolutely loved them. Just wondering if the sa/12e are an extension of the sa/1's or do they give anything up for the extra power? the sa/12e amps seem to be extremely hard to come by, even compared to the sa/1's. To Mr. Pass, I really wished you had put the meters on the sa/12e also, they looked gorgeous, besides gives you a sense on where the amplifier is in output, just my opinion. Thank you to you all and hope to get some feed back.

Port Question

After building a couple of near field speakers with small Mark Audio drivers I'm planning on building some with larger CHN 110 units.
Interested in two boxes but wondered what the difference of the port location and size will have on the two below. What would the sound difference be.

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For Sale SIGMA - Lateral MosFET Amplifier

Here i im selling SIGMA reference class audio amplifier that sounds very good as is using exicon lateral mosfets and works with +/-48 VDC to +/-50VDC power supply.

For sale is complete pcb boards, populated, tested and working.

2pcs SIGMA amplifier populated boards
2pcs PSU 2x4700uF/63VDC Rubycon USR
1pcs SOFTSTART with input for on/off button
2pcs SPEAKER PROTECTION boards with high quality relays and high quality air inductor and golden connectors for speaker.

As i im from Europe it will be good if buyer is from EU so there will be no additional costs if buyer is from EU Union.

Price is €400,00 and free shipping inside EU Union Countries.

Please contact me PM to exchange data.

Thanks for your time 🙂

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C Audio 606 Repair.

Halfway through fixing this C Audio SR606. Looks like it's an early version with relays on the driver boards and copper heatsinks. . This one was completely dead when it arrived....

Found out there was a bad fuse holder in the back. Temporary fix by bypassing it and relying on fuse in plug .

Powered up on dim bulb... Slowly ramped up till the soft start released. This was a bit hit and miss as second attempt it went dead again... Found a power switch wire bad joint. Then I finally got it fired up.

It then goes straight into protection.. 75v DC on channel B. Very low DC offset on the other side. Still on dim bulb so lower voltage. I can hear two relays click. Sounds like one is the soft start and the other from the good channel.

Removed the power wires to the MOSFETs and pulled out drive board. Measured driver board output and still got huge DC. So fault on this board . Found at least 6 small signal transistors shorted. BF422/23s. I'm hoping there is no shorts on the MOSFETs. They did test fine with a quick test and fuse wire not blown. .

These boards do not have any component markings on the PCB at all.

I used a white pen to mark the shorted transistors

If I don't get this repaired this still plenty of spares for my other C Audio amplifiers.

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Neurochrome HP-22: A high-performance DIY headphone amp for less than $100

It turns out that high-end DIY actually can be affordable. Who knew?! 🙂 Build your Neurochrome HP-22 headphone amp for less than $100!

I have just opened up for preorders of the HP-22 circuit board and will offer a preorder discount until the boards arrive in stock. I expect to start shipping them by December 22, 2020. If you use FedEx or UPS for the shipping method, you'll be ready to build just after Christmas. You can preorder your HP-22 circuit board here: HP-22 – Neurochrome

The HP-22 mounts as a shield atop a Texas Instruments OPA1622 evaluation module (EVM) to form a complete high-performance headphone amp. The amp provides 200 mW into 300 Ω, 360 mW into 50 Ω, and 200 mW into 32 Ω at -130 dB (0.00003% THD). The multi-tone IMD residual measures below -146 dBr (referenced to 100 mW into 300 Ω).

Tweakers will be delighted to know that the HP-22 lends itself to opamp experimentation. Should you prefer to use a different opamp than the specified LME49720, have at it! Just make sure to select one that's stable at +10 dB gain and capable of driving a 1 kΩ load impedance cleanly.

Speaking of gain... The gain of the HP-22 is +10 dB. Should you wish for a higher or lower gain, all you need to do is to change a resistor.

The OPA1622 EVM comes with rubber feet, so the HP-22 will sit neatly on a tabletop even without a chassis. As it contains the input RCA connectors, the volume control, and the output connector the HP-22 can be used without a chassis if desired. It can even be powered by a pair of 9 V batteries. And, naturally, if you wish to mount the HP-22 in a chassis, you can easily mount it to the front panel using the volume pot mounting hardware and connect the RCA connectors with wires.

The images below show my prototype build. The hockey puck was included in the picture as a scale indicator. The HP-22 is rather tiny. Maybe if I was a better marketeer, I would claim that the proprietary Neurochrome puck is made from a unique and patented rubber compound, which provides vibration control and resonance dampening. 🙂

You can find all the performance graphs and specs on the HP-22 product page: HP-22 – Neurochrome
All measurements were performed with the HP-22 powered by a Neurochrome Preamp Power Supply.

Tom

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Concrete Fidelity. My first DIY speaker build; cast from concrete

I recently built some desktop speakers from concrete, and I am trying to understand my measurements.
I am quite happy with the overall sound, but they are definitely missing some base.

1715720212954.png





I am using a Dayton Audio DS135-8 woofer with a Peerless Tymphany BC25SC08-04 tweeter and crossed them at 1700hz in a sealed 3l enclosure. (Datasheets attached)

Below my far field on axis response measured at 1m
1715719768846.png



Here my near field measured response of the driver

1715719844787.png




1715719940622.png



How do I further smoothen the response and extend the bass? Do I simply need a sub?
This is my first DIY speaker so, excuse if there are any obvious omissions or mistakes.

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Looking for an existing sub design to build

I own a pair of the GR Research H Frame 2x12 OB Subs. I never had wonderful bass in my room and these dont seems to be great either. I am suspecting it is my room. I am interested in building an existing proven design that is know to work well. I would like to stay with 12 inch woofers (2 is good). I have all kinds of amps so I am not worried about that end of it. I'll buy what I need and money is not s much an issue. Recommendations?

Beast Mini

So I am listening to a podcast with pa that dropped 11 days ago. (Link) Apparently pa is working on a J113 version of the mythical beast. 256 Jfets. :nod: Looks like the worldwide stock of J113 might drop a bit! If this is being discussed elsewhere, let me know!

Hey pa, if you need anyone for prototyping and testing, ill take the bullet. :rofl:

Best,
Jose

turntable/record player and unwanted reception of broadcast sw stations

Hi
I heard often about unwanted radio stations by playback of records (radio moscow effect), especially in combination with phono preamplifier concept's without lowpass capacitors and inductive resistors arround the input gain stages. One example of radio sensitive RIAA head preamplifier is the EAR 834 (EAR834), see schematic by the URL http://www.goodsoundclub.com/Site_images/EAR-834PT-1.gif
Amazing for me is, that in some cases the unwanted reception by shorting the inputs will be still present. The reason could be a parasitic inductivity between mainboard GND and metallic enclusure chassis

On the web I don't find any informations about theoretical background and the reasons for unwanted AM demodulation in the short wave (SW) aera - in most cases between 6 MHz and 7 MHz (wavelength 49m and 41m). I think, I don't know the right keywords resp. the english slang words about this topic in Google.

Perhaps one of the members know web addresses about this topic.

Best thanks for your advices

Best Regards
Andreas Kirschner

Help wiring these German transformers

10F65D7E-C2B0-4CBA-87F9-E41CB7D24596.jpeg
Hi,
I purchased these German line output transformers some time ago, they are marked 019.1 and come from a broadcast mixer comissioned by the RFZ (the East-Germany BBC. Well known for their lovely preamps, I purchased these for some pres I have from these old mixers.

I assume these are matching transformers, but Its impossible to find a diagram and I mysef have never wired/tested a transformer.

Any help in wiring this would be much appreciated! It would go from the preamps unbalanced output into the trafo and out to the XLR mounted on the chassis.

Thanks a bunch!
-- MusicWorks

Replacement for IRF130 IRF9130

Hi folks,

in a friend's active speakers from the early 90s, work with IRF130 and IRF9130 VMOSFETs on the power amp modules. In one of the modules both VMOSFETs have failed (seemingly due to electric overvoltage). So far as we can find, the parts are not available from reliable sources anymore and other sources seem rather doubious...

Please, anyone, if at all possible, please advise which parts would work drop-in compatible or what we can or have to do to repair the power module! We do actually have the power amp's schematics if needed.

Thanks and Regards,
Winfried

Adding a small 5V fan for cooling any components to add for elecrtical noise isolation ?

I have been modifying the power supply on the analogue board on a naim AV2 and this will result in a lift of pre reg DC supply to the board LM317 and LM337 regulators. So I will move from a pre reg DC supply from +-20V to +-24V when the post reg supply is +- 15V. I have ordered some copper pads to add the the back of the existing heat sinks, which I will nylon bolt to the heat sinks. But want to keep the unit cool, so want to add a small fan to help the temperature rising too high internally and can

I can pick up a 4.3V DC supply near where I will mount the 5V fan. Other than say a 0.1uf cap to GND on the +ve side of the fan any better ways to isolate any electrical noise ?

Telefunken voltage stabiliser tubes - application note in German?

I am looking for a german language original (if it exists) of the english version of Telefunken's 1960s application note for its voltage stabiliser tubes. The english version (here: https://tubedata.altanatubes.com.br/other/Telefunken/Telefunken_NewVoltageStabilisers_1966.pdf) leaves a bit to be desired and I'd like to work from the german original, if it exists and if anyone has a copy to hand.

Mid-Tweet x-over point for a 3-way design?

I am working on a powered speaker that consists of the following:

Two 15-inch woofers
Two 6.5 inch professional style mid-bass drivers

Again - this is a powered design with a fully active x-over. No passive components to worry about here. The dual 15-inchers will be powered by a TPA3251, the two 6.5's will be powered by a TPA3116 and the tweeter will have it's own TPA3116. Each amp board with individually-adjustable gain/level.

The two 6.5 inch pro mid units have a Fs of around 100hz. I plan to cross the 15 and midbass units over around 220hz. This puts me in the neighborhood of where baffle effects start to kick in if I am not mistaken. And since the dual 15's are on their own amp (with adjustable gain), it should make this adjustment easy.

The two 6.5 inch midbass units will be mounted MTM style (above the dual 15's) with a yet-to-be determined tweeter (although I am 99% certain I know which one I want)

These 6.5 inch midbass units play pretty damn good past 3k.

I currently have THIS tweeter in my Aliexpress basket:

https://www.aliexpress.com/item/1005005687082677.html

For those who do not want to click into the link, here are some basic specs:

These are basically china clones of the Scanspeak D3004/6640 from what I understand
Beryllium dome tweeter
FS = 500Hz
High freq range extends WELL into the 25k region
Faceplate diameter is just over 100mm

Before anyone jumps to conclusion: these are some of the finer things that come out of china. I have personally heard a set of these and they are extremely well behaved tweeters mounted in solid aluminum faceplates - the quality is absolutely top tier. China has their good, bad and ugly. This is their exceptional stuff.

The effective radiating surface of the 6.5 inch midbass units is barely over 5 inches. My plan is to cross the midbass units over to this tweeter at somewhere between 1200 and 1800hz.

Getting up towards 2000 means getting close to the center-to-center limit possible with this combination. Closer to 1200 means the half wavelength is still larger than the center-to-center AND width of the midbass effective radiating surface.

The response of the tweeters I am looking at starts to drop slightly around 1500 - so crossing around 1200 seems like I may be pushing my luck a bit.

My active x-over design is currently a purely analog 12db linkwitz/riley active filters on protoboard. I have not soldered in the components for the mid-tweet x-over yet.

So... am I in the right ballpark here? Would 1500 be reasonable? At 1500, the half-wavelength is around 4.5 inches - about a half inch short of what the C-T-C distange would be from midbass to tweeter (and slightly less than the effective radiating surface of the midbass). 1200 puts the 1/2 wave larger than both, but I am riding the enge of where the FR of the tweeter starts to drop a bit. 1200 is also still over twice the Fs of that driver - so not like I am pushing my luck too much here. Worse case scenario, I need to add a simple shelf filter?

Or am I completely mis-calculating things?

music and artificial intelligence

Hi everyone .
There was a story on the news recently that I think is known to most of the world's population.
The last Beatles song that has never been published before has found new life thanks to artificial intelligence. They managed to reconstruct a ruined song using other Beatles songs.
I wonder if it's possible to do the same thing with old, poorly made recordings. I'm not referring to the Beatles but to any other musical group that wasn't lucky enough to record their music with decent equipment.

Crossover help needed - too fast phase shift around 3.7-4-7Khz

Hey guys, I'll need some help since this is my first build of a bookshelf speaker and crossover.

Basically, I've some weird phase shift around 3.7-4.8Khz (not sure if this is normal but I can also see some deep there in the FRD file) after measuring the speaker with the crossover which I built.

I am pasting below the REW measurement + the crossover design so hopefully some of you guys can help me out since as I said this is my first built and I am not much experienced to determine what may causing this issue.

I wonder, is it because the high impedance at around same frequency around 4khz as seen from the Xsim screenshot? And how I can avoid this?

Thank you in advance!!!

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AC filtering questions

Hello girls and boys....
i have two toroidal transformers (230/45V - 300VA)... What i was thinking is to make a filtering device for AC power similar to Felicia power conditioner (two transformers back to back)... Problem is, i don't have center tap in my primary on any of those two transformers...
So i was thinking maybe at the output where i get 230/240VAC out, to put two resistors from each output of the second transformer to ground (to put my "earth" in the middle of those two outputs from the second transformer (sch attached - version "A").....
so my question is, do i need those resistors - maybe just caps would be enough to put my earth potential in the middle..... that would be Version "B"... or do i need anything at all (version "C").....
... electronics after this would be a dac that has a separate power supply consisting of a switching pre-regulator and regulator of some sort after (probably linear PSU).. i would probalby put a streamer on this also once i sort out it's power supply block and turn it to linear PSU.......
any suggestions....

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IcePower 400A2 + SWR SM-400

Hi there,

Going down a rabbithole trying to integrate an IcePower 400A2 class D module in an old SWR SM-400 amp. Bought the amp with a completely blown power amp so it seemed more efficient to get a module.
PSU:
the transformer brings the +/-55v and +/-15v

The module asks for max +/-69v / min +/-45v and +/-12 (VDD/VSS) and Vdrive which sits +15 above the negative power rail.
All of the voltages except mains are regulated by 78xx/7912

I don’t get any sound and kind of afraid I already blew the module disturbing it’s finicky nature by my some stupid testing.

Probing on the +12 rail I get -2v drops in 0,4s intervals, the neg rail correlates. All the other voltages seem stable. The DCerror pulls low, when VD/VS is applied it starts flashing

Any leads? Not sure how to go on

Thanks a lot for your time!

I’ll attach the diy preregulator (which is followed by a 7815) and other relevant documents

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For Sale Carver C-4000 Preamp

SOLD!!! Carver C-4000 Preamplifier
Excellent physical and working condition. Super flexible with every Carver top of the line feature available. Multiple phono inputs(MM and MC) multiple tape loops. Every feature works perfectly. Surround and Sonic Holography settings including rear channel amps. Come see and play with it.
First $500 takes it.

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Interesting article about mains filter amplifying noise

https://www.emcstandards.co.uk/mains-filters-might-not-perform-to-spec-and-can

I've just traced down my 20kHz noise in my JCM amp.. turns out it's external and/or being spat out of the IEC filter I have (schaffner 6A jobbie).

With the amp off, the filter on and connected to the PT primary.. there's big spike at 20kHz that I can measure through the insulation of the negative mains output from the filter. There's little on the primary side.

The issue is that the Toroid then couples that directly onto the heater and B+ lines. Mainly the heater 6.3Vac that I'm using.

Edit - replacing the IEC filter, well it's still there.. so obviously external.. still an interesting article.
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Arduino-Based Tube Amp Control System

I'm sharing my design/code of an Arduino-based tube amp control system. Code and photo are attached. Here are the things it does:

1. Fault monitoring. It continuously checks for fault conditions (e.g. tube over power, HV too high, etc.) and immediately shuts the amp down if one occurs.
2. Display current conditions. I have it displaying plate voltages for input tubes, output tube plate currents and powers, B+ voltage, and tube hours.
3. Bias tubes. I have it set up to bias my input tubes by adjusting screen voltage and bias output tubes the usual way, but my amp is an A2 amp so grid bias is a positive voltage.

Hardware Description

Let me walk through the photo. I'm not going to bother making a schematic but everything is simple enough if you follow instructions/documentation from Arduino and Adafruit.

In the middle is the Arduino Nano Every with an Adafruit MCP4728 four-channel DAC daughter board. You don't need the DAC if you don't want tube bias under microcontroller control.

On the left of the Arduino is a prototype board with a HV amp chip so that the DAC outputs can get scaled up to the voltages I need for biasing the tubes (~100V for the input tubes and ~35V for the output tubes). My particular amp needs positive bias voltages so I am using an HV264 chip, but you would probably need some sort of inverting HV op-amp setup to get negative voltages and you would need to modify the code to make sure it moves the right direction to increase/decrease tube operating conditions and that the gains it uses to calculate changes are correct. It's flexible but you definitely want to run some tests before you hook it up to a real tube.

Additionally, on that board to the left you can see a 7805 regulator and behind it an IRL520 which is used as an open-drain output to drive the SSR that controls the main AC power input for the amplifier. That's what the Arduino uses to shut things down if a fault condition is detected. Obviously, for this to work the Arduino will have to be always powered and it is in control of the rest of the power.

Mounted to the board above the Arduino are all of the voltage dividers that I use to sample B+ and the plate voltages of the input tube. I do filter audio frequencies from output of that divider so the Arduino is not sampling instantaneous plate voltage of the input tube but average voltage. I do the same for output tube plate current sampling.

The board on the right (and the black brick next to the Arduino) is all circuitry that I use to sense plate current. Most amps don't need any of that because cathode current sensing is much easier and simpler. I needed to do high-side plate current sensing because this A2 amp has both grid current and plate current in the cathode current, so I needed to measure plate current alone. I used a TLP7920 and a bunch of supporting circuitry to do that.

The display is a "RGB backlight negative LCD 20x4 + extras (RGB on black) [ID:498]" from Adafruit also using the "i2c / SPI character LCD backpack[ID:292]". Anything you want to display can be displayed there. As you can see I'm displaying B+, input tube plate voltage, and output tube plate currents and powers, and I have an hours meter for the output tubes.

It is so nice to have a display like this that gives you a bunch of measurements at a glance when you are experimenting (especially with transmitting tube B+ voltages). All of my future work is going to be done like this.

Software Description

I'll just do a very high level description of the software.

All functions are non-blocking. They check and see if work is ready to be done. If not, they return immediately with the expectation that they will be called again when the work is ready.

The program has three main states: AMPLIFIER_OFF, AMPLIFIER_WARMUP, and AMPLIFIER_ON. The main loop simply calls the associated main task for each state.

The amplifier off task simply updates the heartbeat LED and waits for the power button to be pressed.

The amplifier warmup task initializes DAC outputs, sets up the display, turns on the AC power to the amp and then runs a countdown timer on the display so that the user knows when amp is ready. It also starts bias adjustments on any tubes that are past their warmup time, checks for fault conditions, and keeps the heartbeat LED going.

The amplifier on task reads ADCs and updates the display, checks for faults, biases the tubes, and keeps the heartbeat LED going.

Upon shutdown, the processor stores the last good bias values in EEPROM and uses them as initial values on the next startup.

The header file contains many values that can be configured for the particular tubes used and other settings. I have it set to slowly ramp voltage on bias adjustments over a period of 5 seconds and adjust every 30 seconds. There are a lot of tube specific settings for the bias control in the header file.

The code is set to check for a bias button to be pressed to initiate the bias adjustment process. I simply wired it to GND for it to bias every 30 seconds.

Code is less than 1000 lines total.

One last note about sampling current/voltage: The amp I made this for was class A SE. I did some experiments to see if I needed to wait for musical silence to do the calculations to make bias adjustments. Basically, I played loud electronic music with sustained bass notes and I paused and un-paused while I watched to see if that would perturb any of the voltages/currents on the display. None of the values seemed to change at all on this amp, so I made the decision to just adjust bias whenever. If you are going to use it on a push-pull AB amp, I'd run a similar experiment. If it turns out that the average current changes by an amount that makes you uncomfortable, I'd implement a silence detection circuit that hits that bias button input every time there is silence. Then all of the calculations will be based on low/no signal conditions.

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For Sale 10awg bulk speaker cable

I have hundreds of feet of Rapco Horizon speaker cable. This is just about a garden hose size cable, round with 2 copper conductors and amazing flexibility. Quite heavy of course. Probably the best bulk large conductor pure copper speaker cable out there.

Each conductor is 10awg, 2 per run with some twine nearby to keep cable round. Made in USA.

Each of the 2 wires are 105 strands of 30AWG annealed copper. Very easy to work with.

Offering for $1.50 per foot plus shipping.

Specs are here https://www.rapcohorizon.com/images/document/10ga.pdf

Message me if interested with desired length and zip code, shipping from San Diego fyi.

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I blocked my Floyd Rose Tremolo

Frankly I couldnt stand it anymore. Breathe on it and the pitch modulates, as in just the finger effort to turn one of the little trim screws changes the pitch as much. Stuck with mushy light gauge strings, pulling against 3 heavy springs, the stupid locking nut that doesnt, the bar that isnt a machine tolerance fit in the socket, wiggles no matter how hard you tighten the cap - no more - "I'm so done with you"!

Glad to read on line you can just do this. One day I'll get a solid tail guitar; this'll have to do till then. Looking at candidates I think "it has springs... nope!"

IMG_0071.JPG

WinISD is giving me a a crazy high SPL

I have an old school Blaupunkt subwoofer from when they were a part of Bosch and made good quality stuff. They have since gone bankrupt and someone is piting that name on china junk. It's like new since it's been sitting in my closet. The problem is, WinISD is giving the SPL as 116db, when it is 93db. I tried unchecking the calculate box and putting in 93 db, but it still models the speaker at 112db 1w/1meeter with a 0db transfer function. Is this why I'm getting such a high cone excursion? When I add a 12 db static filter the over excursion problem goes away, but I'm not sure that means cone excursion won't be an issue. I also wonder if the issue may be caused by a misprinted parameter in the manual.manual. But since they are out of business there is no tech support. Thanks for any help with this issue.

Here are the drive's specs. Any look seriously off?

POWER HANDLING 180 Watts rms
540 Watts peak
SENSITIVITY 92 dB (2.83V/1m)
89 dB (1W/1m)
FREQ. RESPONSE 20 - 2kHz
NOMINAL IMPEDANCE 4 ohms
MAGNET WEIGHT 40 oz
MOUNTING CUTOUT DIMENSIONS 9.2 inches (234mm)
MOUNTING DEPTH 5.0 inches (127mm)
AIR VOLUME DISPLACEMENT 0.17 cu.ft.
VOICE COIL DIAMETER 2.0 inches
THIELE-SMALL PARAMETERS
Resonance frequency 30 Hz
Total Q factor (Qts) 0.35
Electrical Q factor (Qes) 0.36
Mechanical Q factor (Qms) 7.02
Volume equivalent compliance (Vas) 2.75 cu.ft.
Linear excursion (Xmax) 0.20 in. (1 direction)
DC resistance (Re) 3.56 (ohms)
Force factor (BL) 10.2 (Tm)
Effective cone area (Sd) 320 (sq.cm.)
Compliance (Cms) 540 (uM/N)
Moving mass (Mms) 61 g

Budget wave guide tweeter plans for 2.5 tower speaker upgrade - Peerless BC25SC06-04 1" Textile Dome Tweeter

I just finished up my Pinnacle Classic Gold Tower speaker XO and tweeter upgrade. I am so impressed with the budget tweeter I used that I wanted to share how I did it. I fried one of the OEM Vifa metal dome tweeters during testing with REW. Stupid me! Based on advice I received in the thread like at the end of this post, I was told to optimize a tweeter with the 8” woofer I should use a wave guide. Most of the recommended components were above my pay grade. My goal was to use a very efficient tweeter with an L-Pad that would work well with the two OEM 8” woofers in this 2.5 tower. I put the project aside. I then came across a the Peerless BC25SC06-04 1" Textile Dome Tweeter for $14 each that had a surprising flat response. The result, the Pinnacle towers now perform at a level that is way above my expectations and a the current moment they are my favorite speaker in my collection. I wanted to share so here is a basic plan for what I did and some additional info on this budget tweeter. I would love to hear back from anyone who gives this tweeter a try!

My previous thread on this project: https://www.diyaudio.com/community/...tion-for-a-2-5-using-2-8-inch-woofers.404675/

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