John Curl's Blowtorch preamplifier part III

Status
Not open for further replies.
No, not in the way you are presenting it. 100% modulation? In music? Where? When?

I never stated such. Please attribute only what I have said to me.

Oh, really? What a revelation. Wasn't there a 50% modulation sidebands in my FFT measurements several pages back?
I do not recall you providing any dialogue on what happens to the resultant output if one of the sidebands is truncated by a steep filter...

Oops, sorry, I forgot, Fourrier is cr@p 😡
Again...
I never stated such. Please attribute only what I have said to me.

From my previous example, I looked for and found this: the spectra of a damped sinusoid.
Note the spread of the spectrum around the fundamental.
If this is scaled to 20 khz for example, the energy heads out to 22K. If the decay is faster, the spread is more.

Odd, this is apparently bog standard MRI stuff.

Second pic shows two, the blue damped faster. Note the spectra is wider. The text associated with that find mentioned that.

jn
 

Attachments

  • Damped sine.jpg
    Damped sine.jpg
    24.1 KB · Views: 261
  • Damped sine2.jpg
    Damped sine2.jpg
    11.3 KB · Views: 255
Last edited:
Not sure this would make any sense however I would try. AM modulation x two tone summation.

Nice pics.
Note that the AM modulation envelope you present is entirely different. Every single lobe is exactly the same, whereas a true 100% modulation flips phase of the carrier every lobe.

I see a large deadband between envelopes. When a line is fit to the tips of the carrier, as it goes through zero, it must continue through to the bottom of the next lobe. That yours doesn't means you changed the modulation away from a true cosine modulation.

How long did it take you to modify the results until it matched what you wanted to say?

Please modulate using a true function which reverses sign every lobe.

Nice try though.

Edit. I retain exactly what I said above for clarity.

PMA, I apologize. I have found instances of both on the web, so retract my statement that you were in essence being nefarious.

That said, in both cases, a sideband exists that is above filter cutoff, so you still prove that there is content above the cutoff, which when removed, leaves sonething that is not the same as the original.

jn
 
Last edited:
What would it take for you to stop this absurd debate? Everybody to concede that:

a) You are a genius that just discovered an unexplored path in signal processing?
b) Didn't pass through primary school, therefore they should STFU?
c) Is an idiot debating with you?
d) Is a poodle barking at a lion?

Or:

e) Shame you?
f) Quietly acknowledge the bores?
g) Ignore you?
h) Let go and bake a cake?
i) All of the above?
j) Anything else?

Missed this:

d') Is fudging the math/simulation results only to score against the lion.
 
AHA, the distinction. PMA is modulation with the envelope varying from zero to peak, in other words a sine that is offset so it never crosses zero. That always preserves the carrier as there is no flip in sign of the envelope.

The math of two sines in beat is exactly the same as amplitude modulation where the envelope passes through zero and is symmetric to it. As a result, half of the carrier is 180 degrees out of phase, and the resultant FFT show no carrier..

In both cases however, the sidebands are still there.


jn
 
No, I am not.

But I did figure out why the carrier is in one and not the other.

But the carrier's presence has nothing to do the discussion, as it's the upper sideband that is the concern.

jn

Modulation and simple summation are two absolutely different processes. You still seem not to take it into account. The similarity of time domain waveforms is not any proof of the process sameness. You seem to try to hold some strange integrity of your initial false assumption that two tone summation is an AM modulation.
 
True, why was beating raised at all, I can't remember who or when?

Don't know.

I started this mess to explain how changing the amplitude of a high frequency sine at a high rate will cause sidebands that could exceed nyquist. I also said that removal of the upper sideband by a brick filter will be removing information that is needed to correctly reproduce the input.

I gave a sine modulation of 20K as an example. I refer to sine modulation of a signal as multiplying the signal by a sine which varies from -1 to +1.
And that modulation type is exactly equivalent to the addition of two sines.

Pavel's example made me realize that he is modulating with a sine that goes from zero to 1, so does not flip the carrier.
My modulation removes the carrier from the fft because it flips the sign of the signal every lobe while zero to +1 does not, hence the carrier in Pavel's example, none in mine.

The fact remains, amplitude modulation (as in music content) will produce sidebands. I suspect those who apparently hear a difference may be sensitive to that. I am not.

jn
 
Modulation and simple summation are two absolutely different processes. You still seem not to take it into account. The similarity of time domain waveforms is not any proof of the process sameness. You seem to try to hold some strange integrity of your initial false assumption that two tone summation is an AM modulation.

Modulation from zero to 1 is different, I agree.
Modulation with a cosine is identical.
I at the very beginning pointed out the flip of carrier in the identical waveforms.

Process sameness? Really? The time domain waveforms I provided are absolutely exact. Remember, it is the cos envelope that flips sign. You must understand that distinction.

And, you are simply diverting from the primary discussion of music having envelope modulation that creates sidebands.

jn
 
Status
Not open for further replies.