I agree, Lineout, nice circuit Widowmaker!
But I suspect it would be richer, fuller and more euphonic with a tube for voltage amplification.......
Cheers,
Hugh
But I suspect it would be richer, fuller and more euphonic with a tube for voltage amplification.......
Cheers,
Hugh
Yes, I thought about that option. But might be a bit too complicated 😉Upupa Epops said:2.32 A for 8 W.... really amazing.... 😀 Why not 5 A, superbiased superclass A quadrat ? 😀
This little amp would consume like 60 Watt to produce 8 Watt.
Could it try to match Nelson Pass First Watt amplifiers?
He uses like 100 Watt to produce 10 Watt output.
😎
Upupa Epops said:NP is really joker
Have you ever danced with the devil in the pale moonlight?
A decade ago I did a SE mosfet based amp using a 6SL7 as voltage amp.
It was two stage, with four mosfets per channel. Power supply was 50V, 3A with 22mF-20mH-22mF. Current amp was a P type mosfet with NPN bipolar in CFP hybrid, and current sink was an LED referenced N type. Dissipation was 150W per channel, power was 28W, with 1dB at 15Hz, 75KHz. Output stage distortion was 0.06%, all H2/3. The tube was probably at around 2-3%, since it was a simple plate loaded triode. Zout was 38 milliohms. Energy wastage was horrific. I still feel guilty when I switch it on.
I called it the Glass Harmony, and the interface between the tube and the output stage consumed 18 months of intense R&D. It remains secret. The Glass Harmony sounds like 100 watts up to its limits; grip is very impressive, even with a composite 2000uF coupling cap. Those who have watched my journey over the last decade say it's still the best amp I've done; I don't know, I think the AKSA is better overall because it's more resolving, greater slam and impact, and much more efficient. But I still use it for comparison with all my tube hybrids these days.
When you want it to sound like a tube, you really have to use a tube. Funny, that.
Cheers,
Hugh
It was two stage, with four mosfets per channel. Power supply was 50V, 3A with 22mF-20mH-22mF. Current amp was a P type mosfet with NPN bipolar in CFP hybrid, and current sink was an LED referenced N type. Dissipation was 150W per channel, power was 28W, with 1dB at 15Hz, 75KHz. Output stage distortion was 0.06%, all H2/3. The tube was probably at around 2-3%, since it was a simple plate loaded triode. Zout was 38 milliohms. Energy wastage was horrific. I still feel guilty when I switch it on.
I called it the Glass Harmony, and the interface between the tube and the output stage consumed 18 months of intense R&D. It remains secret. The Glass Harmony sounds like 100 watts up to its limits; grip is very impressive, even with a composite 2000uF coupling cap. Those who have watched my journey over the last decade say it's still the best amp I've done; I don't know, I think the AKSA is better overall because it's more resolving, greater slam and impact, and much more efficient. But I still use it for comparison with all my tube hybrids these days.
When you want it to sound like a tube, you really have to use a tube. Funny, that.
Cheers,
Hugh
Hi Hugh,
why dont you offer a kit or boards of your glass harmony? Seems like the logical thing to do for someone with a bussiness like yours🙂
cheers Arthur
why dont you offer a kit or boards of your glass harmony? Seems like the logical thing to do for someone with a bussiness like yours🙂
cheers Arthur
Luke,
There's IP in there I don't really want to share in a kit.
Secondly, boards are a complete failure as a business model.
Thirdly, 400 volts are involved which is dangerous in a kit, and potentially litigious.
Fourthly, the four heatsinks required weigh no less than 11 Kgs. This is VERY costly for air freight!
Lastly, who would even consider 1 x 28W with 300W dissipation in a world where efficiency is becoming ever more important?
However, if you have reasons why it should be done, let's hear 'em! Heck, I might be dead wrong!
Cheers,
Hugh
There's IP in there I don't really want to share in a kit.
Secondly, boards are a complete failure as a business model.
Thirdly, 400 volts are involved which is dangerous in a kit, and potentially litigious.
Fourthly, the four heatsinks required weigh no less than 11 Kgs. This is VERY costly for air freight!
Lastly, who would even consider 1 x 28W with 300W dissipation in a world where efficiency is becoming ever more important?
However, if you have reasons why it should be done, let's hear 'em! Heck, I might be dead wrong!
Cheers,
Hugh
lumanauw said:I don't understand the theoritical process of "Current Dumping", why it needs 4 component bridge (I think this should work without 120pF+4.5uH, but don't know about the stability without these 2 components), but as I see it, the finals (911-922) works like a "switch"... turnon-turnoff depending the drop at the 47ohm
Read the pdf lionked further up in the thread, it explains things. Intuitively, you can also look at it like this: when the output stage switches off (since it works in class B), there would normally be a 'notch' in the output - but keep in mind that the inductor would tend to keep the output current constant - in order to do so, voltage across it will change, moving the now relatively high impedance coupled emitters node of the current dumper 'acrosss' the class B gap.
Hi, Ilimzn,
You are right, thanks for the explenation 😀
What about the 120pf, what is the main function of this? For stability or for balancing the 4 bridge leg?
Read the pdf lionked further up in the thread, it explains things. Intuitively, you can also look at it like this: when the output stage switches off (since it works in class B), there would normally be a 'notch' in the output - but keep in mind that the inductor would tend to keep the output current constant - in order to do so, voltage across it will change, moving the now relatively high impedance coupled emitters node of the current dumper 'acrosss' the class B gap.
You are right, thanks for the explenation 😀
What about the 120pf, what is the main function of this? For stability or for balancing the 4 bridge leg?
Re: Re: " ...they sound much more better ... "
😀 😀 😀 😀 😀
carlosfm said:Bring one of your 'ultra-complex' designs with 1Km signal path and 3000 solder joints.![]()
😀 😀 😀 😀 😀
lumanauw said:Hi, Ilimzn,
You are right, thanks for the explenation 😀
What about the 120pf, what is the main function of this? For stability or for balancing the 4 bridge leg?
It's bridge balancing. Again, intuitively, it prevents the NFB loop seeing the discontinuity due to sudden gm change and not correcting propperly - this is precisely how the bridge nulls out the nonlinearity - in order for this to work, you must have the L and C components.
Hi Hugh,
I can understand your reasons, but im being selfish of course🙂
I dont leave my amps on all the time, so an hours listening a couple of times a week is not a big deal to me. And I have started using the train to do m bit🙂
I doubt Electricity consumers are the reason for the polar caps melting anyway.
seeya Arthur
I can understand your reasons, but im being selfish of course🙂
I dont leave my amps on all the time, so an hours listening a couple of times a week is not a big deal to me. And I have started using the train to do m bit🙂
I doubt Electricity consumers are the reason for the polar caps melting anyway.
seeya Arthur
Yesterday I made the new DC version of this amp...
Without any capacitors (except in power supply and 120pF in bridge)...
The sound quality is "an idea" below sound quality of SE class A...
Without any capacitors (except in power supply and 120pF in bridge)...
The sound quality is "an idea" below sound quality of SE class A...
so you removed 3.300uF//4.7uF blocking cap in feedback
did anything happen?
with offset or else
I guess not, as we have JFET input pair
Even if had been bipolar input pair
I doubt block cap would do much good or be needed.
Not when feedback resistance is as low as here, 500/27 Ohm.
did anything happen?
with offset or else
I guess not, as we have JFET input pair
Even if had been bipolar input pair
I doubt block cap would do much good or be needed.
Not when feedback resistance is as low as here, 500/27 Ohm.
But it is not thermostabilized yet 😀
I used the same thermostable schematic (TL431 & emitter follower) like in another my project (SE class A).
Schematic gone more complicated, but the additional components are very cheap...I replaced TL78L15 with a few resistors, two caps 100uF, two BC550C, one shunt regulator TL431...
I used the same thermostable schematic (TL431 & emitter follower) like in another my project (SE class A).
Schematic gone more complicated, but the additional components are very cheap...I replaced TL78L15 with a few resistors, two caps 100uF, two BC550C, one shunt regulator TL431...
carlosfm said:I have a chip power amp on my main system (chock, horror), and it sounds much better to me than many so-called 'high-end' amps, and you can bring some Krells.
If you call my amp a 'GC' I'll smackah u face. (c) Jocko 😀
Chip Amp (doesn't matter wich one) and High-Fidelity are quite different concepts

If you're not able to sense the differencies....



- Home
- Amplifiers
- Solid State
- Death of Gain Clone