Air Core vs Iron Core - Sensitivity

I use iron core, manually made of E + I core with an air gap (ur/u0 around 10 to 15), for the woofer when I need something around 2mH to 4mH.
Harmonics are below 48dB, which is the limit of my 8-bit scope and is good enough for me.
I also check the current limit observing the current as a function of time when applying a step voltage.

This was for a 200W system power @4ohms, so maximum peak current is 10A.
Saturation starts above 15A as shown below.

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Window from 0 to 180 degrees is all that matters (the full Spinorama)
we cannot see the whole picture
This speaker is for nearfield use only. It also uses an unconventional driver arrangement, which complicates things.

For those that peruse lots of threads, most of the details are familiar and make more sense. For anyone that hasn't seen them, details are available in other threads:


 
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I also think that crossover is far from optimal, and has a big error in it, the impendance goes way to low in the treble. Your amp mostly can't handle impendance under 3ohm, so that should be avoided. And you can have a good response with way less parts, i"m very sure of that.
 
This speaker is for nearfield use only. It also uses an unconventional driver arrangement, which complicates things.

Ouch... I saw this project. In yet another thread. I remember it now! It has much more potential reasons to make a headache imo.
I saw the solid wall behind those speakers on some drawings, so still 90-180 degrees matter a little.

2 GRS speakers and 1 very specific use case subwoofer which is used as woofer, and again 1 GRS based subwoofer. And I see lots of stamped steel.
And very expensive cabinets. And then 25+ parts crossover...

Probably I stay silent for now on this thread.

On the positive side - I like the craftmanship of this project very much!
 
For lowest dcr but higher inductance coils use this
This is about the lowest you will get, but it costs:

https://www.mundorf.com/audio/en/shop/Coils/EI_Coils/


've seen conflicting data. I've seen measurement that show significantly higher distortion, especially 3rd order and I've seen where it showed very low distortion difference with a claim of no audible difference
Yet it is by far the most "unideal" component in a passive XO, being lossy, creating heat, suspect to vibrations/microphonics, interacts with other components (or anything magnetic), cores can saturate with sufficient current etc.
So it is the place where the money is best spent for quality imo.


Home made coils are less consistent in winding then machine made ones, the tightness will be less and variations will be larger in general.
The larger the diameter the more tricky it is to work with.
 
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Back when North Creek Audio was still in business, I had them wind a pair of 8 gauge copper, 4.3mH air core inductors to replace the iron core for my Infinity RSIIb outboard crossovers. Large and very heavy, but they do sound good!
 

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We are talking about 0.2% distortion max across the entire range of 100hz-35khz according to my low volume level measurements. Ehile still getting down to and F3 of 37 Hz.
The distortion in the woofer will approach 10% at Xmax, while a decent iron core inductor would still remain at your low level distortion figure at those levels.
At any rate, the loss of damping factor in the length of an air core with equivalent DCR to a decent iron core inductor would be of more concern to me than barely measurable (much less audible) hysteresis distortion.
If it weren't for the ribbon I'd be considering active even though I know very little about active outside of the DSP..
IIR DSP works the same as passive crossovers, other than all the individual component headaches.
DSP could make any crossover type, delay, EQ and level matching easily configurable, as well as allowing for multiple presets for various listening levels.
Why would you consider the ribbon be a consideration against DSP?
 
This speaker is for nearfield use only. It also uses an unconventional driver arrangement, which complicates things.

For those that peruse lots of threads, most of the details are familiar and make more sense. For anyone that hasn't seen them, details are available in other threads:
Oh, I didn't see those. But OP should gave some context in this thread.
OK, my verdict: Overly complicated crossover (unnecessary fourth-order filters, and maybe third-order also), dangerously low impedance, lack of 0 - 180 degrees measurements (although it is near-field monitor, back wall is in the nearfield also!) and too much wiggle in the tweeter frequency response (diffraction, maybe?).
 
At any rate, the loss of damping factor in the length of an air core with equivalent DCR to a decent iron core inductor would be of more concern to me than barely measurable (much less audible) hysteresis distortion.
What is "damping factor"? I have not heard this term before.
Why would you consider the ribbon be a consideration against DSP?
Ribbons are, apparently, a dead short to the amplifier unless coupled with some passive components. At the very least, a capacitor.
 
Can I ask some questions without making you mad? What are you currently using for an frd? Is it a gated measurement with a tail added, or something else? Did you measure the zma, or use factory data?

My experience with Sims is that on my speakers, they are never accurate. There's several reasons though, and not necessarily the fault of the software. ( I cut corners.)
Gated measurements with a a calibrated mic and loopback reference. I took my own impedence data with the drivers in the enclosure.

My builds have come out to within 3 db of my simulations except for the low end which is almost impossible to simulate because of room gain and such. Most of the variation can be chocked up to room reflections and I cannot take a full range measurement without reflections.
 
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Oh, I didn't see those. But OP should gave some context in this thread.
OK, my verdict: Overly complicated crossover (unnecessary fourth-order filters, and maybe third-order also), dangerously low impedance, lack of 0 - 180 degrees measurements (although it is near-field monitor, back wall is in the nearfield also!) and too much wiggle in the tweeter frequency response (diffraction, maybe?).
If you want, I can send you all the measurements and you can take a whack at it. Maybe you can figure out a more simple crossover. I have all the measurements from 0-75 degrees. I didn't go all the way because it doesn't really matter when I sit within 30 degrees. The last measurements I took I only took to 60 degrees. The last 3 sets align almost perfectly so I know they are accurate. Measuring this unit was its own difficulty.

These pictures were taken before I changed the port design. The stand is also the port. All the interior volume is for the woofer. The tweeter has a protection back cup built in. The planar mid has a its own, quite large, back cup which is filled with damping material and a 3d printed diffuser. I tried 6 diffusers, this one works best.
 

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Tweeter padding could be modified as well, series resistor belonging before filter and parallel part modded to match,
thereby preventing the 5 khz dive.
I've played with this for weeks in various way. I am pretty sure that dive is due to cancellation between the drivers due to their placement. The same thing happens with the mid and the woofer unless crossed exactly there and with those order of filters to prevent cacellation.

I can swap it and try it again but that dip never goes away. I've worked quite hard to minimize it.
 
I use iron core, manually made of E + I core with an air gap (ur/u0 around 10 to 15), for the woofer when I need something around 2mH to 4mH.
Harmonics are below 48dB, which is the limit of my 8-bit scope and is good enough for me.
I also check the current limit observing the current as a function of time when applying a step voltage.

This was for a 200W system power @4ohms, so maximum peak current is 10A.
Saturation starts above 15A as shown below.
This is good data to have. 48 db down seems like low enough it won't matter. This system will never see that kind of wattage so I think I'm good on the saturation
 
I also think that crossover is far from optimal, and has a big error in it, the impendance goes way to low in the treble. Your amp mostly can't handle impendance under 3ohm, so that should be avoided. And you can have a good response with way less parts, i"m very sure of that.
Would you like to take a whack at it? I can send you all the data. Honestly, I very much hope you are right because this XO is going to be very expensive.
 
Ouch... I saw this project. In yet another thread. I remember it now! It has much more potential reasons to make a headache imo.
I saw the solid wall behind those speakers on some drawings, so still 90-180 degrees matter a little.

2 GRS speakers and 1 very specific use case subwoofer which is used as woofer, and again 1 GRS based subwoofer. And I see lots of stamped steel.
And very expensive cabinets. And then 25+ parts crossover...

Probably I stay silent for now on this thread.

On the positive side - I like the craftmanship of this project very much!
Oh yes, this is an exercise in tearing my hair out. It was meant to be.

I am pushing boundaries to see how complicated things can get and if I can still make it work.

This is kind of my thing. I like to do the hard things. My first build was a transmission line 3 way. While not that accurate accross its frequency response it does sound quite good.
 
What is "damping factor"? I have not heard this term before.
It's the ratio of the speaker impedance (or the driver impedance) to the amplifier output impedance (and often speaker cable impedance). In this context, a higher wire resistance of the inductor is effectively in series with these other impedances, adding to the impedance of the amplifier (usually very low, like 0.1 ohm or less) and speaker cable (likewise, below 0.1 ohm) as seen by the woofer. This added resistance causes the amplifier to have less "control" of the woofer.
https://en.wikipedia.org/wiki/Damping_factor
 
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