Acoustic Horn Design – The Easy Way (Ath4)

I meant this, although I still doubt it's needed at all. With an extended throat and e.g. the 4554 we can get to ~600 - 20k of very smooth sound from one source.


- This is exactly what I had in mind when I mentioned the same voice coil diameters. I wasn't aware that JBL pursued just that already ten years ago -

1733827145782.png


One would think this should be an exceptional driver - was it actually ever produced and used?

1733827842133.png
 
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I meant this, although I still doubt it's needed at all. With an extended throat and e.g. the 4554 we can get to ~600 - 20k of very smooth sound from one source.


- This is exactly what I had in mind when I mentioned the same voice coil diameters. I wasn't aware that JBL pursued just that already ten years ago -

View attachment 1391519

One would think this should be an exceptional driver - was it actually ever produced and used?

View attachment 1391521
JBL D2 drivers use this? The one in M2 https://jblpro.com/innovation-transducers
 
Anyway, one thing is clear by now, I think - for any given dome, there's a natural/optimal coverage angle determined by its height. If you know your beamwidth target, you can select the tweeter accordingly. Then you can design a waveguide that will maintain that beamwidth up to 20 kHz (call it constant directivity). The limit seems to be around 140° for the tallest domes available.
 
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@mabat, have you ever investigated the performance of the T34B in a freestanding waveguide with rollback like your full-sized ATH horns? I have T34Bs and am trying to decide on implementation, so that is a simulation I would love to see and a file I would love to purchase, as I suspect it could be quite good.

Thank you,

Bill