Need a good EL34-5U4G-6SL7GT schematic

Hello everyone,

I am getting into tubes, I am in the process of building a 300B based on a PCB (wich will be easy)
In the meanwhile, waiting for all my coponents to arrive, I baught a LAOCHEN EL34 amp for testing.
It is based on this diagram



The thing is that the sound is really too harsch. I tried tube rolling (tung sol EL34+6SN7GT, PSVANE 5U4G), changing 2 coupling caps with mundorf but I think the schematic is just not good.

Nos I have thransformers and valves on my hands. I thought about rewireing the whole thing but I can't find any schematic usung these 3 types of tubes.

Can anyone direct me in the right direction and provide me a good diagram?
the input transformer is 320V.

6N2 bias resistor stock vs Lampizator

Hi guys,

I am a complete valve noobie. I've always wanted to convert one of my TDA1541 cd players to valve output like Lampizator does.

The stock kit I 've had for a while has 470r resistors for the cathode but lampizator recommends 150r. The service manual for 6N2 states 2.25 +- 0.45MA

I read a forum that I copied the cicruit diagram from but doesnt mention anything about the resistor. Its the exact same circuit as mine. In that forum is not being used as I/V

This link below from lampizator states for 6n2p use 150r. "150-250 Ohms for 6H2P". I have also attached the document.

http://www.lampizator.eu/lampizator/photogallery/STEPS/Lampizator.doc

The circuit diagram is missing the grid to plate connection. I also measured the B+ voltage on my supply its 288v DC across the power capacitor.

Am I being paranoid in worrying about an expert like Lampizator or is he wrong? I understand if the bias is too high it can damage the valves and too low won't sound right.

Any input would be greatly appreciated

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Marianne Faithful RIP

Age 78, while the cause of death has not been released NYC radio stations said she had been battling cancer. Below excerpted from NYTimes:

"Marianne Faithfull, who went from being a fresh-faced, feather-voiced pop star, as well as muse and girlfriend of Mick Jagger, to a homeless heroin addict, only to re-emerge radically altered in her early 30s as a critically acclaimed cabaret performer singing songs of dark honesty, died on Thursday in London. She was 78.

Her death was confirmed by a spokesperson, who did not cite a cause.

The roiling dramas in Ms. Faithfull’s life, along with the starry circles she moved in during the Swinging Sixties and the unvarnished power of her later music, turned her into a nearly mythic figure — a symbol of survival and transformation. It’s a role she at first rued but later came to relish.

“What I’ve been trying to do, and I think I’ve done it rather well, is bring the persona — or what was a false persona in the beginning — and me together,” she told the British newspaper The Independent in 2008.

But the road to get there was long and perilous. It involved a miscarriage, the temporary loss of her only child in a custody battle, a suicide attempt, several stints in rehab and a 1967 drug arrest — also involving the Rolling Stones — whose salacious and sometimes erroneous details generated reams of heated headlines in Britain."

Two-way Dibeisi PS1205-8 + JBL 2451h, can it be done?

Hello guys,
I have this 12 inch speaker with Dibeisi PS1205-8, see specifications in the photo.
I would like to make a two-way with combined Compression Driver, I thought of this jbl 2451h.
Everything is driven by a Synq Dlp 6 DSP.
In your opinion, is this marriage compatible?
I think I'll also add a SUB
Thanks for your advice

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Balanced phono cartridge grounding

In the process of wiring the new tonearm on my restored SL1200. I'm using balanced wiring from the headshell forward with two mini XLRs out from the arm base. The audio grounding scheme will be centrally tied from the preamp back to the arm, floating at the TT / headshell. For the time being, I'm using SE (floating ground) MC preamp inputs until switching over to fully balanced inputs with a center tapped ground per channel.

My question is, with floating SE cartridge connections, what is the best way to internally ground the entire system? The headshell won't be tied into ground, as is typically the case with SE outputs from the TT.

Wester Maine Bass Builders

Hey All!
I have begun my journey into DIY audio over the past couple years, and I am finally at the point where I need more help on some of my projects. I am building a sound system to tour around Maine/New England to raise the bar of peoples listening experiences. I am also building a more permanent outdoor venue in the woods where I have build a mountain bike jump facility and like to host dance parties.

Stoked to become more involved in this community and connect with any other Maine based builders to learn and chat speakers.

B&O Beolit 707 Radio with no Reception

My Beolit 707 transistor radio has died. Mains power supply is a little low (6.9V vs 7.5V specified) but that's not the fault. DC before the coupling capacitor to the loudspeaker is about half rail voltage (as it should be). Loudspeaker cone is not offset, so output coupling capacitor is not leaky. Suspension seems fine (appararently, Beolit loudspeaker suspensions go stiff; can't imagine why). Turning the volume up gives hiss in the loudspeaker. So I'm figuring that the problem is somewhere in the tuner/IF strip. I'm keenly aware that PCBs of that era have a nasty habit of tracks lifting if you look at them in a funny way (even with temperature-controlled iron and careful use of good desolder braid). That means I need to find the fault first time, not a shotgun replacement of everything in sight that risks upsetting upsets the alignment.

I do have a circuit diagram, but it's quite compact inside, and the PCB is not easy to get at. But the biggest problem is that whilst I understand the principles of how it all works and even have an RF generator capable of FM, I have no idea of what sort of signal levels I should expect at each stage. And typical faults. The tuner and IF strip are silicon, so it's not germanium whiskers. Could anyone assist?

Phoenix Gold MS-275

I have a MS-275 that came in for repair due to leaky caps. I have replaced pws caps and rail caps. I also had to replace U8 (BA4560). I went ahead and replaced U6 as well.
Currently the amp powers up the driver circuit leds light up for a second and cut off. The audio outputs have shared rail voltage. I read no voltage across the bias control pot.

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Metranome 3S by Dick Sequera ribon replacement

I just replaced the ribbons in my met 3s,
If anyone has any good information on these or other models that house the same kind of tweeder and or parts for these please let me know.
I'm still looking for a good replacement aluminum foil ribbon material,

I made these from .003 in thick aluminum foil, I measured three from the store and this was the best, I used a micrometer.
To make the ridges In the ribbon I used a thousand dollar pipe crimper, kinda like a mangle but has two gears for making stove pipe fit together like one slides in the other, but yea, clamped it to the table and made a few.
I guess where there's a will there's a way, thays the best way I found, and ima tweak it but it's this method till I have new stuff info or advice.

Expertise and knowledge is always welcome any met 3 or metranomes by dick or corresponding info and specs will be greatly appreciated
thanks pplz
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Filter cap discharge to test capacitance - What is safe level voltage close to zero?

Hi, I was in the process of reforming some capacitors - wanted to check what is the safe level to discharge them down to without causing permanent damage, so as to measure capacitance using a multimeter?

Im using a 100 ohm 100 watt resistor to discharge them ( 10,000 uf, 100 V caps) down to almost 0 volts.

Is it ok to discharge them all the way to zero volts? I think I might have damaged them by discharging them to zero or close to zero by leaving them shorted using the resistor for a few minutes - as they are reading lower ratings than where I started 🙂

Kenwood KX-5X help

Kedves fórumtársak! Egy Kenwood KX-5X decket szeretnék megjavítani, de nem találtam a rajzot és a mechanikus alkatrész működési elvét. Valószínűleg fent van a hifiengine oldalán, de mivel nincs regisztráció, nem tudom letölteni, hogy megnézzem. Ha valaki tudna segíteni nagyon megköszönném! Köszönöm!

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DIY Thiele/Small parameters measurement differences

I recently got the cheap Dibeisi g1202-8 12" subwoofer driver. By making it push a ruler I measured its Xmax to be a terrible 2.5mm It's 4mm Now 6mm Now ~9mm excursion.
However what concerns me is the TS parameters.
Using the REW software you can calculate them at home. The issue is the ones I get from my "measuring system" are very different from what the manufacturer states. In the WinISD screenshot you can see the numbers according to the manufacturer. In the REW one you can see my results. Are my results reasonable/within a realistic range? Which would you trust more?

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6C33 PP amp complete

Some time ago I prototyped a 6C33 PP amp.

The design is unusual in that the output plates provide local negative feedback to the screens of the LPT driver stage. With the right choice of pentode here, the triode non-linearity can be largely be corrected. In the end I went with Smoking-amp suggestion of using a pair of 6197’s as drivers which can cope with the output swing needed. For a totally valve solution the cathodes could be returned to the negative rail with a resistor.

The input stage is hum-buck allowing the input screen cable to float slightly avoiding hum loops with external equipment. The 12ax7 heaters are run off DC and the stage (in the corner) and input wiring kept away from the mains transformers and heater magnetic fields.

The schematics are for simulation rather than containing everything.

Servo bias is used for the output tubes using a PCB (about 90ma per tube). There’s a HT delay which adds some resistance on the HT transformer AC output for a few seconds. The warm-up is unusual as the LTP stage initially drives the OPT through the screens before the main tubes kick in.

I’ve now finished the stereo version, and are pleased with the sound. The wiring is an interesting combination of strip-board and tag-board.

The HT supplies and heaters are easily accommodated with a couple of off the shelf transformers.

250VA toroidal for the heaters wired for 12.6V and 300VA 230V-230V giving 300V HT. The negative rail is derived from this with a AC voltage inverter as its only a few milliamps.

6C33’s need a large signal amplitude to drive fully (grid needs to get to 0V). I thought running the driver off the same supply as the output would do. This was OK for some tubes but not others. In the end I added a small boost supply (a small toroidal mains + bridge rectifier and cap) to add 60V to the driver stage giving 360V. Not ideal.

I ended buying 6 output tubes as they are not matched and quite all over the place, as they are not intended for audio use. The ceramic tube sockets don’t hold the tubes that well, and you need to check they are fully home after moving the unit. They could do with a clamp over the top.

Distortion is about 0.3% @ 10W 1KHz mainly 3rd harmonic.

Output power is 100W rms per channel.

Noise and hum are not audible. Damping factor is very good.



Anyway I think its a nice use of some 6C33B and definitely worth a go.
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SEAS BRAGI completion

Hi All. I completed my Idunn upgrade to the Bragi Design. I've measured the responses and was amazed how flat the response is, ... well it is above 200hz, nearly ruler flat and most times, it sounds like it on classical and jazz. I say sometimes, but surprisingly, with cd recordings of "pop" style music it can sound very aggressive or just plain "wrong" and you would imagine the response is rising steeply upwards. I realise "pop" music and the like is not accurately recorded and maybe the speaker's low distortion and accuracy is ruthless in showing up the flaws. From the frequency plots, there seems to something wrong below 200Hz as the response falls away but listening it can sound bass heavy. Maybe the tuning is too low, it needs more UPPER bass rather than deep bass....Yes I realise they are close to the wall so maybe I'll show some plots after moving the speakers well into the room. PS the response is at around 1m at tweeter height, but I can move the mic around quite a bit with very little change in the flat response, quite amazing, I think.

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AK4499EQ - Best DAC ever

AK4499EQ - Best DAC

In January 2019 comes the new DAC AK4499EQ from AKM. If you can believe the given values, then this DAC is probably the best that ever existed. Since we can look forward to even better audio analyzers. From the site: It achieves the world’s highest class of low THD+N and high S/N. Samples will be available in January, 2019, and Mass Production starts from May, 2019.


AK4499EQ: THD+N -124dB
AK4497EQ (predecessor): THD+N -116dB


Access Denied
AK4499EQ | Audio D/A Converters | PRODUCTS | Asahi Kasei Microdevices (AKM)

Info on Rega motor bracket please

Greetings, I'm hoping someone can provide the dimensions of the aluminium bracket Rega used on the older planar turntables where they had a rubber band supporting the motor.

I am fixing a planar 3 for a friend and have misplaced the bracket. I don't have the deck with me either so would also need the the distance between the mounting screws.

Thanks sp

Telefunken RV218 power triode

I just found a set of three very old TELEFUNKEN RV218(V) triodes, N.O.S and still boxed ! These are big pre-war direct heated power triodes with a max.plate dissipation of 24 W and 440 V max. plate voltage. Low µ (7) and 3.5 K plate resistance , 2.000 µmhos transconductance.
Does anybody here have any experience with this tube, and how does it compare with other DH triodes in the same power range (50, PX25 , 300B , etc..) in a S.E amp configuration ? I'm still hesitating building a S.E amp with these or selling them to some antique-tube collectors. They look very nice but I only have 3 pieces and they will be nearly impossible to replace in the future. Any thoughts ?

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Fosi Audio V3 mono, less gain how?

Hi

My (RCA only) tube preamp has a lot of gain.
When using the 25dB RCA input of the V3M it's too loud.
Is there an easy way to reduce the V3M gain even more?
Op amp change/bridge?

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The op amp in position 1 converts the unbalanced signal from RCA into a balanced signal. The op amps in positions 2 and 3 are responsible for adjusting the tone. If you're looking to change only one op amp, it's recommended to replace the one in position 2. However, if you replace both op amps, the effect will be more noticeable. Positions 2 and 3 can be replaced with different chips. You can personally experiment with changing different op amps and their positions to experience the changes in sound.

An H2 Build Walkthrough

I was extremely fortunate to get a hold of an H2 kit. As a newb/noob/putz, I am learning a bit of the theory around what might make things “sound good” TO ME. I am fortunate to not have an opinion one way or the other. I love my measurement gurus that chase out every last bit of distortion, and I love my vinyl, tube, and secret sauce junkies. This is a hobby for me, so I learn as I go. So far it has been a blast.

Since there really isn’t a “build guide” so to speak for this, and there are few things I ran across that might trip up a few people – I thought I’d post some pictures of my build. If other relative newcomers got a hold of one, it may help. For others, it may just give you a chuckle.

This is not a substitute for Nelson's article or the primary thread on the subject.

Here’s all the goodies.
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Here's "THE" bag. Per the article, pay special attention to the number on the bag. Write it down and/or don't lose the bag! You need this number! Also, make sure you have good enough glasses to read the part numbers. The parts look pretty similar in the bag. They're not. Two of the FETs and two of the regulators.

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Here's all the parts laid out. You will need a 24VDC PSU, some I/O jacks, and a case also.

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The board is really well laid out for ease of soldering with plenty of space between pads to avoid bridges. Also, most parts are mirrored for each channel.

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I am new to a lot of this, so I label all of my resistors after measuring each of them with the DMM. Everyone has their own "tricks" or favorite ways. I haven't mis-stuffed a board yet... knock wood.

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Keep a copy of the schematic at hand...

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I stuff from small to large and tick off everything on the schematic as I go. Of course, I say that... and just noticed that I did not tick of the pots :rofl:

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To be continued...

Old Rusty Audiophile

As per the wishes of the site overlords, I am posting an introduction. My introduction to the audiophile scene was via my father. Back in the 1970’s Dad used to take my brother and I along to audition equipment. He was convinced that young people had good ears. In any case, I think that my father’s first system consisted of a Lafayette LR-1500TA receiver and AR 3a speakers. A bit later Dad upgraded to a Rotel Integrated, an Oracle turntable, and Braun speakers. He still the uses the Oracle and I have one as well, but he has upgraded to a Moon amplifier and PSB speakers. I have a Unison Research Unico. This Unico is the main reason that I am joining this group, as I am hopting that someone might be able to help with solving a RFI mystery. But I will save that for a later post.

Is it Butterworth or LR or does it matter

Why do we actually talk about Butterworth or LR filters. Butterworth has a peak of 3 dB at the XO frequency. But unless this peak has to compensate for a dip, then you want to compensate for this, so i think, you probably just move the highpass a bit up, and the lowpass a bit down so that it fits. And everyone writes that you can't cakculate the XO anyway and have to adjust the components, since a drivers is not a pure resistor but an impedance that depends on the frequency. When you have adjustet the filter and it and measured and/or sounds good, you still end up with something that does not fit with Butterworth or LR. So why this distinction at all.

I have a 2-way where there is 2. order on the tweeter. Here is a 8.2 µF capacitor and a 0.22 mH coil. It doesn't suit either Butterworth or LR. And it must be because the designer has taken into account some characteristics of the tweeter and perhaps also the the bass. So what kind of filter is it?

Grid Leak / Rg - Help me learn!

I've gotten knee deep in this arc vt60 rebuild. Not sure why, I just kinda fell in love with this amplifier, so I've spent the last couple of months going over the design, asking lots of questions, and just generally trying to make it bulletproof. Changed all the tube sockets because arc's 90s sockets suck, checked and measured and replaced every part that measured off (or that I kissed with the soldering iron by accident) and upgraded the ccs using Pete Millet's ccs boards, which worked out great.

I've got it up and running now, with some vtl branded 6550we, I'm pretty sure they're Sovtek. They're not very well matched, which I know, thanks to my cheeky addition of an extra cathode resistor. Individual bias trims are next on the list, but it's gonna run like this for a while.

My one remaining question, the grid leak resistors. Over the last couple of days, I've been trying to absorb as much information as I can, reading forum threads and posts and technical writings, and I have a good idea about what it's for, so the electrons that collect on the grid have a place to go, and eventually, if the value is too high, it could contribute to a thermal runaway condition. It's also responsible for the input resistance of the output tube, affecting the driver stage's ability to drive the tube without farting.

Here's the problem though, although Rg is on the spec sheets (seemed to be missing from the 6550we Sovtek sheet) quite a few manufacturers don't seem to care much about that specification, and from what I can gather, reports of tubes running away due to too high of a grid leak value seem rare enough that I can't find much.

This amplifier uses 162k, which was actually upped from the 100k the amps shipped with a couple of years later as part of a sonic improvement kit that also added a dn2535 ccs. Apparently, this is way too high for a 6550 or kt120 ->, especially when the resistance of the bias pot and resistor to ground are figured in. If I wanted to stick strictly to the max values on the datasheet, I should really only run kt88s, their maximum Rg being 220k, but this amp shipped like this, and the internet is full of (mostly instrument amps) discussion about changing the Rg values, and very few seem concerned about thermal runaway being a factor.

Opinions seem to range from "it's fine" to "the tubes won't last as long" "will last a while and then start running away if it gets a little gassy" or "will be fine if you keep the bias cool"

What's the actual deal with this? I want this amp to be the best version of itself, and my ocd is not going to allow me to relax and listen to it if all I can envision in my head is a bunch of unhappy electrons stuck on the grids.

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Toroid chokes?

I decided to try an Antek smoothing choke in a capacitor HV tube power supply, roughly 3H with maybe a max of 300 mA.

A 5AR4 will be followed by a 47 MFD cap, and then the choke before another (larger) filter cap.

I have limited space on the chassis. I can install the choke with or without an external metal shield.

Here's my question: Can I locate a fairly high gain signal tube about an inch away from the unshielded toroid, or will it likely pick up hum?

Thanks in advance.

BKPreicsion 1672/3 triple output power supply

Does any kind soul have a service manual or schematic for this bench supply? I have the 1673 version. It is displaying random voltage and amps on the master side displays, Output I\V is fine referenced to the slave side display but I want to find and fix the issue.

Owners manual attached for model reference.

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DCM Time Windows - If They Ain't Broke...

Longtime enthusiast, not previously engaged with forums, just once in a while out of necessity. Ready to spend time regularly online and I like what you folks have going on here. So for my first post I'll get straight to my question and not get into describing my current rig, etc...that'll be for future posts. I bought a pair of vintage DCM Time Windows about a year ago for $150 from a local vintage collector. Serial numbers are 14xxx and are sequential. Seller told me he believes they're all original and were never refurbished in any way, at least to best of his knowledge. Some of the drivers have a red chalk X-mark near them on the facia/baffle...not sure who put them there or what they mean. Anyway, the speakers look and sound great, all drivers operating with no unusual sounds (buzz, hum, crackle). I'm driving them with an old but badass NAD 2200 amp and even at higher volumes the Windows sound great. Thank God the woofers have rubber surrounds as they're 40+ years old; cleaned them with Qtip and some Sonax to rejuvenate the rubber. As the title of my post implies...should I be concerned about condition of caps on crossover (I understand opening these babies up is no picnic) and secondly what is this I'm reading about refreshing ferro-fluid in the tweeters? Essentially, my question is this: Is it possible I'm not getting everything out of these that they once put out, or because they sound great (still have that incredibly unique spatial quality) just leave well enough alone and continue to enjoy them. They're accompanied by two Paradigm subs run at speaker level input and things sound pretty darn good.

VituixCAD Power Dissipation Confusion

I'm no stranger to ensuring electronic components can handle the wattage they see. Actually, a decent part of my job is ensuring every build that goes out the door is safe to run at full load for its required duty cycle.

I do understand that a 100 watt input at 100 can cause a 107 watt dissipation at 1.6 ohm. Lower impedence pulls more power. I get that. What I don't understand is the duty cycle here. Is this resistor, or rather resistors since I'll need a few to handle this, going to see 107 watts for any sort of length of time? Resistors burn up because they get hot. If they are only seeing 107 watts for a split second when the drummer hits a cymbal then do I really need need four 25 watt resistors in series/parallel for this location.

When it says flat, does that insinuate a 100% duty cycle?

In the world I live in we don't rate things for 100% duty cycle if they won't ever see it. The starter motor on your car will see 500 amperes for 2 seconds while the engine fires up. Its duty cycle is super low. That is how it is so small and the wire leading to it is so small. We don't worry about the heat build up because it wouldn't heat up fast enough to burn itself out in its 7 second rated duration of running. It runs for 2 seconds and we assume it has a lot of time to cool off. If we had to build your car for 100% duty cycle on every component then your starter would be the same size as your engine and the wires leading to it would be about 4 inches across. Your car would also be about $6,000 more expensive to produce.

I see the pink noise options drops the wattage every component sees by a factor of about 25. This insinuates a duty cycle of about 5%. Is this about the duty cycle components see?

There is a crest factor component to this and I think 12 db is about correct for most music yet the flat option has this set to 3 db. Maybe I don't understand fully the logic of what is happening here. Music is a complex load.

Does anyone know what the duty cycle of the pink noise is? What is the duty cycle of normal music? Can someone please explain this to me or point me towards a reading that can?

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Orion XTR 275 startup problem when speakers are attached

Hello all,

state of the Orion XTR 275 is that it will power on fine without speakers attached, after a brief second of an current spike it will idle at 0.85A @ 13.6V
When powered on I'm able to attach speakers and it will work fine.

The problem is present when the speakers are attached and then yoi power on the amplifier... On power on the voltage of my bench power supply will drop to ~7V @ 10A and it will sit like that. The current will go to the speakers.
My speakers are two 2.2R load resistors.

To me it feels like on power on there should be a mute state, which does not happen, and the power amp. section is loading the power supply section (not waiting for the PS section to startup fully).
Kindly asking for repair advise.

Kind Regards Alex

Am I measuring resistors wrong or did I get a bad batch?

Hi there,

I recently bought about 12 resistors of the Jantzen audio superes resistors for an experimental crossover I built. I was very surprised to find that pretty much all of them are 8-12% off when I measured them (e.g. a 3.9 Ohm resistor measured 4.3 Ohms). Stated tolerance is 1%.

I am using an Amprobe 38XR-A, which I believe is a decent multimeter. Battery is fairly fresh, and measuring capacitors and inductors revealed very close tolerances.

To measure, I simply put the multimeter into resistor mode and connect the leads of it to the leads of the resistors.

Maybe there is something I don't understand? Or did I just get a bad batch? I had the impression that Jantzen is a respectable brand, given the fact that Troels Gravensen is using their products pretty much exclusively...

Any hints would be greatly appreciated!

Sansui Alpha AU-907i MOS Limited

Hello, I have Sansui Alpha AU-907i MOS Limited that sometimes lose the right channel at low volume, when I increase the volume the right channel becomes alive also after 1 or 2 hours the problem disappeared. I changed all the electronics capacitors to good ones Nichicon MUSE KZ Series (the original was Nippon) I adjust bias to 15mV and set the DC 0V to 0V on both channels and the problem presist as before. The same problem as before. The only thing that I did on changing the capacitors is putting the 47uf 100V instead of 50V also the radiator of rights channel is much hotter than the left. Please help. Thank you.

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Bob Cordell's Super Gain Clone PCB (LM3886) and a stripped-down version: Compact3886

In his book Designing Audio Power Amplifiers (2nd edition), Bob Cordell discusses a chipamp he designed around the National Semiconductor LM3886. Bob calls it the Super Gain Clone, and he summarizes its features as follows:

  • 40 Watts per channel into 8 ohms from LM3886 devices
  • The LM3886 is operated in inverting mode for best performance
  • Inverting input buffer stage provides overall non-inverting amplifier
  • Audio-grade DC servo provides control of output offset voltage
  • No output coupling capacitor to degrade sonics
  • No input stage feedback return capacitor to degrade sonics
  • No electrolytic capacitors in the signal path
  • High input impedance
  • Adaptive soft clipping (Klever Klipper) ahead of the feedback loop
  • The amplifier-proper never clips
  • Extra input-path RFI filtering
  • and more
I contacted Bob and received permission to create a PCB of the Super Gain Clone, for members of diyAudio. The schematic of my PCB, which is merely a straightforward copy of the schematic in Bob's book, is shown in Figure 1 below. Figure 2 is a photo of the board, stuffed and soldered and mounted to the heatsink of a diyAudio Store "Dissipante 2U" chassis. The complete stereo amplifier is shown in Figure 3. It fits nicely and looks quite sharp in the not-very-tall (88 mm) 2U chassis. I used the Dissipante with the smallest available depth (300 mm).

And then a second PCB, for people who want a much smaller amp-channel board, was created. This board began as a copy of the Super Gain Clone board layout, but then discarded several pieces of circuitry. I amputated the inverting input buffer, the DC servo, and the Klever Klipper subcircuits; the resulting small board is called "Compact3886". Its schematic is shown in Figure 4. Figure 5 is a photo of a populated Compact3886 board, and Figure 6 is a complete stereo amplifier using two Compact3886 amp boards.

MOUNTING TO THE HEATSINK

Unlike the PCBoards which follow the diyAudio Universal Mounting Specification ("UMS"), the Super Gain Clone PCB and the Compact3886 PCB are mounted perpendicular to the heatsink. So they are certainly not compatible with UMS. You will have to drill and tap three holes for each amp PCB; one hole to bolt the LM3886 to the heatsink, and two more holes to bolt the PCB support L-Brackets to the heatsink. A drilling template is provided in the pdf documentation.

In fact, drilling and tapping your own holes is inevitable, because the very slick-looking 2U chassis in the Store are only available with undrilled and untapped heatsinks. (2U is not tall enough to accomodate the UMS footprint). Luckily, 3 holes is not a large number to drill and tap, even for a beginner. And remember, if you make a mistake, you can slide the template 10mm left or right and try again. The PCBs are short while the heatsinks are long. The "extra" holes will be inside the chassis and invisible to onlookers.

WHAT POWER TRANSFORMER WILL YOU NEED?

You'll need a power transformer rated at least 200 volt-amperes ("VA"), with dual independent secondaries, and with primaries that are compatible with the AC mains in your country. Using the rule of thumb

DC_supply_voltage =approx= [(Trafo secondary rating in VAC rms) * 1.414] - 3.1V,

and consulting the LM3886 datasheet's Absolute Maximum Ratings, I conclude that you can use any 200VA transformer you like, as long as its secondary's output voltage is between 14.5VAC and 31.5VAC (rms ratings at full load). The LM3886 datasheet provides a helpful graph that I have copied below as Figure 7. Applying the above rule of thumb, we get Figure 8. These predict the maximum output power at the onset of clipping (namely, when THD rises to 0.1%).

WHICH SPECIFIC POWER TRANSFORMER IS RECOMMENDED

I strongly recommend you use a dual-primary, dual-secondary, 200VA toroidal power transformer, whose secondaries are rated 22VAC rms. Consulting Figure 7 we find this gives 38 watts into 8 ohms, 68 watts into 4 ohms. The "AS-2222" from Antek, is the one I prefer. They sell direct from their website and they also sell on eBay; check their listings.

SUPPLYING POWER TO THE SUPER GAIN CLONE

The "Universal Power Supply" PCB sold in the diyAudio Store, works well with a pair of Super Gain Clones and/or Compact3886s. Figure 6 shows a complete amplifier using the Universal Power Supply PCB.

Another option is a new PCB called "PSU For Chipamps". It is smaller than the Universal Power Supply board, because it makes no attempt to be universal. It's just a simple PSU without any options or user configurable features, and it's specifically designed for stereo chipamps plus 200VA transformers. The idea is to allow builders to fit an entire stereo amplifier, including transformer and power supply, into a relatively small box. Figure 3 shows a complete amplifier using the new PSU For Chipamps PCB. I've started another discussion thread which focuses exclusively upon that PCB, you can find it at

PCB available: PSU for Chipamps , such as Super Gain Clone and Compact3886


HOW ABOUT THOSE ZENER DIODES

The Super Gain Clone board includes a pair of 7.5 volt Zener diodes, component IDs "D1" and "D3". These diodes protect the downstream voltage regulators ICs, especially during power-up events. But you need to select the right zener diode which will provide a good match with your power transformer and DC power supply. After you've chosen a transformer, select the Zener diode as follows:
Code:
Secondary volts (AC rms)         Zener diode     
--------------------------------------------     
      Vsec < 21V                 none (jumper)     
21V < Vsec < 28V                 7.5V (1N4737A)     
28V < Vsec                       15V  (1N4744A)
You'll notice that the recommended Antek AS-2222 transformer provides 22V output, which calls for a 7.5V Zener diode. AND that is exactly the Zener voltage and Zener part number, found on the schematic.

You'll also notice that the Compact3886 board doesn't contain any Zener diodes, so you don't need to read this section if building a Compact3886.


READ BOB CORDELL'S BOOK

Bob is the inventor of the Super Gain Clone, read what he has to say about it. You'll discover that Bob recommends a second Zobel network (33nF series 10R), after the output inductor. These components are not present on my PCB layout; if you decide to install them, one good option is to solder them directly across the loudspeaker output terminals.


CHECK OUT THE BUILDER'S NOTES (19 PAGE PDF DOCUMENT)

Attached to post #109 of this thread. Sorry, I am only able to edit the body of post #1, not the attachments. So the builder's notes are further down.


CHECK OUT THE DETAILED PARTS LIST

There's a .zip archive attached to this post, which contains a very detailed Parts List for the Super Gain Clone and another one for the Compact3886. Extra detail has been included to make it easy for you, the builder, to find parts whose electrical performance is acceptably good and whose physical size will fit the PCB. If one or more parts are out of stock or backordered, the Parts List is your savior. It will help you find a replacement that's just as good or better.

Also included in the .zip archive, are web links to Mouser.com preloaded Shopping Carts. So-called "one click" Shopping Carts. BEWARE: don't turn off your brain when using these; check to be sure that every line item is in stock and not backordered. Check to be sure you're not accidentally ordering 1000 of something.


HOW AND WHERE CAN YOU OBTAIN THE BARE BOARDS

Update 18 Dec 2019: Group Buy will close on Tuesday Morning 24 Dec 0600 San Francisco time. These boards are 1oz copper with gold "ENIG" pads.

If the Group Buy does well, I'll probably organize another Group Buy in the GB section of the Forum. And if there is LOTS of demand, I'll show the numbers to the diyAudio Store people, maybe they might want to eventually offer these boards through the Store.

_

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IR Receiver

I’m looking for an ir receiver (3 pin) that I can mount to a black anodised 10mm thick panel. I’ve googled like mad and found very little - what I have found that are available in the UK are large (32mm). Others are smaller at 16mm but I can’t see how to buy them or even how much they cost. I have been thinking about adapting a panel mount LED housing or a proximity sensor housing but I’d rather buy the right thing and not have the faff of trying to adapt something. I don’t know how easy it would be for an engineering company to make a suitable hole with a CNC machine and fit some dark smoked acrylic into the hole. Has anyone got any ideas or experience or good advice?

Jantzen Cross Coils

Recently I changed the coils and caps in my speaker. My speaker is a DIY designed by the late Rick Craig in 2003. The speaker closely resembles Troels CNO 25. Drivers are Seas W18E and tweeter is Hiquphon OW-1. I rebuilt my speaker in 2018. I used Jantzen Air Core coils and Clarity Cap CSA caps. While I changed everything inside the speaker, the significant sounding changes were the coils and caps for the main W18 driver. I did the changes in stages, rather than all at once. This gave me the opportunity to assess each change.
The Clarity CSA was changed to Jantzen Silver-Z. This made a noticeable and significant change to all parameters of the sound quality. I heard this immediately after making the change. I should have just used Superior-Z's as they are the same cap as Silver-Z with just different leads and different prices.

The most significant change turned out to be when I changed the 15ga. Air Core coil for 16ga. Cross Coil. This was done on recommendation of an audio friend who highly recommended the Cross Coils.
Jantzen describes the Cross Coils as reducing distortion and increasing dynamic headroom. In terms of sound changes, well, that is a bit tricky. Jantzen also says that coils do not change sound like caps do. But the sound does change. And what I found is that now everything I play sounds like the greatest recording ever. I only play classical and jazz, and I am heavy with sacd discs.
With regards to classical music recordings, most serious classical listeners are well familiar with the sound of DGG recordings from the 80's and 90's as being somewhat mediocre. They were so mediocre that I stopped buying them, but I still have a few. With the Cross Coils now in the speaker, I find these once mediocre recordings to sound close to the best recordings ever. I never thought this possible.
While I realize that the above paragraph is worthless anecdotal evidence, nonetheless, it has been my experience. And all other recordings that I play, whether they be classical or jazz, cd or sacd, or even computer files, also sound better than I ever heard them before.

FWIW, the rest of my system in Marantz Ruby player and Orchard Audio Starkrimson Ultra amplifer. I use a Tortuga volume control and make my own cables from VHAudio wire. I set up my speakers using Sumiko-Master Set Procedure.

I highly recommend the Jantzen Cross Coils!!
I am writing this post mostly because there are no posts on forums about the Jantzen Cross Coils. Now there is one, and I give these coils the highest recommendation
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Can binding wire be used for the stator?

I searched, but I apologize if this question has already been asked.
The price of electrical wire has been increasing.
When making stators with wire, I think single-core UL1061 is one option.
For those who use single-core wire, what specifications of wire do you use?
Also, have you ever used copper-core binding wire?

On a side note, where can I buy toroidal transformers at a low price?

Cambridge Audio Minx Go speaker

hello.
my Cambridge audio minx Go speaker no longer lights up.
the battery is well charged it gives 11v
if i stay press the power button there is just the red led that lights up behind and as soon as i release the button the led goes off.
It stopped automatically by itself after 30 min and does not light up.
No service manual.
Reset,I don't know how......
All chemical caps tested ok.

Velodyne F-1200b low hum only

Hi guys and gals. Im having an issue with this older subwoofer. For a few weeks it’s been sporadically popping or booming but would still play audio. Now it’s just low humming but with no sound. The volume and crossover knobs dont change the behavior. I took out the amp and all the caps look fine but these 2 resistors with burn marks beneath them look like a problem.

Here is a link to the closest schematic I could find but the resistors that have the burn marks are not listed there. Only the parallel ones on the other side of the board r22 and r23.

Any advice on how to proceed or what to test will be greatly appreciated.

Capacitor Distortion

The July 2002 edition of Electronics World/Wireless World has an article entitled 'Capacitor Sound ?' describing a test apparatus for measuring capacitor induced distortion, by Cyril Bateman.

"As a long term capacitor designer and measurement engineer, I believe that any truly audible differences must be understandable and measurable.
Understanding should be in terms of capacitor constructions.
Measurements may however require a change in measuring techniques."

"In order to develop suitable test methods, I have measured large numbers of capacitors of many types.
From these measurements, I have determined the distortion differences between capacitor constructions."

"What I did not expect to find - and I find this rather disturbing - is that within a small batch of capacitors, some exhibit abnormally higher distortions.
These anomalous capacitors typically exhibit some ten times greated distortion than others taped on the same card strip."

His approach is to build a very low distortion (below 1 ppm) 1kHz sinewave oscillator, send that through the on test capacitor and measure the harmonic residuals.

The results are that a 10 nF X7R ceramic capacitor gives -80 dB 2nd harmonic, -60 dB 3rd , -105 db 4th, -85 dB 5th, -110 6th, -100 7th.

10 nF COG ceramic gives -125 dB 3rd, and not measurable other harmonics.

1 uF film/foil polypropylene gives unmeasurable distortion (< -130 dB).

Eric.

For Sale MarkAudio MAOP 10.2 Mar-Ken trapezoidal cabinets _ Pair of speakers

Hi There,

I built these Mar Ken MAOP 10.2 trapezoidal speakers. Plans bought from Dave ( Planet 10). I played them for about 200 hours and need up to 800 hours for full break in.
I like very much how they sound. However, they are too small for my room and need more power to drive them at their full potential. I prefer low power tube amps and these speakers
are not what I was looking for. Therefore, sadly I need to sell them. I am only looking to recover the cost of parts and materials. I use Baltic birch 18mm plywood and
Dayton Audio BPP-G Premium Binding Posts, on a Dayton Audio SBPP-BK Binding Post Plate Black. Inside I used Sonic Barrier 3/4" 3-Layer Damping Material w/PSA.
Cabinets are super rigid and free of any resonances. Paint is dark chocolate milk by General finishes and 3 clear coats on top.
I hope these speakers will find a good home...
Asking $800 shipped to USCON.

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Finishing Pine Ply

I've made some cabinets out of Arauco Ply, and they're all made but I have to finish them. Have any of yall found a sorta nice thing to do with pine ply?

I've got some roundovers on it in multiple dimensions, so no veneer. I kind of like the look of the plys around the edges, so I don't want to go opaque paint / bedliner. I've tried a few water based stains, and looked at people's videos on youtube, and stain over pine always seems to look like someone just drew on it with brown marker, blotchy with no depth. =P Oh well, pine is cheap! I'm considering a paint wash, but haven't found an idea to get excited about yet.

I'm about to just poly it and move on, but I thought I'd check in with yall first...

Link to my specific project below, but some reasonable finish for ply seems like a fairly universal type of question.

For Sale Tripath evaluation boards RB-TA3020;RB-TA0105

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I have for sale the following evaluation boards from Tripath.
RB-TA3020-96€
RB-TA0105-160€
I do have more Tripath amplifier boards that you can check here:
https://www.ebay.de/usr/rocksandsound
Payment by Paypal tracked shipment,shipping to US on request.

For more information PM

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For Sale Tripath evaluation board EB-TK2050 6 channel

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I have for sale this Tripath evaluation board EB-TK2050 6
6 channels at 50 watt, single supply.
Price 150€
I do have more Tripath amplifier boards that you can check here:
https://www.ebay.de/usr/rocksandsound

Payment by Paypal tracked shipment,shipping to US on request.
For more information PM

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ILP Amplifier Modules

There is a company out of the UK named ILP Electronics. It makes a range of power amp modules: basically the entire amp circuit is embedded in some vitreous material bonded to a heat sink. Most of the modules have 5 connections: ground, Vcc+, Vcc-, in, out; though some integrate the PSU less the transformer as well.

Has anyone used these? Are they any good?

Yamaha MX-600U in protection mode

I have a Yamaha MX-600U stuck in protect mode.
I've tested the output transistors, rail voltage, capacitors, ect... and all tests good. So I believe I've narrowed the problem down to the protection circuit itself. I'm not getting any power to the relay. Zener diodes Q31, Q32 and Q33 test good. Would greatly appreciate any help diagnosing the circuit.

Optocoupler for low AC voltage measurement

Hello,

I am working on a circuit that must measure a low AC voltage (between 5V rms and 10V rms) and generate a voltage for the AC feedback circuit (nominal value of 3V).

I am looking for help to choose the right optocoupler for this use.

I simulated with a PC817A and it seems to work but I find that the resistors R1 and R2 are too low.

Regards,

Stef.


EDIT: The thread title is wrong. Read "measure" instead of detection.

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Selector for two turntables on a single phono stage input

Greetings!

It would be nice to have such a feature on my next DIY phono preamp build. The current circuit has an input section that allows selection of load and gain settings to adapt to MM or MC carts, through DIP switch SW1 :

Capture d’écran 2025-01-25 214914.png


Could the proposed selector be implemented by duplicating that section and add DPDT switching in front of the input transistors like shown below?

proposed circuit.jpg


The switching itself would probably be through signal relays. I would guess a break-before-make switching is necessary to avoid momentarily connecting both carts and their loads in parallel during switching. The 10K resistor in the dotted circle is an addition to avoid having the input stage emitters floating during switching while not affecting gain much during normal operation.

Is there danger of undesirable thumps/signal spikes from the switching of the carts' coil ? If so I could split the 47K base resistor to ground into two 96K in parallel, one on the bases and one at each of the inputs so that the carts are always presented with a load. Does that make any sense?

Thanks in advance,
- Joris

Getting back into the hobby - looking for modern semiconductor recommendations!

I'm finally going to prototype some designs I've had rattling around my noggin for years. I've done some baseline circuit simulations for most of them, so it's time to grab a breadboard and a pile of parts (probably from Mouser). I'm mainly curious as to what relatively new/current-production transistors and ICs are popular among you folks and why. Most of my plans are in the realm of preamps, compressors, equalizers, and assorted instrument effects where I have the luxury of not necessarily needing to optimize for linearity, power consumption/dissipation, cost effectiveness, or other real world design problems. Noise is really my greatest concern, and if we want to get into the intangibles of audio design I do care about things like "warmth" and "musicality", but I know those generally have more to do with the design as a whole (not to mention the listener 😉).

I don't need the cheapest parts and don't want the most expensive. I'm a through-hole guy through and through (ha ha). As for the specific recommendations I'm after:
  1. Complementary small signal, high gain BJTs - I used to use 2n5088 and 2n5087 all the time, and have used ZTX1053 and ZTX953 a lot in my simulations. I would use the ZTXes now but it would be nice to get 50~100 NPN transistors for less than $50 (less concerned about the PNP price since I will probably only need 10 for now).
  2. Complementary low-to-medium power, low gain BJTs - Again, I've used a number of parts along these lines but never had a strong preference.
  3. Complementary small signal (or suitable power) MOSFETs - I've been digging but haven't settled on anything yet. Low and relatively consistent gate-source threshold and low gate charge are priorities, excessive gate capacitance won't fly. They don't strictly need to be complementary, in all honesty comparable would suffice for my needs. Realistically I would only need 10 N channel and a couple P channel devices so spending up to a couple bucks a pop wouldn't be too bad.
  4. N-channel depletion MOSFETs - There are a few more parts available since the last time I looked. I have little practical experience with these and just intend to experiment with one or two models. Any strong contenders?
  5. Opamps - I've mostly used a range of NJM, TI, and AD devices, and have a shortlist of parts to grab (plenty of 072, NJM3404 and NJM2068 have been staples as well). I don't really need any recommendations here, but I'm always interested in what folks are rolling. Don't really want to spend more than a couple bucks on one chip, and only really want dual opamps.
  6. Buck/boost converters - anything "better" or as good but cheaper than an LT1054? My main uses are boosting and/or inverting standard 9V supplies. I like the 1054 because it would allow me to use up to a 15V supply (18V would be better, but it's not a big deal). I'm terrible at navigating these, every time I think I've found an interesting one there's a gotcha like unexpected circuit complexity or limited flexibility. I've found some neat little guys that accept 5V and provide +/-15V (etc) but the input limit is a bit of a dealbreaker.
  7. Not a semiconductor, but bonus round - any particular audio signal friendly, center-tapped, 1:1 (or close enough) compact transformers in Mouser's catalog you might recommend? It won't need to deliver significant power, but if it happens to suit, say, a headphone amp, that would be nice. Just another part to play with.
Happy to take general recommendations for anything I might have missed in the last five years or so! Apart from a couple small stashes of parts I'm pretty much back to square one, I don't even own a soldering iron at the moment.

Help needed repairing vintage Onkyo A-7050

Hi everybody... I need some help repairing an old Onkyo A-7050 that belonged to my dad. I've done all my best to find the service manual with no sucess. Can't find it anywhere. Right now all I get from the amp is a lot of noise, hum and distortion. I guess it needs recapping of thebold electrolythic caps because it's from the early 70s. If anyone has access to the service manual it would be much easier and of great help.

Upgrading an AE phono kit

I am thinking of using some ready made phono stage preamp kits sold by Aliexpress to carry one some RIAA projects simulated on LTSpice.

Some of them are interesting to use as a base to experiment with several circuit geometries and values, having first simulated them in LTSpice.

Let's begin with this Aliexpress RIAA Kit.

https://pt.aliexpress.com/item/3296...ac!12000017359672389!rec&gatewayAdapt=glo2bra

They do not supply complete circuits as they used to do. So you have the option to buy just the PCB, PCB + parts Unassembled, and PCB + parts Assembled.

For the sake of this project I would pick the second choice: just pcb and parts. When they get here I could fill in the parts values on the basic diagram.

See below the basic schematics for power supply and RIAA preamp. The preamp is a classic passive eq two stage design.

As some time ago I did a lot of LTS simulations with several circuits, I will definitely try the parts Walt Jung recommended for passive RIAA preamp.

But the kit as it is has only ONE major problem: The IC they used: OPA2134. You won't get good quality for phono preamp.

Though I think I found a way out on a (I think) recently released chip:

https://www.mouser.com/ProductDetail/Texas-Instruments/OPA1656ID?qs=vLWxofP3U2zhtl9DpaFfKw==

This is a very low noise dual chip with FET input. You can also get it from AE with DIP8 adapter, which this is ready for.

https://pt.aliexpress.com/item/1005...list.product.mainProduct&gatewayAdapt=glo2bra

The larger modifications will be to the kit power supply, as I don't think is as low noise as this preamp demands.

I'm open to comments, critics and feedback.

Carlos

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Almost as warm as tubes...

Hello!

May I proudly introduce my very last acquisition? My Wilesco D32 model steam engine that arrived yesterday in used condition:

PXL_20250129_085418443.jpg


It's got a two cylinder engine with a crankpin offset of 90°:

PXL_20250129_085528264.jpg


...and even a feedwater pump:

PXL_20250129_085452406.jpg


The control panel requires the engineer/machinist in me:

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For sure it wasn't cheap, but I'm a happy man 😀!

Best regards!

Overlooked room treatment for too long - what do I do?

I'm a little embarrassed on how much effort (and $$$) I have put in to developing my stereo equipment over the year's while neglecting room treatment. I am very happy with my stereo equipment, so now I am finally turning my mind to improving my actual listening room! 🤓

I needed some guidance from the community on what my first steps should be on treating my space.
From my preliminary research I think some absorption panels on the back wall behind the couch (where I listen from) would be a good starting point.

I've attached some pictures of my listening space from various angles to give you a sense of what I am working with. The speakers are about 8' apart and the speakers are 8' from the listening position. As a side note I do notice the room is very lively, when my dog barks the room booms and echos.

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Some noise measurements for LEDs and zener diodes

There has been many discussions on the forum over the years
about how noisy various voltage references are. I can't really
remember anyone pointing to any measurements or satisfactory
theoretical arguments, but maybe it is my memory being bad.
It seems to be generally agreed (maybe) that LEDs are less
noisy then zener diodes, but I don't think anybody has tried
to put figures on the difference. There has also been discussions
about what LEDs are lesat noisy. The only claim I can remember
reading on the forum is that green LEDs are the least noisy,
but no argument was provided to back it up. Hence, I decided
to see it it was possible to get some answers to these questions
using only some simple DIY test equipment. I don't have the
time or money to do a proper scientific study, but maybe this
can be considered a somewhat systematic pilot study for
further investigations into this matter. For now I have done
some measurements on various types of LEDs and zener
diodes and some of the results were quite unexpected and
begging for further studies.

i didn't do this just because I had nothing better to do, because
I had, but since I like the forum and it members so much I
decided to put some time and money into doing this study
(OK, I admit I also did it to still my scientific curiosity 🙂 ).

The study and the measurements so far are described in
the attached document. Please note that the study is too
small and uses too questionable equipment to be considered
properly scientific, so no hard claims or conclusions can be
drawn from it. There are hints at some interesting phenomea
though. Had I know beforehand what the results would be,
I would have used a slightly different selection of components
for study, but thats usually how it is.

Attachments

  • Thank You
Reactions: dkfan9

Post you SMPS noise spectrum measurements

As I've learned recently, buying an smps psu for audio use is quite a crap shoot. The specs are almost useless; units with the same noise spec have noise concentrated in different parts of the spectrum, even though most have switching frequencies in the 40kHz to 100kHz range.

I think the most useful thing we can do to take some of the uncertainty out of it is to document their noise performance.

So when you get a new model of switcher, or have an interesting older one, do a noise curve measurement and post it. That way we can all avoid the lemons.

I suggest these parameters for the test.
: MAKE SURE you AC COUPLE the input to your analyzer !! Bad things will likely happen if you don't.
: A frequency range from somewhere near the mains frequency to ~ 100kHz, so the switching freq is captured.. Higher is ok too.
: A few averages will smooth the data for better presentation.
: Measure with the output loaded to deliver a supply-appropriate amperage, say 1/3 to 1/2 its rated amperage.
: Specify whether the supply output is earthed or not. Some smps will squeal when earthed.

Any other suggestions welcome.
------------------------------------------
I'll start by posting one to avoid, the turkey that prompted this inquiry for me. An XP Power LCS50US15, rated 15V @ 3.4A. This thing stinks for audio, the largest noise spike is at 1.7kHz (and its harmonics). And this measurement was with 1,000uF on its output. Stock, it's even worse. I had to float the analyzer input, it does not like its output earthed.

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  • Like
Reactions: YashN and head_unit

Early spring cleaning sale and giveaway

Summary of what I'm selling/donating:
  • 1 Fluke123 Scopemeter in OK condition Free
  • 2 Probably-working Chipimp.com modules Free
  • 2 Reckhorn W100 6.5" woofers Free
  • 1 ESP P33 Loudspeaker Protection & muting Free
  • 2 ESP P09 Active crossovers built for 80Hz Free
  • 2 ESP P05 preamp power supply PCB Free
  • 4 Parts Express 6.5" woofers $16.00 for all 4
  • 1 O2 Headphone amplifier with chassis $60.00, will sell parts separately
  • 1 Huge 750 VA transformer $86.09
  • 1 4-channel parallel LM3886 amplifier for parts $120.00, will sell parts separately
  • 1 Modushop Dissipante 5U/400B, 10mm faceplate $200.00
  • 1 diyAudio speaker protection & muting V2.0 $25.00
Be sure to look at the Excel Spreadsheet. It has details and links to info about the items.

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6SL7 SRPP to 2A3 direct coupling

Hello,

I was considering building this amplifier: 6SL7 SRPP / 2A3 Single-Ended Tube Amp, but, unfortunately, I could not source a proper power transformer.
I would give a try to the easy to find Hammond 302AX. With this in mind, I came to the following schematic:
SRPP-LW-350V.png


and this would be the power supply:

SRPP-LW-350V-pw.png


Since this is my first time messing with a schematic, I would like to know if there are obvious mistakes in my calculations or if you have any recommendations for improvement.

The output transformers would be Tango XE-20S, the 2A3s would be the Linlai 2A3T and I intend to build two monoblocks.

My speakers are the Klipsch RP-280F, with 8 ohms and 98dB.

Also, in subjective listening to an amplifier, would you go with this SRPP driver or with a more conventional approach like the Shishido for example.

Thanks in advance for any opinion!

For Sale Mark Audio MAOP 10.2 - BNIB

Ya... I bought these with the feverish excitement for a project that became washed away through the passing of time and shifting of interests. I've had them stored away in a cabinet since I bought them about a year and a half ago... someone else should use them. I purchased them directly from SoundImports, who were kind enough to open their boxes to send me pics of the spec sheets on a few pairs so I could compare and choose the ones I wanted... and these are the ones I chose.

They are brand new -- I never took the plastic protective cover off the drivers, and only opened the boxes a couple times. They've been in a temperature controlled room (my studio) -- not some overheated attic or freezing garage.

Matching serial numbers 0320A and 0320B.

Here's a link to my USAM feedback: https://www.usaudiomart.com/userfeedback.php?user_id=37611

And another link for my eBay feedback: https://www.ebay.com/fdbk/feedback_profile/autumn_sage?user_context=BUYER

Madisound is selling these for $507. The only other place I could find that is currently selling them is toutlehautparleur in France, who is selling them for about $365... but then you have to add currency conversion fees, shipping, and VAT (however much that is)... and, of course, convincing them to make sure they send a matched pair!

So... How about $400 USD or $580 CAD shipped? I'll ship to US or Canada.

Please note that these are stored in my studio above Syracuse, and I'm not going to be there until the middle of February. If these are purchased by then, I'll ship them out on February 17th. I'll ship anywhere in the US and Canada, and can receive both USD and CAD without need for conversion, through Paypal, Interac, or Venmo.

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