After reading so much over this amp, i will start a new project for my Hornspeaker

Let´s see if the F5 can play in the same league as my 300B mono´s



The parts




Schaffner FN 2070 - 3A multistage EMI Filter




Antek AS-4218 - 400VA transformer





SST03 Softstart module from Sjostrom Audio
Design without extra transformer




RFB03 rectifier bridge from Sjostrom Audio



with IXYS DPG 60 C 200 HB

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It’s a recurrent issue: you want to build a preamp, a DAC, a phono stage, anything that needs a nominal supply voltage between 3.3 and 15VDC, positive and/or negative polarity. Sometimes you want several supplies to isolate stages from mutual interference via the power supply. So you want a power supply regulator that approaches an ideal DC voltage source as best as possible within reasonable cost. In your search, you inevitably run into the term ‘superreg’ – so where does the name come from and what is it?

The history of very high performance low-voltage regulators is well documented on Walt Jung’s website (www.waltjung.org – look under Library|Regulators & References). An early design that attracted attention was Mike Sulzer’s, published in 1980 and 1981 in Audio Amateur. I added something to that in 1987, and then I was invited by Walt Jung to work on a further improved version. This was published in a series of four articles in Audio Amateur in 1995 by Walt (part...

Since I figured out the reason for needing all those caps in my earlier DAC designs was all brought on by using passive I/V, I'm now a total convert of active I/V in order to do away with the sheer bulk.

Having tried single transistor I/V and loved it, I found there was still some improvement to be gained by biassing the common-base transistor with additional current sources to reduce its input impedance. Since getting down to the region of 1ohm would require some 25mA of bias which isn't well suited to portable applications I decided to have a go at using feedback to obtain the impedance I'm seeking.

I'm not using an off-the-peg CFB amp because they still turn out to be fairly power supply quality susceptible (subjectively speaking) so here's a design I hope that greatly reduces the supply impedance requirements so that it can be used in a portable player.

The picture shows the second prototype I/V stage, coupled to a 6th order Chebyshev anti-imaging...

There are lots of types of voltage regulators, but in this installment I’ll talk about series regulators.

What’s a regulator? It’s all in the name: it REGULATES the voltage to the circuit to be powered to keep it constant and as free of noise and ripple as practical. The ‘regulation’ means that there is some circuitry that compares a reference voltage, like from a zener diode, to the regulated output voltage, and then uses the difference between the two to adjust another element to null that difference. The ‘compare-and-correct’ is crucial for a regulator, and is done by negative feedback….

Look at Fig 1: is there a regulator in there? No, they are all circuits that try to give a constant, ripple free voltage, but if you start to draw varying currents from them, the output will vary with that current and there is no mechanism that somehow tries to null out that variation. Fig 1c is better than 1b, because Q1 buffers the voltage from the zener reference, so...

INTRODUCTION

After the good result obtain with the DAC End I have design with Nguyen Quang Hao a set of boards to create a cheaper project with a sonic performances very near.

The No Oversampling DAC give a more natural sound but if you ear the TDA1541 and TDA1543 seem to lose details.

The AD1865N-K with passive I/V give a perfect combination, natural sound and all the details.

The AD1865N-K give the better performances with a 200ohm MK132 Caddock as passive I/V.

In this configuration the output signal is too low to drive any amplifier so I have design for the AD1865N-K the better output stage.

This DAC use a single ended vacuum tube amplifier without the expensive output transformers used in my original DAC End.

The DAC board follows the original design but has been inserted a jump to switch the phase of output signal.

In any vacuum tube stage the signal on the anode is in out phase...

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This is a project developed by Douglas Self and published in the Elektor in October and November 2010.

The idea is rather unusual: "An interesting power amplifier can be made by connecting enough 5532s in parallel, how about 32 for a start? This may sound like a radical course of action, but it actually works very well, making it possible to build a very simple amplifier that retains not only the excellent linearity but also the power-supply rejection and the inbuilt overload protection of the 5532, which reduces the external circuitry required to a minimum."

Elektor used to sell PCBs for this project, which I used. I modified the circuit slightly to incorporate an active volume control along the lines of Douglas Self's preamplifiers.

Here is the result:

Two months ago I had great ambitions to complete a long in the planning short on execution music server by xmas. Seems I am too busy and just having too much fun listening to my system to make progress on big projects.

However, in a very low key way my system has made some stunning gains over the 2013 holiday.

My happy 6 year journey with a Lightspeed linestage finally ran afoul when an LDR packed it in. I retooled with some on hand bits while waiting for new LDRs to arrive. A snaffu with my order delayed that whole process. Meanwhile, my wonderful wife asked me what I wanted for xmas. I had been reading Arthur Salvatore's site and became interested in using an autoformer from Dave Slagle for my linestage. If your read the reviews and the technical specs, its intriguing. My system is perfect for passive. I only listen to a music server with triode ouput stage, short interconnects to OTL amps and overall have lots of gain.

On a whim...

The Schitt Yggy DAC has already created something of a stir over on Head-Fi amongst those who've heard pre-production prototypes. Its of interest not just because of the pre-launch buzz but also because the designer (Mike Moffat) is one of the long-time seasoned guys in the field. He says this is the best practical DAC he knows how to build. And its priced ISTM very reasonably given the amount of tech it embodies ($2300) - the DAC chips come from ADI and are $64 a piece on the manu's website. He's using 4 of them but says he had to address the glitching of the DAC without using a sample-hold which sounds like ***.

The chip is the AD5791BRUZ which ADI designed for industrial/scientific/medical applications rather than for audio. Datasheet attached.

Having looked over the DS what strikes me as interesting is that this is a 20bit DAC (1ppm) yet the 1kHz THD performance (p4) isn't anything to write home about (-97dB) and that figure is given at a very low sample rate...