I find that people always make up their own minds what the loudspeakers can look like, especially after hearing them. Why would you even bring up the subject unless you're trying to negate the goal of "sounding better" in favor of an arbitrary prejudged result.
Physics is physics. Psychophysics is psychophysics. Fashion trends come and go.
Chris
Physics is physics. Psychophysics is psychophysics. Fashion trends come and go.
Chris
So i can clarify.....i didn't have commercial/fixed install systems in mind when creating this thread.Wide horn systems have always dominated cinema halls, from Western Electric installations of the 1920's through to JBL installations today. Accuracy in sound reproduction sells cinema tickets. There are some auto sized Meyersounds at the local arts theater, big enough to be MEH but whonose?.
I was impressed by an Altec Lansing VOT installation in a cinema in 1966. It was recommended to us by our band director. I could never afford a VOT before the factory closed, neither did they have a dealer in my tiny city of Houston, TX. I have never been impressed by any 3 way, perhaps because I never heard any demonstrated on anything but acoustic guitar + tenors. AR3, KLH5. I heard a Klipschorn in 1978, demonstrating only trumpet/stringbass/brushcymbal jazz. Yawn! I now live in an even tinier city of only 2000000 now, where garbage 5 ways dominate the last sound marketers, rental furniture centers. Full range units (Polk) are for sale at a big box store, but they will not demonstrate.
When I saw a horn+15" from Peavey on craigslist that reminded me of VOT, I proceded to the local Peavey dealer. I got there a year or two before they went bankrupt. I took my own piano CD and they played it. I was impressed and bought some SP2-XT. They are huge but a pair are only 2/3 the size of the pianos & organs in the music room.
The only sound system dealers surviving in our city sell Bose & Yamaha. The Bose installations are small to vast arrays of 5" drivers. Ho-hum. The Yamaha installation I have heard leaves out all treble and bass, being apparently designed to amplify only speech. They miked the wood piano and ran it through that PA system anyway. Blah!
Just to annoy you i suppose.....really?I find that people always make up their own minds what the loudspeakers can look like, especially after hearing them. Why would you even bring up the subject unless you're trying to negate the goal of "sounding better" in favor of an arbitrary prejudged result.
Physics is physics. Psychophysics is psychophysics. Fashion trends come and go.
Chris
Nothing is truly arbitrary and expectation bias is one the most powerful aspects of human nature.......choose to ignore it at your own peril.
Hi Guys.
So, a follow member (Bumbledad) gifted me a new pair of Heil AMT drivers. I decided to build a pair of speakers with parts I have in the shop.
I have a pair of JBL 6x6 horns and a pair of Dayton Audio DT250P-8 Compression Driver.
I also have a pair of DynaLab V22-DR-0003 8" Paper Cone Woofer 4 Ohm that have an f3 of 25hz in a 3 cu ft box.
The CD is solid down to 600hz out to 10khz.
so I want to cross the woofer at 600hz to the CD then cross the CD at 5khz or so to the Heils. I have an active three-way crossover and a handful of amps.
Below is a link to the woofers and a picture of what I’m thinking for the cabs but with the horn above the woofer and the Heils on top like the picture.
DynaLab V22-DR-0003 8" Paper Cone Woofer 4 Ohm
Last edited: 2023-07-03 3:11 pm
So, a follow member (Bumbledad) gifted me a new pair of Heil AMT drivers. I decided to build a pair of speakers with parts I have in the shop.
I have a pair of JBL 6x6 horns and a pair of Dayton Audio DT250P-8 Compression Driver.
I also have a pair of DynaLab V22-DR-0003 8" Paper Cone Woofer 4 Ohm that have an f3 of 25hz in a 3 cu ft box.
The CD is solid down to 600hz out to 10khz.
so I want to cross the woofer at 600hz to the CD then cross the CD at 5khz or so to the Heils. I have an active three-way crossover and a handful of amps.
Below is a link to the woofers and a picture of what I’m thinking for the cabs but with the horn above the woofer and the Heils on top like the picture.
DynaLab V22-DR-0003 8" Paper Cone Woofer 4 Ohm
Last edited: 2023-07-03 3:11 pm
Sounds great but you won't get that horn to load the 250 down to 600hz......you'll need something deeper for sure.
This will get you there and the 45x45 pattern would be nice for an untreated or small space
https://www.parts-express.com/PRV-A...45-Waveguide-1-3-8-18-TPI-294-3018?quantity=1
This will get you there and the 45x45 pattern would be nice for an untreated or small space
https://www.parts-express.com/PRV-A...45-Waveguide-1-3-8-18-TPI-294-3018?quantity=1
Large woofers won't make it to cross with Ribbons......you need a small 4-5.25 inch driver for that....no D'Appolito either as the spacing center to center will introduce some nasty lobing.I think 3-ways first and foremost need to solve a specific issue or fit a niche.
What I most need right now are floor-standing boxes for the piano keyboard to sit on, but consider the listening angle! So those are going to be 2-way at the most. Luckily I already have a superb old Eton 7" hexacone mid-woofer and old Accuton, probably crossed around 4kHz. I'm tempted to make it a TL instead of sealed, but I'm also thinking a vastly oversized sealed bass box will sound more natural. Thin-walled 10mm ply with just enough strengthening to prevent rattles.
Small FR bluetooth speakers always come in handy, but that's 1-way.
Pretty much the only place I could justify 3-way is for a big hi-fi, and for that I'd want the vertical projection to be a lot narrower than the horizontal. So: wave-guided ribbon tweeter (I don't know what model) in a D'Appolito arrangement. 12" woofers are great for WAW, but I think 8-10" would be a bit more civilised when there are 2 woofers per side.
Q: would the Visaton B200 fit in the budget??
The Visiton b200 is a great driver for full range.....i'd pair that with a 1" dome tweeter than can cross low around 1.8khz and a pair of 8" woofers underneath.....that would be a nice narrow three way with wide horizontal out to around 10khz
Yep, I’ll build and measure and adjust the MiniDSP to find the best cover points. I already have all these parts and will see if I can make all work.Sounds great but you won't get that horn to load the 250 down to 600hz......you'll need something deeper for sure.
This will get you there and the 45x45 pattern would be nice for an untreated or small space
https://www.parts-express.com/PRV-A...45-Waveguide-1-3-8-18-TPI-294-3018?quantity=1
I also have 2 KLH subwoofers that I’ve thought about gutting and putting the drivers and plate amps in the bottom of the cabs. Side firing of course.
So you're well read on the subject of expectation bias, are you? Perhaps you've absorbed the relevant articles in Judgment Under Uncertainty: Heuristics and Biases (1981, ed. Kahneman, Slovic & Tversky)...or maybe the much most recent Thinking, Fast and Slow (2013, Kahneman)...or perhaps even Sources of Power (1999, Gary Klein of Klein & Associates), or the many relevant journal articles on expectation bias over the years, or hired some of these authors as corporate consultants to help you train staff engineers on system design techniques of heuristics and biases in system-level design...and now consider yourself expert enough to lecture on expectation bias of loudspeaker shapes? Bravo! That makes at least two of us now that I know.Nothing is truly arbitrary and expectation bias is one the most powerful aspects of human nature.......choose to ignore it at your own peril.
(Personally, I rather think you've realized that you didn't write your constraints at the top of the thread to exclude those proposing something more relevant to answering your questions than direct-radiator solutions, and don't know what to do...No?)
Chris
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The SP2-XT had pawn shop value and were stolen 9/2020. Hence the ugly diy replacements post # 35. If I leave the MDF unfinished and the toilet flange vents exposed maybe the perpetrator won't carry them off in future.So i can clarify.....i didn't have commercial/fixed install systems in mind when creating this thread.
If anybody wants me to buy ribbons or silk dome tweeters they need to demonstrate them somewhere closer than London UK or Seattle, WA . None of those I've seen in concert venues or churches, either.
Literally Visaton LaBelle kitThe Visiton b200 is a great driver for full range.....i'd pair that with a 1" dome tweeter than can cross low around 1.8khz and a pair of 8" woofers underneath.....that would be a nice narrow three way with wide horizontal out to around 10khz
Best Three-way? Fifteen inch RS Mach-One replica, in a 1010 liter bass reflex enclosure, Three-inch Tangband softdome midrange, Peerless 1.25 inch Corundum tweeter.
An 800 hertz & 4500 hertz crossover....all three drivers perfectly matching at 90 Db sensitivity...the giant enclosure getting to an F3 at about sixteen hertz...all the "tricks of the trade, driver spacing, absorbent materials, radiused baffle edges, etc.
Not for "party" volume levels, but more for precision.
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An 800 hertz & 4500 hertz crossover....all three drivers perfectly matching at 90 Db sensitivity...the giant enclosure getting to an F3 at about sixteen hertz...all the "tricks of the trade, driver spacing, absorbent materials, radiused baffle edges, etc.
Not for "party" volume levels, but more for precision.
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I like where your head is at…..but that’s quite a distance from the mid dome to tweeter center for 4khz, no?…..you picked a monster flange tweeter! Lol
I think my fat ATC look alikes with sd315a, dc130, and nd25fw with active pc filtering and amps was under $1000. I learned a lot from them, lots of early frustration mostly due to inexperience. After getting the driver integration down, and living with them I struggle to motivate myself to build something else. Paired with two 10" dayton subs (wow it's all dayton, just realized that) behind me, the sound doesn't leave me wanting in any way. I mix on them as well. I do have some VBS 10.2 to finish up though.
I don't usually think DIY is a very cost effective way to get a speaker, but if you're making something pretty big like these, I think it's kinda crazy what you get, and man cheap drivers can sound phenomenol.
Be warned, when you get something like a big three way, it's hard to go smaller 😉
I don't usually think DIY is a very cost effective way to get a speaker, but if you're making something pretty big like these, I think it's kinda crazy what you get, and man cheap drivers can sound phenomenol.
Be warned, when you get something like a big three way, it's hard to go smaller 😉
Yeah, I noticed that one too....with those drivers in hand, I'm sure one could shave down those flanges to approach that cross-over frequency.I like where your head is at…..but that’s quite a distance from the mid dome to tweeter center for 4khz, no?…..you picked a monster flange tweeter! Lol
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.. and man cheap drivers can sound phenomenol.

Takes some cherry-picking though and used properly within a good design.
Looking carefully at the sensitivity values of each driver in the graphs...at 800 and 4500 hertz they match up...
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