Congratulations dewdrop on a successful build!
I think you might have reduced Rs a little too much. You want the 2nd lumpity bumpity (trough) to just barely disappear. But in your picture it has gone past flatline and is now a weak bump upward.
Have a look at Figure 10 of the Quasimodo design note .pdf. You want the 2nd bump (trough) to progress from black, to magenta, to blue, to green, to red. When it's perfectly flat, like the red trace, stop. Don't keep cranking the knob.
I think you might have reduced Rs a little too much. You want the 2nd lumpity bumpity (trough) to just barely disappear. But in your picture it has gone past flatline and is now a weak bump upward.
Have a look at Figure 10 of the Quasimodo design note .pdf. You want the 2nd bump (trough) to progress from black, to magenta, to blue, to green, to red. When it's perfectly flat, like the red trace, stop. Don't keep cranking the knob.
Please address any questions or requests for technical support, to the diyAudio community as a whole.
I don't know about other members, but I myself have only applied Quasimodo to the five transformer configurations shown in Figure 13. If your configuration is one of those, connect shorting bars as shown.
If your configuration is NOT one of those, please provide a readable schematic diagram and please label every primary winding with a "P" and every secondary winding with an "S". If for example there are three transformers, use the names X Y and Z to label the transformers and use numbers to distinguish the different individual windings on a transformer.
Thus PX2 means primary winding #2 of transformer X.
SY1 is secondary winding #1 of transformer Y.
PZ1 is primary winding #1 of transformer Z.
This will make it crystal clear what circuit you are dealing with. I'm unable to understand what circuit the quote above is attempting to describe.
Used attached schematic.
Both transformers specs:
Primary 230V
Secondary dual 21V connected in parallel
Attachments
I have never tried to build audio equipment with two power transformers in series as shown in post #1605 (copied below). Nor have I ever tried to find a critical damping resistance for an arrangement like that.
I think you may have no other choice, except to invent one or two or three different ways to attach snubber(s) to this arrangement. Then find out which one works most effectively on the lab bench or in SPICE simulation. Once you know that, you can probably use Quasimodo to find snubber resistance value(s) that overdamp the system.
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I think you may have no other choice, except to invent one or two or three different ways to attach snubber(s) to this arrangement. Then find out which one works most effectively on the lab bench or in SPICE simulation. Once you know that, you can probably use Quasimodo to find snubber resistance value(s) that overdamp the system.
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Attachments
Yes you do need to snub each secondary separately. Be aware that some transformer secondaries, even though they produce the same voltage, have slightly different inductances due to one being wound over top of the other, requiring slightly different Rs values. Hammond EI power transformers are one example of this.
Take care,
Doug
I've never tired this, but I heard this will improve the sound. For this arrangement, I think we can short the 2nd primary and measure its secondary, because the mains are also from a series of large transformers.
Hello,
Tried the search feature and looked at some of the incredible number of posts on this subject. Did not find anything that indicated this article was posted here.
Anyway, for a quite different take on what snubbing is needed see:
Snubbers For PSUs
Regards,
Greg
Tried the search feature and looked at some of the incredible number of posts on this subject. Did not find anything that indicated this article was posted here.
Anyway, for a quite different take on what snubbing is needed see:
Snubbers For PSUs
Regards,
Greg