Perhaps you already knew, ABEC manual for small "ducts", something to take in account when you get to it:
In BEM there is in principal a small exclusion zone around each radiating element within which the sound-field becomes undefined. In theory this zone is infinitesimal small but because we deal with finite elements the size of this zone is finite as well. Normally the auto-mesher makes the elements small enough so that in turn the mutual distance is large enough compared to the wave-length. However, elements can also be too close when, for example, a narrow duct is modeled. Elements of opposite walls may then violate this criterion. Another case is elongated triangles where the distance of the center points is much smaller then the length of the sides. In general, picture a small halo over each triangle having a radius of the inscribed circle. In a good model there is no intersection of these hemi-spheres. Narrow ducts need to be modeled with a higher resolution (see MeshFrequency= or EdgeLength=).
In BEM there is in principal a small exclusion zone around each radiating element within which the sound-field becomes undefined. In theory this zone is infinitesimal small but because we deal with finite elements the size of this zone is finite as well. Normally the auto-mesher makes the elements small enough so that in turn the mutual distance is large enough compared to the wave-length. However, elements can also be too close when, for example, a narrow duct is modeled. Elements of opposite walls may then violate this criterion. Another case is elongated triangles where the distance of the center points is much smaller then the length of the sides. In general, picture a small halo over each triangle having a radius of the inscribed circle. In a good model there is no intersection of these hemi-spheres. Narrow ducts need to be modeled with a higher resolution (see MeshFrequency= or EdgeLength=).
Awesome mabat !
You're about to get me to break down and try to learn ATH.
I've tried a number of perhaps nuts ideas, seeing how to minimize larger low driver ports effect on the compression driver polars.
A cutout from an air-bake pizza pan was one of the most promising....where i could duct tape patterns onto it.
I guess a couple of picts will show what I mean...
This frowny face, as i called it, gave the smoothest response of the many patterns i tried.
A clear effect on the low frequency driver, was how a certain number of holes, a certain area, had to be met not to choke off lower response.
But this was just at low signal level.....never got around to testing at high signal levels to see if additional area is needed.
yeah. And a link to the actual patent:
https://patentimages.storage.googleapis.com/c8/cb/3c/ebd90aeb6f3761/US9894433.pdf
And I quote relevant passages:
"The apertures are angled outwardly...Preferably, the apertures have relatively small diameters, i.e. the diameters are less than the shortest wavelength of the high frequency sound waves... a 20kHz sound wave would have a wavelength of approximately 17mm, meaning that "relatively small" means the aperture is less than 17mm in diameter (or for non-circular apertures, less than 17mm at their widest points... The apertures may be other shapes, including but not limited to ovals, hexagons, squares, and asymmetrical shapes... The apertures are sized and angled such that the difference in distance traveled between the original wave propagation and the redirected wave is less than 1/4 wavelength of the highest frequency wavelength begin generated a(~20kHz)."
Last edited:
I have no idea if this is an urban legend, but here goes:
I heard that PK Sound got into the subwoofer business largely because they were renting out Danley Labhorns, and they managed to blow up their entire collection of them at the Shambhala music festival one year.
So these guys are definitely aware of Danley's stuff.
It was the success of PK that had me pestering Danley to get into the EDM market, PK is basically ubiquitous at all the festivals that have tons of bass. Datsik and Excision were basically running PK exclusively for a while there. Bassnectar was a big proponent of them too.
two out of three of those DJs got metoo'd, so I'm not sure what the current state of PK is, in the festivals. But they were really ubiquitous for a while there.
Note that this will change your tuning. You're basically creating a mass loaded transmission line, albeit a very short one.
Jeremy Bridge, CEO of PK Sound had built LAB subwoofers back in 2004, and still had some left in inventory in 2010.
PK also made a horn sub with the same dimensions as the LAB horn sub, the PK- CS212S.
He thanked Danley and PSW (Pro Sound Web, formerly the LAB, Live Audio Board) then stopped posting there.
https://forums.prosoundweb.com/index.php/topic,124929.0.html
A slot mass load 😊 the slot is probably called an offset horn in this case....take a transmission line with an offset driver and make the line a constant csa, now its a slot but if its expanding its a "horn" now.... fun
If the port is moved closer to the horn throat does that increase the frequency where the directivity spike happens? In my case, I can't hear above 12kHz. If I move the hole down to where the horn circumference is less than 25mm would the disruption be pushed higher in frequency so it is inaudible to me? And, realistically, it may not have to be that deep into the horn because that is my absolute maximum hearing range. So probably safe at 35mm, 10kHz. And possibly a parabola shaped port where the max width is at 35mm. Downfall is wider bandwidth for DI spike, though maybe softer spike. Or, do a port around the whole circumference of the horn like a coaxial compression driver/woofer (e.g. B&C 12HCX76) that is shorter along the horn length to reduce the bandwidth range. Possibly correcting the DI spike with a Geddes "Tickler" around the circumference?
I guess an overly simplified understanding of directivity control, thanks for clarifying.