Pearl Acoustic Sibelius

Never damp the output line for maximum performance!
Example:
 

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Re damping: How much and where it goes is heavily dependent on room, taste, and in the case of the “sibelius” clone, how badly marched the driver is to the line.

Functionality of damping materials vary greatly, some polyfluffs are not great, things like acustastuff are really decent and consistent.

At either end of scale we have a BIB which needs a lot and very carefully placed damping, to a Metronime which often want VERY little.

Add to that, the polyfluff needs proper teasing. More often than not i see big wads of insufficiently teased polyfluff.

There is too much variability in the damping to be ableto specify much.

Denoding on the damping used, some supports so that it does not sag. particularily true if you use sheepswool. Well teased acouistastuff statys preety much where you put it. A mix of some acoustasuff withthe sheep’s wool tends to stay in place.

dave
 
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