Acoustic Horn Design – The Easy Way (Ath4)

TNT

Member
Joined 2003
Paid Member
By reflecting the wave "away" and make it meet other sized geometries, non parallel walls has a dampening/scattering effect making energy distributed rather than concentrated -> lower Qs in effect. No?

When you say diffraction above, you don't mean from the mouth I suppose?

//
 

TNT

Member
Joined 2003
Paid Member
The only 2 parallell walls I see in your picture are between the same color indicated lines...

//
 

Attachments

  • para.png
    para.png
    16.8 KB · Views: 45
A horn is driven at the throat and the sound wave develops from there. So a rectangular horn is less "coherent" (i.e. with diffraction less concentrated in time and space) than a round one or a 7-sided one (the more sides, the closer it is to a circle, i.e. the more symmetric/coherent it is). That's the situation as I see it.

And because the simulations show that both rectangles and circles can give perfectly smooth results, I really don't see this as an issue. What's crutial is the profile and how it's terminated - that seems to make all the difference.
 
Last edited:
That's the nice thing - because of the large asymmetry (compared to a round one), it's not really necessary (although it would surely improve it further).

From the construction point of view, it's no problem either - you can continue to bend the ply back as much as you want. With an octagon, I would definitely add such rolling back. With a rectangle, I would go without.
 
Last edited: