Hello there,
I´m back with a few general Questions considering T-Line design and some other stuff as well.
I play around with Hornresp, and came up with to designs I wanted to try.
I build tow Test speakers, and experimented with different cross sections and “Tapers”.
One Speaker is tuned to 95Hz
: it is the winner in a direct sound comparison between those tow, got better dynamic range and the sound apers to be more open, all thou a tiny bit more “blurry” but all the details are there. The other one has a less dynamic and the sound is more concentrated in a small spot, but the detail´s seem to be more pronounced this one is tuned to 109Hz

.
A Few things must be said first:
-the sound only was quantifyed by hearing
-the speakers do have different tuning and maze-layouts
-the enclosures where designed to be operated with filling, but I didden´t do that... big dump
These tow speakers led to a few Question and ideas which I hope to be somewhat constructive.
First of all doas the maze layout affect the sound, sure it doas:
But could it be in some way desirable to have a symmetrical-ich layout of the maze next to the speaker. (since the better sounding one of my speakers cinda is symmetrical while the other is not, could this be one of the )many( reasons). This assumption seems intuitif right but is it thou?
=>Should I design my next test subject in a symmetrical way or is that irrelevant?
How doas sound travel through corners: (illustrated with drawing for better understanding)
a: doas it travel the way with half the radii?
b: doas it teak the way with the radii where both left and right volumes are the same?
c: neither of those
What effective distance sound travels in “corners” and how is it calculated?
(The final speaker´s are required to be very space effective. Having the sound travel a grater distance in “corners” than I´v assumed would play in my favoured)
i`ve been going with a: but now b: sound´s moor plausible to me
Tapering the Port: (sketch fore better understanding)
making “corners” tapered is quit hard to accomplish but having a linear taper along the way is also difficult fore me to accomplish. So here I wanted to check if the way I plan to integrate tapers in my design is applicable.
a: ideal Taper
b: this is how I tested Tapers in my speakers
c: this is how i´m going to design the tapers into the speakers
My design:
-As mentioned no “corners” are tapered (blue in sketch)
-I divide the port in 6 sections where each section is a different length
-The volume each taper teaks away from the maze is identical
i`m going with it any way except it is a super bad thing to do, but I imagen this being good enough.
How about putting waves into the waveguides edges: (with sketch)
This approach is normally used to lover the pressure level´s of a port do to the increased surface area. I´m wondering if such design could help reduce resonance or benefit sound in any other way. I could Imagen that such a waveguide design increases the bandwidth the port covers do to the on some parts increased/lovered distance the sound has to travel?
Or dosen´t it affect sound at all?
Would be nice if you could share your thoughts or experience on this.
If anything is known abut the effects of such waveguide edges is known pleas let me kno.
Thanks for making it this fare, You are encouraged to share your thoughts on every thing I mentioned above.
Thanks fore reading, have an awesome day.