Trying to model a transmission line. Selected the TLine component from the Analog Primitives > Passive Components library. No matter what I put into the "VALUE" field, none of my inputs seem to take; get applied to the model.

Here's what I see after I apply values and reopen the part editor:



As you can see, every property, including Z0 that I tried to set, is "undefined".

When I try to run AC analysis on a simple circuit I get the following error:



"Warning: Extra text '=75R' found.
Part: T1"

At this point, I'd just like to know if Micro-Cap is broken, or I'm missing something. Thanks to anyone who can help.

Well, we bought two of them and both has the same fatal for sound error: instead of -12V analog supply for PCM58 there's only -5V. It still works but completely out of parameters. You can easily check your KIT for this BAG - just compare resistors value near 3xLM317 stabilizers and if they all the same ( blue-white-black-black = 690 oHm and red-red-black-black= 220 ohm) then you are in 🙂 ! Or just check U on pins 9 or 20 of PCM58. Please, note that LM317 is POSITIVE stabilizer but in spite of this it is in NEGATIVE configuration (on attached picture there's stabiliser on right side of board just near the 3300uF Kenwood (Elna) capacitor). All you have to do is to change resistores value: 690 ohm on 1,3 kOm and 220 ohm on 150 ohm (1%) and you will be suprised 🙂 !
Also this DAC has no deemphases filter witch means that some old CD's will reproduce overtuned high frequency noise. I will make passive filter later and let you know.

Hey guys/gals I have an old Philips mini Hi-fi system that I want to capture the EQ curves from. The reason is because the original speakers sound great with the "DSP" applied to them but when I run the speakers through a regular amp they sound not great. The audio processing board uses a TDA7437 which uses an I^2C buss for commands to set the the Bass Mid, and Treb levels. What is the best way to do this ? Read the digital signal and get the Bass Mid and Treb level commands, or tap the output line level signal coming out of the audio processing board? And then what How do I inject a signal and see what is happening to it in terms of EQ?
Links
https://www.google.com/url?sa=t&rct...e-Manual.pdf&usg=AOvVaw2l4WvtwncByukmTfOb0xDk


TDA7437 PROCESSOR Datasheet pdf - AUDIO PROCESSOR. Equivalent, Catalog


Any info would be a great help

Thanks

Julian A Ayala

Was gifted a JL 500/1 monoblock amp. Once wired up, unit powers on but has 0 output (verified 0V AC, with headunit at 75% volume playing a 50hz test tone). Also tested another amp with no issues. I pulled the back cover and only visible damage is to the Q611 transistor.

Does anybody know of this is a common problem for these amps and if it’s worth the time investment to repair? Unit is probably 15 years old, but has sentimental value so I’d like to keep it alive if possible.

This is my first attempt at amp repair so I’d likely invest in the repair guide by Perry and buy some equipment to do it right, but not sure if I’m getting in over my head here. Have an ME degree and work in the aerospace field as an engineer, I’m fairly confident I can handle the work, but not sure if it’ll run into surprises along the way. Any advice is greatly appreciated on first steps.

At supposedly 146 lbs you wouldn't want to ship it too far but nonetheless. It works. A good project for an avid DIYer?

Regards,
Dan 😱


Tentatively Sold. Mark Levinson 333 Power Amplifier. $1,000 firm. May need some work Dealer Ad - Canuck Audio Mart

looking to build a 450v power supply. has to supply 230mA for 2x kt120 and 2x el84.

so looking at a 400-0-400 325mA transformer, then one CLCLC for both KT120's of 20uF, 2H 18ohm, 40uF, 5H 60ohm, 60uF.

The el84's will be powered by a RC of 1K and 20uF tapped off the last 60uf in the PS.

Sim'd it in PSUD and got 470v for KT120's and 440v for the el84's.

Thoughts?

Vintage Triangle T17FL2

It is a 7" bicone full-range speakers from mid-late 80s (I think I bought them in 1988-89) made in France by Triangle. They were considered premium speakers at that time, and it was difficult to find/afford anything else in that field for me, as I was a student...😱







It has been used in TQWT and in Bass-Reflex - this is the way I installed mine, because of a lack of space for TQWT... It's a low tuning, over-damped, fully stuffed one :

Vb=32L
Sv=50.3cm2
LV=32cm
Fb=38Hz
n=3.2
F3=70Hz, F6=55Hz, F10=40Hz





The T17FL2 was known to have a "coquetterie" in the 1KHz-10Khz area, that is to say an increase of level of 4-5dB, making him very present (see axis response curve above)... It's very charming at first, but becoming tiring in the long run : that's why I didn't used them too much.

Nearly 30 years after - never too late - I decided to correct that issue by experimenting the principle of a Baffle Step Compensation crossover... Not trivial for a full-range speaker ! 😕

OK - so suddenly, I discovered hot water... 😱 😀

I made many listening on different musical programs, at different loudness :



And finally came to this compensation circuit :



Where the coil and the resistor readjusts the level of the 1-10KHz range, and the capacitor enhances the upper treble over 10KHz.

Later on, I slightly increased the cap value and played the Audiophile Mojo by adding a silver mica capacitor 🙄



Those Black Boxes do their job very well : now the extra-presence is tamed and balanced with the rest of the audio spectrum, and upper treble range is here and fine.

You would have told me this 30 years ago, I would have been instictively very dubious, finding this truly irrational ! 😛

But it's me, OK ? 😀

A+!

Hello, I have from last year this cheap preamp board:

Buffer 6N11/6DJ8 Tube SRPP Preamplifier Headphone Amplifier Board Preamp PCB DIY 699917213049 | eBay

Since I'm interested to a circuit possibly with a lower Z out (maybe good for driving later an amp stage or so), I wonder if it's possibile to modify it simply for a mu-follower circuit, I was thinking to something like this schematic here

As a kid I was entranced by the idea of the Infinity Reference Standard. It was, of course, a 4 tower system, comprised of 2 subwoofer towers, and 2 mid/tweeter arrays.

I'm curious about two things.

Is there a benefit to subwoofers as line arrays? Besides the additional surface area? Do line array 12" drivers have a decided advantage in room mode management? Lets skip the usual smaller = better argument for this conversation please. 🙂

Secondly, as I recall, these were early servo controlled subs. In addition to limiting the distortion of the drivers could these have acted as active bass traps?

Does someone have a list of preferred mods for this amp?

For sale two pairs and one separate 01a tube in Nos condition.I buy this more than a year ago to build triode tube preamp,but I build it first with Y10 triodes and just stay buy this option becouse I have no time to try another tubes abd options.So I have now this superb tubes for sale.Price per pair is 60euro plus shipping inside EU.For one tube in the picture the price is 30 euro plus shipping.I payed a year ago with shipping and taxes from Usa more than100 eu for a pair.Plese if someone have interest send a message.All tubes have no ratles and firm bases.For info about triode preamps with this tubes look under Bartola/Ale Moglia in internet.

Going to be building my first open baffle speakers and I'm looking to get some opinions. My amp is the Decware SE34I.3 and the idea is to build something small along the design of the Caintuck Betsy. Baffles will be made from either red oak or 1" birch ply, both of which I've got in stock in my wood shop.

I've got a couple of questions and am interested in hearing all opinions.

1) Is the shape of the baffle essential? I see that Caintuck offers a barrel and a tombstone shape. Is this purely an aesthetic or does the shape alter the sound? I can't build them any bigger than 30x18 probably because of the room.

2) Drivers I'm looking at are the Alnico Betsy and the Lii F-15 and Lii F-12. They all seem to have pretty stellar reviews but I'm curious to hear more if anyone has a strong opinion.

3) Do they have to go on the floor? Ideally I'd be putting these on top of a cabinet and the base of the speaker would be about 2 1/2 feet from the ground, about the same distance from the wall behind them. The right speaker would end up about a foot from the side wall.

4) Wings or no wings? Obviously the Caintuck speakers are a bare baffle, but looking around at other designs I see plenty with either hinged or fixed wings coming off the back of the baffle. Presumably these affect the bass response and help shape what's coming out of the rear of the speaker?


Thanks!

I can offer 2K2M, 2P29P, 2P29L, 4P1L, 5C4S (coke bottle shape), 6E5P, 6E6P, 6E6P-D, 6F3P, 6J49P, 6J52P, 6N1P-EV, 6N2P-EV, 6N3P-EV, 6N6P, 6N6P-I, 6N6P-IR, 6N7S, 6N8S, 6N9S, 6N13S, 6N16B, 6N17B, 6P13S, 6P15P, 6P21S, 6P36S, 6P44S, 6S2S, 6S5S, 6S3P, 6S4P, GM-70, GMI-30, GU-74B. And other GI, GMI, GK, GM, GS, GU.

I purchased a Xentek 5Kva isolation transformer from ebay. I configured this transformer as 120v in and 120v out. It runs hot! I cannot stand it when I hold my hand on it after 45 minutes of use. Any ideas?

Hello everyone, I’m pretty new to the diy world and have only done a few projects. My current one is a pair of mtm based off of Jeff bagbys design. I’d love to have a mt version for my surrounds but I have no idea how to change the xover to make that work. Any help would be amazing. Wife said she’d buy me the parts for Xmas if I can figure out what I need. Thanks

Hello,

I'm in the concept phase of a preamp for my new amp which shall be finished in the next months. (https://www.diyaudio.com/forums/sol...low-nfb-fet-front-bjt-ops-13.html#post6043036)

As this amp has 29dB of gain, I'm not planning to add gain in the preamp as most sources have about 2vrms output. (don't now at the moment what a bluesound node 2I does, if anybody knows…)

I've found plenty of preamp circuits with gain (UGS, DCG3, Dennesen JC80, pumpkin,..., but discrete buffers are not that common. We all know the B1 from Nelson.
As I like to design/change/adapt circuits myself, based on proven designs and not copy existing stuff, I managed to get good performance out of the circuit below.
The power supply must be a really stiff one, as this circuit has loussy PSRR.
The Jung Didden supperreg seems pretty easy to build and looks ideal to me.


Any comment's on how to improve further? Lower noise? Lower output impedance…?

Placing CFB opamp in Class AA circuit

Hi,
I have a PCB for this circuit. But I want to use a high current opamp instead of other half of of 5532 (the upside down one in schematic). As far as I know, the amplifier in feedback network provides the current.

I have LT1206's which is 250mA capable but they are current feedback op amps. I need to know that which components have to be altered when utilizing LT1206 instead 5532 in feedback network.

I plan to use two single soic-8 opamp to DIP-8 adapter instead of 5532. One half will be NE5534 other half will be LT1206.

Hello,

Anyone have an extra 14042B IC around that is DIP? Hoping some Karma will find it's way back to me. If you have any extra, please drop me a PM.

Thanks

What's included?
1) Allo Digione Signature (pictured)
2) Raspberry Pi 3 + MicroSD card w/ Volumio Installed
3) Allo 5v SMPS

Asking [SOLD] shipped including PayPal (retail is $300+).


Comes with free faceplate for USBridge Signature.


Thanks!

Open Baffle Basics pt.3 - YouTube

The video above explains how a flat response is achieved by acoustic solutions. However he doesn't mention the effect on the polar response of this method. Has anyone tried this and/or done measurements?

Hello fellow audio enthousiasts.

I managed to pickup a DENON DAP5500 preamp. Beautifully built, and a nice added value for my DENON power amp POA2400.

But I'm going to have some work with it...

First issue with it: Right channel is sometimes out. I think the L/R balance pot has to be cleaned or replaced. This has to be an easy fix for me.

Second issue, one of which my knowledge of digital electronics isn't sufficient to analyse what's wrong.

I hooked it up to my digibox via the optical connection. In first instance there seems to be a "lock" on 48 kHz but then it loses its signal.

There might be an issue with IC508 or IC507.
(Someone spilled some fluid on that board and it's gonna need some cleaning and maybe replacing of the IC's?)
--> I added the service manual as attachment. The IC's I'm talking about are on page 23 - 3E & 3F.

Aside from the spilling on the board. Could these IC's be the cause of losing the lock on the 48kHz? Or might it have something to do with compatibility of modern optical connections with the (older) optical DAC?

Thank you for your feedback! And I will keep you updated.

Gr

Will

Hi

I would like to build one of the above amplifiers and as I buy amp pcb's from time to time, I found those three in my collection. I am a lover of Class A amps (and will build a KX in winter), but would like (and need) to build something easier and also a bit more "portable" to test speakers from time to time.

At the moment I have the following boards on my desk:

- A NAP 140 clone from Ebay (Jim's audio) including the PSU PCB. Nice
boards.
- An Apex Audio AX11 (wonderfully etched by a friend). PCB by OlafK
including two PSU boards

- An Apex Audio SR60


Maybe one of you built already more than one of these ?

Some hints would for decision finding would be highly appreciated !

Best regards
Christoph

Capacitors on the spindle motor PCB

There are three 47uf 25v (c711/712/713)

A surface mount C701 that has a stamp of 33 25v - the parts listing refers to this as 330. Could someone please confirm this components value and also C702 that has 1 50 printed on it.

Rectifiers are out of circuit:

Good drive going to PS fets when they are out of circuit.

When Fets are in circuit the amp draws extreme hi current.

Assume bad transformer? Wiggle it as much as I can but no change.

Is the only way to verify shorted trans to remove from circuit and find physical short?

[SHARING] TCPi Interface for Sigma Studio, using ESP8266 or ESP32. - Q&A - SigmaDSP Processors and SigmaStudio Development Tool - EngineerZone

I have flashed an wemos d1-mini and that worked.

Hopefully I will have time to actually test this more than flashing the image and verifying that it broadcast the ssid. But I just thought it was to good to not share!

Basically an USBi over WiFi for extremely low cost.

Hello,
I'm new here, hope this is the right place for this questions.

I have a NAD7400 that seems to have had a tough life.
2 output transistors and some smaller transistors have shorted.

Seems like the transistors are hard to find, and I have another broken Onkyo SR-805 that have 2SA1962/2SC5242 transistors.

Would these work and be appropriate as replacements?
Can I change 2 of the 4 transistors on one channel or should i replace all 4?

Thanks =)

Hi ALL

I want to start a project for my youtube channel with the purpose of making a small open baffle speaker about 3.5 feet tall. It is meant to be a MONO speaker. I have gotten a few drivers to try, including horns, but want to start with the simplest array. The morel should be the first, just one 6 inch opening in one of many plywood planks that we will try. Unfortunately I know less than nothing about crossovers and I apologize for this being the 999,99 repeat question, but I am looking for a good off the shelf (Dayton?) crossover to get started with until we get the hang of the final shape of cabinet, etc.

Hi Friends;
My repair hobby seems to be keeping me busy these days. It seems like it is time to 'bite the bullet' and invest in a good solder removal tool. I understand there are some expensive gadgets out there, in neighbourhood of $400 (Canadian) and more. Just wondering if there are cheaper effective solutions and/or if I am going to spend that kind of money, which way should I go?
Thanks for any guidance. My application will be likely almost daily use.
Peter in Canada

Hi,
just a quick question: "Has anybody any experience or thoughts about using a torus/doughnut shape as an open baffle for a wide band/full range driver?

I only ask as the shape seems to me to offer two possible advantages:

1: a degree of waveguide type loading
2: the longest possible path from the front to the rear of the driver for any given baffle size.

(a torus having an overall width of 3 x the central hole diameter)

can somone tell me if i can use {viper 53A} inplace of {viper 50 A}

Have a Digital Designs D4.90 that shows the red protection LED when power is applied. The amp uses the TDA8954J chip as outputs and I have 2 new ones here in case they are needed. I removed the rectifiers to isolate the power supply but still only get the red protection LED. The PS driver board uses a SG3525AP. There was no gate drive to the PS FETS so I went digging around the driver board. I found a shorted MMBTA06 at Q508 and the 47 ohm resistor that fed +12v to VCC of The SG3525AP. After removing and reinstalling the driver board a few times, the gate drive out of the IC started to work so I resoldered it in that exact position, and it has gate output out every time remote is applied now but the protection LED is still illuminated.

The voltages coming out of the SG3525AP pins 11 and 14 are not equal, one is slightly higher than the other. With PS FETS installed, they heat up rapidly, the current draw increases greatly, and then the transformer buzzes before I quickly cut off the supply power. The rectifiers are still out so it shouldn't be anything in the output section, and it does this even with different FETs. I am posting pics of the amp board, pS driver board, and scope shots of the PS gate drive.

Any idea what to check next?

I have a SE84UFO2 on order, and it seems it is pretty forgiving about using different tubes. Taking what I see from Decware directly, for the three applications I see:

OUTPUT:
6P15P-EV
SV83
EL84
6BQ5

INPUT:
6N1P
6922
6DJ8
7DJ8
6N5P
6N23P

RECTIFIER:
5U4G
5U4
5AR4
5Y3GT
274B (not all compatible)

What I am trying to understand is the differences, which have multiple models but are otherwise the same tube, or anything else to be aware of.

I did see this sticky, started in 2004 and a TON there. Not being lazy, just wondering if there is one good resource to start with

https://www.diyaudio.com/forums/tubes-valves/38278-line-tube-learning-newbies.html

Thanks!!!

Hello everyone,

I'm in need of an amplifier for a friend. I want to try class-D, she's looking at limiting her power consumption so class-D seems a natural choice. I have seen the 3e-audio tpa3255, but I'm not sure about the PSU. I have a toroid that are specified at 180VA, 2x12V@8A. I can serialize the windings to get 24V AC, which after full-bridge rectification will provide 32-33V DC.

I'm not sure to understand the spec of the 3e-audio TPA3255-2CH-260W product in regards to power supply, it says "Single supply voltage range 24V~51V(UVP:24V)". I understand I won't get its full power but it's not a problem, the TABAQ I made for her do not need much power anyway. She drives the setup with a bluetooth receiver, and the amp will only have a volume pot between the RCA input and the board.

So my questions

• what is "UVP:24V" ?
• will this amp work fine with ~32V DC
• is the unregulated DC a problem ?

I shall mention that I already have rectifiers and capacitors (10'000 uF, 50V) and even a PCB, so if this PSU is ok I have little costs besides some casing. Can I just add say 4 of these caps and maybe some smaller cap in parallel ?

Thanks for your hints !
Charles

Hello everyone, forgive me if this has been asked before, or if i am in the wrong thread.

I've gotten my hands on some fantastic furniture, and to make it even better i decided to build some custom speaker units for it, along with a pc case.
Now, i am completely dumb when it comes to audio, and also half deaf to one ear, so it is more about looks than amazing sound quality. I spent days looking around for woofer/tweeter units, then i realized that i have an old 5.1 sound system i could use with a dead dvd player. Since it has to be simetrical, i will order another 5.1 speaker set that is the exact same as the one i own for like 25$.

Now, the plan is to use 1 tweeter and 1 woofer / box and make a stereo setup.
Woofer is 30w 4 ohm, tweeter is 15w 6 ohm, and i plan to use an audio crossover i will order later on.
My questions are fairly simple, despite the lengthy talk.
-Impedance has to be 4+6=10 or 6 for the amp.
-Wattage of the amp has to be 15 for the lowest speaker, 45 as combined, or 30w for the highest part?
-Crossover question is same as wattage 15,30,45, or i can just get whatever that is above these?
-Does the size of the woofer unit matter?

This is the amp i would like to use, unless somebody has something similar in mind, price wise. (this is an aliexpress link) 50WX2 Bluetooth 5.0 Power Amplifier Board TPA3116 Receiver Stereo Home Car Audio Amp USB U disK TF Music Card Player|Amplifier| - AliExpress
Unfortunately Ebay is not an option for me because of my country of origin.
Thank you all in advance.

The CUBE - made from Beech wood glulam...

















Wait and See... 😉

A+!

Now it's in use.

Amp starts, PS works, draws 1.1A on idle. Inputting any signal into the RCA --> amp goes into protect with CUR error.

I've read all of the threads for this amp in this forum.
I've lost a whole day measuring stuff and reading the schematics.

No shorted semiconductor parts, no shorted or opened diodes, blown caps or whatsoever.

There is no class D switching on the gates at the output mosfets/or the output of LO/HO IR2010S chips. Tracing stuff and comparing values to the service manual.

There is +4.2v at the collectors of Q301/Q302 instead of the -1.5v in the service manual.

IC301/IC302 have +4.2v at pin 6 -IN, instead of 1.5v in the service manual. OP amps supply voltages are correct.

Then IC303/304/305/306/307/308 voltages go haywire...

Firstly I thought it's MUTE error but Q305 voltage are right as in the manual.

Any help would be appreciated as i'm lost with this amp...

I have built a huge choked t-line subwoofer enclosure for a SoundQubed HDX315D2 sub, tuned to around 23hz.

Now this subwoofer is for my car and will stay there, but i thought that this forum might know better about these sorts of "exotic" enclosures.
I mean t-lines aren't rare in car audio, but I can't find that much info either. Especially with a 15" sub.

Now the sub barely fits into my car scraping all four corners of the box, taking almost all the depth also. It's about 80*70*40cm.

The sub and the rounded slot-port are on the same wall, as I've heard this is best for sound quality and SPL. Now the results are lackluster, playing with 3000+ watts it sounds quieter than with the first enclosure that was sub upwards. With about 1000 Watts.

The subwoofer peaks at 17hz, doors closed, so it plays the lows now, but it doesn't do well on the higher notes.

Now I have tried with the sub facing backwards and to the side. I still have to try forward facing, but I don't have big hopes for that.

My next thought is to put the sub firing upwards, because that seemed to work well with the last box, even though it wasn't braced at all or anything.

I'd have to cut a hole in my rear shelf and drop the sub in. (Sub weighs 25kg and the box is 50kg) But the added hole would bring more bass to the cabin anyway, and i could then maybe reverse the sub and have it magnet upwards.

Now I am wondering, don't t-lines rely on the phase-relation of the port and the sub for added low-end? If so, how can i phase-align the sub pointing upwards? I have seen it done with great results, but I just need to know how.


Tl;dr: I'm swapping the subwoofer from the same wall as the port, to another wall. How do I phase-align them?

Amp is using A1694 amd C4467 for the outputs .

Is there a good replacement for them ?

I have put together an external PSU for a preamp. Mains input is via a Roxburgh RIR-022-H IEC suppression filter. The rest comprises an on/off switch (dual pole), Toroid, LM317/337 voltage regulator and finally via a ground lift circuit (Rod Elliott design back to back diodes/10 ohm resistor/100nF cap) just prior to the PSU outlet.
I'm finding a significantly higher noise from the ground lift than from the chassis earth.
The following 'scope grabs show:
Chassis Earth in Yellow, Ground lift in blue
1) The PSU without any connections
2) The PSU with the mains cord connected but not switched on
3) Mains power on and the PSU itself switched off
4) Both the Mains and PSU switched on
5) Shorting the ground lift circuit to earth

Perhaps the Ground Lift is incorrectly placed prior to the outlet (after the voltage regulator)?
Might it be better to connect just after the mains inlet? Between Toroid and voltage regulator?

Scratching my head at this point. 😕
Any ideas?

Many thanks
Tony

Edit:
Sometimes one can't see the wood for the trees.
The 10 ohm resistor in the Ground lift is connected to a buss-bar and was not fully secure. 😱
Tightening the screw has removed the problem and the ground lift now acts as expected and there is little difference now between it and the chassis ground (± 260 vs 150 uV respectively).

I recently acquired some Tannoy parts,nameplate type 220,I tried to search infos about this amp and found none.Anyone could give me some clues about this amp?
The transformer I circled is for what pupose?transformer one side connected to the variable pot,the other side connected to the grid of VR100 tube




Thanks!

Motivation
Traditional FM radio has its benefits- one of which is an unlimited supply of free music. With the advent of local radio stations that play a variery of music from the past and do't talk too much, listening to radio has become interesting again, at least for short periods of time.

A line-in will be needed as well, for an MP3 player or CD player or both.

Bluetooth is also a possibility.

Feasibility Testing
The feasibility of this project is already tested, using a transistor radio costing less than $10. The sound quality is fully acceptable, and considering that the radio uses an LM386 chip, albeit it bridged mono mode, sound quality is not expected to be an issue.


1) Satellite subwoofer home theatre system through headphone output

Sound quality - suprisingly good, though lacking bass. Distortion most probablt due to broken antenna.

2) Un-enclosed Radio Shack 6" 40-1011 woofer driver with sensitivity of 93 dB/W/m

Acceptable sound quality

3)Sony SS-G333ES speaker

Sony SS-G333ES on thevintageknob.org

These are large speakers, consisting of a 8" woofer, mid-range, and a high quality tweeter.

Sound quality was acceptable, something I could live with. Sound pressure levels at 1 metre was measured at 75dB/W/m at half volume with distortion attributable mainly to the FM reception. Connecting a long wire to the FM terminal cleared things up considerably.

All this from a transistor radio powered by 3 volts of batteries.

FM Section
The FM IC used on this little radio is a CD9088CB. Output is to one speaker although the headphone output seems to be stereo,

currently using PCM1702P DAC chips. is there any difference if I were to replaced it with PCM1702P-K chips?
kindly advise
tq

I have a number of old audio amps that I want to gut and use the PSU's to build Chipamps (gainclones, etc).
The problem is many of the old amp PSU's are higher than +/-50VDC and many chipamps can only handle +/-40 to 45VDC.
I also need 5+ amps.
Anyone have any simple circuits I could adapt, like with 3055's etc?
Thanks for any help,
-Rich-

I have a 5k:8 ohm SE output transformer rated 5 watts. According to WE data sheet for 300b I can get 6.2 watts @350volts, 50 ma. Clearly will not be using at maximum output all the time. Will occasionally surpassing the rated 5 watts do any lasting harm? Or am I going to melt a winding😱

I know these sorts of questions come up all the time and there is no easy answer...

I have a set of Australian Axis speakers - LS88 and LS28 and a matching centre. The high frequencies on the LS28 and LS88 have all but disappeared - which I attribute to the aging Tonegen tweeter (94L65DS-03HD; 442TND).

I believe these tweeters were used in many speakers through the ages.

There is even a thread on re-doping them (or a very similar model):
How to Re-Dope Snell Tonegen/Foster Tweeters (Model E, J, K; gens. I & II) | Audiokarma Home Audio Stereo Discussion Forums

In addition to the re-doping, there is also ferro fluid that may or may not need to be replaced depending on if or if it isn't in there. In any case, I'm not sure if I'm up to taking these apart.

Anyway, have been looking for a replacement - unfortunately they have an in between cut out diameter (~94mm) and the LS88 has an extra magnet glued to the back..

Any ideas?

Hi
My friend designed two regulator with very small size. He is willing to offer PCB sample to member on diyaudio forum.

Dual regulator : SIZE: 82mm X 59mm
Positive regulator : SIZE: 65mm X 41mm
Supply voltage range : 5V -- 80V

here are the pics of the regulators:
dual

positive


This is the PCB:
dual

positive


Schematic:
dual

positive


The mounting on chassis:



each member from DIYAUDIO can ask for one sample PCB(dual or positive). Because the different voltage has different BOM, please tell me output voltage you need. Only 20pcs of samples for each reg.

Applyer only pays the registered airmail shipping fee 3.00USD.
My email address: coffin@diyzone.net

cheers

Coffin

I think this qualifies for this forum. Here's a link to a description of an electrostatic driver with a graphene diaphragm:

nanotechweb

I haven't seen any reports of sheets of graphene big enough to make room-filling sound, though.

(Here's a Wikipedia link for those new to graphene: Graphene)

Few

I'm going to be helping someone put audio in a newly purchased home, and also want to do some projects in my own. Also, once I get past some personal stuff, I want to FINALLY make* some custom speakers and matching cabinets.

I've made some crude albeit scaled room sketches in PowerPoint, but that's not going to serve easily for 3D cabinets. And for rooms, I feel there must be something simpler. Once upon a time I used Google Sketch-Up, or are there better choices by now?


*Not myself, my detailed woodworking days are past. Any LA-area recommendations for cabinet makers (speakers and stereo cabinet, not kitchen ha ha) very welcomed.

Hello all

I have got an antique radio with a nice casing, and volume knob that I am thinking of repurposing.
I would like it to have a line-in, and a bluetooth function. Unfortunately the radio can only accommodate one speaker, and I think i will look for a 5.25 inch driver.

I want to power it with a suitable board. I found many, with the appropriate power, line in, and bluetooth, and volume control (which i intend to interface with the original knob).


Here is a good example of a board I'm considering


But these are all stereo. I am a little at a loss as to how best to convert to drive a single speaker. I see advice about combining the line-level signal using simple resistor Y-shaped configs, but not clear about how to combine a class D L/R output to mono.

Any tips would be greatly appreciated.

After lurking for a bit a looking at lots of designs, I've started cobbling together my own.

This is a class A buffer for low-voltage headphones, with no input or output capacitors (similar to the directly coupled B1 buffers in this forum).

This is intended to drive my Etymotics, which only need about 0.2V.

There are three "channels": right, left, and a virtual ground return.

The source follower is an IRF510, and the constant-current sink is my tweak on something jerluwoo posted in https://www.diyaudio.com/forums/sol...ource-ccs-audio-applications-post4785961.html

It seems to simulate fairly well 🙂

Haven't actually built it yet, that's next 😀

This is my first "real" attempt at making an amp, so any and all feedback is welcome!

Hello

This thread is the continuation of a cartoon that started here:


Vintage JBL for subwofer

I transcribe the text of my notes:

DEFINITIVE DECISION :
CORNERS !
I will use this two furniture, the white will be for the box and the red for the front panel.

Box:
Prism
Volume 300 liters gross
Design: sealed
QTC: 0.550
Perfect transients, although less SPL, this is compensated with a gain of + 3 db in each box when increasing to this volume ..
So for the same SPL will need half the power (watts)

These pieces of furniture have been a gift from a friend who did not use them anymore.

They serve ? he asked me .....

The next day they were in the hall, WAF asked where we would take the dog for a walk, for the same place that we will enter and leave, I answered, or is not he another member of the family?

The prism (irregular) will be 0.50x0.50x0.70, and the height of the box of 1.40 meters.

Soon I will attach the results of the simulations with WinIsd

Ohhh, I will have to make many gifts (and many invitations to go out to dinner) to my wife, these monsters are not easy to accept in a living room ....
I am a lucky man, yes sir ! 😉

My latest diy preamp adventure. -/+ 24v Linear Supply. Sparkoslabs regulators. LSK489 for the jfet’s. 6 layer PCB (s/g/p/p/g/s). Startup / shutdown muting.

Balanced -> LL1676(1:2) -> jfet follower -> 10k ladder -> jfet follower -> dc blocking cap -> RCA

I will post measurements soon.. the in/out are flipped on the case.

Hello everyone,

I am building a project with a DF player and a GF1002 (based on PAM8403). The problem I have right now is that by pressing the play button on the DF player, there is no sound, however the GF1002's IC is heating up. I have attached my current wiring diagram.

This scheme worked before I hooked everything on a PCB, which probably have destroyed my previous GF1002 (+ and - were shorted) - it also heated up.

However now I have brand new both DF player and the GF 1002. When I connect only 1 speaker to DF player (to pins SPK1 and SPK2), it works.

What have I done wrong?

Hi,
According to TAS5558 datasheet:

The TAS5558 supports volume control both by conventional digital gain/attenuation and by a combination of digital and analog gain/attenuation. Varying the H-bridge power-supply voltage performs the analog volume control function.The benefits of using power-supply volume control (PSVC) are reduced idle channel noise, improved signal resolution at low volumes, increased dynamic range,and reduced radio frequency emissions at reduced power levels.

Click to expand...

The TAS5558 also features power-supply-volume-control (PSVC), which improves dynamic range at lower power level and can be used as part of a Class G Power Supply when used with closed-loop PWM input power stages.

Click to expand...

I wonder is there any examples of Full Class D amps which implemented this (or similar) concept on volume control stage? I think this concept overcomes one of the big concerns in audio when used with full digital amps.

This project is about creating better enclosures for the 3.5 inch speaker drivers that came with my PC speaker system that was converted to an amplifer in this thread:

http://www.diyaudio.com/forums/chip-amps/283845-pc-speaker-electronics-amplifier-conversion.html

Removing the 3-inch speaker drivers and testing them externally yielded some interesting and encouraging results. Placing them in cardboard boxes generated a surprising level of clarity and some semblance of bass.

The speakers do sound better when 'liberated' from their enclosures. There are several reasons for this, as far as I am able to ascertain. The speaker grille probably cause a lot of diffraction, and also resonances. The box formed by the front of the speaker enclosure and the speaker box also causes some level of 'boxiness' and resonance.

I hope to design and build speaker enclosures for the speakers.
Specifications:

Impedance: 4 Ohms
Power Handing : 3 Watts
Size : 3 inches

Measurements:

Frequency response : 100Hz to 12,000 Hz (pure tone)
Max output : 75 dB at 1 metre

I am looking for a SPST tumbler (toggle) switch which has a long actuator/handle (at least 30 mm long).
When browsing the internet, I stumbled across a switch from APEM in its 600H series.
In that series APEM has also types with actuator lengths 30mm and 40mm. But looking for a supplier I cannot find that type.
Can somebody on this Forum help me with this problem.
It is in fact not important which manufacturer but as long as it can supply that 30mm actuator it is O.K.
In the attachments I show which type I mean.

SOLD

1x LL1650 Power Transformer, EUR 80 + shipping

2x LL1663PP OPT, EUR 110 + shipping

First come, first served.

Please post you interest in this thread and send PM afterwards.

Payment via PayPal only.

Hello,
I am investigating one problem with airplay streaming involved in signal chain. Longer story is here
Short story is that it began from shairport-sync issues. But i got same problems without shairport-sync involved.And that is just mind blowing. I played 20khz sine signal from mac to airport extreme latest version and firmware and got the same crackling sound due to dropouts about 384 samples lenght. I am out of ideas, so want to be more sure that not only me getting this. Anyone having apple at both ends could test this. Just generate 20khz sine over airplay to other apple end and see if you experiencing this. Why 20khz? Because this is the most easy way to find a problem if it exist. Make sine just below 0dbFs and play. Please play for 2minutes at least. The problem could take time to appear.
Anyone experiencing the same please let me know.

Thanks

I have Mission 770 with pretty sever scratches on the top ... any tips for getting them out - short of re-veneering, which I'll not do

Pictures show after light sanding with 600 grit to remove high spots, light soft pencil scribbled to identify "layer", light sanding with 320 grit to remove pencils marks - damp wipe to remove sanding dust. Still looks like hell.

While doing some experiments on my speaker, I placed a piece of plywood in the back of the enclosure behind the woofer at a 45 angle pointing upwards:



That didn't really change the output of the woofer, which was my original goal, but I discovered that it significantly reduced (smeared) a 850Hz peak I had in the port output.
When I flipped this reflector to point to the bottom of the enclosure, that effect was gone and the peak came back.
I also tried putting a piece of high density rockwool in the middle of the enclosure behind the woofer, and the effect was kinda midway between the reflector and no reflector.
(see attached measurements)

As far as I understand, the reflector changes the path of the wave from the back of the woofer, shifting the resonances to different frequencies, and overall, scatters it around the enclosure.
I'd love to hear your thoughts and explanations, maybe there's a better/easier/more proper way to achieve this?
Also, if you know any good articles on how to deal with the sound inside the enclosure, please share. There is plenty information about stuffing but I didn't find much about the cabinet shape, construction, effects of slanted walls etc.

I found a vendor on ebay for SJEP120R100.
I am not posting the link here for the ad is easy enough to find on ebay.
Does anybody have any experience? Are these the real deal?
They are HELLA-expensive!

Dear people from Diyaudio,

I have struggled quite a bit before trying to solve my issue with the help form this forum. I play with a pair of wonderful mission 717's with a bit of an upgraded cross-over. After modifying my amplifier I heard an issue in my speakers. Both have a slightly different version Audax Hd100 tweeter. To solve the problem I bought the tweeter known as the "Direct replacement for...". After measuring I deal with a +/- 6dB difference. The man who sold me the tweeter kindly helped me and we measured an L-pad for the tweeter. Sadly enough just an L-pad doesn't solve my problem.

To sketch the situation at this point, the original crossover is as following:
Low pass: 1,6mH coil in series.
High pass: 6,8uF capacitor in series, 0,20mH paralel.

Simple, yet effective.
The current situation follows this + a 2,7 ohm resistor series, 5,6 ohm resistor paralel. With this impedance making it a 5,8db attenuation.

I can't honestly say that I feel like I need this or that, it's just not 'there' yet, and I'd love to get some suggestions. I made my filter external so I am able to 'play around with it'.

Hope someone can put my tweeter on the right track, I can feel it's 'almost there'....

Hi all. I'm planning a couple of builds and need to get a few transmitting tubes. Figured I'd check here before going to one of the online marketplaces. Especially interested in 845/GM70, but would consider others. I'd rather keep the $ in the community as well as not have to worry as much about breakage during shipping. Thanks much!

Loren

Hi,


I am lost in the uderstanding of group delay and also on how to choose the inductance characteritics of a bass driver.


I believe to know a coil for a low pass is adding a lot more of inductance that the driver has itself at those low frequencies. How much is it important in the choice of the bass driver please ?


What about a 8" having a Le of 0.2 uH like modern drivers with low efficienty and trade offs with older design with maybe 0.5 to 1 uH ?


My understanding is the lowest inductance gives the best group delay or am I mixing the concepts, i.e. missunderstanding the thing ?


I especially asking myself what Le range should be preferabily chosen when we need to pick up a mid bass drivers, these 6" to 8" drivers that are asked to make 50 hz as 800 hz ??? Is there a threshold where we should don't care anymore cause too much difficult to manage below a limit ? For instance 100 hz or else at seing for instance some waerfall in the bass areas ?!



How much should I care of the inductance in the datasheet, then in the coil filter for a first order low pass, please ?


Sorry if I am mixing up the thing too much btw...


Many thanks if you could beginn to enlight me...or give me simple path to follow fon howw to consider the Le of a bass driver.

Looking for V5, including manuals and key. Please contact if you have to sell.

I've been using 4P1L as PP driver in my GM70 PP amplifier and like the sound. I used it in place of 46 as they are hard to get. The 4P1L is transformer coupled to the GM70.

As usual the 4P1L is very microphonic and that is beginning to concern me. I'm not entirely sure if it makes a difference but if the music is loud and cut off suddenly (lifting the cartridge off the record) a ringing can be heard that fades out; like a small bell.

I'm looking for suggestions for an alternative that is relatively easy to get, not too expensive. Preferably directly heated but I might have to concede on that.

any advice for table usb microscope in order to solder surface parts or take pictures ?

become necessary with years

Used Harman Kardon Citation 16 lower front panel in very nice condition. Does not include power switch, neon indicators nor any other panel parts or hardware. Sells and ships to USA residents only. $99.00 plus shipping; PayPal with transaction fee added.

Used ADCOM GFA-585 power amplifier rear heatsink assembly pair in excellent condition. They do not include any semiconductor devices nor emitter resistors, and possibly other parts may be missing. Sells and ships to USA residents only. $125.00 plus shipping; PayPal with transaction fee.

As new Hammond RCBS1900317BK1 table top rack mount enclosure cabinet 2U height (3.5") high. Includes mounting clips and screws. Never used. May have some minor paint scuffs or flaws.

Sells and ships to USA residents only. $125.00 shipped; PayPal with transaction fee.

These speakers are the original ones as built by Troels - I was lucky enough to buy them off him directly as he was short on space and another one of his projects had to be moved on. Speakers will come with full build / crossover details.

UK buyer preferred, free delivery in England/Wales - dispatch outside of this possible but it might be costly.

Asking £3000 based on parts cost - good deal considering the kit price and sheer amount of baltic birch plywood used and huge amount of time Troels put into these.

They put most commercial speakers to shame - for example Spendor D7.2 at over £4K is nowhere near the performance of these (I have directly compared). I personally believe something like the Spendor classic range or ATC SCM100 SE would be a more comparable speaker.

These ones are fitted with the beryllium tweeter.

These have similar DNA as ‘The Loudspeaker’ but in a smaller package.

Original webpage for the build:Faital-3WC-15

Condition is mint.

As a happy Quad 63 listener, Dipole-DIY-er and fascinated by the AMT Mid-Tweeters ... why not face the challenge to mix that all together into yet another, this time slighty more experimental DIY project for me: A non-standard AMT with an electrostatic drive ...
ES_AMT_1.jpg

I started with the Idea of a folded AMT-curtain which would have some 4:1 depth-to-width ratio and would result in some sort of max. 4:1 compression ratio, if the membrane would perfectly move in parallel (which is not the case). I designed not much deeper, because of possible lambda/4-resonances.

The membrane is hold into it's curtain shape by carbon rods which are manteled by shrinking tube. These rods can rotate in the plexyglass holders so to allow some repartition of the membrane tension.
ES_AMT_4.jpg

On both sides of the array there is a V2A steel rod, letting stretch the membrane and slightly play with the tension. After the tension seems ok, the membrane has been further stretched with a hot air gun. The electrostatic load of the membrane is fed by one of these V2A rods.
ES_AMT_2.jpg

Each fold of the electrostatically charged membrane has on both sides 5 straight copper wires driving the audio signal to it. Because everything should be symmetric, in theory there would not be any lateral forces on these copper wires. Wirewise, a wire either pushes, or pulls both adjacent menbrane folds. All these 5-Wires-Arrays are alternatively fed by the high tension audio signal. One set is fed from the top, the other set with opposite polarity from the bottom. The distance from these arrays to the membrane is some 2mm, as everything is set up on a raster of 2.54mm.
ES_AMT_3.jpg

The transformers are 220V-5V types, which gives a theoretical ratio of 1:44 when inversely used. To archieve enough high Audio signal Voltage, two of them are used, totalling to a ratio of 1:88. In order to get some 4kV audio signal, the nominal 5V inputs of the transformers must be fed with some tenfold 45V...50V. Therefore, to avoid saturation of the iron core, this setup must not be fed with signals below the tenfold of the nominal 50Hz, e.g. not below 500Hz.
Transformers.jpg

The static high voltage is provided by a Cockcroft-Walton multiplyer, fed by a commercial inverter for cold cathode lighting, the latter outputting 700V ... 1100V / 5mA at a frequency of 30kHz. The diodes are 2kV/3A types, the capacitors are Wima MKS 2kV/100nF types. So at the end of the miltiplyer chaint there must approx. be some 4kV.
CockcroftWalton.jpg

So, hooking all together ... and driving it with an old faithful Yamaha AX 590.

Three different membranes have been measured. Twice (red/green) membranes cut out from an aluminium damped emergency blanket. KISS for the beginning, because it is a standarded and readily available (I know, I know, way too much conductivity ...). This kind of membrane material is very noisy by itself, very self-resonant, which leads to really messed-up acoustic results between 500Hz ... 5kHz, full of resonances. And also a huge and broad peaking above 10kHz. Because of these resonances, something completely different was used for a third attempt: Give it a chance with a self-adhesive aluminium ribbon, all along with it's protective PE-strip-off-layer (blue). This provides a nice self-damping sandwich membrane, a much smoother sweep audition, but an akward loss of SPL around 10kHz. So in the end, none of these two membranes were suitable. And I am reluctant to dive into self.made soap/graphite/magicmixtures coating of unobtainable membrane brands. Unless someone knows THE solution ...
Amplitude.png

Besides the resonances there was way too low SPL: 80dB, and when driving it louder, then the sparks went firing ... for the case of the safety blanket, each spark was evaporating some of the aluminium coating (sort of a nice self-limiting process, indeed). The foil itself was robust: The sparking was not punching a hole into the foil.
Membrane.jpg

So all in all the project is/was a fail until now. But it was fun, and I learned a lot about electrostatic LS. And I luckily am still alive, despite handling HT.

I have not given up completely, though: Maybe someone has some most welcomed constructive critics / remarks / hints?

B&K 1640 mobile equipment power supply in good condition with manual. Discrete linear regulated design provides 3 amp continuous current and voltage adjustable from approx 10 to 15 volts DC. Vintage 1980s. Has auto-reset overcurrent switch.

Sells and ships to USA residents only. We have closed our audio shop due to retirement. $40 plus shipping; PayPal with transaction fee added.

I have NOS genuine Analog Devices AD743KN (9) and AD745JN (11) for sale. The 743s will work well in ROTEL RQ-970BX phono preamp upgrade and the 745s are excellent for ADCOM GFP-565 preamplifier phono stage upgrade (along with required resistor and capacitor changes). These were sourced from an authorized USA distributor and have been long out of production. We have closed our audio service/upgrade shop due to retirement. $20 each plus shipping. PayPal with transaction fee added. Sells and ships to USA residents only.

Hello everyone. My name is Brad. I have been lurking around this site for many years(about 20). Back in my teenage years, I was really into home and car audio during the early to late 1990's. Now that I am a married homeowner, I have an interest in building a few projects for my house and as well as my cars. A lot has changed since the late 1990's, and I would like to catch up on the current technology. Back in the 1990's I was a huge Cerwin Vega fan, and I am currently a fan today. Going back 25 to 30 years ago, I remember amplifier power was quite expensive being between $2-$5 per watt. Today, I see that there are amps out there with a lot of power for significantly less money. I also see many new companies out there. I am glad to start posting, as I have so many questions since I was active building stereo systems over 20 years ago. Thank you Brad

Hello, does anyone here know what happened to the site of an Korean or Taiwanese Sub miniature tube headphone amp site ?

I visited the site last in 2013 but i cant find it anywhere anymore.
This guy made beautiful tube amps in, to me, impossibly small mint tins.

All battery operated.

I downloaded one project of his the "amp head micro" but even googling on that name or reverse picture lookup doesn't give any results.

If any one knows where to find more documentation that would be great.

Kind regards Oliver


His name is sijosae. Old site is "http://www.headphoneamp.co.kr/ftp/sijosae/Gallery/"