Playing in xsim yesterday on my 2 way XO. I am down to nearer to 3 ohms than I'd like to be at about 100hz.
More by luck than judgement I tried a resistor between the driver (SB17NBAC35-4) negative terminal and ground and it seemed to lift the impedance nicely. Phase didn't seem to suffer.

I don't recall having seen this done so I thought it must be 'unconventional' or plain wrong? Any advice please.? Thanks

Just thinking. If you have say 4xKT88 in a push pull output stage could you just turn 2 off (by removing the heater supply) for low volume. I know it will affect the output impedance etc. From data sheets it appears a valve may actually tolerate more voltage when cold.

They are in a local junk shop, cabs are tatty but the 15" drivers look pretty beefy and the cabs are birch ply, seem fairly well made.

Was thinking of having them to harvest the drivers but couldnt see any info anywhere on them, and ive not seen this design before, so im not sure what im looking at...

Having reading a number of recommendations regarding the use of “Star” Grounding in the wiring of loudspeaker crossovers, ostensibly to lower noise in the loudspeaker circuit, it appears to me that the use of grounding in the high-level signal path may be comparable to that used elsewhere in the audio circuit (in application, if not in importance). So fa I have been playing around with using a ground plane in the external (passive) crossover enclosure, although I haven’t been able to draw any conclusions so far.

Today, while reading J.A.’s review in Stereophile of the Esoteric MG20 Loudspeaker, I notice that the design employs 5 binding posts. According to the reviewer: “…one pair each for the tweeter and the woofers, and a fifth that grounds the amplifier’s output to the drive-unit chassis…doing so with conventional amplifiers is said to reduce the noise floor by shielding the voice coils from RFI.”.

I'm intrigued and intend to experiment more with this,wondering if the idea of grounding & shielding can/should be extended to include the use of shielded speaker cables and/or running a seperate ground lead from the amp through the (external, in my case) crossover to the loudspeakers...

Anyone else here experimented with this, or have knowledge to share about this topic?

-Chas

Hi All,

Do these capacitors look ok for use as the primary (post rectifier) cap in a tube power supply? They look suspiciously like motor run caps but aren't marketed that way. Current ratings look to be quite high.

Appreciate any thoughts!

Greg

In case it helps someone else in a purchasing decision I have enclosed measurements of an affordable AK4396 DAC. (It was only $16 on AliExpress.)

The measurements were done with REW with the optical output of a USB SB0490 driving the AK4396 routed back to the Line 1/2 inputs of the SB0490. ASIO drivers were used (ASIO4ALL at 24 bits 48 kHz).

The distortion is at the limit of my SB0490 to measure. It is still worth measuring because it could help detect a major layout or power supply issue. I have measured other DAC boards and found quite bad performance due to layout, design, power supply, etc.

Two sets of measurements are enclosed. One set with the stock onboard power supply (LM7812/LM7912) for the analog section. The second set uses an external LM317/LM337 supply as a pre-regulator to feed the LM7812/LM7912. This eliminates the 60 Hz (and harmonics) seen with the stock configuration. The pictured LM317/LM337 kit only costs $5 from AliExpress (you solder it together) and it greatly reduces 60 Hz. (And no modifications to the DAC board.)


I think it is a very nice board especially since it costs only $16. I still might add 10 uF ceramics under the film supply bypass capacitors around the AK4396 and the output op amp. I am using an NJM4580D as the output op amp but I did not see very much difference in measurements with the stock NE5532P.


FYI: The spike near 2 kHz is something in my system that I can't seem to track down. That is not the DAC under measurement.

Babelfish M2/SEF amp (yup , S means Schade)

Another funny pair , for your fun , amusement and joy

First remark - it's easy to convert your existing M2 to SEF amp ..... see yourself

Anyway , to start with Babelfish M2 - practically nothing new under the Sun , everything you're going to see it is familiar ; so , that one was trivial to make and test.

Practically - same approach as with Babelfish M25/SissySIT , sans Halls in rails ; difference vs. Papa's M2 are:

- tiny buggers (2SK2145BL) input JFet buffer , or T092 Toshibas , or any decent T092 N channel JFets ; xconductance conduct how many are going to be used

- with this pcb , one can use Edcor or Jensen or Cinemag Iron ; all well known candidates

- for all tests Iq set at 1A8 , while Papa's original was more sissy in that department

75 pages incl. some tube-amplifier LTspice examples. This Working Paper is a supplement on how simulate tube amplifiers with LTspice.

DIY AUDIOPHILE TUBE ELECTRONIC | "es bizeli zuesatzliche infos fuer de audio rohre chlutteri" Swiss-German translation ;-) Sorry, the PDF file is too big for upload into diyAudio

I wrote this document mainly for myself, because I'm an amateur user of the nice LTspice software. In the past I always fail with the transformer simulation and was not sure how good the tube models are, which I found on the web.

The document is simple and self-explain. Sorry, I have no time to answer questions to my working paper; first my English is very bad and take me lot of time to answer questions. Second, I have so many not finished tube projects on my bench

Hi,

Upgrade of my Old HeathKit IP-2717

HeathKit IP-2717 | Flickr

Replaced all electrolytic caps and power resistors... (was blowing fuses...)

Calibration, works great!

I have for sale
4x wattgate audio trade good plated power plugs. Two clear and two black. Used for a one day test,like new condition.
2x IEGO Gold plated furukawa copper plugs
1x Furutech good plated
2x basic Wattgate is power plug

I want to sell as one package. I am based in Europe.
Price = half of the MSRP in Your country

Has anyone build a class D amplifier using relays only? The operation of a class D amplifier involves the varying of the pulse with based on the input signal, presumably the signal could be used to switch a much large current than the input signal, resulting in amplification.

I am no quite sure how this would work, and I was unable to find any references to using relays in this way except for the use of 'reed relays' in telephone switching systems.

What is a Reed Relay? from Pickering Electronics - YouTube

I want to build the power supply with LR8N high voltage regulator assisted by IRF 830 as mosfet pass through.
The circuit is from wtfamp site.
l intended current is about 100 ma at 300 v.
What's the minimum input and output voltage differential?
What is the value of the zener BZX at mosfet?
Will the circuit work?
Thanks

For sale Pass F6 with original boards and parts from diyaudio store. ClC psu with 40000uf-2,5mH-120000uf all kemet screw termination caps. Top sound. Build in wooden enclosure, if you will you can build your own. Amp weight about 20-25kg so only pick up in Slovenia, maybe from Austria, Italy or some other EU country. Price is 650eu or best offer. Im ending my hifi hobby so grab this top sounding amp. Look the pictures. Verry big heatsinks about 500mm x 200mm.Sorry last picture from aikidi preamp, is not for sale.

Hi!
How to test the inter-modulation effect. [note, works only on 2-way speakers]


- Set a 12db filter in your player as shown: 300Hz, Q0.5, -12dB

- Open a signal generator ~ 60% vol. Drag it to the left until it goes silent. Hit stop.

- Play the song now without bass.

- Play the generator on and off without looking and if you hear the mids get restrained, look at the generator.

- You got to nail it 3 times to get a trend.

(I did it on active speakers and this may be more sensitive).



Intermodulation:
Mixing: Monitors

Tone generator:
Online Tone Generator - generate pure tones of any frequency

Just bought 2 miniature audio transformers to convert single ended to fully differential, measured DC resistance between pin 4 and CT (40 ohm), pin 6 to CT (45 ohm), so CT is not in the middle. Will this cause offset and how to eliminate it?

I'm rebuilding an HCCA2100 and everything is going well; just having trouble locating Axial 4700u63v rail caps (4) sized 1" diameter x 2" length. Seems the rail voltage is +-36vDC.

Am I alright with either:

Lowering capacitance to 3300uf63v
Lowering capacitor voltage to 50v using 4700uf50v caps?

Parts are scarce and axial caps are much harder to find. Another option would be to wire-in radial caps I guess.

Thoughts?

Can anybody provide me the schematic for the following PCB?
I tried for the sources but couldnt get the circuit.

Subwoofer Filter 25Hz 250Hz Bass Crossover Circuit - Electronics Projects Circuits

DC offsrt on a preamp ranges from approx 10mV to 350mV, climbs and drops in a cycle that takes a minute or two to complete. (SM says it should be between 0 and 200mV.)

How should I go about finding the cause of this?
Freeze spray?

Trimpots have just been replaced by Bourns, so it's not them.
Power source voltage is rock steady at 30.2V
And which section of the amp does it likely stem from? Power supply?

Solder joins have been checked and reflowed but caps are still the originals, although the few that have been checked were well within spec.

Any suggestions?
Amp is a Yamaha C-4 preamp.

I dismantle speakers and sell off the parts. Long story short: I have a pair of Sony Sony SS-NX1s that I'm about to disassemble . . . wait . . . are they any good?

Hello,


I have a B&C Speakers crossover filter.


One can see these terminals.





What kind of connector should I use with them? This one?




Thank you!

6.5" woofer blown in 2.5 way pair of Musical Technology Falcons.
Driver measures 10.5 ohms disconnected on multimeter so guess need 16 ohm replacement?
Any suggestions, advice on alternatives appreciated. T/S parameters unknown.
Can't see reconing as feasible but keen to keep cabinets at least as heavily modded.

Specially for ZenMod so he knows how to built a simple and good sounding Class A amplifier. 😉


https://www.diyaudio.com/forums/attachment.php?attachmentid=992652&stc=1&d=1635099089

https://www.diyaudio.com/forums/attachment.php?attachmentid=992653&stc=1&d=1635099089
https://www.diyaudio.com/forums/attachment.php?attachmentid=992654&stc=1&d=1635099089
https://www.diyaudio.com/forums/att....php?attachmentid=992656&stc=1&d=163509908989

2 pcs, just tested unsoldered Audax HM130Z10 HDA Aerogel.
Nice sweet sounding midrange tweeter.
Price 54€ for 1 pcs+ PP.

High-performance fully differential photodiode amplifier for miniature fiber-optic gyroscopes

A photo diode is going to be low current, so that got me thinking if the paper's approach would also be useable for moving coil amplification. You could go one step further with a fibre optic gyroscope stylus (but that would be silly, no?)

I've been building amps using current mirrors since I learned about them in college about 15years ago. I first tried it b/c I didn't have a voltage supply with high enough voltage for the tube, and as a student, didn't have money to buy another transformer.

I liked the sound of the first preamp I built with a mirror, fast and accurate to my ears. Since the output can be loaded with anything, the volume was adjusted by various resistors via a rotary switch and the signal taken out without passing thru the resistors. After that, almost all my amps, espescially the VAS stages are like this.

Depending on how u use them, and look at it, they have some very good points.

1. The circuit is DC coupled, no cap in series.
2. The tube being mirrored sees a constant load.
3. The low voltage swing makes Mr.Miller a non-contender. (wideband)
4. The load on the output side can be anything.
5. The load on the output can be terminated at any voltage.
6. The supply is often at a friendlier potential.
7. The current is at max when the output is at max amplitude. (grid drive)
8. Everybody else builds classic circuits, it's nice to be different🙂

Some comments on those points:
Look at the heated discussions about signal capacitors, and point 1 gets real nice. I dont even want to start another one of those discussions. But is a transistor any better? Well, I think so. Is a choke or CCS with an output cap any better? Well, if u cannot utilize the direct coupling for some reason, and u must have capacitor coupling, there is no reason the mirror is better.
The tube being mirrored sees a contant load, and relative to the plate voltage, we can say the voltage swing on the plate is minute, so it is like a cascode. Do cascodes sound great? Well I think these circuits do, so I guess so. The real benefit in addition to the cascode's wide bandwidth is the output being so flexible as to how it is connected and loaded. The combination of that makes it a good solution.
It is very fast, and in my amps using the low mu 6AS7 it swings +-120volts at over 50kHz with no problems, even with several in parallel. For driving an output tube's grid it also is beneficial that the current is at it's max when the output swings up. (Noninverting).

I have tested various mirror types, wilson mirrors, cascoded outputs, MOSFETs, BJTs, etc. The spectrum analyzer shows near identical performance with all, making me believe the tube is the dominant contributor, so I consider this a hybrid circuit with tube dominance. (And I use the simplest mirrors).

Anyway, before going too far, here are some sample circuits I have built using this topology.

These are simplified schematics, but show how direct the signal path is. I do not bother draw in the grid stoppers or the various power supply components. (The excellent article by Lynn Olson about current loops is a must read when optimizing the supply).

Btw. I found this thread about mirrors which I havent had time to look at yet, but hopefully it is an interesting read. Perhaps tonight with some good wine and and a few good records🙂
http://www.diyaudio.com/forums/solid-state/133018-current-mirror-discussion.html

Good morning!

I'm in brain-cooking mode, trying to figure out how I could display the difference between 2 potentiometers (like, volume left to volume right).
It would be for a balance- or volume-indicator of two independent knobs (with a "master" volume-pot being present), so it would be interesting to see the difference of those two...

Like:
L is -6, R is -6 = 0
L is 0, R is -6 = -6
L is -6, R is 0 = +6

I was able to come up with a mechanical possibility (think gears + springs), but it would be interesting to see if others have come up with other methods? How would this be done the electronic way?

Have a nice day
david

I’ve recently completed soldering the F6 amp pcb’s and used acetone to clean flux residue. While it did a good job removing the flux it did leave a very light somewhat sticky film behind. What’s best to clean this last bit of smudge?
Tried isopropyl and mild soapy water. Suggestions please

Just came across these little adapter sleeves thought I'd pass it along as a construction tip. (I have no affiliation with the seller). I'm usually in the tubes forum. These allow you to fit 6.35mm knobs onto 6mm pots or rotary switches. If you've ever put a 1/4 inch knob onto a 6mm shaft you soon lean that the knob rotates "crooked", because it goes off center even though the grub screw is holding it tight, it is pushed off center. And it looks and feels like crap. Also there are many, many more 1/4 inch knobs to choose from in the vast knob marketplace than 6mm knobs. Most 6mm knobs are ugly Chinese crap. Swap meets, ham-fests, flea markets, etc. are just full of people selling great looking bakelite 1/4 inch knobs. And old companies like Davies Molding are still making those great looking ham radio 1/4 inch knobs from 1930's molds!

I'm going to order a bag of these now, they seem to be just what I needed. Thought it might help others solve this problem. Also I've tried building up 6mm knobs using aluminum tape, that is also a disaster as the tape compresses, knobs loosen and you cant get the exact diameter, and the knob is still off center.

Brass Pot Adapters – 6mm to 6.35mm (x20) – Thonk – DIY Synthesizer Kits & Components

I got some dust electrostatically stuck onto my planar diaphrams and it has caused some resonances that cannot be removed without cleaning.

I am trying to find some material that I can use to cover the diaphram without affecting the sound. I've tried a few foams and synthetic cottons which have audible transparency but they take the edge off of the bass.

Also the synthetic cotton just got micro fibers all over the diaphram adding to the dust issue.

Does anyone know a good material I can use for this purpose?
Appreciated.

Like new pair of Lundahl LL 7903 input transformers already mounted on the Bartola mounting boards. Great condition. Return within 7 days if you don't like them. Full refund less shipping expenses.

contact me directly at: banpuku@mac.com

SOLD!!!

Hi - I am selling my near new pair of EML 45B tubes. These are the 45B (not 45) which have higher output, can handle higher voltage and plate dissipation. Tubes have about 350-400 hours. Looking for a friendly home. If you don't like the tubes, you can return in working order within 7 days for full refund, less shipping.

Contact me directly at banpuku@mac.com
Thanks, Pat

SOLD!!!

Hi,

I am struggling to get my head round working out how much watts I am sending to my speakers as unfortunately last week my daughters band managed to damage there speakers during a live gig.

The currently only use the PA for vocals and the rest of the band use there own guitar amps.

the setup they have is:

Shure SM58 Plugged into a Mackie CFX12 (Mixer) in turn connected to A Samson s2000 AMP which in turn was connected to 2 x Studiomaster GX15 passive speakers (Until the started smoking and are now broken or at least the crossover board and tweeters are, the bass cone seems ok in both).


We usually set the mixer to Unity on the mic channel and also Unity on the master output.

We set the gain so that it only flashes when the vocalist is doing her loud parts.

Once this is set we usually turn the AMP up till we get the vocals coming out the speakers and being able to be heard above the rest of the band.

And this is where we feel we go wrong and end up blowing speakers. The amp has 2 dials on the front where fully counter clockwise it reads -80db and fully clockwise 0db we usually end up setting it around between -10db and 0db. The speakers are rated at 250W (continuous), 1000W (peak).

I feel we are doing wrong but just not sure how.

Again please bear with me as I am an amateur in this game.

Many thanks for your time.

Which dual npn transistor would be the best choice for differential input stage ?

I have a set of MAT02 already but need more and those are hard to find.
If buy from chinese seller, will metal cans probably be fake ?

What parameters are most important ? Hfe, hfe matching, ft, Vbe match ?

2N2920 has only 60 MHz, would that be enough ?

How much current is to much ? At 6mA per leg and with heatsink there is no problem. Hfe goes up with current, right ?

I've been struggling with hum in my new preamp. I assumed it was a ground loop, but it's actually being caused by the heaters. They are DC fed with the 0 volt side tied to the star ground. If i disconnect that from the star ground and leave them floating, 90% of the hum goes away and I only hear it when the volume is much higher than I ever listen. Does it make sense to keep it floating like that? Or should I try elevating the ground? The circuit is the cornet octal: http://www.hagtech.com/pdf/cornetoctal.pdf

Hello! I am in the process of reverse engineering a Klipsch ProMedia Bluetooth 2.1 computer speaker system.

To expose some tracks on the control pod PCB, I had to remove a blob of epoxy glue. While removing the glue I also removed what I think was an inductor under the glue.

Eventually, I was able to reverse engineer the circuit and now I would like to replace the inductor. However, I have no idea what kind of inductor to purchase.

As you can see from the photos the inductor is very small and is damaged, so little hope to measure the inductance directly.

My questions are: what is the purpose of the L1 inductor? By looking at the schematics can you guess what is the original value of the inductance L1?

The inductance dimensions are about 3mm x 1.5mm x 1.5mm.
The LEFT_IN and RIGHT_IN signals come directly from the jack input. The WIRED_LEFT and WIRED_RIGHT signals go on to the input of an OPAMP amplifier.

Here are part of the schematics and some photos of the inductor before and after the glue removal. If you need further info please let me know.

This amp came in with blown PS and outputs. Insulated STP60NF06FP in the PS. Gate resistors are 68 ohm 0603. Pulldowns are 4.7k. Drivers are MLZ transistors from a TL494.

Was wondering if IRFIZ48GPBF would be suitable to STP60NF06FP since those are not in stock anywhere. Need the be encased. Has anyone tried these or other combination? I also need to replace the 68 ohm gate resistors. Maybe go to about 33 ohm?

Outputs are IRFP250N pairs on each side, one of them blown on each side.

I clipped all bad parts and put two IRFZ44 temporarily in place in the PS. Amp is working.

Hey all, total neophyte on this - just wondering, what's a good resource on where to find good chassis for a phono stage? Looking for something nice and clean for the BigBottle Phono Stage I'm trying to get together.

EDIT: I did look through the builder threads, and most people seemed to start from a point of "I know what I'm doing" so I didn't quite follow.

I know a lot of people use dual subwoofers in an opposed assembly to cancel out vibrations. Since some high-Xmax drivers get very pricey very quickly, is it possible that using some active bass shakers as an opposing oscillating mass would be a more cost effective method of cutting down on the subwoofer-shake syndrome?

Most of the time, the cabinets are heavy enough to keep the subwoofer in check, but with the new breed of long-throw high-mass power-hungry mongrels, the boxes really don't have to be very big or stout to accomplish the performance goals- unless you want it to sit still as well.

Here's the theory as to why this would work. Bass-shakers utilize a backwards assembly vs the standard/typical subwoofer driver. The shaker uses a fixed coil and an oscillating mass. Typically a shaker will likely have a higher mass to velocity ratio than the subwoofer. I figure if keeping the motion opposed in subwoofer vs shaker, the active cancellation will actually reduce the vibration of the cabinet in relation to the room and its relative position.

Please- discuss this! I'm looking for any reasonable thoughts on this matter.
Thanks,
Wolf

Sell as a lot 2x70cmt and 2x90 centimeter wire to make your interconnect. Price 80eur for the 4 pieces, no terminations
Shipping in europe included.

Hello. I am trying to build a hifi amp from scratch, and when I studied the tube hifi schematics, I found most, if not all, use a large dropping resistor (B+) right before the 1st input gainstage. The values are about 47k to 68k, while closer to the transformer it is more between 4k to 10k.


Thank you.

Hi,

Apologies in advance for coming at this the wrong way. I have a box, I do not yet have a driver. Basically I want to build a streamer into a nice box I found. So immediately we are not talking hi-fi here. But the box is pretty solid and I would like to get a decent sound out of it.

So can you good folks suggest a full-range driver that would work in a box of a little over 4 litres internal volume?

The internal dimensions are D 87mm x W 189mm x H 263mm. Yes, that's right, it is shallow (actually an attractive and solidly built presentation box for two bottles of wine!).

Considerations:

• Cost: Looking to spend a few 10s of £s - I'm in the UK.
• Wide dispersion to fill the room as much as possible.
• Bedroom listening environment - low volume classical and spoken word mostly.
• Ported or sealed configuration.
• Shallow space - maybe two smaller drivers wired parallel would fit better. How nasty will this make the off-axis response?
• First thought was that I'm looking at a mono design, I guess there would be nasty intermod running stereo. But how about two drivers, driven in (software) mono by a stereo amp? A stereo dac+amp board is easier to source.

Thanks in advance

Tom

Has anyone been able to get the old WT3 tester to work correctly running on Windows 10? I have tried everything I can think of with no luck. I've tried all the things describes in this post:
Faulty Dayton WT3... and more.

Compatibility modes:

• WinXP
• Vista (different service packs)
• Win7
• Win8

All different versions of the WT3 software available.
Mic levels from 1 to 100 (40-50 seems best)
All enhancements off in Windows and Realtek controls.

The software (all versions) does run and will open old files, but new sweeps and calibration don't work. The best I can get is the plot seen below.
The hardware seems to work, it can send and receive audio in other software and measures flat in HOLMimpulse and ARTA. I have two of the devices, both show identical results. It's impossible to calibrate the leads, the software returns and error saying that the lead resistance is too high. Default calibrations don't do any better.

Is there some setting in Win10 that's I'm missing? The last time this functioned properly was under Win7. Since using win10 the results are obviously bad.

I am building an audio compressor and I am using a voltage divider. If I lower the voltage of the voltage controlled resistor as shown in the schematic, the voltage is cut in half and this is a 6db loss of voltage. How do you figure out what the compression ratio is? is this 2:1, 6:1 etc as shown?

Apon recording with my x-2000m deck, when i set the deck up to record mode, the input monitor source is heard through the deck. When I finish recording and playback what was recorded, there is no sound. Has anyone else who had this tape deck experienced this problem? Please let me know if there is a solution to this problem.

A box full of different kinds and weights quite a lot. There could be fun projects, such as can crusher, magnetizer, blowing wires with current and spot welder? What projects would you do if you had lots of HV low ESR caps on your hands?

So this is my idea for a 42 SE amp with a 75 driver. I have a couple of 76 tubes that could work as drivers too, but decided on the 75 driver since the extra gain could come in handy for feedback application. There are a couple of issues still, so any suggestions are much appreciated.

- The feedback circuit isn't calculated as much as borrowed (all right, stolen) from an amp with a 6V6 and a vaguely similar driver tube, so I'm not sure if this will work at all. Is plate to plate feedback an option?

- Is UL operation a good idea at all with the 42? I could run it in triode if I can get by with less than a watt, and a screen supply for pentode mode isn't much work or parts.

- My drawing doesn't have grid stoppers, but I will use them.

Hi everyone, I'm looking to replace and upgrade some rubber (or foam?) under toroidal transformers in some amps. It's not something I've done before, and I'm struggling to know what the best stuff is to get and where to get it from (in the UK). Any pointers?

I'd like to buy decent-quality stuff, but the likes of sorbothane is far too expensive. 2mm would be ideal.

Thanks.

The indicated twin triodes tubes from a sealed big box, I ask 5usd per 1pcs.
All tubes have been roughly tested at 0V grids bias, at least plate currents of the halfs can be compared and corresponding tubes selected.
Cost of the air post to USA is 8 usd if up to 0,25kg parcel weight, 14usd if up to 0,5kg, 24usd if up to 1kg. Please ask if there are some more questions.

Hoping someone can identify an amp I have. It is obviously a guitar/band amp that has 4 EL34 output tubes and the letters LP on the front panel. I cannot find any reference to LP amps and don't think it is Les Paul but you never know. Images attached this time.

First I want to state that I'm only concerned about electrical connection quality, for the sake of this argument assume mechanical connection quality is irrelevant.

I have read that a soldered connection is always best (which makes sense). But what is less clear to me is how much *worse* other types of connections are. For example, friction-based "quick disconnect" tabs, or screw-down terminals.

For that matter, how much does an extra solder joint affect the connection? How different is a single cable vs. two cables soldered together?

Or, lets say you have an IC with a broken leg. You solder a new leg on as a patch. Have you quantifiably degraded the performance of the circuit?

Getting some conflicting information from various online calculators. I have a simple peak I'm looking to tame at 630 Hz. It is 6dB strong, and about 3dB strong on either side at 500Hz and 800Hz respectively. Beyond that it is basically flat.

I'd love to come up with some consistant inductor, capacitor and resistor values as a starting point. Can anyone help?

Thanks 🙂

Hiya,

I've just replaced all of the components in my TDL Studio 3s crossover.

I've gone for point to point soldering on the components without a pcb or board of any sort.

I've used the following components.

3.9uF 800Vdc Jantzen Superior Z-Cap (ON THE TREBLE)
10R Jantzen Superes 10W Resistor
2R2 Jantzen Superes 10W Resistor (2.2R)
12uF 450V Mundorf Mcap EVO Capacitor (ON THE BASS)

I've also got new inductors of the same value as the originals done by Gerry at Falcon who knows TDL speakers well.

The improvements in the treble is night and day. Much cleaner, more space better soundstage. The bass seems a tiny bit flabbier (not much in it though) but it's the midrange that seems to be worse. Not terrible but noticeably more muffled than before.

I've still got the original Xover in tact but before I start mixing an matching I thought I'd see what you all think could be the reason.

I'm letting them burn in/ run in to see if that makes a difference (I'm not trying to start a chat about that well trodden and controversial issue so let's pretend I never said it...just trying to eliminate all the possibilities!)

The only differences with the original values is the high pass cap which is a 3.9 rather than the original 4. I've also extended the wires a little as they were quite short and needed extra room to work. No more than 6cm with some decent van damme cable I had. I've used solder with a bit of silver in it and they have been running for a day or 2. Oh and the resistors are 10w instead of 5 but I don't believe that should make and difference.

Can anyone suggest why the midrange seems to have got worse?

Thanks

I am being threatened with a Naim NAP120 for a "recap" job. The distributor does a kit of parts for this at quite a high price. Is there anything in there that cannot be sourced from all the regular (RS/E14/Digikey/Mouser) suppliers with whom I regularly do business?. I have not yet laid eyeballs on this beast so uncertain what is involved (big reservoirs only? a zillion tiny tantalums?). Anyone been there & done that?.
M

Hello good community, I am in a problem, since the stepped potentiometer that comes from stock in my Burson Soloist ha-160 died and I have to change it, the truth is I do not know what type of potentiometer I should put on it, I tried to contact the manufacturer and they told me that no longer have a spare. I have read that it is possible to put an ALPS Blue but the truth is I have no idea, the Burson comes with a cable to connect 3 pins to it, I will upload photos so that you can guide me, I would greatly appreciate them and also what recommendation would you give me.

What determines whether a Class D can withstand playing in 4, 2 or 1 ohm?
The output filter will of course differently frequency rolloff and the coil in the output filter must be able to carry the current.
However, when the FETs "only" switch on and off, they can probably not be compared with, for example, a bipolar transistor in a class A / B amplifier ?

If a class D amplifier uses a pair of IRFB23n20d, does that say anything about how low impedance the amplifier can be loaded with?

The powersupply to the amp are 2 x 44 Vac (2 x 62 Vdc)

http://www.irf.com/product-info/datasheets/data/irfb23n20d.pdf

Hi, i'm new to installing subwoofers in my car. Not an SPL head, so i didn't decided yet if i will go with shallow subs or regular, aiming a bit to shallow 2 x 10" or 2 x 12", because of space and usability of trunk-cabin passage.



My current problem: when looking for subwoofers specs, i've seen a lot in the range of 30-200Hz and many others going to 600 Hz even 1000Hz.
Brands? probably something for budget like JBL or Dayton Audio aroun 150USD maximum a piece

Now, i am a bit intrigued which one should i go with, because i listen to music to normal volumes, very rare high volume

Should i go with a sub that's 200Hz MAX or with a piece that can go 600-1000 HZ?


At the moment i have a pair of JBL GTO 609C in the front (will be added A pillars midrange/widebands speakers) and planning to add a pair of woofers (probably without tweeters in the back doors) for rear bass feel, probabil will get them from 40hz to 1000hz.

Everything deadened anti vibration and sound absorbtion, will add a DSP but further on, will be the last piece of the puzzle

UPDATE: car is a VW Passat Sedan, maybe this counts when choosing the sub

Thanks

I have a pair of 300B monoblocks (currently running EML meshplate 300B 2.5V filaments). They have lovely midrange and plenty of bass in my system. I am consistently thinking the hum is a bit much and the top-end is a little rolled off. With 2.5V filaments, I get 5mV hum and with 5V filaments, I get about 6-7mV hum. This is with AC filaments and humpots.
The build currently uses a 6C6 into 300B as shown in schematic.
I am thinking of rebuilding these with the goal of reducing hum as well as increasing top-end extension a bit. Currently, they roll-off at about 10KHz.
I am thinking a larger chassis may facilitate changes so additional stages could be incorporated if needed.

Goals:
1) Reduce hum
2) Improve HF extension
3) Keep with early tube "flavor" but not at the expense of sonics.
4) Would like to keep the 6C6 driver as I have a LOT of nice examples of these.
5 Move to a 5V filament 300B as meshplate 300B 2.5V tubes are becoming very hard to source.

Any suggestions would be welcome.
Schematic below with changes to accommodate the 300B tube.

Why is floor bounce mostly ignored in commercial speakers?

I've observed that most manufacturers seem to don't really care about the floor bounce effect in their designs.

Even with 3-ways where you could/should just place the woofer close to the floor and the midrange far enough from the floor for it to be outside the passband of both drivers.

So why is this?

Only reason I can think of is that closer center-to-center distance between woofer and midrange is of higher priority. Although the XO point between these two is usually low enough that it shouldn't really be an issue 😕

Hi all

I am trying to find screen shots or measured data etc of loudspeakers producing a square wave.
This is turning out to be harder to find than I first thought.
I have seen many references to it, know first hand a Manger driver can, the Dunlavy’s are suppose to but when you read the website, they are talking about electrical summation and not measured response with the drivers included.
Can anyone point me towards results of two or three way speakers doing it in real life, that is a mic signal not a simulation.
Preserving time (and so waveshape) well enough to do this has been an interest for a long time and I am interested to see where I am relative to hifi speakers.
Thanks much

Tom Danley
Danley Sound Labs

Is there a thread about soundbars, making your own, parts, supplies and designs?

So I've had these drivers sitting around for the better part of a year and finally decided to try simulating a crossover. I don't have measurement equipment so I'm forced to go off manufacturer data. I used FPG graph tracer and XSim. It's my first time doing this. One thing that concerns me is the low efficiency but i think this is a given considering the efficiency of the midwoofer. The other is the 9.1 ohm resistor in the BSC circuit. It seems a little high when i compare it to other designs I see. I've attached a screenshot of Xsim. Any input is welcome!

Hi, I'm thinking of building some small speakers to be used with the PC and then to be placed on the desk, I was interested in using markaudio pluvia 7 or 7.2 and I wanted rather small dimensions like these:

https://www.madisoundspeakerstore.com/pdf/markaudio-enclosure-plans/Alpair6M-BR.pdf

Unfortunately I have not found anything similar online ... any suggestions about it?
Thanks.

Hello. I bought this "kit" thru a Craigslist ad from a schoolteacher musician. It is in excellent condition. I'm seeking some suggestions on how to clean up the sound as it is perceived by me. I have other FOStex products that sound much clearer. I have not found any technical specs other than a sales ad. I have not removed the back of the subwoofer cabinet. How can I explain what I don't hear? My boat ain't floatin'. My totem pole needs artifyin'. I got no toe tappin'. Can someone please chime in? Thank You, civil6

hi guys.i need help to set the bias on mpa 750.thanks for any info

I have noticed there is an optical cable output (TOSlink?) on the back of my Sony CDP-CX350 and a matching input on the back of my Sony TA-F450ESD amp. I assume there is a DAC in the amp that I could optionally use for the CD player. I don't know if is will be an improvement or not but would like to have a listen to see for myself. As long as the plugs on the cable fit the sockets on the units are they all pretty much the same? Prices for a one metre length vary from about 5€ to 30€.

Hello,

Starting a Zenquito Jean Marc Plantefeve 100W 4ohm , I wanted to edit it with OPAMP to boost performance, distortion , power supply rejection , thermal stability and load ...

First diagram : http://img.photobucket.com/albums/v637/zippy670/mf_p-amp_170_scaled.jpg

AOP choice : AD844 : 2000v/us !

By web searching I found JCB schematic De la puce à l'oreille - Acoustique et lectroacoustique who also used Lateral Mosfets but supplemented by bipolar power from a current to pull the best of each .

After having chat with CATSIANO , it seems that the Musical Fidelity P170 type diagram induce a phase shift close to the audio band and implies to curb the amp. I found the same thing on DIYAUDIO .

Here is what I was offered CATSIANO (still in draft) :

Using OPAMP bootstrapping and current mirror to ensure thermal stability.

007 Theme - 1 Hour - YouTube

"I must be dreaming." 🙂

Hello every body ,
I would like to learn about FM/AM Radio design and troubleshooting .
what books/tutorials would you recommend for ?
And also what is the essential Test gear we need for it ?

Hi, trying to mod the wien bridge bandpass filter:
- Parametric EQ



I want so the rollof bellow the lower corner frequency to go bellow 0 db gain.

Up till now I managed to change the freq responce after the upper corner frequency (green graphs), bypasing R5 or R6 with C5
- attached

But I would like to obtain the red graph on my simulation.
This is going to be a vented cab bass response correction.
The frequencies bellow the filter boost are critical for xmax

Regards, Emil

Hi

The Marantz PM-6A has an automatic shifting system from Class A to Class B. Class A and Class B run with different voltages (+-26,5 V and +- 63V) and different bias current (370mV vs 14 mV) in the poweramp.

Bias procedure is described in the Service Manual, page 3. While the bias for class B is easily adjusted, in Class A the bias stays far to high and with the trimmers (RL39 and RL40) I cannot reduce it further. The trimmers run out of way. 30 Watt Class A is also over the top so I would like to reduce it anyway - to three to five watts or so.

I have following ideas:

1. Change the values of the resistors/trimmers (RL39, RL 40) in the Class A bias part until I can reduce the bias to the values wanted?
But bias components for Class A and Class B seem to be interlinked (Service manual page 11) so I do not know whether the switching system will blow then or not work properly?

2. For Class B bias adjustment I have to connect two contacts together (JL15 - only on PCB not in schematic - and JL12). Can I leave this connection permanent and bias the Class B system a bit more or will the amplifier blow in the end?

More ideas? What should I do?

Goodmorning everyone ! I have a problem with a system x ion 280.2 audio amplifier! The amplifier turns on but no audio comes out in the speaker. I have measured all the mosfets and transistors present and I have no damaged devices but the thing I have seen is that I have no bias voltage on the mosfets! Do you have any scheme or advice for me?Sorry for my bad English Good job everyone

Hi

A friend of mine in the UK wants to build a 3 way active loudspeaker system, woofer a 10 inch Dayton, midwoofer a 6 inch Dayton and an AMT tweeter also from Dayton, he is not very good at working with wood/mdf, he would like to buy a flat pack kit, does anyone know where to get this in the UK,

Thanks, Tojoko.

Had good intentions to build these but have decided to stay with my current setup. These are new V1.8 kits with the silver chassis. Opened only to inspect. Asking $750 which covers my initial cost plus shipping to the lower 48. Ebay ID is Huskerpilk for reference.

Hello!
I'm looking for Input impedance value of Hiraga Class A 20W Power amplifier.

Any help?
Where may I find it?


Best regards by Danilo.

I have a 'Draper Expert' Crimper frame and would like to use it to crimp the pins from the Molex KK series. The Draper frame looks more-or-less identical to a raft of other crimpers including those from Klein and Wirefy.

So I should probably be able to use their dies in the Draper. But I have no clue from looking at the die specifications which I should choose. Can anyone explain what I should be looking for?

I know I could buy another crimper tool, but it offends me that I have a frame that would take other dies and can't make use of it. I'm prepared to take the hit if the die I order doesn't fit, but I'd at least like to know I was ordering the right one.

I've had a rummage though other threads here and, so far, haven't found anything that'd help.

.
Anyone know where I can obtain dry transfer lettering specific to audio i.e. Vol, Tone, bass, Input etc ?

Thanks
Andy

Hi
Does anyone know what to measure and get the bias right ?
I got the schematics, but do not know what to measure.
Can anyone help ?
Best
Thomas

I have 30 year old amp that I'm replacing some electrolytic and poly capacitors. On this version of the ST-202, there is a DC servo circuit using an FET input op amp. Mine came with a TL072, but others come with an AD712. Is there any benefit to upgrading this op amp? I have AD712, OP249 and OP823 op amps that I can use or any other recommendation (OPA2134 or ?).