jderimig,
to put it roughly, for physical reasons, the PP amps do not produce any even order harmonics.
Is this circumstance considered as low distortion or high distortion?
to put it roughly, for physical reasons, the PP amps do not produce any even order harmonics.
Is this circumstance considered as low distortion or high distortion?
No, I want lower distortion acoustic output. Low distortion amp makes higher distortion acoustic output compared to properly phased SE amp to single driver.Do you aim for the zero distortion amp? ...
This is wrong. You are just substituting the correct term " hysteresis" with the incorrect term "kink".
Perhaps. I do know what the graph looks like:
The dotted line passing thru zero plagues every PP amp with an OPT.
Ideally it should be straight, it can be made very small.
dave
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Rod - we had this discussion a few years ago on this forum and there is no need to repeat the same arguments. As I posted then, the data you provide are not convincing. With all due respect, your explanation of how AC filaments modulate signal in a differential stage is not convincing as well. AC filaments cannot modulate anything because the AC signal is common mode, and in a properly designed differential stage, it is practically zero. Your idea of shorting music signal across the filament may hold true if you short it with a capacitor, but battery-powered filaments are shorted too, and this golden standard filament powering does not have sonic drawbacks.> There is no need for individual DC supplies for each filament in a PP DHT. AC works fine for outputs and drivers, it just has to be clean filtered AC, and in fully differential stages all filaments can be tied together. SE indeed requires DC regulators, as there is no common mode cancellation. Another disadvantage of the topology.
You can connect the filaments of PP halves in parallel, and it will operate. But the difference in gm at the two ends (caused by the filament voltage skewing the effective bias - Vgk) means that there is a music-signal voltage at the filament ends too. Simply shorting these together is not conducive to good performance - don't forget that the anode currents and hence the differential voltages are in anti-phase for PP pairs, and forcing them to cross-talk degrades the sound.
As for AC-heating: PP may well reduce the hum to levels you can tolerate, but the intermodulation-distortion elephant remains stomping around the room.
No need to take my word for it: the attached picture is a measurement taken by euro21 here:
Sound of 300B SET by Satoru Kobayashi
The intermodulation in the picture is taken at 1W output. The IMD level gets worse rapidly with increasing power, and is a completely unnatural product of the music against a series of 50/60Hz and 100/120Hz (and higher) cross-products. It is easily audible as muddle, fuzz and confusion in loud passages - and badly degrades the presentation of big symphonic pieces.
Perhaps. I do know what the graph looks like:
The dotted line passing thru zero plagues every PP amp with an OPT.
Ideally it should be straight, it can be made very small.
dave
Dave - you can look at it like this. Hysteresis is caused by re-orientation of magnetic domains. With DC magnetization, some proportion of domains do not change their orientation while constant magnetization is present, so they can be excluded from the picture. The remaining domains do change their orientation, so they behave according to the same B-H curve as in a transformer without DC magnetization.
Off topic. How do you get "clean filtered AC"? Thanks! Erik
A simple filter with feed-through capacitors and series chokes does the trick. Also, use power transformers that have enough primary inductance to stay safely away from saturation, tube rectification, and choke input power supply.
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Wouldn't the non-linearity cause distortion not signal loss?Perhaps a bit of difference in terminology.
He id talking about the kink in the hysterious curve at the zero crossing. This kink directly affects the transfer curve when information is smallest (and easiest to lose). A non-parafeed SE amp operates in a linear part of the curve.
dave
If you are saying there is actual signal loss, I would be interested to understand the mechanism if someone can explain it to me.
Lost in the “mush”. I believe you and Chris described at least part of that as IMD? IMD is not a wide enuff metric IMO.
dave
dave
With DC magnetization, some proportion of domains do not change their orientation while constant magnetization is present, so they can be excluded from the picture. The remaining domains do change their orientation, so they behave according to the same B-H curve as in a transformer without DC magnetization
It's not like that at all. Transformers of any kind and DC voltage is a poisonous combination. Even a small DC voltage has a huge impact on the AC magnetization of transformer core, leading to core loss, core saturation, hysteresis, unsymmetrical magnetisation, production of harmonic voltages, overheating and a bunch of other problems. You have much left to investigate.
I don't know enough about transformers, I've been reading about hysteresis loss which causes distortion, I suppose the question is, what kind of distortion?
AC filaments cannot modulate anything because the AC signal is common mode.
Now I see the root of the misunderstanding.
The AC heating waveform is not common mode.
The differential AC waveform is set to a nominal balance (for lowest hum) by centre tap or hum pot. The AC heat generates intermodulation because it sweeps through different parts of the triode curves when there is a large grid signal, compared to the idle condition. If the triode curves were perfectly symmetrical, the cancellation would hold good with any grid swing... But the symmetry is not at all perfect, and intermodulation follows. Having two triodes in opposition does not lead to cancellation either - this is the exact point proved by the measurement.
The measurement was not in this instance taken by me: follow the link and see the original appearance of it. If this measurement does not satisfy you, please supply your own.
Battery heating is not a gold standard for sound or anything else - complete isolation of the two filaments is the gold standard.
Rod Coleman,
why Shostakovich №4, if I may ask?
From the sound viewpoint - the orchestra is huge, and the composer's use of instrumentation is often deliberately shrill, percussive, loud and dramatic. It is not easy listening by any means, and amplifiers that don't have a grip make it a painful experience!
But the rewards are great when it sounds right...
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