UGS MUSES Scion Preamplifier

You could also combine things. A balanced Allan Wright tube amp with a MUSES stepped resistor volume control, for example. If you happen to go with a transformer volume control, I could pass my Sowters on to you.
Exactly, once the "MASSIVE" undertaking of the new MCU board is done, modifying further such that the MUSES becomes the front-end of the RTP3D shouldn't be too difficult. Ofc, this is an isolated project and not to be mixed with the UGS MUSES Scion.

I am locked on doing the toroidal nanocrystaline, fully balanced btw. You can look at https://qwertyl1.wixsite.com/diyaudio/iron-pre .. which is actually my inspiration, but without a JFet stage... just passive. But I will not say no to free transformers 😉
 
1. Your welcome.
2. Isn't the Babelfish XA252 a mix between the GamuT and XA25 - what is the core difference with yours ?

-Gamut is quasi complementary, both XA25 and Babelfish XA252 are complementary OS

-Gamut is no Class A, while these are

-Gamut heavily based on use of OP, while these not

-Gamut having dubious trick of decreasing gain (35db, then -6 and -12db) simply choking/attenuating the signal; far from my idea of preserving signal energy

one of most prominent details of XA25 (thus XA252 too) is Square law OS transfer characteristic; Gamut is not having that, sources of pucks being degenerated

so, as usual ....... everything is the same but not similar at all ..... :rofl:
 
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-Gamut is quasi complementary, both XA25 and Babelfish XA252 are complementary OS

-Gamut is no Class A, while these are

-Gamut heavily based on use of OP, while these not

-Gamut having dubious trick of decreasing gain (35db, then -6 and -12db) simply choking/attenuating the signal; far from my idea of preserving signal energy

one of most prominent details of XA25 (thus XA252 too) is Square law OS transfer characteristic; Gamut is not having that, sources of pucks being degenerated

so, as usual ....... everything is the same but not similar at all ..... :rofl:
1) That is true, it is using N-chn OP only, but is this better .. isn't using two very identical FET's better than N/P ... or perhaps the question is more oriented around how the FET treat the electric polarity of the sinewave ???

2) The GamuT is Class A in the first 20 watts and class AB after.

3) What is OP ?

4) Yes true on gain.

5) You mean the XA252 have linear output characteristic while GamuT is not ?

6) Is either of your XA252 differential / Balanced output ?
 
this really not place/thread to go in detail about amp differences

even if some of your questions are important/relevant, you need to learn that amplifier/gadget itself is rather conglomerate of details working as a whole, not mish and mash of separate principles

so, whichever path designer chose, final result must be fulfillment of starting goals and premises

basic premise of Nelson's (and majority of mine) projects is desired transfer characteristic ...... not number of zeros in THD figure (even if XA25 is having plenty of those)

so, as used to say - invest some elbow grease in principal side of amp functionality, and you'll be able to spot differences in approach

or, if you're not interested, proceed playing with shiny Legos, hoping that you'll stumble on Graal using that approach; I'm not anymore interested to make one best ever for my own use (that's practically too easy), I'm interested in thinking about new ones, living happily ever after

:cheers:

anyhow, for your amusement:

1. mu

2. I'm glad for them

3. chip

4.so bummer

5. not saying that; think about meaning of "linear"

6. easy to see from published schematics, confirmed/explained later in thread
 
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True, this is not the thread, but thanks for answering some of the questions. I will spend some time over on your threads 🙂

One last comment. One of the reasons I asked for differential/balanced (on the output) was that this is the last resort to improve transient performance, if all else is equal. Instead of just one leg containing the full sinewave (positive terminal), you instead allow for both polarity's to be active or engaged with the loudspeaker, so two legs share the work on the speaker cone. That is why I was looking at doing a Circlotron amplifier or start with Yamaha M-5000 and go from there.

Anyway... enough of that, see you on the other side 🙂
 
....

One last comment. One of the reasons I asked for differential/balanced (on the output) was that this is the last resort to improve transient performance, if all else is equal. Instead of just one leg containing the full sinewave (positive terminal), you instead allow for both polarity's to be active or engaged with the loudspeaker, so two legs share the work on the speaker cone. That is why I was looking at doing a Circlotron amplifier or start with Yamaha M-5000 and go from there.

.....​

proper answer for that sort of thinking - premise out of exact context, what a load of Bulldrek

more polite answer to that sort of thinking - premise out of exact context is - if you're happy dealing with stack of interesting premises, none of them actually transposed to exact project, firmly contained in comparative frame with some other project ........ just proceed

as I noted several times, whenever I'm short in understanding something ( understanding confirmed with actual physical tests) I'm more than happy to invent some new, or dust some old Myth and sell it to first Innocent Bystander

:clown:
 
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Good morning everyone. Got an update for you all.

<contact@steinwaylyngdorf.com>

Thank you for your enquiry.

The bearings used for the volume control in the Millennium is not SKF double row. Two single row bearings are used. We still stock these and if you want them changed you can send the amp for service via your nearest Hifi Klubben shop.

Best regards
Anders Borbye
After Sales Manager
Lets see if double row have the same feeling when I have one in my hands.
 
I wanted to ask something in past but I forgot.
Do you want to use also a remote with this preamp?

Also to mention that de display you want to use is not a direct replacement with the ones(vfd or oled) used in the ugs muse so you will need to write your code from scratch. I wrote a few messages to Alex but never got a reply.
 
Yes, the preamp will have a remote. In secret, I have been considering making the remote in the same style as the volume wheel ... The ultimate fidget toy ... 😆. Might be a bit much, but will see. Might happen, might not. But doesn't need to be part of the original program. Lyngdorf offer something similar for their Steinway series of products: https://steinwaylyngdorf.com/steinway-sons-remote-control/

Yes, I need to produce a controller card from scratch. It will be based on ATMEGA and Arduino. Even if I can't write a single row of code atm, I will learn... unless I get a programmer to join the adventure.
 
Yes, the preamp will have a remote. In secret, I have been considering making the remote in the same style as the volume wheel ... The ultimate fidget toy ... 😆. Might be a bit much, but will see. Might happen, might not. But doesn't need to be part of the original program. Lyngdorf offer something similar for their Steinway series of products: https://steinwaylyngdorf.com/steinway-sons-remote-control/

Yes, I need to produce a controller card from scratch. It will be based on ATMEGA and Arduino. Even if I can't write a single row of code atm, I will learn... unless I get a programmer to join the adventure.

Similar solution was presented here:
https://www.diyaudio.com/community/threads/gb-query-interest-for-remotedial.349170/post-6957428
 
I don't remember if I posted this pic, but this one shows general principle I will follow, with some changes and adaptations ofc. As an example, the display PCB have to be mounted from the front, so the glass cover will house some magnets for easy access and hidden screws. Stuff like that. I have not worked on this for a while and the LED display is completely different, so will need a new controller. I have a folder with hardware and software ideas for it, which I will go over again and check what I have picked up or learned since last time.

I will use a pulse encoder similar to a rotary. I am starting on or with this and will adapt for the Arduino platform. I think it is better to work with something fresh than having to work with someone else's code. http://www.labbookpages.co.uk/circuits/wheelEncoder.html

When it comes to the displays, I have something for that as well, the Micro Dot pHAT by Pimoroni - driver and Arduino library. The rest are simple toggle switches and some stand alone LED's like standby and lock. Lock is to prevent the wheel from increasing/decreasing the volume by accident.

Don't worry, I will shout if I run into serious issues, but thanks for the interest and ideas... appreciated 🙂

Regarding the remote, I think I will look at the Apple remote protocol or something other well established. A simple remote will be part of the first run. A "wheel remote" will come later and is more or less identical to the volume wheel + a section containing the MCU, transmitter, psu and battery... But I want to deal with that as a separate subject
 

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The question isn't what but how. I'm thinking bluetooth, which opens up the market for "which remote", plus, should be relatively simple to integrate with Arduino. There's a lot of different off-the-shelf types and all we need is.

Power on/off.
Volume up/down
Source select.

I don't know the exact protocol or operation of the Apple remote, but no matter, better to start fresh and have control
 
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