Finally got around to properly setting up my Selah Tanzanite speakers designed by the late Rick Craig. Fountek ribbons, 7" seas excel midwoofers, pair of 12" Peerless subs, and Morel MDM 55's for mids. Most uncluttered midrange I've heard. Reminds me a bit of Magnepan's I used to own, but I feel like these have more dynamics. No edginess at all. Really loving them now.
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"...make the midrange driver a device that must handle much more power than a tweeter. This imposes harsh demands on the rigidity of the diaphragm, and it exposes the simple suspension to rocking modes.
The reason conventional cones have a separate surround and an inner spider is to constrain the cone travel to a back-and-forth piston motion. Only very expensive mid domes intended for professional studio monitors (like the ATC) use a separate spider; as a result, most consumer-grade domes have serious problems with side-to-side rocking and other spurious motions."
Would ferrofluid suppress these rocking modes at all?
The reason conventional cones have a separate surround and an inner spider is to constrain the cone travel to a back-and-forth piston motion. Only very expensive mid domes intended for professional studio monitors (like the ATC) use a separate spider; as a result, most consumer-grade domes have serious problems with side-to-side rocking and other spurious motions."
Would ferrofluid suppress these rocking modes at all?
@Bryguy FF would have minimal effect on dome rock and wobble. The reason for this is how the undesired motion is aggravated. At and closer to Fs the problems are provoked by the (lack of) air load on both sides of the dome.
When the back chamber is too big, the main restorative force on the dome is lost. The remaining corrective force is the little bit of electromagnetic dampening (back EMF). Based on the spec sheet, this isn't anything significant enough to make a difference. Therfore, you'll need to lower the suspension compliance via a smaller back chamber.
The most effective thing to do is keeping the dome from playing any frequencies closer to Fs, specifically just above it. The CSD data will reveal how much extra motion there is. This needs to be done at relatively high drive levels to ensure catching the entire range of misbehaving motion. Sometimes all it takes is a parallel LCR or even just a resistor. It just depends on the overall severity of the CSD.
When the back chamber is too big, the main restorative force on the dome is lost. The remaining corrective force is the little bit of electromagnetic dampening (back EMF). Based on the spec sheet, this isn't anything significant enough to make a difference. Therfore, you'll need to lower the suspension compliance via a smaller back chamber.
The most effective thing to do is keeping the dome from playing any frequencies closer to Fs, specifically just above it. The CSD data will reveal how much extra motion there is. This needs to be done at relatively high drive levels to ensure catching the entire range of misbehaving motion. Sometimes all it takes is a parallel LCR or even just a resistor. It just depends on the overall severity of the CSD.
I have seen words in German that convey complex/ multifaceted concepts that English does not have a single word for; but then German seems to be structured so that you can put a few words together to make one bigger word.
Does the Swedish word include the aspect of the situation/task being mentally stressful?
"Unwieldy" is the only word I can think of that means "difficult to handle", in a physical sense.
"Unwieldy" is the single word that I can think of that means "too many pieces to physically handle at once (or too big or unsteady) ". "Awkward", or "difficult" or "tricky" or "unmanageable", could apply, but can also apply to more abstract contexts, such as social interactions.
I the USA, we sometimes use a juggling (like in the circus) analogy of "keeping many balls in the air at the same time" which is actually physically like your wood pieces/glue example, but is usually used to mean handling many agenda items, as in a business context. We also say things like "I have a lot on my plate (meaning: dinner plate) right now", which means "I have a lot to do" (maybe too much).
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Is this part of the function of the parallel LCR used to tame the resonance near Fs on the DMB-A mid dome? I did use one there, but thought that its function was to allow the filter to make a smooth high pass for the mid, by lowering the impedance.