Merlin, yes they are the same I am using, only 2m. Regarding sound, only by comparison you can tell. I compared it to some old Audioquest Emerald, Roksan and some DIY I have and they were better.
Hi nicoch46... where did you find this literature ?
Why does the author state the need to turn the preamp on before doing the demag trick if it is done with the rca´s disconected from the preamp ?
Did you try this ?
I know it will not cause any damage but the text itself is quite suspicious
What about the type of record... should we do it with loud metal or soft chamber music ?
Just for pleasure
Ricardo
I'm using Kimber KS Select 1030 1.5 m silver & teflon also.
An externally hosted image should be here but it was not working when we last tested it.
My cables don't have same connectors, have the WBT without solder but old model.
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Hi Salas,
why in my phono schematic the cap C1 is between Vcc to the gate and the other one is parallel to the string led? Thank you! Maxpou
why in my phono schematic the cap C1 is between Vcc to the gate and the other one is parallel to the string led? Thank you! Maxpou
I was tying to Vcc for better PSRR at the time, but I could not see any measurable difference after I tested again tying to ground, so I kept it orthodox in later schematics. No difference.
Massimo,
please describe exactly what Andrew's suggestion is.. I haven't all in mind.. and time to search the forum.
Maybe I have already done this and can share my experience.
How much do they cost? I think for this kind of money there are other things to do to your system in order to get better sound. One of the best systems I have heard, used ordrianary cables!
About cables all depends gear, systems are more critical & systems that aren't critical, if I have to buy today surely I don't buy.
In looking at that, I am having a hard time understanding how that would work. I would think the three error amps could fight each other and not be able to do their jobs.
They are supposed to be looking on separated load nodes. Or at least that is what I thought was the idea. I would prefer to give chance to a dedicated first stage low Z active noise filter on the rail than all this complexity and dissipation non the less.
Don't know yet, I have a bunch of extremely low noise BJT types that I will have to experiment with in a future build opportunity.
Are you thinking about a cap multiplier similar to the one used in the Paerl phonostage?
