Geddes on Waveguides

I look into a french dictionnary...

Reflection (reflexion in french): from latin "reflexio" wich means "action to return".

Diffraction: from latin "diffringere" which mean "separate into pieces"

So, this two words expresse which is observable without associated each other.
If we use "diffraction" to refer the entire concept, it is also wrong to use "reflection".

For me, the concept is based on problem of space/time...

Space for directivity problems and time for group-delay problems, which I call the distortion from space/time domain.

Like distortion from linear or non-linear domain (for me "non-linear distortion" means nothing whatever language, for me it's the distortions from non-linear domain).


-------

linear domain : amplitude and phase distortions
Non-linear domain : harmonique and intermodulation distortions
Space/time domain : directivity and group-delay distortions

This is what I explain on this page (not yet translated):

http://thend.chez-alice.fr/Distorsion/Types.html
 
thend said:
I look into a french dictionnary...

Reflection (reflexion in french): from latin "reflexio" wich means "action to return".

Diffraction: from latin "diffringere" which mean "separate into pieces"

So, this two words expresse which is observable without associated each other.
If we use "diffraction" to refer the entire concept, it is also wrong to use "reflection".

For me, the concept is based on problem of space/time...

Space for directivity problems and time for group-delay problems, which I call the distortion from space/time domain.

The descriptive "diffraction" alone seems more appropriate to me. It's a single event. The described differences are based solely on the perspective of position. It would leave a conundrum. If it is reflection in the front hemisphere and diffraction in the rear hemisphere, what is the description at any point on the plane of the baffle beyond the edge of the baffle? Where does the transition in perspective from reflection to diffraction actually occur?

Dave
 
dlr said:

The descriptive "diffraction" alone seems more appropriate to me.


I prefere distortion of space/time domain because it's more big picture, "diffraction" discribe only one apsect, so it's not false but it's partial.
I imagined the distortion of space/time domain for crossover and physical position of loudspeakers wich create directivity lobes and most of personnality's speaker in its room.

But it's work for baffle and horn diffraction too, because the diffraction could be compare to a mutiple loudspeaker with a physical shift (comb filtering). It's not really the same thing but it falls within the concept of distortion of space/time domain. (and not the trekkie "space/time distortion")

I recognize that the distortion of the directivity can be ambiguous (distortion compared to what?), but it's the sound reproduction: the "high fidelity" which is ambiguous first.

For your questions, I don't really understand what you says (my english).
 
Hello,

soongsc said:
Distortion is relative, diffraction is a description of a phenomena.:confused:

Distortion is a deformation of signal.

Deformation of amplitude and phase in linear domain.
Deformation with added signal (harmonic distortion ...) in non-lineare domain

Time deformation like a bass that arrives before or after a treble and space deformation like directivity lobes or horn diffraction.

Indeed, Amplitude, phase, harmonic distortion, group delay and diffraction are descriptions of phenomena.
 
thend said:



I prefere distortion of space/time domain because it's more big picture, "diffraction" discribe only one apsect, so it's not false but it's partial.
I imagined the distortion of space/time domain for crossover and physical position of loudspeakers wich create directivity lobes and most of personnality's speaker in its room.

But it's work for baffle and horn diffraction too, because the diffraction could be compare to a mutiple loudspeaker with a physical shift (comb filtering). It's not really the same thing but it falls within the concept of distortion of space/time domain. (and not the trekkie "space/time distortion")

I recognize that the distortion of the directivity can be ambiguous (distortion compared to what?), but it's the sound reproduction: the "high fidelity" which is ambiguous first.

For your questions, I don't really understand what you says (my english).

My questions were meant to be rhetorical. We're also going a bit off-topic for the thread.

Dave
 
dlr said:
We're also going a bit off-topic for the thread.

What I mean is that the reflection/diffraction (in topic, i guess) I place it in a domain of distortion.
We have the linear and non-linear domain, why not a space/time domain for acoustic transmission (mainly).


soongsc said:
Distortion is a deformation of signal and is based on comparison against the original signal. Thus relative.


I don't understand the relationship with the relativity?
 
soongsc said:


Actually I feel way more familiar with the visualisation part of math - geometry - and further on - with patterns. ;)

So, for your question - no.
On the other hand the Gaussian algorithm / formula / curve has merits in utilising it for a horn contour.
It was just an inspiration when rcw was taking about what you have referenced and as can be seen it seems to work pretty well.
:)


Michael
 
ScottG said:
The real problem isn't diffraction (for most designs at treble freq.s.) - its *reflection*.

A high amplitude reflection at a baffle's edge can create an apparent secondary source significantly off-axis.

Borrowing from a previous conversation with dlr, I think the difference is one of polarity, + or -.

A pressure wave spreading across the baffle will have high pressure (2pi radiation) that decreases when it gets to the baffle edge (4pi radiation). That causes a delayed negative spike in the impulse response.

If the wave hits a solid obstacle like a grill frame, it will cause a delayed positive spike in the impulse. That's followed by a negative spike as it gets to the outside of the frame.
 
thend said:


What I mean is that the reflection/diffraction (in topic, i guess) I place it in a domain of distortion.
We have the linear and non-linear domain, why not a space/time domain for acoustic transmission (mainly).





I don't understand the relationship with the relativity?
When we talk about distortion, it's relative to the original signal.
When we talk about diffraction, we are talking about a physical phenomena. Distortion can be explained to be a cause by diffraction waves interacting with the original wave.
It seems to confuse the issue to place diffraction in the domain of distortion.
 
soongsc said:

When we talk about distortion, it's relative to the original signal.
When we talk about diffraction, we are talking about a physical phenomena. Distortion can be explained to be a cause by diffraction waves interacting with the original wave.
It seems to confuse the issue to place diffraction in the domain of distortion.
Yes, cause and effect. Diffraction is the cause, distortion is the effect.

Dave
 
dlr said:

The descriptive "diffraction" alone seems more appropriate to me. It's a single event. The described differences are based solely on the perspective of position. It would leave a conundrum. If it is reflection in the front hemisphere and diffraction in the rear hemisphere, what is the description at any point on the plane of the baffle beyond the edge of the baffle? Where does the transition in perspective from reflection to diffraction actually occur?

Dave

Dave

This is precisely correct and why most people do not distinguish reflection from diffraction in most cases, the two are simply termed "diffraction". In the case of a waveguide however the ambiguity is mostly resolved and there can be a rational for discussing the two seperately and I, myself, sometimes do that. Most of the time this is not a problem, but in discussions here I have seen it misundertood and misused. I would prefer that we all understood the situation perfectly, but alas, that is not to be.
 
soongsc said:

When we talk about distortion, it's relative to the original signal.
When we talk about diffraction, we are talking about a physical phenomena. Distortion can be explained to be a cause by diffraction waves interacting with the original wave.
It seems to confuse the issue to place diffraction in the domain of distortion.

What is confusing is to use "distortion" applied to both linear and nonlinear phenomina. Diffraction is linear - to me it is not "distortion" in the manner in which I mean the term.
 
Hello,

I understand that it's difficult to consider diffraction like distortion.
But more than the diffraction, it's directivity that I regarded as a spatial distortion.
This is the distribution of each frequency in the space must be uniform, consistent between each ways of speaker.

In this case, it's not really the natural phenomena or the pure acoustician point of view that we consider, it's the technicals caracteristics of speaker, like in linear and non-linear domain.
And diffraction disrupts this spatial distribution (the directivity).