• WARNING: Tube/Valve amplifiers use potentially LETHAL HIGH VOLTAGES.
    Building, troubleshooting and testing of these amplifiers should only be
    performed by someone who is thoroughly familiar with
    the safety precautions around high voltages.

Another SE EL84. Following this schematic. Grid stoppers yay or nay?

Have you simulated the power supply in Duncan.
Yes. But now that you mention it. Not with the EZ81 yet. Sims were done with the 5UG.

Quickly did sim with EZ81 and real life dcr of one leg as suggested by jcalvarez

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Since you said you will split the power supply with 220ohm feeding each channel, you can include the effects of the second channel by inserting a current tap where it will split off. Then just sim for the final current of one channel at the end of the schematic. It keeps it a bit more accurate it seems to me.

John

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I've been working on a couple of amp designs that use a split dual mono type of power supply such as yours and I found the option of adding the current tap in the middle. Before that I was halving the series resistance or inductance and doubling the final cap values to simulate the two section in parallel. I like the current tap better.

To make the transformer sim even better, click the ellipsis button next to the ohms field and then you can use some actual measured values of resistance and offload voltages for the transformer. It should increase the accuracy of the simulated voltages. Since I don't know the actual resistance and voltage numbers for your transformer I couldn't put them in these examples.

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PS. I once translated a practical duncanamp guide by DHT Rob. This guide is the reason I increase my resistance in the secondaries.

https://basaudio.wordpress.com/2024...rsupply-by-dht-rob-translated-by-yours-truly/

I call it a guide because it is not science. There is no guarantee a tuned power supply inspired by this guide is going to lead to a better amp. Feel free to make suggestions and criticize...but it will probably go over my head.
 
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My opinion is not to be very heavily weighted in importance, but I find myself really questioning the premise of this paper. It's stated without any explanation that critical damping is some ideal - why? This same puzzle applies to the Mark Johnson proposed ideal for mains transformer secondary damping. I ask, what magic applies to critical damping in this fairly static location, when an ordinary over damping is more better in any static load perspective?

If there's something there I've overlooked, would be glad to hear it. Can imagine an argument involving the "envelope" of DC current following music waveforms' dynamic draw from power supply, but that's orders of magnitude from what's being considered.

Much thanks, as always,
Chris
 
You've not overlooked anything as far as I am concerned.. That is why I tried to "pre-empt" the questioning. Its pseudo whatever you want to call it.

But since reading Lynn Olson...http://www.nutshellhifi.com/triode4.html

On rectifier switching and what it does to the "LCR" tank. I thought this lowering of the current spike could not hurt.

Perhaps I should have summarized my post of adding the resistance by saying: I like adding high resistance to transformes secondaries with tube supplies this is why. Don't know if it makes a difference positively or negatively.

The last thing I want to do is open up a can of worms on something I very well know is nothing more than a guide by a fellow diy'er.
 
It's stated without any explanation that critical damping is some ideal - why? This same puzzle applies to the Mark Johnson proposed ideal for mains transformer secondary damping. I ask, what magic applies to critical damping in this fairly static location, when an ordinary over damping is more better in any static load perspective?

Overdamping does unnecessarily increase the power dissipation in the snubber resistor.
In some higher power circuits, that would be a big deal.
 
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