SB Acoustics SB20FRPC30-8 (8" Fullrange Cheap Monster II)

What do you think?

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I tried measuring the on-axis response of the SB Acoustics SB20FRPC30-8 driver with a ping pong ball attached to the phase plug.
There is a slight change above 5kHz.

In terms of perceived sound, the presence of the ping pong ball results in smoother high frequencies.
It's intriguing how the addition of just one ping pong ball can alter the perceived sound.


SB20FRPC30-8 with Ping-pong.jpg
 
I tried measuring the on-axis response of the SB Acoustics SB20FRPC30-8 driver with a ping pong ball attached to the phase plug.
There is a slight change above 5kHz.

In terms of perceived sound, the presence of the ping pong ball results in smoother high frequencies.
It's intriguing how the addition of just one ping pong ball can alter the perceived sound.


View attachment 1185046
How do you fixed the ping pong ball ?
 
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For fun re. strange phase plugs, check this out, at the end of the article, from Tony Gee:
20-25 years ago, before I had a measurement mic and DSP, listening, non-destructive modding and listening again were my only tools. It was so much fun. ;-)

Back then, foam between a whizzer and main cone was my most effective tweak, but I remember it really only worked well when the driver had excess treble. Some treble was usually lost and it really hurt when the driver didn't have heaps to spare.

I also remember covering the baffle with a fairly thick layer of some damping material, like a folded fleece blanket or fiber material, would remove an edge from the sound. I guess I was working on baffle effects with that.

I once made tractrix horns for lowther drivers and while the square ones were good, I had made uneven petal horns that sounded soooo clean. I have yet to apply the same to regular sealed box etc designs, but avoiding standing waves and reflections in the midrange in any possible way must be a priority.