Best Compression Drivers today 2022?

Imo each has his own tastes, for me, with unaccuracy inmind of the reccording and the playback and just talkiung of the high mid and treble, this video is just showing a non natural sound : too much unatural clarity and ligthness, at the limit of the brigthness and a little in it, imho. Of course it could be the disc reccording as well.

I think it's mostly the room > lots of reverberation.



Noam Geller posted a video of the Lansing Iconics.
From the first notes onwards... I think he's right. This sounds natural.


 
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I've been alternating the two CDs in my latest experimental build syn11.
The 4594he is the easier of the two to get sounding super on wider array of material.
But on certain material, the dcx464 has a degree of clarity/realistic sound, that I can't quite match with BMS.
On other material, it sounds bright despite measurements that say otherwise...simply dunno why.
I built pelnty PA speaker with BMS drivers (1", 1,4" and Coax). I think I know what you are speaking about.

The BMS tend to sound "soft" - at least at pretty high power levels (so not in the living room - 1000pax room). Not weak - but a great 2" shows you more precise what's going on on the stage. The BMS sounds more "HiFi" - which is often pretty nice. I thought the very high K2 at high frequencies is probably a reason for that.

My last project was with the B&C DE360 - 1" ring radiator which goes without resonance to 20kHz (but starts right after there). It's membrane is way harder as what BMS is using and I also had the impression of a more detailed, "realistic" sound. But still without metal dome "ringing" and a relaxed presentation.

But I didn't A/B them so this is really just a guess! Don't take it to serious.
 
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compression drivers seems new to them, I mean not their core business that seems to be classic hifi oem drivers for living room hifi brands ! I doubt they have the level of the old PA companies with their know how and research budget. Go figure !
There are some conflicting aspects to PA design compared to Hi-Fi though. For example the lower efficiency could be due to increased use of disipative surrounds and back chamber absorption which would improve fidelity. Also a Hi-Fi design could use a smaller gap between the phase plug and dome and a larger back chamber as it doesn't have to be designed to be thermaly limited rather than excursion limited over its full range as a PA driver normally is. TBH I also think classical compression driver design is that complicated, especialy if you accept less than the maximum possible output in the form factor.
 
Ok guys, so where are we now after nearly 59 pages?

Which is the best cd/horn combinations from 0,6-20kHz and 1,2-20kHz? Would be interesting with a reasonable priced option and a higher end proposition. 🙂
I'll give you three current products that would qualify as "cream of the crop" out of the box:
TAD TD-2002 (1" throat)
TAD TD-4001 (2" throat)
GT SOUND GSU-D04R (2" throat)

Horns:
Yamamoto SS-500 (1" throat)
Yamamoto SS-300 (2" throat)

I'll let others summarise on the "reasonably priced" options (none of which I can guarantee will be as good as the above).
 
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Could you clarify please, were the two waveguide systems physically identical or were they each adjusted for the driver used? Thanks.
The two systems were physically identical except that the crossover component values were tweaked to yield as close a FR as possible.

These two systems were then rated virtually identical. Both of these systems were rated higher than two other non-identical systems.

These results are what led me to the belief that drivers make little to no difference - it's all in the system design, not the drivers.
 
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