You are Such an excellent guy. the world could use a bit more McBean in it!💚. thank you so much
For example, when viewing driver excursion...If we could force a neutral FR, the excursion would show itself, in a useful way. When in "neutral mode" FR is always a 0 transfer function allowing one another view of excursion and surrounding details like port velocity, etc.... many people are designing towards a 0 transfer function, so this feature helps to judge efficiency/headroomIt is not clear to me what you mean. Can you please provide further information.
The attachments below should hopefully help you to fast-track the study requirements 🙂.I see there have been posts referring to use of stubs I should study first.
If we could force a neutral FR
Thankyou David, sure did cut down the learning curve. It looks like the absorber chamber does smooth the midrange nicely but the bass still has a dip I wasn't able to fill. When I compare to the standard offset horn, overall I think it looks better. An offset backloaded horn with an absorber chamber might be a good option if that were possible.The attachments below should hopefully help you to fast-track the study requirements 🙂.
An offset backloaded horn with an absorber chamber might be a good option if that were possible.
Has anyone loaded up the new version of horn response and looked into the -Easter egg—??
Ha!!! 💚👍🏼💚I certainly have 🙂.
wow!! The perfect 3:1 split between resonators…. ….(geek moment) 86400 seconds in a day and so much moreHa!!! 💚👍🏼💚
I see from your attachments above that you had no problem finding the Easter Egg 🙂.Ha!!! 💚👍🏼💚
Truely fantastic🌚🌒🌓🌔🌕🌖🌗🌘🌚I see from your attachments above that you had no problem finding the Easter Egg 🙂.
The attachments below should hopefully help you to fast-track the study requirements 🙂.
Is there any explanation for the dip and peak below 100hz in the stubbed horn model output? I can achieve a rolled of smooth response by increasing the coupling volume (increases length) but that would be impractical--I think. I tried masking/unmasking throat resonances as well. Thanks for any feedback. Datafile attached.Thankyou David, sure did cut down the learning curve. It looks like the absorber chamber does smooth the midrange nicely but the bass still has a dip I wasn't able to fill. When I compare to the standard offset horn, overall I think it looks better. An offset backloaded horn with an absorber chamber might be a good option if that were possible.
Is there any explanation for the dip and peak below 100hz in the stubbed horn model output?