Hello everybody,

I'm revising an Onkyo m-504, no real problem for transistors, as I can still find them easily.

I'm about to test the numerous diodes (switching/rectifier) and zeners and I'm trying to find substitute in case, as the original ones are mostly discontinued and very expensive.

Here's the list and the substitution parts I've already found:

Original part Substitution
1SS133 --> 1N4148
1SS82 --> BAV21
1S2076TD --> 1N4148
GP30DL --> 1N5402G-T
MTZ22-C --> BZX79-C22
MTZ15 --> BZX79-C15
MTZ13 --> BZX79-C13
MTZ6.2 --> BZX79-C6V2
2W02 --> 2W02G
DA210S -->? (this is a double diode)

The substitutes I found seems pretty close but not really sure for 1S2076TD and 1SS133, also I'm struggling with DA210S, maybe I should simply use two diodes in series.
Do you have any suggestions for those parts or any comments on the substitutions I already found?

I'm working on an FM tuner/MPX decoder design, and I'm trying to figure out how to design the audio output filters.

I found a schematic in the LA3410 MPX chip datasheet, but when I simulated it in PSpice, I found out it wasn't that good... Here's a frequency plot:

http://stiftsbogtrykkeriet.dk/~mcs/MPXFilter.gif

Not a lot of attenuation at 19kHz and -3dB somewhere around 13kHz.

The next thing I tried was "expanding" that filter with some extra sections. That produced this result:

http://stiftsbogtrykkeriet.dk/~mcs/F4V10.gif

Good attenuation of 19kHz and above junk, but some ripple in the audio band. Here's a close-up of the 1-50kHz range:

http://stiftsbogtrykkeriet.dk/~mcs/Not_nice.gif

To get a nicer looking curve I tried calculating a standard low-pass filter (6th order Linkwitz-Riley at 25kHz in this case), and then I added some caps accross the coils to create notches. This is the result I got from that:

http://stiftsbogtrykkeriet.dk/~mcs/Nice.gif

Looks very nice in the audio band, but the -3dB point has moved lower, and the 19kHz and above attenuation isn't as good.

So which filter would actually work best and sound best?

I have looked at some Toko datasheets for MPX filters also. They have about 25-30dB attenuation at 19kHz, and some of them higher at 38kHz. But I have no idea what circuit they use. Would they be better, or would a DIY filter with good quality parts (rather than ceramic chip caps) be a better idea?

If anybody has suggestions or experience in this field I would like to hear about it 🙂

Best regards,

Mikkel C. Simonsen

Are you one of those guru that feel insulted by old days commercial equipment designs made by dead people that work just fine and need to show the world that your thing is better than the bats can hear?

This may not be the best/only place to post this. I am building a 2-way speaker and wanted to include a bi-amp terminal cup just to cover myself for future use cases. This got me to thinking about using a multichannel AVR, in this case an old 5.1, as a source of multiple amp channels for stereo playback.

Many of the AVR that I have come across have a playback option called "Multi-Stereo" or something like that. This mode pushes stereo signals to each channel . . . meaning both Right and Surround Right play the right side of a stereo signal and left the opposite.

Does this mean that an AVR in this mode could be used to Bi-Amp passive speakers? The sole purpose of this version of Bi-Amping would be to provide greater headroom in the form of more power per channel/driver. I realize true Bi-Amping typically refers to the use of multiple amps when using an active crossover.

A possible supplemental benefit is that an AVR offers rudimentary DSP capabilities, level and tone adjustment that could be applied to each driver individually. At the very least this could function like an adjustable L-Pad for a tweeter.

If a speaker has an internal passive crossover but the terminals are connected separately to each section of a 2-way crossover, is there any reason this wouldn't work? And am I correct in thinking that this would better utilize the available power of an AVR during stereo playback?

Ultimately, an AVR can just be put in Analog Direct and run as a normal stereo, but it seems like you would be leaving power on the table.

Hi people!

I need advice since my electronics knowledge is at beginner level. I would need a line level converter to take signal from low power class d and feed it to high power, differential input class d, in home used. This is to save money, so the solution needs to be cheap. Almost all commercial products are made for car use, which play a little different rules.

I've read about L-pads made of two resistors, which would be fine, but since taking signal from class d and putting it to another class d, I thought maybe I should filter the noise. So do I need a cap and how to wire with the L-pad? Just parallel after it? Which values you'd recommend for all components?

The low power amp has gain of ca. 20 dB. I run into its measurements somewhere, its noise starts to climb after 25kHz. The powerful amp is from Hypex, differential input and 100kOhm input impedance if my memory serves. Not sure if that makes a difference in the end.

Ok here is what I am thinking.
Mtm 6.5" 2khz

I'm pretty set on the tweet (I have 4).

Morel cat378 (with its 5.6uf cap, 92db, -6db @ 2khz, -12db @ 1khz).

I had it, liked it with eminence b102 run wide open. It worked great but couch wide dispersion at 7' (shouldn't run a 10" that high, yea yea). Morel tweet won't melt (I tried, 80w onkyo crossed at 150hz as loud as it would go). Since 5.6uF cap makes an electrical pole near 4.7khz, no need to trap its FS, you can see that in its frequency plots.

Morel CAT 378 1-1/8" Soft Dome Horn Tweeter

MOREL CAT 378 Soft Dome Horn Tweeter – AmpsLab

And,

Something ????????????????



Maybe 2 x peerless ne180w-08 (the 04 is unavailable, looked frequency flat).

2 in parallel should be near 92db but I don't like the rise 500-1khz.
The copper cap makes its impedance flat for an easy 6db filter slope.

Peerless by Tymphany NE180W-08 6-1/2" Fiber Cone Woofer Speaker


any ideas for other woofs ????????????

Hi everyboady,
I have just boght a Leak Throughline 3 Stereo in pristine condition. I think I was fortunate, this is like a sleaping beauty. Outside as well as inside, no trace of human action, rust or dust. No component was replaced and valves are the original ones. My intention is restauration/refurbishing as much as can be.
So, for the beginning I had revival the PSU with low voltage as 110 volt getting 230 volt after some hours. I checked the multy section el-cap an was OK also checked some voltage poins and seamed OK also.
After providing a decent aerial and conection with my sistem (Nagra PLL preamp and DIY OTL Tim Mellow power amp) I stared listening.
The audition was much under my expectations. The sound was dull and absent of dinamic even on mono as stereo I was allready not expecting too much from the modest inside decoder.
That's why I am asking some hepl, where to start and what to do next.
By the way I own allready a nice valve decoder from Fischer, the MPX-100 which I intend to refurbish too and cope with the Leak tuner.

Thanks in advance.
Victor

Guys this is the psu segment of my modular preamp. To the left would be the pcb mounted trafo and from that ac shunt> double bridge rectifier> lm317/337 regs> darlington cap mx then to the preamp modules which are not drawn. I tried to be meticulous with the star grounding but as you can see i have no formal training with this work and would like your help in determining if my layout is violating any must-follow rules. Thank you in advance.

Hello there,

I am very interested in purchasing the B1 Korg Nutube Preamplifier. Unfortunately i missed the diyaudio store batch sale.
I live in Germany so any offers from Europe would be superb but i am open for any offer🙂
Just send a PM and we can discuss specifics.

Thank you and best regards.
Duy

Hello everybody,

The story: I had a pair of (normal) Pensil 12.2P birch ply cases made for me by a local social (social reintegration + job training) woodshop. I asked them to cut the driver opening inwards to 45°, but they refused, saying they would cut as much as possible.

It turns out they dit cut the inside edge, but just a little bit.

Now I'm:
1) wondering if the result is enough?
2) if not, how could I improve things ...
(Without any knowledge or tools)

customer amp. he said it works for a while then the volume drops to half. I found a very bad bent terminal on the speaker push on terminal from the amp to the first speaker. that would certainly cause issues. However I am unable to find any other issues. the bias was set kind of high when I checked it initially, like 85 or 90 mA vs the Carvin recommendation of 75mA across the stand by switch. I have it a tad low now, around 65-70mA, but it sounds good and the waveform looks good, sort of.

I hooked up my dummy load and a sig gen and sat the watching for something to happen. I ran it from 5W up to clipping at 34 watts for extended periods of time, with no troubles. Except for a brief period where I saw a little glitch develop right at the peak of the signal waveform. It got a bit bigger and then turned into a ringing event starting right at the peak of the sine wave. I could make it better or worse by adjusting the level and the tone controls a bit.

but then I touched the mid or bass control and it suddenly dissapeared. I tested for another 30 minutes and couldn't get it back. Here is a short video at the output across the dummy load. I could get it worse than this, but this was pretty much what was happening. I couldn't even get the notch to come back.

I suspect the tone controls or a solder junction near them. Especially one with high voltage across it, since it was happening at the peak of the waveform. Here is the video.

Oscillating Carvin Belair 212 - YouTube

I have attached the schematic.

I will check the solder around the tone pots.

I just hate to give an amp back to a customer, just to have them bring it back, or worse NOT bring it back, when it isn't fixed.

Hi all !!
I ask a question.

Some say that an amp with only two stages is better, perhaps because it has fewer components, it achieves a better sound than with three stages.

In any case, the two stages may need preamp.
And the three stages may not need a preamp.

We lose sound quality with one more stage in the amplifier?
Maybe two drivers can work with less distortion than just one driving a 300B with 200vpp?

Santiago

I'm smitten by Curt Campbell's Uluwatu design and owned a pair. The midbass punch is simply unattainable anyway else with such gusto and weight.

However the SB13PFC driver used is too low fidelity for my plan to use it as midbass matched to higher end drivers

I tried to make a pair of the same dimensions using the SB15NRX but it didnt quite have the same result despite having similar Qts and ~100hz prominence in the frequency response.

I emailed Curt but no response.

Was wondering if anyone with MJK's design can help with this for a fee or barter for some spare drivers?

I have three NC252MP modules I want to make a 6 channel amp out of for my Surround and Atmos speakers. Currently working on the case.


For wiring, however, is it really as simple as both the speaker binding posts and the balanced input connectors wire directly to the boards and the power inlet also hooks directly to the boards? No extra boards or input buffers necessary?


I would most likely be using pre-made cables from Ghent along with a custom case. And supply my own XLR and Speaker binding posts. Along with power button and 12v trigger.



I am fairly good with small electrical wiring. Maybe not so much with in-depth wiring diagram/schematics. But from my looking around for the last few weeks, these modules are fairly straightforward right?

I just bought a pair of empty JBL AS1025 install subs. They are empty it has the connector panel, wires and f/g exterior white paint. Its in very nice condition, I bought it because I figure why build another project when these pair were only $150 in Baltic Birch. I have a total of 8 JBL 2226H, 4 have been reconed professionally last year, have not been mounted 1 slightly used 2226H, 2 needs reconing, and 1 2226HPL already recently reconed. So I have not yet finished my JBL subs from another thread. I will need another 2 weeks before they get done.

Anyway, my question to you it has a white stiff white cloth on a ply frame bolted to the front mounting 1" square ply. Now I do not like this white cloth and would like to replace it with steel perforated 3/16" hole grilles from Reliable Hardware. Also the interior of the cab has fiberglass wading. My question is breathing the fibers in my house or at DJ venues can possibly cause lung cancer long term? Should I replace them with pillow Poly Fill from WalMart? Would this be safer than fiberglass (Yellow) from the JBL factory?

Also since the exterior has fiberglass for exterior installs, I was planning on sand it slightly, then paint it with Duratex custom Battleship gray like my other 2 JBL sub project or another type of epoxy paint from Home Depot mix?

Thanks guys for the guidance, please let me know your thoughts.😉

Do I have to replace this with one of the canister type, or will a modern one like this on ebay work, or where can I source a cheap replacement?

CNH 7435 20 MFD 150WV 20-150 Capacitor *FREE SHIPPING* | eBay

Much appreciate any help. I have this little old phonograph like what you would have see in schools or for kids maybe in the 60s. Tube lights up and it makes that capacitor hum.

I am servicing my GFA-5400 which arrived to my hand with faulty capacitors.

I replaced all rectifying capacitors and now I am thinking of replacing the existing diodes by better spec ones (fast diodes). May someone help me choose a direct drop in replacement for 1N4003 diodes?

I was about to pull the trigger on MUR460 but I was told it's not suitable because it's a 4A diode.

I would like to purchase parts locally to save on shipping cost, so there will be a few options, like:

STTH302 (ST)
https://www.st.com/resource/en/datasheet/stth302.pdf

SK2F1/02 (Semikron)
SK2F1 datasheet

SK3GL/02
Datasheet Archive SK3GF01 datasheet download

Is any of them a direct drop in replacement for GFA-5400?

Hello,

I am a newbie to speaker building and have been doing some research online and this forum which have been helpful. I would like to build a 2 way speaker (A tweeter and a woofer) and get to grips with using crossovers.

I have selected the following:
DC160-8 6-1/2" Classic Woofer 8 Ohm - Dayton Audio
DC28F-8 1-1/8" Silk Dome Tweeter 8 Ohm - Dayton Audio

I used an online calculator to workout the components for a 2,500 hz crossover point. Could someone please let me know if this looks like it will be sufficient/in the ball park?

Hi everyone I was just getting in to pro audio and i currently have system with 2 custom built 12 inch bass bins and 2 mid/high cabinets, I have behringer mixer, eq and behringer km1700 amplifier. But i currently only have one amp and i was wondering if i could build a cheap passive crossover for subwoofers and tops. I was thinking of making it a rack mount box with speakon inputs on the back and speakon outputs for subwoofers with low pass and outputs for the tops with high pass.
I already did some experiments since my speakers are 8 ohms and that behringer amplifier supports down to 4 i connected all the speakers in parallel and it actually didn't sound too bad. Biggest problem with that is that tops don't handle bass well. What do you think about this idea and can you give me some advice.
Thanks.

Hello,
i just found out that my focal drivers rubber surround 5n411 and tweeter k120 are cracking , so i plan to fix it, any tips to do a quick fix or any place in USA that i can buy the rubber surround from,,as well as foam surround for the tweeter?
thank you in advance

Had the opportunity to play a little with this. Its a two channel scope, a gen, and a DMM in one case.
Rechargeable and displays to a PC also.

Not comparable to full size and price gear performance, but portable and able for classic tasks in audio testing. Buttons and general build quality not bad. Comes in a hard carrying case.

Much better than getting by without gen and scope at all. Enough members don't have those absolutely useful tools. Like my friend the owner who had not any and finds it suitable for his needs. Signal path tracing and channels gain matching in tube gear for instance. Costs ~150 Euro.

The gen keeps running when in scope mode too. Thus the system can work standalone for a loop test. As it did in the following pictures. They are about:

1. Transformer secondaries 50Hz phase scoping.
2. Capturing 1kHz square from its own gen again.

Hantek2000 Series
Third attachment is the full manual to find out more.

Hello audio friends,

Currently I am searching for the best replacemant capacitor for a ML-10 preamp.
There are 4 caps of 1000uF/25V (power supply), 2 caps of 1500uF/15V (line level) and 4 caps of 2200uF/6,3V ( phono stage).

The reason they have to be replaced is because they are dryed out.

I have found by Mouser a nice Nichicon cap: LKG1H222MESABK
This is one of 2200uF/50V and only in this value available with a 10mm lead pitch . Can I use this value to replace all caps in the ML10 or should I stick to the original values?
Otherwise I am opting for Vishay/BC components type MAL205658152E3 with correspondencing capacitance, unless you guys know better parts.

greets, Jantinus

I have recently acquired this audcom ap-110 preamp. It sounds great, it came with 12au7 tubes in it. I have found a few rumors about specs but factory specs, schematics, tube recommendations or a manual are nonexistent. I believe the company is Brazilian, anyone had one, seen one or have any information? Thanks

Before I return to the bullet BRs, I wanted to run off another conventional pair of bass reflexes as a gift and incorporate design changes I had in mind from the first pair. Unlike their predecessor, I was pretty damn happy with the sound so I wanted to share these in a little more detail.

The design is here:
TEBM65C20F Bass Reflex Enclosure by H_D_H - Thingiverse
they're engineered to go together with minimal fuss and use the same M3x25 bolt throughout to save needing multiple sizes. If anyone wants to have a go but isn't confident editing the mesh, I'd be happy to add on a customised debossed name to the side of the enclosure and send the new STL. They should just fit on an Ender 3 or Prusa. I think they'd look quite sharp with a different colour for the front baffle but live and learn.

Trying to save space here. I'm deciding what kind of enclosure to use for some Sony 1-859-076-21 magnetic fluid speakers. I cannot find any specs for this driver, so I used specs from a similar sized one to calculate a sealed enclosure volume and resonant frequency. Vas = 0.02 ft^3, Fs = 113 Hz, Qts = 0.44

Those sizes are a little big for my taste. I was thinking what if you use a plastic bag or balloon instead. They would only be 1/2 filled, and ideally, the slightest pressure will change their shape, creating no resistance on the speaker. It seems this could be hard to pull off since such a thin bag will transmit sound. And if you make it thicker, it will put as much resistance on the speaker as a rigid enclosure?

Greetings,

We're trying to find a vendor that can rewind a small mains TX from a S/E guitar amp. The primary winding is open. I have the voltage and current specs. The amplifier it came out of belongs to a client and is not worth very much, so Mercury Magnetics, etc. is out.

Any leads are much appreciated. TIA!

Regards, Jim

EllisAudio 1801 Kit With Hiquphon OWI And Seas W18E001

This is very rare opportunity to acquire one of the best bookshelf speakers kit ever made: EllisAudio 1801.
Originally designed by David Ellis and Dennis Murphy,it was discounted couple a years ago but
Jim Salk by SalkSound continues to produce them as complete speakers with starting price at 2000$.

The kit includes:
- crossovers - proffesional assembled by SalkSound. Mills resistors, Solen caps, hand made air coils
- tweeters - Hiquphon OWI. Hand made in Denmark by OsKar Wroending(Hiquphon 1st natural choice in 3/4" soft dome tweeters - 20mm soft dome tweeter type OWI, OWII, OW3, OW4 .... and more. Designed and produced in Denmark since 1983.. )
- woofers - Seas W18E001(SEAS: The Art Of Sound Perfection).
- acoustic wool
- binding posts
- cabinets plans

Woofers, tweeters, filters and binding post are BRAND NEW, NEVER USED

Price: 750EU

Contact me for further information about shipping cost.
e-mail: ychumpov@yahoo.com

I found a busted/exploded NTP16N06 (I found the value from one of PapaZBill reply) so I order the replacement for this which he had a post that directed us also to a mouser. Also, I need to know the value of a cracked diode(D27) beside Q13.
My question is, If ever I already have the mentioned parts, do i have to check or look for more that is possibly cause more of the problem before soldering the new parts? Visually, eveything is clean except for the Q12, Q13 and D27.

I'm not a full pledge technician but I have an extensive experience of doing electronics so let me try If I can fix this one with your help.
(This thread is a reply from one of PapaZBill quote)
I try to make a thread that's why.

Thank you very much DIY forumers!!!

Hello,
I`m modifying a relay with DC coil to be triggered with AC.
I want to keep everything in the relay itself, so size does matter.
I added a diode (half wave rectifier) and a 200uF capacitor.
Relay works, but I have 11v ripple 😱 at 12v.
Is this bad for coil? I will need around 2200uF capacitor to smooth this out, but in that case I will have to fit it outside the relay.

So will ripple damage the coil? If yes, how much ripple would be acceptable at 12v?

Thank you

I often find myself in possession of drivers without the T/S parameters. I am making a spreadsheet listing parameters for drivers in their original enclosures.


1) Driver diameter.
2) Cabinet Volume.
3) Port Tuning Frequency.


What other information do I need? Is power handling relevant?

title is wrong, it is a set of 4 connectors


I have 2 sets of 4.

one set of 4 consists of:
2 male 2 female (2 red and 2 black)

price $30 per pair + $9 for shipping


I bought them from here:
4x Rhodium Silver Carbon Fiber XLR Connector Plug Audio balance 3pin M & F | eBay

Hello,


I am going to be doing a 6 channel amp build (using three NC252MP modules) and have decided to use a Slimline 2U case with 10mm face plate.


However, I am nowhere near talented enough to make a CAD drawing or even simple drawing and was wondering if a simple description is enough to get the appropriate front and rear panel cutouts.



The front panel is simple: Just a single hole in the bottom 1/3rd of the face plate, dead center for a power button.


The rear panel would need: IEC cutout, 12v trigger socket cutout, six XLR connector cutouts (for Neutrik connectors), and six speaker binding post cutouts (so twelve "holes" total) above each XLR cutout in a horizontal fashion. I haven't decided on the binding posts I will be using but assume the cutout holes/size would be pretty universal to mount to?



Would this description be enough to make a rear panel of appropriate/'common" sense layout for the wanted six channel configuration?



Thanks!

Here are my thoughts on embracing some new technology.
What are yours?

1.Surface Mount Components
Positives:
The equipment gets smaller.
Don't need to drill so many holes.
Less susceptible to mechanical stress.
Circuits can be made more compact decreasing lead length and associated interconnect capacitance/inductance.

Negatives:
Higher level of skill required to solder (damn those 402 pckgs).
Not many choices in a high quality film caps, nor a high value cap.
Danger of inhaling 402 packages (ha!).
Hard to see, and no room for informative nomenclature like the value. Personally I try to stick with 1206 size for DIY if at all.

2. SMPS power supplies over torroid/rect/filter
Positives:
Size and weight are much less.
Cost is coming down - you can get a >200W +/-50v supply from China for $30.00.

Negatives:
Complex.
Possibly quite noisy.
A greater level of knowledge in magnetics and in general required to design or trouble shoot.

3. Class D power amps vs A/B or A
Positives:
Much smaller size
Much less weight

Negatives:
I can't comment because I have no experience.

Highly integrated solutions:
Positives:
Inexpensive
Quick and simple to assemble.

Negatives:
Can sound bad
May have limited dynamic range.
Are no fun.

I guess in general, even though I design a lot of modern stuff for aviation and industrial for a living using the latest technology, I tend to stay safely on the trailing edge of technology for DIY audio.

Hello, so I'm thinking for my second project with tubes, I want to use the pair of EL84s I have to make a low powered single ended amp for my headphones. My headphones are 32 ohm Sennheiser eH 250s, and while they're really old, I really enjoy how they sound. The other reason I want to build a headphone amp is that the transformers aren't that expensive because the wattage is quite low.


For the input stage, I'm thinking a single 6SN7 would probably be fine, as it can provide the gain, and I've heard it's more linear than a 12AU7. I think I could use one tube, with one of the triodes for each channel. For the power stage, I plan to run the EL84s wired as triodes, because I like the sound of triode wiring better than pentode wiring based on some experiments I did, and I don't need much power. I will consider adding a Triode/UL switch though.


If I run at a plate voltage of 250 volts, it seems like a 5k load should be about right. That brings me to my question. What Edcor transformer should I get. With the power from a triode wired EL84, I should be able to easily drive headphones, and also very efficient speakers at reasonable volume. Should I get a GSXE10-5k with an 8 ohm or 16 ohm tap? Or should I get a GSXE10-2.5k or similar with a 16 ohm tap, which should provide a primary impedance of 5k with a 32 ohm load. I hope that wasn't too confusing!


I'll figure out a power transformer later when I get to that stage, as well as any chokes I need. For the rectifier, I'm thinking about using a 5R4, as I have a few that are NOS, but I could also use a 5U4 or 5Y3, but I don't think a 5Y3 can supply enough current for a stereo amplifier. A 5U4 might be overkill, but it would totally work, and I also have a couple of those.


Thanks, and please let me know what you think! I have no idea if this is really the design I should go with, and if it isn't, please let me know!

Howdy everybody,
I'm joining up because I'm beginning a really cool (I think) series of projects, perhaps indefinitely. I'm an electrical and computer engineer, but the projects are a little unconventional. I'd love to get to get to know a few people that I could bounce my design ideas and plans off of, preferably via DM's like Facebook Messenger, Slack, or similar.

I have a fair amount of audio experience, just never speaker design. Some of the project parameters will be: fixed/non-modifiable enclosure size, usually single speaker or 2-way (considering a horn driver on one), and many will likely be portable/battery rechargeable, all will have smart assistant integration (I can likely figure this part out myself. Except maybe mic placement).

If there is someone who is a major help, I would likely reciprocate with a token of my appreciation.

Should I put this message up anywhere else on these forums?

I appreciate any interest!

Hello,

(sorry - bad English)

I have an mixer with talkback, wich is possible intern or extern. On the extern-Mic-In there is an automatically phantom power. But I think, there is not using a good electronic. On the speaker the audio-signal is some "noisy", "sizzles". I can not found the root cause and I guess, it can be a bad phantom power. Is it possible to make a external additionally phantom-power source --> so finally there are two phantom-sources: the "bad" internal and the additionally external? Or shouldn't I do that?

Maris

The HiFi universal cable which uses W2534 NEGLEX from MOGAMI. The used ultrapure OFC as material for signal conductor and shield guarantees an extremely low cable capacitance and best shielding against interferences. In addition, two PE monofilaments ensure a constant spacing between the wires and thus a uniform field strength over the entire cable. The result is a discolouration-free and detailed reproduction of your music.

cable no.: 2534
Colour: black
Length: approx. 1 m
Number of conductors: 2 x 2
Cable diameter: 6 mm
Jacket material: PVC
Shielding: Spiral shielding (64/0.18 A)
Insulation material: XLPE
Capacitance (1 kHz, 20°C): Core Shield: 65 pF/m | Core Wire: 13 pF/m
Inner conductor: Construction: 20 x 0.12 OFC | Size: 0.226 mm²


Connector: Cinch (Neutrik NF2C-B)
Connection first to ground, then to signal path, when unplugging first signal path, then ground is disconnected
Precisely milled parts
Unique Neutrik collet chuck strain relief
Gold-plated contacts


Each 25.- EUR plus shipping within EU (& GB)


And as always:
Private sale, warranty and exchange excluded.

USB B hole punch

Hi,

I am tired of drilling and filing square holes for my SilentSwitcher USB connectors, and after a long search found a hole punch for exactly this type of hole:

Greenlee PUNCH UNIT-D .500 DIA X .469 FLAT Cat #: 60077UPC #: 783310600770

But I cannot find any online source for it, let alone a distributor in Europe/Belgium.

Anybody knows a European source, or anyone willing to get me one in the USA and send to Belgium?

Jan

Hi folks. My BM@ has rear speakers that need to be replaced.

They are 100 mm (4") and 56 mm depth for the OEM measurement. The problem I have is the mount, which is OEM insert, and lock by rotate. I will have to break the locking tabs to get the OEM speakers out, but that leaves me with a strange mount.

I've researched buying new mounts, but there are none, outside of buying a whole new set, and it gets expensive with sub-standard used OEM speakers that would also be ~25 years old. I'd rather buy new more powerful speakers. I just need a way to marry new speakers with the current mount.

Here are some pics of the current situation. Can anybody suggest how I can get this done? I'm thinking crack out the current speaker, and maybe hot-glue those mounting slots closed, then fit and drill new 100mm full-range speakers and use some speaker gasket foam tape as well.

Also, if I increase the max power to say 150 Watts, will the sound get better with the OEM amp? I know there's no increase in power, but a heftier speaker might augment the response. I'm unclear on this concept.

Any insight appreciated. Cheers

I am about to buy new headphones, either the Audio-Technica ATH-M50x or AKG K371. I am also going to get a headphone amp. It seems reasonable to get a combination headamp/preamp to also work with my not-yet-built ACA 1.6.

I am considering the JDS Labs Atom or the Starving Student II. Both have line outs. The Atom is cheaper (if it is appropriate for the ACA) but the Starving Student is a kit and has tubes.

Any advice for me on which to choose or other alternatives.

Thanks for any comments,
Rick

I've read here on the general knowledge of "half a wavelength away" at crossover and "the closer the better"

However...

When looking at the Herron Audio speaker at an audio show (they had a prototype) I asked Keith, the designer. The M/T spacing was a LOT more than the minimum possible. It was significantly spaced! So I asked.

The answer was a "specifically calculated distance". This makes me wonder if there is a formula or a guideline? And that distance may not be the minimum possible but depends on the crossover slopes.

Any thoughts on this?

Hi All,

I have a question regarding reading the THD values in the TDA8950 amplifier spec sheet, specifically how to decide which voltage to settle with by using the BTL Power vs Voltage graph as my guide

ref Page 29, Fig 23 in: https://www.nxp.com/docs/en/data-sheet/TDA8950.pdf

My intended speaker is a Celestion BL10-100X (8 ohm, 100W RMS)

Looking at the graph, I see the line for 8 ohm THD 0.5% intersect 100W at 20V, and the line for 8 ohm THD 10% intersect 100 W at 23V.

My gut says that my circuit for 100W output should aim for the THD 0.5% value of 20V, and factor in some speaker protection for any higher THD values that may arise due to clipping.

Am I heading in the right direction?

Cheers,
Chris.
Report Post

Dear Oracle,
I have an Audio Innovations set, 1x S200 Preamplifier MM model, and 2x 200 MK2 power amps.
I want to install the MC section and upgrade the preamplifier.

I need the schematic for the preamp, does anyone out there have one or know where I can get one?
I already have the power amp schematic.
Thank you

(reposted to proper forum)

Bought this for a project and ended up ordering something else as this had been missing in the parcel service for 3 months.

No longer needed and unopened.

Ill add dimensions later today.

£140 delivered in the UK

EU can be quoted upon enquiry

Hi All,

I have one of these:

Celestion BL10-100X 10" 100 Watt | The Speaker Factory

Frequency range is stated as 45-3500Hz

Say I build a bass amp using one of the popular amp kits online (suitably matched for power & impedance) - how do I go about limiting or filtering the frequencies that go to the speaker? Is it as easy as an active or a passive crossover? Or is it a fundamental part of bass amp circuit design not available in the popular amp kits online?

Thanks for any thoughts.

Chris.

What's best to look for here, both for a headphone amp and any amp in general with an output e-cap: lowest ESR, highest ripple current at low freq or high freq, lowest impedance, or just a cap that averages it all out?

This is an ad from 1988, I always wanted to give them an audition. I never saw a pair, found a dealer, or even heard anyone mention them beyond a couple of magazine ads.

My quest- Need Best sounding Bookshelf as volume increases.

My criteria

1. Have to be Big cabinet
2. Sealed
3. Big soft dome tweeter ( i dont like ribbon or horn. They dont sound well when volume increases , also small tweeter is no good)
4. 8" woofer ( big woofer create boom bass. small woofer sound thinny)
5. 8 ohm impedence

Epos 14 fits but cant find it anywhere. Why no speaker manufacturers make big bookshelf. Eveyrone make towers.

ATC speakers out of my budget.

THere is no audiophiles in speaker manufacturer. All i see people ready to con buyers with all the magic design and technology...all focussing on home theater tiny speakers and big sound crap. I hate that room filling nonsense. Also bass extension on bookshelf is foolish quest. its not needed for music but they are focussing on different crowd i think.

There is no magic in the universe except human beliefs.

Hello everyone. Great forum. Have been reading lots of good stuff and it's time to post my first call for help.

A few days ago I bought this pristine looking GFA 5400. Inside and out.

As always, upon receiving a used amp bought off eBay, I fire it up with no speakers connected, let it simmer for a few minutes, and take DC offset readings off the speaker posts.


First thing I noticed is that upon turning the unit on, Both distortion alert leds lit up, right channel dimmed quickly, but left channel took aprox 30 seconds to completely fade away. Both ended up unlit after this.

The amp simmered for a few moments, checked DC offset, 3mV on both channels. Left channel jumped occasionally to 20mV (or thereabout), and then went back to 3mV. Right channel stayed put at 3mV.


Turned the unit off. Waited a few minutes. Turned it on again, and no distortion alert lights went off. Everything was now normal. ¿?¿?

Hooked it up to my system. Worked as expected. When turning off, no whistling, pops, thuds or anything. When powering on, just the common thump, nothing bad.


Then....THE NEXT MORNING.... turned the thing on and Boom! distortion lights on, and a burst of crackle scared the hell out of me (and my daughter...) on the left channel, then silence, then another burst on the right channel.... Immediately turned the thing off. Disconnected speakers. Turned it on again, and as expected, the lights faded within 30 seconds and the amp worked fine after that.


So, I opened it up. Changed the big caps (I have all new electro's at hand since I bought this amp to do a cap-restoration). One main cap seemed to have a cold solder (discolored at least). Put in the new caps (15k uF SMH Chemicons). Fired it up, and no distortion lights. Bias was a bit low (20-23mV), so rebiased to 36-39mV, recalibrated offset to within 5mV. All was good. (or so it seemed). Left channel was sensibly warmer than right, at same bias current. That was yesterday.

This morning, fired it up, and boom, distortion lights....and the same 30 seconds before they faded out completely. Mainly left channel as I said before. Right channel light barely lights up and fades quickly.

I'm thinking of replacing the rest of the PS caps. But if someone has some light to shed here, I will be very interested in knowing.

It seems that this failure is only present after a prolonged (several hours) standby time.


Any hints? Comments?

Cheers,
Luis

I am looking for a mute-delay relay circuit for a preamplifier. Any drawback to use one designed for loudspeakers?

Stereo Loud Speaker Protection Board 10A Two-Channel 3S Delay Soft Start Circuit 699914281829 | eBay

Hi all,, I'm looking into an overseas Bell & Howell projector, with amp & speaker, & the speaker output of the amp has 4 prongs, 2 vertical, 2 horizontal. Is the Cinch Jones adapter what I will need to convert it to a modern day +/- 1/4"?Thanks all, & be well.

Hi All,

I've been working on my own Bluetooth speaker design for a while now. Having tested a bunch of different drivers, amps, radiators and designs I'd finally got my project to where I was pretty happy with it. In the end I settled on these drivers (after testing several others including a Bose Soundlink Mini knock off): AIYIMA 2pcs 5W 40MM Mini Audio Portable Speakers 16 Core 4Ohm Full Range Speaker Rubber Side NdFeB Magnetic Loudspeaker|Combination Speakers| - AliExpress
and these radiators: AIYIMA 2Pcs Speaker Accessories Passive Bass Diaphragm Vibrating Plate Woofer Passive Radiator Vibration Membrane For DIY|Speaker Accessories| - AliExpress

The casing is 3-D printed in several parts and through some careful design the whole thing is very rigid - being held together with screws and made air tight with none other than good ol blue-tac (which works surprisingly well). A section of women's tights wraps around the inner casing to create the mesh. I've included a section view to give some idea of what's going on inside.

My reason for writing though is I stopped being happy when I compared the thing to my friend's Bose Sound-link mini. Now I've seen plenty of tear-downs of this and the recipe is fairly similar (two drivers and two radiators) and I'm also aware that it is a much more expensive speaker from a reputable company - but this didn't help my disappointment when I realised the HUGE difference in the bass department. The highs were fairly comparable and of a similar volume but the bass from the Bose adds so much to the sound stage that it makes mine seem lacking afterwards.

I'm not expecting to achieve the same thing but if anyone had some pointers on what to try I'd be very grateful. I could only think to maybe add some weight to the passive radiators. Unfortunately the Bose isn't mine to take apart and weigh the components of. I intend to sell these speakers as kits (just requires a screwdriver) for drastically less than the Bose but it would be great if the sound was full and deep like it. Perhaps I should have never compared the two - it sounded pretty good until then!

Also if anyone thinks there would be a market for these (bluetooth speaker kit/educational slant, usb-c charging, 12hrs battery, etc.) then I'd be grateful for any general feedback.

Thanks all,
Jonny

Attached is a schematic and response results for a gain cell using a cascoded N-channel jfet plus a p-channel small signal mosfet. There is feedback, but the feedback path is short and direct. The cell as shown is set up for a gain of 40x. Distortion results are impressive. I've laid out an RIAA preamp using a pair of these cells with a passive RIAA network in between, and will add it to the growing pile of things to be built/evaluated. By using the mosfet, you can use direct coupling between stages and still have some leeway to bias both stages properly.

I've heard that Raal uses heat shrink mylar at the ends of their ribbons for suspension.
I was wondering if anyone knew where to source such a thing?
I haven't been able to find it or maybe I'm looking for the wrong thing.
Thanks 🙂

Hi

What is the advantage of doubling the capacitor bank in an audio amp?
Cleaner sounding? More bass slam, etc..?

Aside from added costs, is there any disadvantage?

I am just thinking about this. There is earth wire that is connected to the chassis for safety. But earth is shared with everything else in the house.

What if i solder diodes to the earth to limit current to 1 way (out of the amp only). Maybe put 2 in series?

Do you think it will help to reduce noise to the chassis?

Since hearing some harbeth monitor 20's in work, i fancied building some of these but obviously not the proper job as they are far too expensive. Falcon acoustics used to sell a mini monitor kit based on the bbc design that used their own crossovers, monacor SPH-135AD woofers and scanspeak classic tweeters (D2008/851100 i believe) They seem to have disappeared off their website recently though. I have a fair amount of spare plywood and the drawings from the LS3/5a site to help construct the cabinets. Can't really find any information on the harbeths though.

Question is what drivers do i use? Kef B110/T27's are out as they are way too expensive for what they are. I can buy some pre-made stirling crossovers which are designed with the monacor driver in mind here. The price isn't too bad considering it'd cost near that much for a pair of falcon crossover kits and a pair of woofers. For the tweeters, I've been looking at the morel CAT298's as they are considered a drop in replacement for the T27, but i've also seen people suggest Scanspeak D2905 9500 and SEAS Prestige 27TFFC H881 too. (with suitable L-pad arrangements)

NO LONGER AVAILABLE

From my unfinished Tubelab TSE-II project, I have a pair of One Electron UBT-3 output transformers.

3K ohms to 16/8/4 ohms.

Specs here: https://www.tubesandmore.com/sites/default/files/associated_files/p-tubt-3.pdf

These are like new. I hooked them up to the board, but never applied power. Leads are original lengths.

Look for the rest of my TSE-II project for sale soon.

$165 for the pair, $35 USPS shipping to the lower 48.

My apologies in advance if I am posting in the wrong area.

After coming across the DIYaudio website around 7 or 8 years ago, I was inspired to design and build my own set of speakers.

At the time, I didn't realise what a mission this would be. The design part was easy. The build part was tricky to say the least. After around 7 years and a lot $$s, this on and off rainy day project has been completed. I now understand why this shape of speaker is not cost effective to make at a commercial level. The project required 2 different types of lathe to be built in order to shape the housings.

The housings are made from MDF, lathed and sprayed with automotive putty and lathed again. The risers are aluminium. The final spray (black with blue fleck) was completed professionally by an auto body spray painter.

The monkey is now off my shoulder and I have a set of one off great sounding speakers. Now to think of another hair brained project.


Simon

I need a project to occupy my brain. Over the past two years my father battled cancer and the effects of chemo, then it was kidney stones and just over a week ago he had a very large stroke. The good news is he is doing surprisingly well in his recovery. The doctors have mentioned more then once the fact my mother caught the stroke as it started probably saved his life.

Needless to say I'm a bit stressed and when stressed I turn to projects and building. Thanks to 6L6 I was able to complete a F6 a few years ago and just recently finished modding a set of Klipsch Fortes with the ALK crossover.

I'm thinking about an Aleph J as my next project but I was curious as to what you guys thought. My current setup is ALK modded Fortes, F6, Adcom GFP 750 and a Phillips CD-60.

I'm contemplating building some custom speakers and multimedia cabinets, and thinking about horns and bass.

(1) At the highest frequencies, if a horn/waveguide really holds directivity constant, then the response droops. Can Audyssey effectively EQ that back up, without needing another equalizer?

(2) The very interesting paper linked in the last post on the first page of
https://www.diyaudio.com/forums/multi-way/357733-woofer-tone-burst-simulation.html
seems to indicate that, for instance, a smaller box with a higher Q is not inherently bad (it's the interaction with the room that equals boom, hey I'm a poet an' did'n know it 😛). This made me wonder, if you were building a sealed box tower or sub, could you then simply shrink it a LOT (from Q=0.5 to Q=1) and let Audyssey "fix it"?

The preamble:

Covid has pretty much killed my concert season, which kind of stinks, but at least I can finally work on some purely fun stuff without distraction from PA or recording projects.

What has bubbled to the top of the to-do list is building some more muscular recreational-use subs for the farfield system in my office/studio. It is the top floor of a detached two story building 15 yards behind my house, and about 40 yards from my across-the-street neighbors.

I'm considering an infinite baffle setup, but am a little worried about the potential impact on my neighbors, and my house, for that matter.

My studio has some reasonable attempts at soundproofing (double 5/8" FR sheetrock on resilient channel, fairly limited window count), but it is wood framed, and there was only so much I could/can reasonably do.

So right now, there is audible, but not un-neighborly, leakage from the building when I'm listening at somewhat-dumb levels. What escapes is mostly low frequency.

Building bigger conventional subs presumably wouldn't make things any worse unless/until I listen louder, which is inevitable (it's kind of the point, after all ;0), but not typical.

What I don't want to do, if I build an IB sub, is go backwards, and not be able to listen even at my current levels without bugging everyone in the area.

I have lots of room, plywood, and amp power, but a somewhat pandemically-constrained driver budget. I've pretty much settled on one of two approaches:

[Safe] -- two big low-tuned vented boxes (probably double Dayton UM18-22 in approx 24 cu ft @ 16 Hz) [on sale at the moment, prompting this post].

[Easy] -- two double-18 IB manifolds... (probably 2 FiCar IB318v3 in each), shooting from my second floor studio down into my first-floor shop.

The not totally tongue-in-check question:

Which approach would likely **** off my neighbors the least?

More technically, does anybody have experience with the *net* acoustic effect outside the building when you vent an IB from a listening room into a more-or-less equivalently sized finished space above or below, as compared to getting the same results with a conventional box?

I'm thinking there is a chance that the out-of-phase back wave of an IB setup, venting from the listening room into the first floor room below *might* do two useful things:

(a) somewhat null out the listening room floor's vibrations, which would be nice for me and the room's contents
(b) turn the top and bottom floors' walls into a giant, vertically oriented dipole bass radiator, whose far-field radiation might partially null out at some distance from the building.

I'm also thinking there's a chance I'm wrong, and that the cops will show up while I'm still running the first set of REW sweeps 😱

What do you folks think, in theory, or from experience... any chance that an IB in this configuration would have *less* net SPL some distance away from the building than a similarly-capable sealed or vented box?

My baseline is 4x NHT 1259's (12", 13mm xmax, in 2 sealed 6 cu ft boxes EQd flat to 20 in-room) borrowed from my nearfield monitor setup... sounds great at normal levels, but can't begin to keep up with the mains in the big system. I also need my monitor system back up and running.

Having subs that keep up with my mains will inevitably result in at least occasional bursts of 1AM obnoxion that are about 6-8db louder, in-room, than now.

It would be great if an IB setup was a bit better, relatively, outside the building, than a conventional setup, but really annoying if it were worse.

Any guesses, or better yet, as-built examples ?

Is there a single piece of software (preferably free, but not overly expensive would be acceptable as well) that can guide one throughout the entire process of building speakers for a home theater application? I have tried many of the free ones, and watched videos of some of the paid ones, and none seem to provide all the following benefits:
Subwoofer box design.
Tower box design, to include subwoofers, woofers, midbass, midrange, and/or tweeters and any combination of these.
Crossover design, multiple types and orders.
3D modeling of finished product with dimensions and cut sheets.
Extremely easy to use. <--- big one... VituixCAD2 was extremely counterintuitive. I had no idea "what to do" to really even get started.

I tried VituixCAD2 after watching a video (he demoed v1), and it seems way to clunky and cumbersome to use. I tried entering the midrange drivers from Fi Car Audio, and I couldn't get anything to look even remotely right on the initial plot.

I watched a video of Term-Pro and was impressed with what it could do, but it seemed designed only for subwoofers, and not cheap.

I've used WinISD extensively, but it A. doesn't do nearly all of the above, and B. seems to, again, only be for subwoofers.

I want to build the "perfect" home theater speaker system using as many "made in the USA" parts as possible, and want it to sound flawless, but don't know nearly enough about the the intricacies of speaker design to do it without help.

Thanks!
Mike

Hi,
I am new to the forum and enthusiastic hobbyist, bought used Rockford Fosgate PUNCH PBR300X4 for repair. I am looking for service manual or schematic and any help in getting it going is appreciated. Thank you in advance. Regards

I have been trying to repair my Mark Levinson 383 for some time now without success, and I haven't been able to find a repair manual anywhere.
Would anyone be able to help me out with a copy of a Mark Levinson 383 service/repair manual?

Hi everyone,

First, a big thanks to Tubelab and the community for this great resource. I recently built a Tubelab Simple SE amp, and, combined with all of the info on the Tubelab website, the information and guidance on this board were super helpful.

My amp is working - no smoke or explosions, no shocks when touching it, and sounds great! But I have some questions about my checkout measurements:

My power transformer is the Edcor XPWR035 and i'm in the US. Also, the amp is tube rectified (Sovtek 5AR4 -- I took out the FRED diodes). My B+ measurement is 480v. The cathode voltage (measured at R17/R27) is 40v. My cathode resistor is 560 Ohms. This gives 0.071 amps current. I then calculated dissipation as 31.24 watts.

I'm using EH 6CA7 Big Bottle/el34 tubes. I believe they have a maximum dissipation listed as 25 watts. I haven't noticed any red plating or other issues so far, but I'm assuming bad things will happen if I keep running that much power through them. I just ordered some higher Ohm resistors to switch in for R17/27.

My question: Is 480v high for a B+ voltage with a tube rectifier? I haven't seen many threads here reporting such measurements. Is it anything to worry about? If so, are there any changes I should make? Would different rectifier tubes have an impact? I could install the FRED diodes, but my understanding is that SS rectification would result in higher B+.

Thanks in advance for your help!

Best, Dan

FS: Pair of Fostex FE-88 SOLS, as new.

Bought from an Authorised German retailer (have receipt).

Cost me £268 inc postage.
Quick sale here here at £150 + postage (no offers please).

Don't think you can say fairer than that!

Reason for sale: gone in a different and more expensive direction (nothing against the Fostexs)

Don't think 'Dave (planet 10)' will mind copying this from a different post:
"All the SOLs released were limited editions and sold out quickly. All the ones i got my hands on were some of the best sounding Fostex yet".

Photo's by email.
Enquiries by pm please.
Thank you.

Hello everyone, I am repairing this amp, do you have short the psu irf3205 mosfet and the output mosfet in the output takes all irf1310n, will it be alright if I carry those? use hip4080ipz, how many mh should each output coil approx measure around 120mh?

Hi all,

I have a pair of 2.2uf Janzen Silver Z caps for sale.

They were bought a couple of days ago for a build im doing but the plan changed about 7 minutes after I fitted them lol.

Typical.

Fitted, tried for about 10 minutes and that's it...they are as good as new.

Cost £40ish from HiFi collective a few days back.

Ill take £30 delivered in the UK.

View attachment 863226

Going to build this speaker
I have gotten hold of 2 Seas ER18RNX, but in 4 ohm version

Can i just half the inductor and double the capacitor for the woofer crossover?
Or is it more complicated?

Hello,

I am looking for the Voyd’s plastic switch because mine is out of order: there is someone that could give me an indication where to buy the original one?

Many thanks

Massimo

I really like the sound of my jlh 1969 10w amp, but it lacks power for driving my speakers.

Would it be possible and make sense to bi amp, and use the jlh for my tweeters only? The tweeters are scanspeak d2905-9700 and are supposedly has a sens of 90dB.

I've just built a pair of MX50 amps with Sanken (Chinese copies) O/P devices:2SA1295Y, 2SC3264Y
The amps work perfectly until I attach the O/P devices to the heatsink, the amps then develop hf oscillation on top of the applied test signal. If I isolate the heatsink from earth the oscillation stops and the amps work as normal. I don't like having the metal work of the heatsink floating and I'm not confident that the stability will remain even if I do. Anyone have experience of this phenomenon?

Hi

I'm planing to create my own MB2 clones, using Volt RV3143, Volt VM752, Vifa D27TG-35-06.

The cabinet will be constructed from a combination of 20mm and 35mm HDF board.

Im still at the early stage of design with this, and wondered if anyone else has tried the same project.

Thanks

I've acquired a Cyrus CDTX SE transport....and am aware of the expensive, matching PSX-R PSU.

As well as being highly priced...this PSU is overkill for my purposes, as I intend to supply ONLY the CD transport.
As I understand it (bear with me here!🙂 )....the smart supply communicates with the load (transport) and delivers appropriate power (+/-21V)
Has anyone discovered a way of circumventing the 'smart' bit, so that a simpler (cheaper!) PSU can be used?

Perhaps there's already a product 'out there' that can be tweaked for purpose??
Any ideas please!??

Hi All,

I've built (not designed) many speaker kits to date and am interested in trying an open baffle speaker.

Since this is my first venture into open baffle, I'm would like to limit my budget to $300 max, for the pair (excluding building material). I have time and can wait for items to be found on the used market (e.g., Eminence Alpha 15a seem to constantly show up).

I'm not too concerned with sensitivity since I have plenty to power amps to work with.

I would like however for this to be an all passive design.

Ideally, I would not want something massive as it has to sit in our living room; however, I don't want to prioritize aesthetics above sound quality (especially since I'm deciding to go down the open baffle rabbit hole).

Any recommendations for open baffle newbie?

Betsy? Lii Audio? Manzanita? Others?

(inventory of random parts on hand: pair of JBL 2226H, Eminence Delta Pro12A, ESS Great Heil AMT-1, SB Acoustics SB17MFC, SB Acoustics SB 29NRX75-6, Dayton 12" Titanic MKIV Sealed Subs - 19mm x-max, MiniDSP HD, and various dome tweeters).

After the success of the Fonken we wanted to see how small a box we could fit the FE127eN into and still get decent performance. Some modeling and 3 prototypes later we ended up with the mFonken (milliFonken)


This box is about the size of a BBC LS3/5A (rotated so the driver is mounted on the side)... small enuff to be used as a high-end computer speaker yet big enuff to reach down below 80 Hz so they can be used in a Floyd Toole style satellite, multiple subwoofer system. Very high WAF. Even cute 🙂

So when we got our hands on the smaller Mark Audio drivers (and the CSS EL70 made by Mark Audio) we had to see if we could fit them into this convienient form factor. Prototypes of all 3 debuted at the 5th annual Vancouver Island diyFEST.

In preparation for production of milliSize flat-paks, all these boxes have been tweaked to exactly the same size, and this is their official release along with an updated mFonken.

Here are milliSize boxes for the FE127eN, EL70eN, CHR-70eN, and Alpair6eN (you can use stock drivers, but we feel our treated versions of these drivers make them really special)


These are mFonken 1v1.1, mMar-Kel70, mMarS70, mMar-Ken6 (more on the "rationale" behind the names later in another thread)

As well as these 4, i have just sent plans for a milli-sized µFonken^2 (2 FF85KeN) to be prototyped, and we expect that the new Mark Audio Alpair7 will fit into a milli.

Enjoy.

dave

for sale a beautiful pair of small 'bookshelf speakers.
Deep rosewood finish in fantastic condition. I actually bought the cabinets without any drivers in them. I already had some Vifa TC14WG69...the correct drivers for these speakers. I also had a pair of Missions with the D19 tweeters so they now reside in the Ruarks.

Great sounding little speakers with surprising bass. These TC Vifas are a good driver.

I have the original box for them.

£80

Shipping will be sensible within the UK....£10 to £15 at a guess. Can quote for overseas.