Linkwitz Transform: Attenuator or Booster?

Is the Linkwitz Transform circuit of ESP Project 71 a bass booster or a mid-range attenuator?

1. If it's a bass booster, I can plug it in after the active-crossover where only the subwoofer signal is left.

2. If it's a mid-range + hi-freq attenuator then it will have to be plugged in before the crossover since it will need to work on the full signal.

Any help is appreciated.

A Noob Valve Preamp Build?

I finished an Aleph-J amp which had a pretty comprehensive build guide and didn't expect too much from the assembler in terms of in-depth calculations or even too many choices which allowed me and I suspect lots of others to build this amazing amp and many other amps.

I run it using a cheap Monoprice integrated amp which happens to have a line out from the valve preamp and I am pretty happy with the sound. However I would really like to make a good quality valve preamp[line stage] and even a phono one as well as mine is a tiny solid state Rega.

OK here's the thing. I have spent day after day reading through various preamp threads but I have not found one that documents the build completely in a way that makes it possible to just buy the parts and build it. Even the Aikido has so many choices that I was left confused and would need advice to choose the various components and still more advice to choose the specific transformers.

Every single thread goes into interminable arguments about all kinds of variants many of which are only measurable with pro equipment and the knowledge required exceeds my very newly acquired interest in this field. I could probably build from a schematic but then I get crossed wires about how many transformers are needed and all the talk of valve substitution and it goes on and on and on and the more I read in a thread the less inclined I am to get halfway into one of these projects only to find I can't get through it or fix too much hum or something.

So I'm actually begging for someone to do a full build guide for a 12B4 or something sweet and simple, including the whole process, power supply, BOM and layout whether or not there are circuit boards available, but using components that are easily purchased.

I believe something like this may be in the pipeline in the DIY shop which will then no doubt have an excellent build thread by 6L6 and we'll be able to join the ranks of the experts at least in being able to have this stuff to listen to.

But I'm putting this thread up here in the hope that some alternatives are already about that apply to this beginner level.

Cheers.
  • Like
Reactions: DblAA

Phonic MAX1500 repair/ questions

I have aquired 2 Phonic MAX1500 amps for nix.....one is working and one has a few gremlins that need sorting. Anyhoo I downloaded the schematic from Phonic but am a bit concerned about some component values which seem out of place. I thought peeps like those who have read this far could take a look and see if my cheese has slid off the cracker or am I on the track.

Components concerned is in the protection circuit for the output transistors. Specifically resistors R327, R328 and R323, R324.

Everything looks nice and symmetrical except for these few resistors on the bases and emitters of Q308 & Q307. Is this ok???

Also while I'm here and have your attention.....is it odd that Q303 is a darlington??

Attachments

9V Circuit to 18V?

Hi there, I'm wondering if I could get some advice on changing the following circuit from 9volts to 18volts- advice on generally how difficult it would be, components that would need changing, etc.

I posted on this forum years ago, and with the help I got here, built and have been using the following circuit ever since: https://www.diyaudio.com/forums/ins...film-buffer-amp-combo-guitar-electronics.html

But recently I've upgraded my piezo film sensors to GraphTech ghost pickups. Overall it's a great upgrade, but now I'm getting a bit more of a "quacky" piezo sound. So the main intent here is to get rid of that, with the idea being that upgrading to 18volts will provide more "headroom" which will bring down the quack. I'm open to ideas if anyone has anything to say about this whole assumption.

I've attached the circuit below:

Attachments

Acoustat Spectra22 VS Spectra33

I love my Spectra22. I use them in a smallish 12 foot by 16 foot room. My main complaints are: Lack of punch on some (rock) music, lack of bass (punch), and a failure to "pressurize" the room or achieve high volume levels.
I have the opportunity to purchase a pair of Spectra33 speakers. They would be a tight fit in my room but I could make it work (the edges of the outside frames would be within an inch of the sidewalls).
Would this change resolve my complaints? Do the 33s have more bass and punch? Or would it just be more of the same?
The alternative is building a pair of dipole subwoofer and running them from about 40hertz down on top of the full range Spectra22. This would be fairly costly and time consuming. I do not want the signal to the Spectras going through a crossover.

Behringer EP2500 feed through/daisy chain linking

Hi All, apologies if this is general knowledge, but I'm damned if I can find it, and Behringer technical help don't know either! I wish to use three EP2500 amps in bridged mono driven by one XLR output.

Can a single crossover output feed the first amp and out to the second one and thence to the third?

The parallel mode and using the TRS 1/4" jacks come to mind, however the manual states on one page that the parallel switches must be 'off' in bridged mode, yet on another states that if they are 'on' then the signal feeds through. I'm not in a position to physically test this with my amps at present and was posting to see what other folks do - I am trying to avoid a distribution amp! Cheers, Carl.

Also apologies if posted in the wrong section - which I believe I have...🙁

Single-225 with Fostex FF225WK

I have here a new pair of 225’=s (only used for a test couple of months ago) and like to build a simple speaker cabinet for them.
In the manual of Fostex there is shown a standard bass reflex cabinet for this driver. From other projects I have some surplus materials and therefore very useful for this relative small and simple project.

Attachments

  • $_86 (1).jpg
    $_86 (1).jpg
    99.9 KB · Views: 430
  • $_86 (2).jpg
    $_86 (2).jpg
    67.4 KB · Views: 402
  • $_86.jpg
    $_86.jpg
    98.7 KB · Views: 447
  • PDFtoJPG.me-1 (5).jpg
    PDFtoJPG.me-1 (5).jpg
    715.5 KB · Views: 545
  • PDFtoJPG.me-1 (6).jpg
    PDFtoJPG.me-1 (6).jpg
    397.4 KB · Views: 482
  • PDFtoJPG.me-2 (2).jpg
    PDFtoJPG.me-2 (2).jpg
    474.2 KB · Views: 273
  • PDFtoJPG.me-2 (3).jpg
    PDFtoJPG.me-2 (3).jpg
    362.3 KB · Views: 281

Armrest for Gray Research 212 Tonearm

Hello friends!
I have been recovering my Gray Research 212 tonearm for a long time.
Faced some problems, but still managed to solve some of them.
At the moment, I need an armrest, unfortunately, I cannot purchase it, and I made a decision to recreate it on a lathe. I ask you, if anyone has this armrest at hand, publish the dimensions. Thank you in advance!
Cheers!

ESP P113 volume control problem

I've just built Rod Elliott's P113 HPA using my own PCB and have a problem with the volume control. I'm using 300ohm Sennheiser HD600 headphones.

The pot only really gives any output at the very last fraction of its clockwise turn. There is some sound before that, it stays relatively constant at a low level before kicking in. I had the board connected to an Alps RK27 20K log pot, I then swapped it out for an Alps RK09 10K pot but the result is the same. I've seen this behaviour mentioned elsewhere on the forum in relation to 'passive' preamplifiers and described thus:
It is the effect of turning the volume control and it stays really quiet until close to the end where all the power seems to be in the last "hour" of the volume control between 4 and 5 o'clock.
If I bypass the pot, the amp works fine and there is a nice gradual increase in volume when I use my source volume control (Samsung Galaxy S7).

Any advice please?

Willing to pay someone for amp advice

Simply put, I'm TOO ignorant about all the things of different amp designs, and do NOT have a clue how to determine the sound quality differences before buying them. So far I e been unhappy since far with the Wondom boards I've tried. They have everything but musicality. Zero hint of an organic sound. They remind me or Pro amplifiers in that regard.
I want a minimum of 200 w/ch at 8 ohms. I MUST have mono block for my application.

I am now looking at Hypex Ncore and Purifi
I need a smallish amplifier I can mount directly behind the loudspeaker. I need the proper power supply voltage, but I know NOTHING about power supplies. So I assume I will have to use the one made for each unit, unless someone steers me differently. BUT I NEED the amp to have at least a little musicality to it. I don't care which technology gets me there.

I have asked for help here before, and have not received enough help. If someone KNOWLEDGEABLE wants to help steer and educate me a bit, I WILL PAY THEM via PayPal.
If you're willing to post the info here, where others can benefit, I will pay extra for that.

My system if needed, is such. My source is mainly FLAC files played via a laptop, sent through an external Sabre DAC, and into the two individual mono amplifiers which I need.
My speakers are numerous high end DIY speakers, both 4 and 8 ohm. Nothing overly difficult to drive though. A pair of Carreras, a pair of Bordeaux, my own design using a 10" mid with AMT, and bass cabinets with Kappalite 12" woofers. All speakers above 89 sb efficiency. Oh, this is important... I do NOT know any of the model numbers and abbreviations you fellows more knowledgeable use. Please, they will not help me without manufacturer names or links. Saying, grab a TX99 with overhanging cap structures and combine it with a hg1766 will NOT help me.
So please help a guy out, and make a bit of spending money for your pockets. Thanks

Large project chassis for SS amp - $40

This is the chassis from a Niles music server.

It measures approx. 17.5 x 17.5 x 5.5" (or 6" with the feet).

It features a nice front-mounted power switch with LEDs and dual 12V DC muffin fans. There is a cut-out for a toroid power transformer.

It would be a simple matter to make a new panel for the rear; paint over the logo in the front; and then you're in business.

Attachments

  • Niles complete.jpg
    Niles complete.jpg
    501.1 KB · Views: 310
  • Niles open.jpg
    Niles open.jpg
    939.1 KB · Views: 314
  • Niles rear.jpg
    Niles rear.jpg
    587.4 KB · Views: 304
  • Niles side.jpg
    Niles side.jpg
    598.5 KB · Views: 293

DIY S&B TX102 TVC preamp with Silver windings, Seiden switches

Put this preamp together some years back and have been in love with it ever since.

Silver winding S&B transformers, Seiden switches, remote control. Works great and wouldn't be selling if I wasn't going to an active 3 way system.

TVC transformers with the silver winding retail for around $1700US a pair these days, and the Seiden switches were a few hundred as I recall. Would like to get around $1500US but will entertain reasonable offers.

Thanks.

DML & 6.5 custom woofer

So I got into DML speakers by making some homemade exciters from old drivers. I was amazed with the sound so I wanted to make a project around that.

I figured a smaller panel with a woofer could be a good combination.

I had a pair of Cerwin Vega E 312 speakers with bad surrounds and a broken midrange.

So I got the idea to downsize the 12" woofer to a 6.5 inch.

Trying to estimate the TS parameters I figured it could fit well in a smaller enclosure with an A4 size panel and exciter.

I cut off the aluminium basket off the 12" woofers and cut the cone down to 6.5 inch size. Then I 3D printed a new basket and glued everything together incl new surrounds.

They do sound nice in a bunch of music but sound harsh in some songs.
The base needs to be turned up quite a bit to be satisfactory.
(As a reference I use my Dali 606)
I tried both a 500 Hz first order series filter and without a filter on series and parallel.

I think the panel needs a bit of testing to work out the flaws of the sound.


So far parallel connection without s filter sounds nicest. I'm a afraid of the low load on my amp.



I had some spare low grade plywood and I wanted to do some end grain patterned plywood.

The exciters I used are the Dayton ultra since they have a threaded adapter that I can print more of. It makes it easier to try different panel materials. The panel I currently use is a 5 mm thick sandwich styrofoam with paper front and back from an art supply store.

Attachments

  • IMG_20210220_213219.jpg
    IMG_20210220_213219.jpg
    557.7 KB · Views: 111
  • IMG_20210216_001144.jpg
    IMG_20210216_001144.jpg
    848.3 KB · Views: 97
  • IMG_20210215_232442.jpg
    IMG_20210215_232442.jpg
    801.1 KB · Views: 91
  • IMG_20210131_160613.jpg
    IMG_20210131_160613.jpg
    931.2 KB · Views: 146

Aragon 4004 Mk2 restoration

Hi folks,

As suggested by Apogee I am starting this thread to explore the ins and outs of restoring my Aragon 4004 Mk 2 Amp.

I’ve just arrived on the forum with a background in electronics and electrical servicing plus a spot of design now and then. I’m also a radio amateur and restorer of vintage radios. My home stereo system consists of a pair of Thiel CS3.6 speakers, the Aragon 4004 and a Meridian 208 preamp/CD player combination (a deteriorating ergonomic nightmare that I would rather not have bought).

My original post was in the swap meet forum as I begun to look for replacement output transistors but, at the risk of some repetition, I’ll summarise my situation here.

I put the Aragon Mark 2 on the workbench to check out a faulty right channel. Two power supply fuses blown, and, on DC testing the output transistors, three of them short-circuit.

Apogee has suggested the MJ11936 and MJ11946 as alternatives to the Toshiba 2SD242 and 2SB554 which I was originally contemplating using. I will likely use these transistors when I can locate some.

He also gave me these links to other posts:

1) A Mexico forum

2) Aragon question

3) Aragon 4004 MK2 output replacements

These were all very helpful. As Apogee pointed out, the Mexican post was very detailed and “Adrian” was serious enough about restoring his amp to come up with a complete list of the often-replaced passive components, electrolytic capacitors and some resistors.

I also read a great post from mightydub about upgrading the 4004 but I will need to go over it again to see if any of his improvements can be applied to the 4004 as it it without major changes to the circuitry.

I was able to obtain some information from a very helpful contact at Indy Audio Labs – the main schematics and also the parts list and positions for the Mark 2 upgrade.

The first thing I noticed about the output transistors was that the thermal grease had dried out and was very patchy. So I will be dismounting all the transistors, cleaning off the old grease and applying some new stuff, probably the Unigrease 3000 product. When thermal grease deteriorates it's no surprise to find failing output transistors.

Secondly the two resistors on the ground board (R201 and R202) had lost their metallic paint coating due to the regular heating. They test fine at about 10 Ohms each but I will be replacing them.

Next step, I will source the MJ11936 and MJ11946.

Here’s the amp during an initial inspection and before laying down a decent electrostatic protection mat:

donf Aragon 4004 Mk 2.jpg

All suggestions and input welcome.

Kind regards

donf

Amplifier Death Rattle - What is causing this?

Hello Friends,

I've got an old Deton Max Power 1000 that has developed a curious 'death rattle': When turning power off, there is a sound like a relay is rattling for about 2 seconds. Another way to describe this would be a buzzing sound, but it is defintielty mechanical and it definitely comes from one of the blue output relays. I've not been able to determine which one though.

Another symptom is that when powering the amp on, channel A comes out of protect mode earlier than channel B. This sometimes happens fast enough that Channel A speakers get the switch-on-thump.

Pictures attached to this post, and a video here: Amplifier Death Rattle.... - YouTube

I've had the amp apart, replaced the filters, cleaned all the contacts, connectors and switches, and done a thorough visual inspection but couldn't find any obvious culprit. That said, after pulling apart and putting together, on initial couple turn-ons the issue didn't happen, but it soon reoccurred.

Apart from these two issues, the amp still works fine and sounds great. I'm just afraid that it will blow if this is not taken care of.

Hoping the knowledgebase of this wonderful forum can help!

Thanks!!!

Attachments

  • deton-caps.jpg
    deton-caps.jpg
    215 KB · Views: 243
  • deton-relays.jpg
    deton-relays.jpg
    225.8 KB · Views: 204
  • deton-overview.jpg
    deton-overview.jpg
    204 KB · Views: 222

Pioneer a400 volume pot

could anyone recommend a volume pot to replace the 8 pin act1063 which is obviously obsolete and as rare as a unicorn.
Have surfed the net and found no answer. The best I found was a thread on here by chatziva where he adapted an 8 pin alps (picture attached)
Can anyone recommend an 8 pin with loudness taper? (Technically 9 pin as there seems to be a body ground pin)
Just need a part number as happy to adapt like chatziva did.
Or are people using a 6 pin and doing something to the other 2 holes?
Thanks for any advice

Attachments

  • 2.jpg
    2.jpg
    488.2 KB · Views: 363
  • MADE-IN-JAPAN-ALPS-16mm-100K-DUAL-LINEAR.jpg
    MADE-IN-JAPAN-ALPS-16mm-100K-DUAL-LINEAR.jpg
    63.6 KB · Views: 340

KEF LS50 playground - measurements of raw drivers in factory cabinets and simulations

I'm posting .txt files that you can convert to .frd or .zma if your simulator needs it. I derived frequency files with about 10ms gate time. I didn't merge it to get low frequency response of woofer (under 120Hz) because i'm not interested in it. In the .zip file that is available for download from my DB account there is another .zip file that can be uploaded to HolmImpulse if you are not satisfied how i extracted sim files so you can do it as you see fit. All measurements are done from about 108cm on axis and approximately 30 degrees off axis. It is not good as 0-180 in 10 degrees increments but if you cross it over between 2000-2800Hz you won't get into trouble. Any fine tuning i recommend to be done by measuring and listening of your drivers.

If there's anything that you want me to do (other than measuring TS for woofers because i'm not doin' it 🙂 ) feel free to ask.

Dropbox - Kef LS50 measurements and sim files.zip - Simplify your life

Measurements done with calibrated Behringer ECM8000, M-audio FastTrack USB, Holmimpulse.

Measurement conditions


https://i.postimg.cc/B68BsJQX/IMG-2671.jpg

Midwoofer and tweeter


https://i.postimg.cc/gkbHFF92/50-a.png


https://i.postimg.cc/1RqrjRjd/50.png

Simulation of Kef's factory crossover: frequency, impedance and phase response


https://i.postimg.cc/yxchgnRK/LS50.png


https://i.postimg.cc/QtRkdvHS/LS50.png


https://i.postimg.cc/QNyvpMWn/50.png

Few comments:

In Kef LS50 they've seem to have done around 8dB baffle step compensation for midwoofer. That sounds like a lot but surprisingly it doesn't sound that bad at all. I guess that it doesn't go much low so it kinda evens out. Tweeter level is set, as can be seen, a 1.5-2dB higher than midwoofer. Again, i'm surprised that it isn't perceived like overly bright. You can hear it being louder but it doesn't make you want to turn the volume down - quite strange actually, unlike any metal dome i've listened so far. Also, good thing i've prepared and measured both cabinets because there are few measured differences between drivers. You'll see.

So, that being said, feel free to share what you've achieved with this or with your LS50's. I know i will.

EDIT: Couple of guys chimed in also so this is our take on KEF LS50 ALTERNATIVE CROSSOVER:

Zvu PSM XO
Göran
XMechanik


Enjoy and have fun.

Portable with Optical out?

Anyone know of any current portable media players that have optical line outputs?

The current Fiio line doesn't specify optical outs like it used to and I wrote them directly but no response yet.

Any other suggestions?

The mobile DAC in my car has AD/DA converters for the factory headunit inputs but it also has an optical in for direct digital input so I can use a portable player for better sound while on trips. If I can find a player with optical output. The DAC has adjustable volume controls even for the digital in.

Thank you in advance.

PSU Problems DD SS1B

Hi together,

my DD SS1B burned, because i think im a dumbass. To less current...

The PSU blow on one side.
On the picture you see the blown gate resistors.

I disassembled all fets in PSU section, also the rectifiers.

I have a clean signal on both sides on the gates.
If i mount a fet on the left side, the PSU works, if i mount a fet on the right side, the fet gets instantly hot, the PSU drop more than 4 amps.

But i don´t understand where the current goes.

The TL494 is replaced to a KA7500B, same result.

Attachments

  • IMG_20200702_174937.jpg
    IMG_20200702_174937.jpg
    888.2 KB · Views: 148

Need a speaker for Computer

Hi,


I know nothing about electronics and that electricity can kill.


I would like to build a small speaker for my computer that uses an optical input cable from my computer peripheral. I would like to know if there is a kit out there and I would like to know if if can be powered by a USB port.


I just want one speaker and it is something I would like to do whilst there is very little to do and to satisfy my curiosity.


Thank you for your help


K

Arcam Alpha 3 right channel fuse keeps blowing

Hello

The 2A fast blow fuse for the right speak blows as soon as the amp is turned on. The left channel is fine and both speaker work fine on that channel.

With the speakers and inputs unplugged the fuse is fine but as far as problem solving goes I am unable to get any further. I do understand something about electronics though and can solder so would like to see if it something I can fix with help.

The service manual with schematics is attached.

Many thanks in advance!

Attachments

Ultra light carbon fibre cabinet

I have recently built a portable speaker with built in batteries weighing 18kg. A bit over a third of that weight is the plywood.

I want to build a new version in an effort to get down to 12-13kg, making the speaker much more transportable.

My plan was to make the cabinet out of the thinnest possible plywood, perhaps as low as 2mm, and then coating the outside and interior bracing in carbon fibre for strength and stiffness. My main concern is sound quality.

Does this idea sound sensible and would the plywood interior help improve the resonance of the speaker as compared to a basic plastic design?

Design of output transformers - article from 1974

Hello to all enthusiasts of electron tubes 🙂

Despite a large market offer, we still often make output transformers for tube amplifiers by ourselves.
In a Polish journal from 1974, I found an interesting article supporting the design of such a transformer. As far as possible I have translated it into English. Maybe someone will be interested in.

Here is the link to the article:

Design of output transformers

I once wrote a script based on the dependencies presented in the article. It is at this address (note - I haven't run it for a long time):

Designing output transformers (RiK 12/1974)

6V6 PP-based Baby Huey/Mullard inspired design needed...

OK. Got parts, looking for a plan. 😀

Here's what I have:

Chassis with power transformer and power supply (about 300V B+ or so), and four 6V6 output tubes (already installed). Was a PPP mono amp... I'm wanting to convert over to PP stereo.

Output transformers- from Hammond organ amps- part # A024158. As used in the AO-44 PP 6GW8 and AO-35 PP 6BQ5 power amps. About 8K ohms CT primary: 8 ohms secondary. Probably capable of 12-15 watts.

I've built several Magnavox clone amps... looking for something different. Especially as these output transformers were originally intended for 8 ohm speaker loads, while the Magnavox outputs were made for 4 ohm loads.

I would like, if possible, to make this amp where it could TOLERATE 4 ohm loads on the outputs... which implies, to me, that it needs to, somehow, manage to decrease the effective plate impedance of the 6V6 output tubes- but without ultralinear operation (no taps on these transformers).

To that end, I was looking, briefly, at the feedback mechanism of Baby Huey... from the output plates, to the plates of the phase splitter. However, I know that it's been stated that Baby Huey probably wouldn't have enough gain to drive 6V6s in that application... my proposed solution would be to add one additional 12AT7/6201 tube as an input amp, for both channels of the amp (one side of the 12AT7 as a grounded cathode input stage, feeding into the Baby Huey-style phase splitter with feedback).

Now, I know these output transformers are NOT ultralinear... so that's another difference I've gotta deal with. But, with the amount of gain I can get from TWO gain stages (the grounded cathode input AND the modified-LTP phase splitter), I think I should be able to get back the low output impedance, fairly well...

In essence, what I'd really like to do, is try a non-ultralinear Mullard-style circuit, with triode front-end gain stage, but with Baby Huey-style feedback from the outputs to the phase splitter... anyone got any WAGs on whether this sounds like a feasible idea? Or, given the parts I listed above, is there an easier plan that would work well (to get low output impedance, with decent overall gain)?

Regards,
Gordon.

Jack+Bruefir+Mpd

I'm trying to configure brutefir to work with jack and mpd. I can't find how to put a specific jack server name in brutefir config file.
I can run with default jack sever name...
Code:
jackd -dalsa -r96000 -p512 -n3 -m -D -Chw:M1010LT -Phw:M1010LT
and in brutefir
Code:
input 0,1 {
    device: "jack" { 
        clientname: "Brutefir";
            ports:
        "MusicPlayerDaemon:left"/"FS",
            "MusicPlayerDaemon:right"/"FD";
        };
    sample: "AUTO";
    channels: 2/0,1;
    delay: 0,0;
    maxdelay: -1;
    mute: false, false;
};
If I put a specific name in jackd, I don't know what put in brutefir config to specify "HIFI" server:
Code:
jackd --name HIFI -dalsa -r96000 -p512 -n3 -m -D -Chw:M1010LT -Phw:M1010LT

RIP Đorđe Balašević

Yesterday we lost our greatest poet and friend. I know that you probably dont know who this man was, but take few moments and read few of his texts listening to his songs. For me, he was in the same league as Leonard Cohen or David Bowie. His concerts was usually from 4-5 hours of music and standup comedy and satire.

Yesterday, all people from former Yugoslavia countries had tears in their eyes.
Đorđe Balašević - Wikipedia

Choosing a large woofer to pair with CD Top...

I currently am in possession of some Celestion CDX1-1745 and some B52 Waveguides similar to the QSC that is well recieved. As I've seen and read, this is a similar driver to the DE250 used in many projects and am looking to find a woofer that can play up to 1200-1500hz.

The Econowave projects are well documented and abundant but wondered about the Beyma 12BR70 and whether anyone has any experience with them recently. They seem to spec well and like the sound of sealed bass woofers (size isn't an issue). Low Le, FS and a good amount of Xmax. They would still be a bit cheaper for 4 than a pair of some larger pro 15" woofers like Faital 15PR400 etc.

I've wondered if going 0.5 way with the second woofer would be viable, eliminating the need for as much BSC... but at this point am just spitballing and have subs if needed. Any ideas or suggestions are welcome.

First sim of UNSET circuit

Just starting with this concept from an introduction in the TV tubes forum. Basically I do not know what I am doing but pieced together knowledge from George's thread and Smoking-amps' posts.

I created a LTSpice model of an SE output stage (shown below). I kind of guessed at the Schade resistor values and the screen voltage as I was not sure of the theory to select those. I used a 6L6 model for the output tube. I am worried I did something wrong because the sim seems to good to be true. I know sims sometimes can be used to be sure something is good but it sure tell if something is bad. I got 10W out with 2nd and 3rd harmonics 40db down.

Attachments

  • usnet_spicemodel.png
    usnet_spicemodel.png
    31.4 KB · Views: 300
  • usnet_fft.png
    usnet_fft.png
    10.2 KB · Views: 287

Wave guide shapes. Rounded vs chamfer?

I don’t seem to find much discussion on this. I see most wave guides being rounded over. What is the thoughts on 45 degree chamfer with mounted tweeter on the backside. Chamfer going all the way to the edge of the wood so there’s no lip.
Thinking about experimenting with different shape wave guides for an aluminum dome. The wood would be 1.5” front baffle for al drivers. But back of the second piece of 3/4” wood would be cutout for the driver to fit flush up against the front 3/4” piece. So the angle of the chamfer would just be 45degrees from bottom top top.

Linear Audio HV Time Delay / Soft Start and Speaker Turn-On Delay and DC protection

Hello!
Is the Soft Start Board and one Speaker Turn-On Delay and DC protector board suitable for the output section of this hybrid circuit, and Linear Audio THV Time Delay for the driver section?

Soft Start & Speaker Turn-On Delay / DC Protector Combo – diyAudio Store

Linear Audio High-voltage Delay for Tube Amplifiers V4 – diyAudio Store

What is the power transformer requirement for both?

Thanks!

Attachments

  • sch3.jpg
    sch3.jpg
    120.8 KB · Views: 115

budget friendly horn design

Hey gang,
Before i start, if im in the wrong section, please move to the correct one.



So looking to set up some sound reinforcement for small venues where i live. I would like to run a total of 4 bins. Target response would be 35hz to 100hz. Ive been mulling over lots of dyi plans like the xoc1 th18, keystone, othorn, cabo18, etc. Its just becoming very overwhelming splitting hairs on designs. And the fact alot of them use expensive drivers such as the bcsw115 or pd1852. I dont need the extensive power handling. Maybe 750/800ish per bin would be sufficent. Can anyone steer me towards a design that uses more budget friendly drivers?

Full bridge using 2 dual anode rectifiers

Hi Guys,

was wondering , as I see some implementations of the full bridge rectification using soft recovery dual rectifiers with common cathode like the famous MUR3020 ...

I'm struggling to understand how that is possible when in full bridge implementation there would need to be both common cathode and common anode version of the rectifier.

would be great to have the schematics as well to understand it better.

thanks,

Efi

Vox AC30 CC2

Hi


The reverb of this amp is not working. I have checked the reverb tank with another amp and the reverb tank is working fine. When I connect it back to this amp, it does not work. If I knock the tank, I can hear the reverb, which means that the output is OK. I guess the problem is with the input and what can be the fault. How can I check that the input is OK or not. Attached the schematic.


Thanks


Sorry, I cannot upload the complete schematic, as the file is 1.9 MB.

Attachments

What is 6HV5 really capable of?

I set up a very fast pulse driver to investigate high-Vg1 operation.
6HV5_Pulser.png


Approximate circuit. There are two pins for each grid; both are connected. G2 was tested with direct shorts to ground, and 47 ohm resistors each pin, without much difference. Heater (not shown) is bypassed at the base with a pair of 10nF ceramics, then a twisted pair with ferrite beads comes back to the breadboard.

What's that heresy on the left? When you overvoltage a BJT, it draws current exponentially, much like a zener diode does. It happens to depend upon base connection. When base is open, you get a limit of Vceo (measured C-E). When emitter is open, Vcbo (measured C-B, and is higher). It stands to reason, there's a region connecting these, for intermediate values of base/emitter current: this is where R2 comes into play.

If you've ever biased a zener diode at light currents and measured it, you've probably noticed it has a very noisy level, that seems to act like rising ramps and random height discharges. This is avalanche breakdown, the avalanche being multiplied randomly by charges accelerated by the high voltage, impacting atoms or impurities in the junction. Well, BJTs exhibit the same behavior, but in this region of operation, it's turned up to eleven: the avalanche can go all the way to zero. And it happens very quickly: it can take but a fraction of a nanosecond! (2N2369 is the classic type used for this, e.g. Linear Technology AN-47, Jim Williams' favorite pulse generator circuit. There are also purpose-tested parts available, e.g. FMMT417TD -- pricey, but you pay for testing, parts that are reliable in this otherwise undocumented operating mode.)

So, simply read this as a fast switch pulling the left end of C2 up to GND momentarily. Much like a gas discharge tube. The '3904 breaks down around 100-120V.

Mind, it's not an ideal switch; internal resistance is still present. For the '3904, this is about 10-20 ohms, not great. It's just what's handy.

Anyway, this pulse is coupled through C2 into the grid, which is biased and terminated. R4-L1 discharges the grid relatively quickly after a pulse (along with C2 and Cin, they set the pulse duration). C- is typically -20V or so, enough to keep the tube in cutoff at 2kV.

C1 is a fairly large ceramic disc cap, and R3 is a TO-220 thin-film resistor -- may be noteworthy because their parasitics aren't exactly negligible here.


Photo:

6HV5_PulserBB.jpg


Breadboard for convenience. Left module is a 12:140V isolated supply, positive grounded. Middle is a 2000V modest-current supply (up to 10mA or so). (You maybe can't tell in the photo, but the 100k carbon-comp plate resistor is swollen from running it at zero bias a little too long. So, it has at least enough power to do that.) Red and blue wire coming up from the bottom are a ballast resistor for the heater; bench supply is 12V, and it's just dropped down to get a nice 6.3V here.

And the test circuit / module on the right. The avalanche pulser is in the bottom front, Manhattan style with SMTs and axials. Two red wires snake up the riser board, connecting to both grid pins. Tube is contained in the cage (shielding to keep plate voltage contained -- these waveforms are like weak ESD, the fast edges get everywhere). A PCB socket provides connection.

Sitting on top of the test circuit, a hand made 100x probe. It's... not great at these edge rates, but it seems to be doing alright here.

I built it this way to get minimum distance, stray inductance, whatever, to the base of the tube. I can't do anything about what's inside it (in particular, the thin wire links to electrodes, and the overall height of the electrode structure), and I think that's a big part of the ringing waveform. Basically, to see what can be done, within those limitations.

On to the most important part, the waveform:

6HV5_Pulse1.png


Ch1: 100x probe, across R3.
Ch3: 10x probe, G1 voltage.

Bias has been adjusted up here, for the biggest possible pulse. So, that's about 2A peak plate current, and 60V peak grid voltage.

Not shown: the cathode voltage shows a bit over 10V peak, or about 4.5A. Presumably the difference (2.5A) is grid current.

(The beam plates (G2, with 2 x 47 ohm resistors to GND) also show a significant peak of -15.6V, followed by a rebound to +9V, then lumpy decay. This seems in the right ballpark for Cg2a ~ 10pF.)

I'm a bit surprised the peak current isn't higher, or, the plate current isn't; limited by the, hFE so to speak, which seems to be pretty poor at this point.

Also wonder how it varies with pulse width. Radar modulator tubes are rated for pulses of microseconds, sweeps tens of microseconds; maybe there just isn't much space charge available on a nanosecond basis?

Tim

wire bridge / separators

If your like me and fix engines up doing things like sticking very high voltage ignition coil amplifiers in them. You might of been unlucky enough to experience a crossfire situation leading to detonation. It can happen without touching your wallet. Or lead to several grand for a new engine :wrench:😱

For stereo purposes, I can visualize power wires arcing if it were any, crossing in to one of many other lines. High current down the path of least resistance...it seems often likely. Effective insulation can do so much to resist it.

If it were more like a constant source of audible interference/ colouration it would be easier to determine how much bridges might offer positives. Reasons we would like them to in this hobby.

I went on a wire quest several months ago. If anything if bridges maintain them better they last longer/ look better.

Thats a good enough reason.

If I wasn't busy burning off pandemic bordom....chances are I wouldnt be qite as meticulous, ha!

I always liked nice quality wire sounds. I always kept it tucked in and took care of it my in mobile audio. I would route wire down through its custom junctions. It made changing parts very simple. Better than wresting wire to change an amp or speakers.

Another plus. But the reason I am here. A question of materials, suited non magnetic, just oak and walnut wood and aluminum this time.

I would of opted for glass cube (next time). Heavy sturdy, doesn't carry or store current. Stick on some 3M sticky loops, done, super fast super easy. (unless you trip on wires, use caution walking always)

Question, is acrylic conductive?

If you build it, you should at least build it correctly, lol!. Keeping in mind there is no "correct way" if something does not work either way :wave.

Attachments

  • Screenshot (799).png
    Screenshot (799).png
    748 KB · Views: 124

rectifier tube filament

This is probably a very dumb question but here goes.

I am going to build the Baby Huey EL84 and picked up an Antek transformer with HV and heater windings. I learned that the PSU board is optimal for the EL34 and am thinking I may put some rectifier tubes I have to use. I have a 5A DC power supply - can this be used for the filament in the rectifier like the 5U4G or will I be trying to electrocute myself.

My gut instinct is no but I have tied B+ to DC heaters for heater - cathode bias as the heaters float. It has just been a while since I built a real tube amp and solid state doesn't have these problems.

thanks..dB

What to build with a 2500ohm Hammond 1627SEA transformer

I have a pair of Hammond 1627SEA output transformers and even the power supply bits for a tube amplifier (parallel 1625s) that went nowhere. It was a complicated affair with regulated screens, plate-to-plate feedback, and video pentode drivers where I ended up almost completing one monoblock.

Looking for something a little simpler, perhaps stereo build, and can make use of these big output transformers. Any single output tube that matches up nicely with a relatively low 2500 ohm output transformer?

budget friendly horn design

Hey gang,
Before i start, if im in the wrong section, please move to the correct one.



So looking to set up some sound reinforcement for small venues where i live. I would like to run a total of 4 bins. Target response would be 35hz to 100hz. Ive been mulling over lots of dyi plans like the xoc1 th18, keystone, othorn, cabo18, etc. Its just becoming very overwhelming splitting hairs on designs. And the fact alot of them use expensive drivers such as the bcsw115 or pd1852. I dont need the extensive power handling. Maybe 750/800ish per bin would be sufficent. Can anyone steer me towards a design that uses more budget friendly drivers?

Cambridge Audio Azur 640T repair

Hi all,

I bought a Cambridge Audio Azur 640t (version 1) for spares or repair as a friend wants one and is on a tight budget.

Firstly the screen was almost completely faulty, showing hollow squares where the stations are displayed. The DAB wasn't working at all, only FM. Optical output was working but anolog RCA outputs wasn't.

Not sure what the RCA input is though?!
(I have previously had a version 2 that didn't have those)

I've had previous experience with CA caps not being very good so I recapped all electrolytic capacitors except the front panel, so far.

The DAB is now working, the screen is much better only one character is still hollow, see att pics.

I can't find the service manual for the version one so I'm struggling to find abnormal voltages so asking for some help here please.

All diodes, resistors and regulators measure OK, it seems. Solder joints appear fine.

I've read about the regulators being underrated so was thinking of upgrading those but not sure to which, recommendations?, and a new Osram relay for longevity.

TIA!

Attachments

  • IMG_20201105_171955.jpg
    IMG_20201105_171955.jpg
    599.6 KB · Views: 335
  • IMG_20201105_172023.jpg
    IMG_20201105_172023.jpg
    938.5 KB · Views: 353
  • IMG_20201105_172120.jpg
    IMG_20201105_172120.jpg
    908 KB · Views: 338
  • IMG_20201105_172132.jpg
    IMG_20201105_172132.jpg
    980.1 KB · Views: 558

How to determine dB headroom for Woofers

So I'm trying to figure out what Woofer to use for my upcoming active 3-way project, and I've been looking in to various Woofers in the 8"-12" range that will work in sealed enclosure and still deliver adequate bass ( about -3dB @ 40hz, tests done in WinISD).
One that seems to get good reviews and is affordable is the Scan-Speak 10" Discovery (26W/8534G00).
However the Xmax is only 6mm and in a box that's at Qtc 0.707 I'll reach the limit at 103dB (at 40hz and without EQ to boost low end, or subsonic).
Looking on the other hand at mechanical limit of 12mm of that woofer the SPL is 108dB at the same 40hz (again with no addition or subtraction of the signal).

So two questions:
What's a resonable headroom that I would have to subtract from these numbers to get nominal listening volume, 5dB, 10dB, 15dB?

How far above the Xmax of 6mm is safe to go on 'party mode' where some distorsion isn't a big deal for the purpose of listening pleasure?


As say -15dB from 103dB for nominal listening will be just 88dB.
And yes, DSP will be used so I can/will use a HP filter (subsonic) as my music taste doesn't use much below 40hz(-ish).
And yes, I have looked in to other drivers as well, but I've only found a handfull that might fit all requirements, and it's few reviews/test to go by.

Potentiometer identification

These have been floating around my junkbox for a number of years now and I think they are destined for eBay, they were given to me and I have no idea what brand or model of amplifier they were from.

Does anyone recognize the knob design? One clue that might help. I have an output transformer probably given to me by the same person and it was meant for a quad of 6L6 tubes.

Attachments

  • IMG_1793.jpg
    IMG_1793.jpg
    889.1 KB · Views: 127

ACA for Dallas 2 horn

I have an itch to build something and my thinking has landed on an ACA with a Dallas 2 horn. Still to decide on FE206En vs FE206e Sigma, probably a separate thread....

Is the ACA a well-matched amp for these speakers? Should I be thinking of monoblocks or will one SE be enough?

It's a bedroom system so likely listening levels not too loud. Room is approx. 8m x 4m with a sloping ceiling.

Thanks

Too simple? Need some redesign advice

I've recently completed a 6V6 pp amp, built into a Magnavox 175ff chassis, based on the Dynaco A-410 here. Since completing it, I've reconfigured the power supply to use the stock Magnavox choke (.75 H) and some more capacitance. This was after following suggestions to plug the original design into PSUD and finding it to have pretty poor smoothing. I'm now starting to realize the whole design is full of compromises and what originally attracted me (simplicity) is a weakness in terms of front end gain. Two options I'm looking at, since I want to maintain the power section and the chassis are the original Magnavox design or this from Evil Science. The Evil design seems to have fewer compromises. I'm also liking it because I can get the required B+ using diodes and there should be enough heater current for the extra 12AU7, since the original Magnavox was originally designed to power a separate preamp. I would guess the Evil design utilizes 8k outputs but it doesn't say specifically. So which would you pick? Thanks for the help, I'm very new to most of this and learning a lot as I go.

Attachments

  • 6SL7-6V6-Push-Pull-Tube-Amp-Schematic.png
    6SL7-6V6-Push-Pull-Tube-Amp-Schematic.png
    52.2 KB · Views: 457
  • magnavox orig 6v6.JPG
    magnavox orig 6v6.JPG
    87.6 KB · Views: 462
  • evil 6v6.JPG
    evil 6v6.JPG
    90.8 KB · Views: 467

Audio Precision Portable one + issue

Hello,

Frist of all : please appologise for my english : I'm french...

I wich you a happy new year and hope you've had a happy Christmas.


I have an Audio Precision Portable One + with problems.
- the first issue I've fixed was on the IMD optional card : two NE5534, an OP27 and a ceramic capacitor dead. Now it works fine.
- the second problem is with the filters : see the attached file. As you can see during the self test all the filters (except selctive) are out of use. Heaven if two of them pass the test, I'm quite shure in fact they don't work.

No schematics are available for AP products execpt System one (I also have a Sys one : 222), so I tried to understand how it works, but it's very very difficult. I think filters are on the part enclosed with a red line, but not shure.
I've adressed some of the logical inputs of 74HC4051 and 74HC4052, but I don't understand the way it works. Some of the logical input switche from low to hight when I select filters, but I can't find where is the connection between the output of the filters and the rest of the circuit...
I found strange square signals on the LM339N (botoom of the picture), but I don't know if it's normal or not...
I've changed some relays but it's still the same...

Maybe Duke will be able to help, or anybody who has a Portable one +

Thanks for help !

Emmanuel

Attachments

  • PCB fliters AP portable one encadré.jpg
    PCB fliters AP portable one encadré.jpg
    776.3 KB · Views: 193
  • Pb filtres AP Portable one + encadré.jpg
    Pb filtres AP Portable one + encadré.jpg
    886.7 KB · Views: 179

Lexicon Pre Users Please Enter

So I had an old DC-1 for about 10 years and loved the way it sounded, super detailed yet still somewhat warm and natural. Unfortunately it passed away a few weeks ago and I replaced it with an MC-12 and all I can say is... nooo! Harsh and brittle, just not good sounding at all. I've never had listening fatigue with these speakers and today my ears were not happy for hours. Is this possible? Or is there something wrong with the MC-12?

Substituting BJT driver/power transistors. What guidelines do you look for?

EDIT (even before the first reply) to say I realize this can be a pretty broad topic... just looking for a basic starting place to begin learning from.

What do I need to look for besides:
-Polarity
-Vce max
-Ic Max


Terms I've recently come across, that i wasn't aware of their relevance in design spec:
-frequency Ft (high freq osc can reduce gain to near zero)
-epitaxial vs homotaxial (from what I've recently learned epi will require emitter resistors to compensate for Rbe whereas homotax not always)

I'm sure there's more to consider that I'm missing. What should I be thinking about when I make a substitution?

KRELL KMA 100 MKII HELP NEEDED

Hi all: I am repairing a Krell KMA-100 MKII for a friend who brought me the blown up unit and another working. It appears the driver board is where the burn area is, (burnt resistors). When I got it I found only one 100 ohm resistor was burnt and replaced it. I also found one or two driver transistors shorted, I replaced them, and 5 output transistors shorted. All 16 outputs were replaced with Motorola MJ15024/15025's. When I brought it up on the variac everything seemed the same as when I brought up the good amp based on the amp meter on the variac. As soon as it reached 100% however the resistors tied to the driver transistors smoked, but leaving the one I replaced unburnt. I can't find a schematic anywhere for this and would appreciate any help getting it working again.
Projects by fanatics, for fanatics
Get answers and advice for everyone wanting to learn the art of audio.
Join the Community
507,783
Members
7,888,277
Messages

Filter

Forum Statistics

Threads
406,232
Messages
7,888,277
Members
507,783
Latest member
ys.zhu