By that I meant single channel + loopback, not dual FFTs. Sorry if my terminology was off.
Have you tried Open Sound Meter?Smaart and FIR designer work together.
They have each other‘s software embedded so they talk to each other it’s super cool but I am a full-blown diehard RePhase fan. I’m super loyal once I get something that works and I absolutely love multi mic averages in smaart. It truly is the best way. I can get good phase to 20k (not kidding)…
The problem with REW is you can’t average the phase. So a single mic is only good to like 1k ish … 2k if your good…
I basically align all my speakers with a single static mic time using the tweeter as the mic time…. Then align with dsp delay all drivers to impulse peak single mic
Then I bring out the big guns and do a mic array around the head space and get a multi mic average. The phase is pristine the way smaart removes the time of flight… it’s perfect. The dual ch is a must for FIRs IMO.
I did not know that REW had dual ch… I know there was some chatter about it on the AVNirvana pages , but I never saw anything happen with it..
I have the pro version of REW and it works… it’s nothing like smaart.
I’ve heard of people getting pirate versions of V8…. I don’t know if you like to wear a patch over your eye and have a parrot on your shoulder…food for thought.
But it sounds like what you’re doing is pretty cool. And if you were getting results that you like then, there’s no arguing with results.
Kind of new to this software but am I going about it right? I created some LR2 linear phase filters and loaded them up into EQ APO for a 3 way crossover. The phase measures very linear and the response is great, but it sounds a but, odd? Really hard to put my finger on it. Not even sure where to start on tracking down why.
Hi waffle!
Don't forget to remove inverted polarity on the mids.
I think the biggest difference in my 3 way conversion was that the faint "whistling noise" disappears (which I think I hear when the phase is rotated in normal LR 12 db). Unfortunately, my machine has a 6sec preset load time, so not quite optimal for A-B testing.
Don't forget to remove inverted polarity on the mids.
I think the biggest difference in my 3 way conversion was that the faint "whistling noise" disappears (which I think I hear when the phase is rotated in normal LR 12 db). Unfortunately, my machine has a 6sec preset load time, so not quite optimal for A-B testing.
One easy test would be to try the exact same crossover slopes, but this time without the linear phase. Do remember to invert polarity on one of the two drivers in this case.
Does it sound different? More pleasing?
Do note that applying a named crossover like LR2 isn't a guarantee for the right slope you would need. Eventually it isn't the (named) crossover slope that's applied that makes it work, it's the acoustic output that should follow that LR2 slope. Together with the right timing, with LR2 and no phase linearity that means inversion of one of the drivers, it would sum favorably at the crossover point. Without one inverted source it should show a dip at the crossover frequency. Instead of the inverted driver one could use delay. Either digitally or an offset driver.
Does it sound different? More pleasing?
Do note that applying a named crossover like LR2 isn't a guarantee for the right slope you would need. Eventually it isn't the (named) crossover slope that's applied that makes it work, it's the acoustic output that should follow that LR2 slope. Together with the right timing, with LR2 and no phase linearity that means inversion of one of the drivers, it would sum favorably at the crossover point. Without one inverted source it should show a dip at the crossover frequency. Instead of the inverted driver one could use delay. Either digitally or an offset driver.