Surprisingly or not, with the Minmeh I can hear the comb-filtering pattern dave has often posted. From ~3m away slightly off-axis ~0.4m, ear angled for maximum acuity, the sweet spots are ~10cm apart shifting (head) horizontally, or ~20cm forward/back. At these nodes the music is more open and realistic, presumably due to very high frequency present; away sounds a (very) little duller, less micro-dynamic contrast. I first noticed this when, each time I thought it sounded A+, with a head-sway it no longer was.
How to reduce horn/mouth/throat diffraction combing? VHF should be throat?
Combing is eliminates completely if the spacing between 2 drivers playing the same frequency are a quarter wavelength centre-to-centre. As distance increases combing gets worse. Given the spacing you have XO would need to be very low and th etweeter likely can’t go near low enuff.
Toole'’s work suggests it is not near as audiable as they look. From Taylor: http://p10hifi.net/planet10/TLS/downloads/taylor-line-array.pdf
dave
How to reduce horn/mouth/throat diffraction combing? VHF should be throat?
Combing is eliminates completely if the spacing between 2 drivers playing the same frequency are a quarter wavelength centre-to-centre. As distance increases combing gets worse. Given the spacing you have XO would need to be very low and th etweeter likely can’t go near low enuff.
Toole'’s work suggests it is not near as audiable as they look. From Taylor: http://p10hifi.net/planet10/TLS/downloads/taylor-line-array.pdf
dave
Last edited:
Happy to report issue resolved with Art's diagnosis:
Then the HF driver's output will diffract across the large flat square surface around it, the diffraction will reflect off the horn walls, the multiple arrival times from those reflections...
Pretty good now, ~35° horizontal coverage of flat FR to 12khz that I could hear (Faital HF108 exit angle being 31°). My cost was ahem $220 for eight used drivers (CD, Faital-inside, 12" Aura) plus significantly more than that for the Jantzen aircores and silver zcaps which I reuse for diy-of-the-day.
If this is what your MEH horn looks like:
Then the HF driver's output will diffract across the large flat square surface around it, the diffraction will reflect off the horn walls, the multiple arrival times from those reflections...
Pretty good now, ~35° horizontal coverage of flat FR to 12khz that I could hear (Faital HF108 exit angle being 31°). My cost was ahem $220 for eight used drivers (CD, Faital-inside, 12" Aura) plus significantly more than that for the Jantzen aircores and silver zcaps which I reuse for diy-of-the-day.
Attachments
Update: MEH vs offset TMM.
@mayhem13 suggested MTM so I thought I would take a few minutes to rearrange the Faital drivers and listen to both music & tone-sweep. Of course it turned into a weekend project....
First I determined the (hornless) HF108 faceplate and LDA-401 grille time-offset to be ~2cm (without XO) and tweaked MTM (beware magnetic attraction!) to work well enough but only by reversing polarity, achieving phase-alignment (by ear) while sacrificing time-alignment by 1cm offset. This imaged better than the MEH but I was not completely satisfied. (Note: by carefully poking a bent-paperclip through the LDA-401 grille I measured 1.25cm to the driver surround.)
Figuring 1khz 1/4WL 8.5cm, I rearranged the drivers into T/MM pyramid (CtoC ~12.5cm) and tried crossing low. Long story short, I didn't like 2nd-order phase/imaging (2cm+12R->4.7uF/0.3mH, 0.3mH/8.6uF). Back to 1st-order with a 2-5khz broad notch filter just like the MEH but tweaked HP/LP to match phase as much as possible (2cm+14R->4.7uF->3.9uF||0.62mH, 0.3mH).
Importantly, I learned the hard way that the 31° exit-angle HF108 would spread >10khz very high frequency more broadly than a hard dome tweeter and the HF/VHF reflected strongly off its faceplate to mess up phase and FR. I made a soft absorber/waveguide out of folded antistatic wipe (wool worked better but I didn't want to hole old scarfie). The mess of XO bits chained with electrician's twist caps allowed me to test different value combinations just by moving alligator clips. Finger tone-sweep and loudness-comp up to three frequencies using APP Frequency Sound Generator; listen to test music for faint transcient detail and size/depth specificity (just 1ch, ear on-axis angled ~30° lined up using 11khz tone), ideally well-focused "beyond the wall".
I think, with 9mH->12" Aura over a tall closed tube this combo could be a candidate for A+/A+/A+.
@mayhem13 suggested MTM so I thought I would take a few minutes to rearrange the Faital drivers and listen to both music & tone-sweep. Of course it turned into a weekend project....
First I determined the (hornless) HF108 faceplate and LDA-401 grille time-offset to be ~2cm (without XO) and tweaked MTM (beware magnetic attraction!) to work well enough but only by reversing polarity, achieving phase-alignment (by ear) while sacrificing time-alignment by 1cm offset. This imaged better than the MEH but I was not completely satisfied. (Note: by carefully poking a bent-paperclip through the LDA-401 grille I measured 1.25cm to the driver surround.)
Figuring 1khz 1/4WL 8.5cm, I rearranged the drivers into T/MM pyramid (CtoC ~12.5cm) and tried crossing low. Long story short, I didn't like 2nd-order phase/imaging (2cm+12R->4.7uF/0.3mH, 0.3mH/8.6uF). Back to 1st-order with a 2-5khz broad notch filter just like the MEH but tweaked HP/LP to match phase as much as possible (2cm+14R->4.7uF->3.9uF||0.62mH, 0.3mH).
Importantly, I learned the hard way that the 31° exit-angle HF108 would spread >10khz very high frequency more broadly than a hard dome tweeter and the HF/VHF reflected strongly off its faceplate to mess up phase and FR. I made a soft absorber/waveguide out of folded antistatic wipe (wool worked better but I didn't want to hole old scarfie). The mess of XO bits chained with electrician's twist caps allowed me to test different value combinations just by moving alligator clips. Finger tone-sweep and loudness-comp up to three frequencies using APP Frequency Sound Generator; listen to test music for faint transcient detail and size/depth specificity (just 1ch, ear on-axis angled ~30° lined up using 11khz tone), ideally well-focused "beyond the wall".
I think, with 9mH->12" Aura over a tall closed tube this combo could be a candidate for A+/A+/A+.
Attachments
Last edited: