Why are OMNI speakers not more popular?

Boris,
Pluto's treble is very wide dispersion but it is not fully omnidirectional, the speaker is omni to 3khz after this it has very broad dispersion.

Going by the quality of Pluto I would love to build Orion but I do not have the space to do justice to them.
 
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...

I had a chance to audition these (MBL) at AXPONA. Actually I should say that I had the chance to audition the room they were in because it sounded like they were set up very poorly. ... I'd love to give the MBL speakers another chance because the sound did have a unique quality and that driver is very interesting. From a practical perspective however, they did not impress as something I would want in my room (suppose I had that kind of money in the first place).

I have a feeling that even the smallest MBL still needs a huge room with tons of space around the speakers.

Though of limited value, here are some YouTube video of MBL. Though you are more likely to be hearing the camera than the speaker.

None the less, with my basic $500 computer stereo, the MBL sound very crisp and detailed with very noticeable presences -

For what it is worth to those who might care -

AudiogoN @ CES 2009: MBL high-end audio from Germany w/ omni-directional ribbon speakers + BIG amps - YouTube

MBL setup, speakers: MBL Reference Line 101, Audio Concept, Sweden - YouTube

MBL at work at the Capital Audiofest - YouTube

Maybe I'll get lucky and instead of adding links, it will embed the videos. If it doesn't to either, I'll edit and fix it.

Steve/bluewizard
 
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As the titanium sheet has not much damping I would assume that the middle region, where the wave reaches the edge is broader than in usual fullrange drivers. But Tangband has a high-quality titanium fullrange driver in their product range, too.
 
So the best way to test this is in an empty room where the speaker distance from each other and the walls is the same as to the listener? Am I understanding you correctly?

No Sir, what I want to say is that there seems to be important, critical part of the frequency band in which the loudspeaker has to emit the same content in every direction in any given lateral plane so that the shape of direct wavefront is basically identical with the shape of laterally reflected wavefronts in order to enable the precedence effect to work effectively
I think that the frequency band it is somewhere around musical midrange that is 160<1600 Hz

in that frequency band the speaker has to be time coherent in every direction in any given lateral as this is prerequisite for preserving the shape of the wavefront

therefore it has to be either a fullrange driver, or a coincident speaker (like eg. KEF UniQ or Tannoy DC) or in any other case very carefully cross-over-ed speaker so that there be basically one acoustic center in this critical band

and in case as Yours that is of a 2 or 3-way stand speaker that is placed on it's back on the floor it seems that it takes a lot of luck to fulfill the above requirement - doesn't it? 🙂

is it clearer now?
 
Sorry, I'm slow (or maybe you guys are too fast... )

This is from pages back for answering my bipole proposal:

then it is also to be avoided for the same reasons, isn't it?

it seems to me that for realistic sound reproduction we need to:

1) acoustically mask the speakers as real distinct sound sources
2) acoustically mask the room as the real sound space

to achieve this first of all we need to:
1) get rid of the floor reflection which in the first place unmasks the speakers as real distinct sound sources
2) make laterally reflected sound as similar to the direct sound as is needed for precedence effect to work because otherwise we start to hear the room that is the wall reflections as real distinct sound sources that mix up with the speakers as real distinct sound sources to create a mixed-up soundfield

Reading these, why am I thinking of Bose 901, instead of other omni speakers?
 
Note SL says: "I do not know how consistent the radiation pattern has to be. Nor do I know that constant directivity over the whole frequency range is optimum."


SL is quite unique, I amire this guy, because for most of the so called expert guys it is extremely difficult to say "WE do not know", and "I do not know" is a phrase You will NEVER hear from any of them 😉

He also says "Since loudspeakers are listened to in closed spaces there are fundamentally only two ways in which they should illuminate the room sound-wise: Either omni-directionally or uniformly directional over the whole range from low to high frequencies. This allows the delayed, reflected sounds from the room boundaries to have the same spectral signature as the direct sound."

well, perhaps BUT I think we should keep in mind what SL says in the former quote that He basically doesn't know

For my part I think that there is fundamental misunderstanding - what is needed is not the same spectral signature but essentially the same wavefront shape

therefore I believe that SL I right in His suspicion that perhaps "constant directivity over the whole frequency range" is not what we really need
 
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well, I'm not an oracle claiming to right 😉

I was looking at the fact that the RAAL omni is built from multiple ribbons, arranged in a circle

it's been clearly stated by others that drivers arranged in a circle is not 'the best way' to achieve omni radiation
maybe all sorts of strange phase related things will happen, I don't know
but seems possible from what we know about 'side by side' arranged drivers

below is a real true omni driver
and really not that much different from any other horisontal mounted driver

But the RAAL drivers are not side by side, but in a circle as you say. The "true" omni you show is also a circle but one diaphragme. I agree that two or three drivers next to each other is not good, they will be very directional, but that patterne changes dramaticalle with al lot of drivers next to each other, and a lot of driver in a circle? I havent seen the measurement so I don't comment on it, but many listening tests show that us audiophiles maybe worry to much about the phase.

I have read this thread twice now, and I still don't have a clear picture of the perfect omni other that the fostex flooder (and I had to go to another thread to actually see it).

My next step will definatly be to make some test speakers, and try all sorts of OB subs and definatly try my Mark Audio CHR-70 in flooder. I don't like the position of 7-10 inches above the floor, since I have to kids. What's the disadvantage of having it 30 inches high?
 
I have read this thread twice now, and I still don't have a clear picture of the perfect omni other that the fostex flooder (and I had to go to another thread to actually see it).

nah, fostex flooder is not a perfect omni, it was just a flooder that worked until it has been destroyed by a kitten 😉

as I said before I believe that true omni with uniform spherical polar response is not desirable, neither an omni with omnidirectional polar response at all frequencies is needed

one can try any configuration which in my opinion fulfill the basic requirements stated above - Beveridge placement, Stereolith-like back-to-back placement or a flooder - in that case made with a single driver or a coincident speaker (I have KEF's UniQ) or anything else 2 or 3-way - like tinitus Zen-like setup which I simply adore - provided the drivers are crossed over in such a way that frequency band of around 160<1600, perhaps preferably wider, is projected into the room in omnidrectional and time-coherent manner

... try my Mark Audio CHR-70 in flooder. I don't like the position of 7-10 inches above the floor, since I have to kids. What's the disadvantage of having it 30 inches high?

difficult to say with certainty, I can see some possible disadvantages from the perspective of my hypothetical theory about flooder's operating principles, but these are just my hypotheses

the first is possible audibility of floor reflection with it's consequences second is that ceiling reflection comes earlier and at the same time reflected wavefront is less similar to the direct wavefront, also some problems can arise, third is greater roll off in the power response towards high frequencies because the high frequencies (due to directivity of the speaker) are projected directly onto smaller part of the room boundaries' area

BUT as Oliver (el'Ol) has observed some drivers in flooder configuration benefit from positioning closer to the floor and some from positioning at ear level

(un)fortunately we haven't got any Blauert papers 😉 so it is all purely DIY hit-and-miss fun 🙂

ps. photo of the original fostex flooder is to be found here:
http://www.diyaudio.com/forums/full-range/162827-mpl-12.html#post2222633

what You can do in order to save Your flooder from kids and kittens 😉 is to secure it with a kind of stiff grille - grille cloth stretched on a kind of wire mesh cage perhaps?
a cage of appropriate size covered with grille cloth can be just put onto (around) a flooder perhaps?
 
My current speakers.
An externally hosted image should be here but it was not working when we last tested it.


These could actually be convertet quite easy I think. Sub is stereo and each have two 6½ inch woofers in isobaric/compound cabinet. Top is 4" Tangband full ranger (W4-1320SB). Crossover point at 200 Hz.

Woofer is pointing up, as in a flooder. This positioning gives less kick in the chest, than frontfiring with same cabinet.
 
This? I think we have different settings in numbers of posts per page, and therefor links don't really work. What is the post number?

234405d1312806161-why-omni-speakers-not-more-popular-img_4907-large-.jpg
 
I have hoped for some more serious pictures than just three units layin around. It's nice to see a Duelund flower cone, these are not seen often.

but this is it, perhaps it doesn't look serious but it is, some tinitus comments on it:

Right now Im listening to 3way dipole "setup"
Actually, drivers are just placed on the floor, on their magnets

Its kind of omni, I would say
Should I do another "omni", it would most likely look very much like Carlson
Mind you, not the old vintage, but the later mr Carlson(Sweede)

Which means ALL drivers placed close to floor, but slightly angled

Funny thing is that despite the drivers are positioned close to the floor, soundstage seems quite normal in height


I expected that too, but it sounds perfectly normal
Quite surpricing, yes
Very precise and correct actually

Apart from the drivers jumping when I play loud, and loose items moving

Yes, I have to conclude theres potential in placing drivers close to the floor, if done correctly

Maybe concluded on wrong assumptions

I havent had much believe in omnis, until now

From my recent experiments something tells me that omnis should either be based on multiple drivers, or the drivers should be placed very close to the floor

But who wants a small speaker that looks like a cheap sub

Funny, my present experimental OB-OMNIs are apparently different than the rest....very focused and precise
But admittedly, I didnt expect that either, and its a big surprice
And driver are placed on the floor, which is even worse
I cannot work, but it does

A great number of speakers are poor designs, and so probably also most omnis

Fore 15 years or more I have believed the opinions that omnis cant work, and fore the matter, dipoles as well
I have learned that such general announcements are mostly heresay, related to poorly implemented designs, in general
I wouldnt be surpriced if that concerns almost every type of music reproduction
In my book, any "speaking in general" isnt valid or worth more than the words

As well as I cant claim that all omnis work, just because I have managed to make one work
I may not even have the same luck next time
All I know, it CAN be made to work
I dont know yet which design parameters to rely on
I could fear its having the drivers placed on the floor, and being dipole
Pretty strange
And I perfectly understand why noone believes that
Im surpriced too

Im listening to this in dipole omni right now

drivers are just placed on the floor
drivers are nothing special, just used what I had

I have no idea what it is, but it works😛

despite cheap cheap drivers, classical especially is amasingly good
Im building other speakers, but I could live with this forever

Im sure theres a whole world of undiscouvered sound hidden in omni designs, and the crossover needed for such


what m trying to say is that every each speaker design has its own special demands for crossover design :checked:
and even if you have a good idea about what you want to achieve, you wont really know for sure until its built :smash:

I hope not :umbrella:

and it is kind of difficult to describe a 'speaker' having all its drivers scattered over the floor 😛
even bumping around, occationally 😀
but dammit, it works
if only it didnt, and I could just 'throw it away'

fortunately there's someone who wants it
and my task is to put it in a more practical construction
now, the interesting part is whether it looses or gains from this
well, each 'speaker' holds a 15" and a 10", as well as a 2" 'tweeter
15" on the back
the job is to make it look like nothing
or in other words, something discrete
they dont want it
and hate it even more if doesnt sound good 🙄

obviously this is not a highend thing
is just something that spreads nice music in a living room, all day long, if needed
hell, a tiny 2way placed close to the ceiling could that too
but not with bass like this one
I hope to reveal the details later, if worth it

btw, its funny tho that my experiment clearly showed that floor positioned drivers had great and precise imaging/soundstage
and even more funny that singers etc were positioned with the correct height

and that with all sorts of things placed around
furniture, boxes, project, etc
far from optimal
placed close to walls
and below a big bookshelf
probably couldn't be worse
but it still worked

and the 3way xo, even more silly
 
I just thought that tinitus had a finished speaker. He and you advocate for omni's, and it seems you know a lot about the topic. Seeing your final results might give the answer why omni are not that popular. The popular commercial omnis are not omnis but poludirectional, and real omnis don't exist other than speaker laying around the floor, or as a Kef UniQ laying on it's back.

I have had 1 hour alone with the B&O flagship, and I was impressed. I just have to try it myself. But, this thread have not convinced me, that omni is the holy (g)raal. Maybee it's not the purpose of this thread?
 
I just thought that tinitus had a finished speaker. He and you advocate for omni's, and it seems you know a lot about the topic. Seeing your final results might give the answer why omni are not that popular. The popular commercial omnis are not omnis but poludirectional, and real omnis don't exist other than speaker laying around the floor, or as a Kef UniQ laying on it's back.

I have had 1 hour alone with the B&O flagship, and I was impressed. I just have to try it myself. But, this thread have not convinced me, that omni is the holy (g)raal. Maybee it's not the purpose of this thread?

well, I have three answers to Your remarks

firstly, this is all about DIY - for my part the purpose of my posts is not to convince anybody but to get interested and encourage own DIY experimenting
I am not an industry guy and I also seek to learn from those experiments of other users, therefore I encourage them

secondly, perhaps any such thing as specially designed finished speaker is simply not needed if one is interested just in the enjoyment of music and doesn't have kids-and-kittens issues 😉 perhaps three drivers on the floor IS the holy grail at least for some of us

functionally tinitus' three speakers lying around IS a finished speaker because it is doing it's job

finally, persuaded by a friend, also a diyaudio user, I am in the process of development a finished speaker which will be state-of-the-art - if I may say so 😉 - flooder implementation that will be clonable and kids-and-kittens resistant
 
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