What is wrong with op-amps?

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I have known Bob Stuart since 1972, when we met in London at an AES talk. I had a problem with him when he took my advice to use a complementary differential input stage and then tried to patent it, without telling me. Still, he started out as a very good analog designer, but I really don't think that his analog designs ever evolved outside of hi mid fi, from what I have been able to hear, including his demo at the Newport audio show this year. I had really hoped to be able to evaluate his and Dr Peter Craven's MQA project, but I found his electronics/speakers too opaque to determine anything. I think that Bob has gone on to other things, like advanced digital, and left analog audio behind. This is why, I suspect, that Bob might be more interested in recent years in digital problems, rather than analog problems.
 
I note that many here are fully experienced and versed on digital design and products. However, I don't see the same experience in analog designs, and I think that what might work in the digital realm might not be as transferable to the analog realm.
This is very true (as in the abstraction I mention below, when writing code for a digital processor people don't often think of various transistors being in/near saturation or cutoff), and as Stephen Jay Gould might have said, these are non-overlapping magisteria.

On the other hand...
Of course, I could be biased, not realizing subtle problems in the digital design of the players, due to my lack of experience with designing the digital portion, but I certainly can see the analog problems.
"Digital" is only an abstraction of discrete voltage levels, and "digital circuitry" is just analog circuitry with active devices operated in or near saturation, or in cutoff, or switching between these two states. In this way, many "subtle problems in the digital design" can be seen and approached as analog.
 
dig it up.

cmi.fairlightus.com

CMI Series I
RM4136

CMI Series II
LF347

CMI Series III
ADC module: 5534 (TL072 for DC servo)
Audio Module (DAC/LPF/VCF/VCA): LF347, 5532
Audio buffers, mixing: LF347, LF353
Headphone amp: LM380
🙂

George

>Edit
From another source
http://www.synfo.nl/servicemanuals/Fairlight/CMI-IIx_SERVICE_MANUAL.pdf

CMI Series IIx

ADC module: LM301 (MC3140 for DC servo)
Audio Module (DAC/LPF/VCF/VCA): MC34004
Audio buffers, mixing: LM301, TL084
Headphone-Speaker amp: discrete
 
"Digital" is only an abstraction of discrete voltage levels, and "digital circuitry" is just analog circuitry with active devices operated in or near saturation, or in cutoff, or switching between these two states. In this way, many "subtle problems in the digital design" can be seen and approached as analog.

The problems you get in the design of digital systems is not usually with the hardware, but a failure to think through the number systems, and catch / deal with number overflow, saturation, sign errors etc. In that sense they are similar to analogue issues, like failure to consider a device in the middle of the design saturating - not just focusing on the input and output devices.
 
"Digital" is only an abstraction of discrete voltage levels, and "digital circuitry" is just analog circuitry with active devices operated in or near saturation, or in cutoff, or switching between these two states. In this way, many "subtle problems in the digital design" can be seen and approached as analog.

Alternatively, you can view these subtle problems at the border of analog as "BER" and treat them in the digital domain (CRC or some other error correction scheme).
 
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