If I had 2 x 21's, then I would definitely build this enclosure.
I made it as small as possible with the 21.5" internal width.
I made it as small as possible with the 21.5" internal width.
look this Boger
View attachment 1455422
What are the rest of the dimensions...36" tall" x 14" wide (I assume) x ? depth?
Some music just plain sucks in those resonating pipes I suppose, we Cant win them all 🤷🏼
Nothing sounds as good as a big fat tapered qw pipe with polyfil in it though.
I bet Hip Hop BANGS in that bad boy!
@BP1Fanatic
https://www.hoqs.com.au/projects/pa...DnW090tJ8hMWTtsz2Q_aem_ZQ4dIyfqjb2ZzV_N1_qJMA
Yellow is more than 3x as long as green…. So you get the phase discontinuity when yellow goes in resonance and green is just gurgling 😝
But if you put a bunch of damping in green then you can slow the affective speed of sound propagation enough to create less of an issue ?
🔊🔊hurray! So interesting and exciting …. This stuff is fun, even if it sounds weird
https://www.hoqs.com.au/projects/pa...DnW090tJ8hMWTtsz2Q_aem_ZQ4dIyfqjb2ZzV_N1_qJMA
Yellow is more than 3x as long as green…. So you get the phase discontinuity when yellow goes in resonance and green is just gurgling 😝
But if you put a bunch of damping in green then you can slow the affective speed of sound propagation enough to create less of an issue ?
🔊🔊hurray! So interesting and exciting …. This stuff is fun, even if it sounds weird
Attachments
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I think when TH's came out, they required dampening material for the 1st 3rd of horn path...just like a TL enclosure.
2 of these enclosures would fit in my trunk.
2 enclosures in my trunk...all the jealous punks can't stop the dunk (Public Enemy's "Don't Believe The Hype")!
2 enclosures in my trunk...all the jealous punks can't stop the dunk (Public Enemy's "Don't Believe The Hype")!
Put the driver at 45 cm and your crossover area is clean and void of all the resonance junk requiring super steep filters and delay …. Just bonk the second resonance with PEQ as needed? 🤓
You didn't move L45 to 45.1cm too.
The response is worse at 45.1cm at L12 & L45.
L12 & L45 @ 6.25".
L12 & L45 @ 17.76".
I made a mistake in post #402.
The enclosure should have a 32.75" internal width and 34" external width.
I had 9ft on the brain at the time when that STH is 8ft long.
Here is the 2 x LaVoce WAN124.01 that I would build for my Crown Vic.
This STH is a 9 footer!
The enclosure should have a 32.75" internal width and 34" external width.
I had 9ft on the brain at the time when that STH is 8ft long.
Here is the 2 x LaVoce WAN124.01 that I would build for my Crown Vic.
This STH is a 9 footer!
pl loo
I don’t really know, but I imagine some of the reasons that the exit is offset and has a certain aperture to it in the keystone sub design is to acoustically help avoid some of this junk?
It certainly makes sense to me (and my ears and amatuer dsp efforts) how Brian Steele is constantly pointing out how important it is to avoid that and not get stuck with steep crossovers that turn it all into delay instead of the super high Q ringing resonance?
There are other designs (like the newer paraflex stuff using strategic driver entry positions and stubs ) that avoid all of this and it’s so refreshing to switch subwoofers and not hear it immediately after getting annoyed by it .
Build it and make it ‘adjustable’ so you can somehow remove the issues in a fun and incredibly useful learning experiment ?
By a few 4” dayton tcp115-4 and scrap plywood to goof off in your garage . They’re willing to excite these things if you scale down the csa . They’re like nick Diaz and pepper the air with punches 😝
You didn't move L45 to 45.1cm too.
The response is worse at 45.1cm at L12 & L45.
L12 & L45 @ 6.25".
View attachment 1455835
L12 & L45 @ 17.76".
View attachment 1455830
I don’t really know, but I imagine some of the reasons that the exit is offset and has a certain aperture to it in the keystone sub design is to acoustically help avoid some of this junk?
It certainly makes sense to me (and my ears and amatuer dsp efforts) how Brian Steele is constantly pointing out how important it is to avoid that and not get stuck with steep crossovers that turn it all into delay instead of the super high Q ringing resonance?
There are other designs (like the newer paraflex stuff using strategic driver entry positions and stubs ) that avoid all of this and it’s so refreshing to switch subwoofers and not hear it immediately after getting annoyed by it .
Build it and make it ‘adjustable’ so you can somehow remove the issues in a fun and incredibly useful learning experiment ?
By a few 4” dayton tcp115-4 and scrap plywood to goof off in your garage . They’re willing to excite these things if you scale down the csa . They’re like nick Diaz and pepper the air with punches 😝
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- So i impulse bought a sub. What would you do with it?