I agree, of course, but maybe something new can come out of this mistake😊Hi jazzbear,
Without getting into a war ... If the part doesn't fit, do not use it.
I'll be honest with everyone. The best parts are typically not "audiophile approved". In fact, they are normally modestly priced compared to audiophile parts, and they are smaller. Simple, industry parts and there are some types much better than others. It comes down to materials and construction.
You want to install audio fashion, go for it. Just don't wreck anything shoehorning parts in that don't fit.
Yes, I had a CMR and I think he could have stayed in his position but....I would expect that Nick when did his final listening tests of UFSP had the Clarity CMRs on. For starters go for that. And Clarity is not a cottage manufacturer and yet many audiophiles praise them. I think that even Miflex did start as industrial manufacturer, a polish could enlighten us.
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The UFSP pcb has 5 holes for the cap, make another pcb yourself that it's pins goes into the 3 holes. This handmade pcb will be used for the cap to stand on it. Then solder both 3 pcb pins and the two cap wires into UFSP pcb 5 holes.maybe like this...![]()
That way it would be rigid.
Edit: make sure that the pins are firmly stuck into this handmade pcb, so make the hole smaller at first and then force them into place. Also make sure that the pins won't hurt the cap into the other (top) side.
I have swapped around various caps here. C3 being the most influential. I have tried Miflex copper but find it too rich. The Pio caps kpal sound smoothed out but not as rich. Clarity CMR sound smooth yet not coloring or veiled.
Even Panasonic caps here work well from a transparency perspective. The ufsp is very revealing of parts that make it.
Even Panasonic caps here work well from a transparency perspective. The ufsp is very revealing of parts that make it.
Thanks to you and Salas, I'm bringing this project to a close. I used an Mcap supreme classic in position C3, but after 200 hours I'm giving up on it. I hope the Miflex will bring a little more meat. The Phono cartridge I have (EMT HSD 006) is very dynamic and quite rough in expression, so this way I balance the overall sound.
Hi Salas,
exactly 56dB gain, but before I took it apart I was playing a Hana SL Phono cartridge so the gain was 62dB, no noise, no hiss.
exactly 56dB gain, but before I took it apart I was playing a Hana SL Phono cartridge so the gain was 62dB, no noise, no hiss.
Proper gain setting vs cart output is always important. 1mV is an output class of MC carts of not too many members. Should sound dynamic at 56dB. Although 53dB would generally be sufficient.
At your EMT's price bracket I also like the ZYX R50 Exceed 0.48mV 8Ω version. Was listening to one today. Nice flow and openess but not insubstantial or cold.
Hana is good value in all its models, especially the SL MK2. Even their top of the line Umami Red is good value for money. I set one in a friend's system and it gave big league sound.
At your EMT's price bracket I also like the ZYX R50 Exceed 0.48mV 8Ω version. Was listening to one today. Nice flow and openess but not insubstantial or cold.
Hana is good value in all its models, especially the SL MK2. Even their top of the line Umami Red is good value for money. I set one in a friend's system and it gave big league sound.
Salas,
it's interesting how the mistakes I made in choosing phono cartridges keep coming back to me. At the HiFi dealer, the choice was EMT or Umami blue, I know the latter was 800 euros more expensive but I'm sure it would have been a better choice for me. Especially since I have great experiences with the Hana SL, and with all that, I also changed the turntable to one that would fit Umami better. I haven't had the chance to listen to any phono cartridges from ZYX.
it's interesting how the mistakes I made in choosing phono cartridges keep coming back to me. At the HiFi dealer, the choice was EMT or Umami blue, I know the latter was 800 euros more expensive but I'm sure it would have been a better choice for me. Especially since I have great experiences with the Hana SL, and with all that, I also changed the turntable to one that would fit Umami better. I haven't had the chance to listen to any phono cartridges from ZYX.
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Hi-Fi News had a review and lab report of its senior model: https://www.hifinews.com/content/emt-jubilee-jsd-6-cartridge-lab-report
They measured 0.789mV output versus the 1.05mV spec which is a good thing because better compatible with the 56dB gain setting.
Expect 500mV RMS output at 5cm/sec with the EMT from the phono. Good SNR without compromising overload headroom too much.
They measured 0.789mV output versus the 1.05mV spec which is a good thing because better compatible with the 56dB gain setting.
Expect 500mV RMS output at 5cm/sec with the EMT from the phono. Good SNR without compromising overload headroom too much.
They tend to be under-represented. This is the one I was listening to the other day.I haven't had the chance to listen to any phono cartridges from ZYX.
Salas,
I found this on the Kuzma website
The KC 1-4 were ZYX OEM cartridges, from 2005 to 2008.
The designer obviously thought they sounded great on his turntables.
I forgot to mention that I have his turntable
I found this on the Kuzma website
The KC 1-4 were ZYX OEM cartridges, from 2005 to 2008.
The designer obviously thought they sounded great on his turntables.
I forgot to mention that I have his turntable
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Finished this build around 2017 and till using it daily. Wonder if there has been any discussion of modifying it for balanced output?
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