Nice post SUM. Educational.
I actually wish that all DVD/BR players can with a dynamics adjustment. My old one had it and it was a nice feature. There are times where I love to have the huge dynamic swings and other times where I just can't have them. The effects of the huge dynamics are more of the experience to me, but some of these Hollywood blockbuster type films can just have too much of the extremely loud content and it seems to loose its thrill.
Just my 2 cents,
Dan
I actually wish that all DVD/BR players can with a dynamics adjustment. My old one had it and it was a nice feature. There are times where I love to have the huge dynamic swings and other times where I just can't have them. The effects of the huge dynamics are more of the experience to me, but some of these Hollywood blockbuster type films can just have too much of the extremely loud content and it seems to loose its thrill.
Just my 2 cents,
Dan
Actually Doug, I made no assumptions. I said nothing about what I thought your listening levels are, just that your requirements are what I consider loud in response to SUM's post. Seems you are the one reading into my post--IOW making assumptions. I've learned it's just your thing. I know my wording wasn't the clearest to make that point. Loud is not a derogatory term in my book.
I certainly don't disagree w/ your requirements for dB BTW. Speakers that can't get extremely loud w/o breaking a sweat seem like a natural for HT. That's what I was getting at in my last post. I don't think the Behringers are capable of what some AE, JBL, B&C, etc... speakers are that is. They'd make for an awesome computer or small HT speaker or something, but I don't think a full blown THX or whatever HT was really in their design purpose. If you don't need the full output level and enjoy the broader dispersion or sit fairly close to the speakers, these things would be great on the cheap. I know many home recording enthusiast brag about them being able to do house parties, but I sure don't think they'll do them like a speaker designed for such things. IOW, I'd stick with your AE woofers and whatever else you are driving for HT, but for the HT in a box type of crowd....
I listened to some music through them and was mightily impressed FWIW.
Dan
No worries, thanks for clarifying. I just wanted to post that I really do not listen at ear bleeding levels.
The Behringer choice though is a good example of a low cost HT choice (IMO), they do have decent SPL and in a smaller room they would work better then the speakers most people are buying (comercial bookshelf optinos).
I have heard the Behringers and for their price tag they are definitely impressive. Actually I found it more impressive that they are made by Behringer 😉
So 108dBa at one meter is probably loud. This in not a PA. I tend to sit pretty close, 1.5 meter, as I like the sound the conductor hears at the podium as opposed room reverb mud.
As for movies and signal range, not dynamic range, I squash them with the DSP. This whole notion that the average signal needs to change 40-50dB to have "effects" in a movie simply annoys me. To quite to hear and then to loud. Heck with that.
Dynamic range is the smallest signal which can be resolved while producing a larger signal and is not signal range. Signal range is simply the range of average signal. That would be noise floor to clipping. Having measured dynamic range on a lot of speakers, 40dB is HUGE where cheap speakers tend to be in the 15-20dB of dynamic range capability at 90dB output.
Very interesting point of view. Obviously music has went the route of compressing the peaks but I hope movies never do. I enjoy peaks that make my hair stand up or even suprise me and others enjoying the movie, this is not only the bass but the midrange. No matter what, its all better if the peaks are clean. Its just a choice, Dynamic volume, DSP options are available for all who choose a little less dynamics.
I never realized the potential or what I was missing using speakers even like Paradigms until I experienced a custom room with JBL K2s. Ever since then I have just said "I WANT THAT".
SNIP..........
I have heard the Behringers and for their price tag they are definitely impressive. Actually I found it more impressive that they are made by Behringer 😉
That's hilarious. Did you know they have dentists in Great Britain.(that's a joke people)
My friend has bragged about these things for a long time. I laughed inside and thought they'd have a Bose-like "accurate" or something. 😱: nownow: Then I saw a set of Behringer 2030 measurements on the web that still had a lot of room reflections in them and they were darned good including polar response and CSD. Soongsc would love the CSD as it's very clean. Then Dr. Geddes showed measurements of a Behringer that also looked good. So on my chopping block they went. I was foolish for thinking brand and price were a good indicator of design. I returned the speaker yesterday with egg on my face. I was glad that I didn't tell him that there was no way those Behringers were any good. I almost placed a wager with him that they'd look awful if measured, but I held my tongue. I was very sure they were junk a few months ago even though I never heard them. The measurements of the 2030s I saw made me suspicious, and Dr. Geddes made me curious enough to have a look for myself. Now I'm sure. Funny that I had no desire to test his subjective impressions or even listen to the speakers, b/c the subjective impressions of these things on the web are all over the place.
Dan
So 108dBa at one meter is probably loud. This in not a PA. I tend to sit pretty close, 1.5 meter, as I like the sound the conductor hears at the podium as opposed room reverb mud.
As for movies and signal range, not dynamic range, I squash them with the DSP. This whole notion that the average signal needs to change 40-50dB to have "effects" in a movie simply annoys me. To quite to hear and then to loud. Heck with that.
Dynamic range is the smallest signal which can be resolved while producing a larger signal and is not signal range. Signal range is simply the range of average signal. That would be noise floor to clipping. Having measured dynamic range on a lot of speakers, 40dB is HUGE where cheap speakers tend to be in the 15-20dB of dynamic range capability at 90dB output.
My 2 cents worth- most ear damage from to loud is caused by distortion. On the last PA we did a few weeks ago when finished everyone said why does it not sound loud? They were looking for distortion so the PA would have the "loud" sound. Most PAs are really loud with distortion even when the meter says the SPL is very reasonable. Just my experience...
You have made several comments that are absolutely incorrect. I trust no one takes your comments as being accurate or expert.
1. Auditory damage is due to levels that are excessive. It has nothing to do with distortion in the reproduction. I hope no one will take your speculation seriously and expose themselves to levels that will cause hearing damage.
2. If you are regularily listening to levels that are near 108 dBa (if you have measured it correctly), then you are most likely already suffering permanent threshold shifts (noise induced hearing loss). I am only making an educated guess since I do not the sepcifics of your listening habits and measures.
This is nothing to joke about or offer your speculation as some sort of expertise. Noise induced hearing loss is a real problem and should be taken seriously.
You have made several comments that are absolutely incorrect.
I think he was referring to the fact that when you reduce NON-LINEAR distortion (particularly broad-band based non-linear distortion), that the sound doesn't seem as loud and as a result you often end-up listening at louder spls. Of course because you listen at louder spl's you are more likely to subject yourself to hearing damage. 😉
..b/c the subjective impressions of these things on the web are all over the place.
Dan
..and this is the problem with labeling something "most" important. While polars might be "most" important for overall design.. it's entirely possible that numerous other factors are "almost" as important - and perhaps far more difficult to achieve (or improve). 😉
I don't follow your logic. Read this link: Audio Musings by Sean Olive: The Dishonesty of Sighted Listening Tests Sighted listeners are biased just as Doug and I were. It had nothing to do with the sound. Heck, I didn't even hear it and assumed it was junk. I probably would have made problems up in my head upon hearing just because I know the brand reputation if I did hear this speaker. Application/implementation are crucial as well. If your using the product in ways that aren't conducive to good sound, you subjective impression may be off. Actually will be off. There are a million things that could be wrong on the end user side and I don't care to even attempt to discuss them as I'll surely leave many out and it would be much too long for a single post.
FWIW, the majority of subjective impression were very positive.
Dan
FWIW, the majority of subjective impression were very positive.
Dan
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When two systems have the same measured efficiency, the one that decays significantly slower will sound louder.🙂
Built in reverb effect?
WithTarragon- I was writing about "sounding loud" and not actual SPL. Allow me to state high frequencies is where distortions tend to pile up energy wise and moderately high SPL, due to distortions, at 15kHz will rip the ear a new one where the same SPL at 75Hz won't do much of anything damage wise. Damaging SPL versus frequency is not a straight flat line.
As for my listening- I never listen to anything that hurts which has included some systems playing very quietly- 80dB average level and those were still painful. I use hearing protection at almost all live events because those hurt also- to much distortion and to loud both! Now my home system- it never hurts. and plays very loud. As for my hearing "loss," last test put me in the 95 percentile for my old age though it has been a few years.
As for my listening- I never listen to anything that hurts which has included some systems playing very quietly- 80dB average level and those were still painful. I use hearing protection at almost all live events because those hurt also- to much distortion and to loud both! Now my home system- it never hurts. and plays very loud. As for my hearing "loss," last test put me in the 95 percentile for my old age though it has been a few years.
Sighted listeners are biased just as Doug and I were. It had nothing to do with the sound. Heck, I didn't even hear it and assumed it was junk. I probably would have made problems up in my head upon hearing just because I know the brand reputation if I did hear this speaker.
Application/implementation are crucial as well. If your using the product in ways that aren't conducive to good sound, you subjective impression may be off. Actually will be off. There are a million things that could be wrong on the end user side and I don't care to even attempt to discuss them as I'll surely leave many out and it would be much too long for a single post.
FWIW, the majority of subjective impression were very positive.
Dan
Everyone has multiple biases.. It's a matter of *if* the particular bias has significantly intruded upon the subjective response.
And sure, "misuse" could have played a factor as well. Perhaps even unknown physical damage or a poor performing production run resulted in the negative opinions, or perhaps the opinions were not formed on the basis of sound at all.
BUT there is *also* the potential that to some people there were subjective factors that were NOT the result of significant bias, or misuse, or broken product, etc.. (..and sometimes you can even get a good idea of this from descriptions by these people.)
I guess you can call it that.😉Built in reverb effect?
I would prefer "self induced noise".
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I am curious what kind of SPL you get in your car while driving . Over here 87db is considered low, but to me, the number seems pretty high.You have made several comments that are absolutely incorrect. I trust no one takes your comments as being accurate or expert.
1. Auditory damage is due to levels that are excessive. It has nothing to do with distortion in the reproduction. I hope no one will take your speculation seriously and expose themselves to levels that will cause hearing damage.
2. If you are regularily listening to levels that are near 108 dBa (if you have measured it correctly), then you are most likely already suffering permanent threshold shifts (noise induced hearing loss). I am only making an educated guess since I do not the sepcifics of your listening habits and measures.
This is nothing to joke about or offer your speculation as some sort of expertise. Noise induced hearing loss is a real problem and should be taken seriously.
Scott, when you snip my quote, please state it.
It's possible that many things could or could not be. That's why I didn't want to go into those thoughts--it's just a waste of time. I'd rather stick with what's known. It's not a matter of "if" and your "also" doesn't make sense to me. Would you care to explain it? Have you read revues on that speaker or any in its line? It's just silly banter. The measurements are what they are even though incomplete.
Dan
It's possible that many things could or could not be. That's why I didn't want to go into those thoughts--it's just a waste of time. I'd rather stick with what's known. It's not a matter of "if" and your "also" doesn't make sense to me. Would you care to explain it? Have you read revues on that speaker or any in its line? It's just silly banter. The measurements are what they are even though incomplete.
Dan
Built in reverb effect?
Correct me if I'm wrong here, but it should be perceived as any kind of reverb should it? If so, I've never heard a speaker with a poor CSD.
Dan
I've just noticed they have the 2031A and 2030A here, so it might be interesting to get a chance to listen to them.That's hilarious. Did you know they have dentists in Great Britain.(that's a joke people)
My friend has bragged about these things for a long time. I laughed inside and thought they'd have a Bose-like "accurate" or something. 😱: nownow: Then I saw a set of Behringer 2030 measurements on the web that still had a lot of room reflections in them and they were darned good including polar response and CSD. Soongsc would love the CSD as it's very clean. Then Dr. Geddes showed measurements of a Behringer that also looked good. So on my chopping block they went. I was foolish for thinking brand and price were a good indicator of design. I returned the speaker yesterday with egg on my face. I was glad that I didn't tell him that there was no way those Behringers were any good. I almost placed a wager with him that they'd look awful if measured, but I held my tongue. I was very sure they were junk a few months ago even though I never heard them. The measurements of the 2030s I saw made me suspicious, and Dr. Geddes made me curious enough to have a look for myself. Now I'm sure. Funny that I had no desire to test his subjective impressions or even listen to the speakers, b/c the subjective impressions of these things on the web are all over the place.
Dan
Correct me if I'm wrong here, but it should be perceived as any kind of reverb should it? If so, I've never heard a speaker with a poor CSD.
Dan
Hey all- it was meant as a joke! Reverb with very short decay. HAHAHA
Please laugh with me😱
I was browsing through the web site. The Behringer story reflects my feelings very much. Trying to design things that are agressively priced is a very difficult thing.
Scott, when you snip my quote, please state it.
It's possible that many things could or could not be. That's why I didn't want to go into those thoughts--it's just a waste of time. I'd rather stick with what's known. It's not a matter of "if" and your "also" doesn't make sense to me. Would you care to explain it? Have you read revues on that speaker or any in its line? It's just silly banter. The measurements are what they are even though incomplete.
Dan
I should have provided the starting ".." to indicate a "snip". Sorry. 😱
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