You can connect the input of this circuit to a balanced or an unbalanced source and the output to a balanced or an unbalanced load
This one also can be used (of course with source/emitter resistors added or even being cascoded).
Are the collector and base of Q6 supposed to be shorted?
This circuit doesn't have the main feature of the circuit I posted: compensation of the distortion of the input pair by a matching pair in the feedback path. It works completely open loop except for the common mode feedback.
This circuit doesn't have the main feature of the circuit I posted: compensation of the distortion of the input pair by a matching pair in the feedback path. It works completely open loop except for the common mode feedback.
Yes, you're clear eyed, my mistake in drawing by using F6 (copy) in LTSpice.Are the collector and base of Q6 supposed to be shorted?
Not clearly so because this is just a barebone for fully-differential (and because of this inverting) amplifier. And, yes, it can be DC coupled from input and output.This circuit doesn't have the main feature of the circuit I posted: compensation of the distortion of the input pair by a matching pair in the feedback path. It works completely open loop except for the common mode feedback.
The other approach with two dedicated LTPs can be like this:
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Sorry I missed this post from years ago. I have some tips and videos here:XRK, an thread on the manual PCB stuffing of fine-pitch and leadless SMD in particular would be a useful DIY resource. You obviously have developed the experience and technique required. Should you have the time, such would be much appreciated.
https://www.diyaudio.com/community/...1014d-ims-to-247-adapter.373273/#post-6939125
Okay, thanks. I will check out those videos.Sorry I missed this post from years ago. I have some tips and videos here:
https://www.diyaudio.com/community/...1014d-ims-to-247-adapter.373273/#post-6939125
I always toy with the idea of a such bal line driver mated with a matching transformer so that its once again single ended gain stage. It seems like a needless design but hear me out.
The 1:1 output trafo impedance matches the cable. It ground isolates the next stage. Offers a very natural sounding lpf. And the line driver/phase splitter lends a very high input impedance. The line driver's distortion is halved.
Thats enough positives to make it an idea worth entertaining, imho
The 1:1 output trafo impedance matches the cable. It ground isolates the next stage. Offers a very natural sounding lpf. And the line driver/phase splitter lends a very high input impedance. The line driver's distortion is halved.
Thats enough positives to make it an idea worth entertaining, imho
To remain in the spirit of the concertina phase-splitter, it is possible to use a Rush variant, which eliminates the drawback of the load on one output influencing the other, and adds more flexibility if required:
Normally, R1, 2 and 3 would be equal, but you can change the ratio to tweak the symmetry or the gain.
Normally, R1, 2 and 3 would be equal, but you can change the ratio to tweak the symmetry or the gain.
Nice work Elvee! How does one set R4/5/6? If you have some suggested values for us to try out that would be great. Perfect application for TTA004 and TTC004 pair if one doesn’t have 2SA1837 and 2SC4795.
The resistors are chosen according to the normal biasing rules, the same as for a common emitter amplifying stage.
With a bipolar supply+GND, some could be dispensed with.
I will work out an application example or two to illustrate the way it can be done practically.
It is also possible to include some temperature compensation, and maybe a linearity correction too.
Buffering the outputs is also an option, but in this case there would be practically no differences between the Rush and classical concertina.
Note that the circuit doesn't have particular merits: it is just an option amongst other, one more tool in your toolkit in case you need it
With a bipolar supply+GND, some could be dispensed with.
I will work out an application example or two to illustrate the way it can be done practically.
It is also possible to include some temperature compensation, and maybe a linearity correction too.
Buffering the outputs is also an option, but in this case there would be practically no differences between the Rush and classical concertina.
Note that the circuit doesn't have particular merits: it is just an option amongst other, one more tool in your toolkit in case you need it
Here is a first example, based on a single supply and including bias temperature compensation:
The gain is ~1, but it can be altered by changing the value of R1 (and R5 if the change is large). If the temperature compensation is not required, you can omit D1 and D2, and increase slightly the value of R5.
At a gain of 1, the maximum output p-p swing is Vsupply/3 (minus inevitable parasitic voltages).
At higher gains, the swing will increase, up to Vsupply/2 (theoretically)
The gain is ~1, but it can be altered by changing the value of R1 (and R5 if the change is large). If the temperature compensation is not required, you can omit D1 and D2, and increase slightly the value of R5.
At a gain of 1, the maximum output p-p swing is Vsupply/3 (minus inevitable parasitic voltages).
At higher gains, the swing will increase, up to Vsupply/2 (theoretically)
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It's a common collector stage, resistor and common base stage, just like a differential pair with emitter degeneration and with single-ended drive, but with opposite polarity devices in the "pair".
Compared to a normal differential pair, differences are that you don't need a tail current source and that you don't get any even-order distortion compensation.
Compared to a normal differential pair, differences are that you don't need a tail current source and that you don't get any even-order distortion compensation.
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Indeed, which is why I mentioned the fact that the circuit has no particular merit: it just replicates the operation of a single device concertina, without the effect of one output loading affecting the other.
The type of expansive distortion (opposed to compressive distortion in LTP) generated in such circuits seems to be favoured by "subjective" listeners, but I am not going to venture on such grounds: my preference goes to an inexistent harmonic profile, no THD at all
The type of expansive distortion (opposed to compressive distortion in LTP) generated in such circuits seems to be favoured by "subjective" listeners, but I am not going to venture on such grounds: my preference goes to an inexistent harmonic profile, no THD at all
In this example, the supply is bipolar, the gain is 2, and error correction diodes have also been added. The result is a thd down by almost 20dB. The compensation is first-order, very crude, but using more elaborate correction schemes (like two complementary tringlotron's partially merged), another 20dB would be reachable.
The circuit is somewhat lopsided, because the input of the common-base part is connected to the GND, but it doesn't matter unless you need the maximum output swing. In case it is needed, you can revert to a symetrical configuration.
Many other variants are possible, but I think you get the idea: you can have unbalanced gain outputs, use CFP's or darlingtons instead of simple transistors, etc
The circuit is somewhat lopsided, because the input of the common-base part is connected to the GND, but it doesn't matter unless you need the maximum output swing. In case it is needed, you can revert to a symetrical configuration.
Many other variants are possible, but I think you get the idea: you can have unbalanced gain outputs, use CFP's or darlingtons instead of simple transistors, etc
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If the diodes were ideal, you would need four of them on the positive and four on the negative side for optimal distortion compensation at a gain of four (two per output), like you have now. With non-ideal diodes, you need whatever integer is closest to 4 divided by the emission coefficient. To make it more predictable, you could use four diode-connected transistors and reduce the 2 kohm resistors to 1.82 kohm each. You can also use the same trick with a normal differential pair.
Well spotted: I missed the 2 factor of the two junctions. And compensating a transistor junction with a gold-doped diode is extremely crude indeed, but it does work in some way, as the sim confirms.If the diodes were ideal, you would need four of them on the positive and four on the negative side for optimal distortion compensation at a gain of four (two per output),
My aim is to show a number of options, certainly not to present a finished, refined design
What value does the parameter N have in the 1N4148 model? If it's close to two, then 4/2 = 2 diodes should work optimally.
If you can accept a bit less gain, you could reduce the 2 kohm resistors to 1.752 times 910 ohm = 1594.32 ohm, nearest E24 value 1.6 kohm. If there are no other second-order effects (such as bulk resistances or high injection effects) messing it up, that should get it in the distortion optimum.It is 1.752, which explains the relatively good compensation
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