John Curl's Blowtorch preamplifier

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Originally posted by Steve Eddy
I'd had some thoughts of using a little M6 Edcor or similar for a tube-less guitar distortion unit. It would use a level adjustment to gradually overload the transformer, as well as having an adjustable DC current that could be run through one of the windings to make the distortion more asymmetric.
Exactly that I have done in a "bass warmifier" pedal (for electric bass guitar), with the cheapest xformer I could find, some $2 or so Xicon.

Essentially the same trick with guitar amp OPTs in well balanced amps (not many, that is) which sligthly distort only the bass/fundamentals but leaving the rest of the spectrum (more or less) untouched -- and some vintage microphones do just the same to get their warm sound in the bass...

In guitar amps, depending on phase splitter type and PSU sag some DC imbalance happens all the time, resulting in a rich tone with a constantly changing character... I'm sort of digressing here... but IMO and IME instrument amplifier design is at least equally difficult as HighEnd audio gear... control all the parasitics and make them work for you...

- Klaus
 
FWIW, my measurements on Neutrik NTL1 line transformer, Ri=50 Ohm, Rload = 10K.

Note: THD figures below 0.001% for 100 mV output are affected by noise level of my measurement setup.

Alex
 

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KSTR said:
Exactly that I have done in a "bass warmifier" pedal (for electric bass guitar), with the cheapest xformer I could find, some $2 or so Xicon.

Essentially the same trick with guitar amp OPTs in well balanced amps (not many, that is) which sligthly distort only the bass/fundamentals but leaving the rest of the spectrum (more or less) untouched -- and some vintage microphones do just the same to get their warm sound in the bass...

In guitar amps, depending on phase splitter type and PSU sag some DC imbalance happens all the time, resulting in a rich tone with a constantly changing character... I'm sort of digressing here... but IMO and IME instrument amplifier design is at least equally difficult as HighEnd audio gear... control all the parasitics and make them work for you...

Thanks, Klaus!

Yeah, the one thing I'm concerned about is being able to get sufficient levels of distortion at higher frequencies. I think it'd be best to go with an M6 core because if it's "fat" B-H loop. Though it would take much more to saturate it compared to a high nickel core. So maybe a really undersized core of M6 would do the trick.

se
 
Steve Eddy said:
Tiny little thing, isn't it?
Yep, 18x22x12mm:
An externally hosted image should be here but it was not working when we last tested it.


Yeah, the one thing I'm concerned about is being able to get sufficient levels of distortion at higher frequencies. I think it'd be best to go with an M6 core because if it's "fat" B-H loop. Though it would take much more to saturate it compared to a high nickel core. So maybe a really undersized core of M6 would do the trick.
You'd probably need a lot of HF emphasis (and deemphasis after the xf). I don't know if distortion alone from the xformer is sufficient and/or will sound any good. I've used a FET circuit and a tungsten lamp to do some additional distortion/compression (a "quick" tungsten filament lamp does some of the same "bass only" distortion thing, besides the nice compression you can get from it).

Undersized core seems to be a good idea, otherwise you might burn up the wire (and you, being a xformer guy, surely agree that one of the ugliest things you can have is an unidentified partial short in a winding :-/ ). My little Xicon gets pretty hot after a while...

- Klaus
 
Steve Eddy said:


Thanks, Alex.

Tiny little thing, isn't it?

se

Yes, they are very small, Klaus already posted a picture - thanks! I was expecting worse performance on LF. Here is one more graph - frequency response of NTL1 @1 V RMS on the input (THD figures were taken @1V, 316mV, 100mV RMS on the output!) and 10K load (no additional RC network)

Alex
 

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