John Curl's Blowtorch preamplifier

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Wavebourn said:
It's obvious: output current is reflected from output of an even triple diamond buffer to VAS, and reflected non-linearly.
🙁

It would be difficult if not impossible to separate grounding and bypassing issues in this case. The front transistor is bootstrapped and in virtual stasis for any load. Increased distortion with load, in my experience, has always been traced to residual supply/ground modulation. That is playing with star grounding, for instance, of bypass leads moves the spurs around.

There is the additional item that again I see no evidence of the audibility of any distortion at the -108 vs -105 dB level (Lamm?).
 
scott wurcer said:


There is the additional item that again I see no evidence of the audibility of any distortion at the -108 vs -105 dB level (Lamm?).

Yeah that's low, but how much distortion does a ceramic cap cause? I don't know. Most people seem to agree that that they audibly degrade sound quality. Doesn't the quality of distortion matter? I think it matters very much.
 
Scott, please address Wavebourn, completely and clearly, because it is your IC that is being discussed. Please supply as much input as it takes to make Wavebourn's 'obvious' more obvious to the rest of us, or at least gets him off the thread, as he has now put himself in the way of other discussion.
It is not the RFI problem that I am trying to avoid, it is the TIMING of the question. It came completely out of 'left field'.
 
john curl said:
One topic that is very important is the requirement for a LINEAR TRANSFER FUNCTION. This seems to be the essence of audio quality.
Back in the 'very old days' before I was born, making an open loop linear transfer function was just about everything. Tubes ruled, and they COULD be very linear if used correctly.
In the 'old days' when I was young, negative feedback ruled, usually with tubes, but little more than 20dB, in most cases. Sometimes, it made better amps, sometimes worse.
When I became an adult designer, op amps ruled, and their design. Now, 60,100, or 120dB might be possible, and is used up to today. However, the open loop LINEAR TRANSFER FUNCTION is now often ignored, because feedback HIDES the open loop characteristic. Is this OK? What do your ears tell you? Ever listen for yourself?

John
I fully agree, and think that this is one of the most important issues when talking about audio design



Wavebourn said:
It's obvious: output current is reflected from output of an even triple diamond buffer to VAS, and reflected non-linearly.


Wavebourn
I don’t follow you all the way home on this one, and the explanation you have given so far doesn’t make it any clearer. So instead of a short reply like “it’s obvious” and “everybody knows” could you please do a more deep and understandable technical explanation?

You might be right so I don’t condemn you thought, but would like to examine it.
 
Johnloudb said:

Yeah that's low, but how much distortion does a ceramic cap cause? I don't know.

Most people seem to agree that that they audibly degrade sound quality.

Doesn't the quality of distortion matter?

I think it matters very much.

All distortions add up.
So all distortion matters in the total picture.
- We have level ...
- We have sort of distortion, quality

Does this MATTER?
In what sense? .... is my 'answer'.


If you mean any low level dist matter in some sense .. Yeeees!
If you mean does it matter to your ears ..
we have to take into accpount what one ear is capable of to hear.

This makes it difficult, if not impossible to answer : If it matters

It is better to re-put the original question into:

- How big a level of this or that type of distortion quality
- does it take, before it MATTERS to my heearning apparatus
- and so my mind can notice the difference with/without.


If we ask too much of a general question
the answer will probably be not very detailed or accurate
.. as the question, in itself lacks good meaning.
We can say:
Some questions are not fruitful or Even sensible, if we want a good answer



🙂 Regards to John (Jenving is OK) Curl and all nice in here.
The rest can go do something else. elsewhere or stay silent.


Line 'linie' Lineup 😎 Matters he? In what sense do you mean?
 
john curl said:
Scott, please address Wavebourn, completely and clearly, because it is your IC that is being discussed.

"Scott, fight back".

No John, it was not about Scott's IC, and nothing personal. It is about how emitter followers work. I suggest you to figure out, what do you want to see in this thread: either thorough analysis of subtle processes causing distortions, or silly games around obvious things. It's hard to guess each and every time what kind of game are you playing in the certain message at each particular moment. You change rules very often.

I am out of this thread. Forever.
 
Here is the circuit diagram for the demo board in question ESS SABRE 9012 Demo board schematic

The circuit calls out 2 .1 caps to ground (my mistake, its more serious than I thought) on pg 1 U2. all of the components are really low value. the size is approx 2mmX4mm. The sample NPO's I have are easily 10X that.

And here is a picture of the board in question:
 

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I think RFI is a serious issue that degrades everything, but the fixes don't necessarily improve things.

As to 'reverse isolation' its a big problem for precision frequency control. Here is a novel circuit for serious out to in isolation: Low Phase Noise Amp

Look at the discrete circuits at the bottom of the page. They have as much as 160 dB reverse isolation if built properly. Needless to say layout matters.
 
Wavebourn said:


"Scott, fight back".

No John, it was not about Scott's IC, and nothing personal. It is about how emitter followers work. I suggest you to figure out, what do you want to see in this thread: either thorough analysis of subtle processes causing distortions, or silly games around obvious things. It's hard to guess each and every time what kind of game are you playing in the certain message at each particular moment. You change rules very often.

I am out of this thread. Forever.

Wavebourn

If this is all that you can come up with, to answer a few relevant questions to your previous posts, well then I’m not impressed.
 
john curl said:
I have gotten -40dB distortion from ceramic caps, you can too, if you try.

Yes, there's lots of things to try. :bawling: Getting my distortion analyser software working right now.

lineup said:


All distortions add up.
So all distortion matters in the total picture.
- We have level ...
- We have sort of distortion, quality

Does this MATTER?
In what sense? .... is my 'answer'.


If you mean any low level dist matter in some sense .. Yeeees!
If you mean does it matter to your ears ..
we have to take into accpount what one ear is capable of to hear.

This makes it difficult, if not impossible to answer : If it matters

It is better to re-put the original question into:

- How big a level of this or that type of distortion quality
- does it take, before it MATTERS to my heearning apparatus
- and so my mind can notice the difference with/without.


If we ask too much of a general question
the answer will probably be not very detailed or accurate
.. as the question, in itself lacks good meaning.
We can say:
Some questions are not fruitful or Even sensible, if we want a good answer



🙂 Regards to John (Jenving is OK) Curl and all nice in here.
The rest can go do something else. elsewhere or stay silent.


Line 'linie' Lineup 😎 Matters he? In what sense do you mean?

I agree with you, and that is like the big question that hounds everyone: What is and isn't audible?

And the only one who knows that answer is Charles Hansen who did extended listening blind testing. In which case everything including switches are audible.

http://www.diyaudio.com/forums/showthread.php?postid=1771831#post1771831

Kudos to him for doing such a test, and sharing it. Personaly, I'd like to see more of this type of testing. I'd like to try this kind of test as well, but I've got lots of stuff to do right now. It's unlikely anyone would believe the results of any test I did anyway.
 
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