How bad is it to mask the surround on a full range driver?

Ok, measured the cone, its 6" roughly and the cone without any yellow is about 5.75" so I could mask it up to that point. But you can still see a thin yellow ring. To me, seeing 3mm of yellow vs 12mm of yellow is the same thing. It's there. Less doesn't change it much. To me. Will see what the wife thinks. She definitely hates the yellow lol.

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There is a 2~3mm gap between the driver cone and the material, so it shouldn't impact it since its not going to try to play double digit frequencies.

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Next up is measuring this monstrosity.

Very best,
 
Ok dirty quick measurement differences, same baffle location and distances, no gating or anything, so this is not anechoic and there is influence from the room. But, it gives an impression I think. This is one driver in its baffle, surround exposed, the other driver on the other baffle, surround masked. The blue is masked. There was actually more bass from the masked version below 200hz. I wonder if the pressure at the surround up against the baffle loaded mass onto the cone a bit or something. Treble and mids are basically the same. So looks like I can mask this driver, if I have to.

Lii Fast 8 Masked Surround vs No Mask.jpg


Very best,
 
looks good. You could make it smaller - the diameter of the wood.

Blue curve looks better than the yellow one.

I'll do a better metric in a bit, gate it, to make sure I'm not just looking at bias.

And I got them backwards. Blue is unmasked. Lighter color is masked. Derp.

Unmasked vs Masked Gated.jpg


There's a phase flip here at 600~620hz. ANd against heavy at 8khz. Unmasked.

Fast-8 Surround Unmasked Gated.jpg


Masked has less deep phase activity.

Lii Fast 8 Masked Surround Gated.jpg


Very best,
 
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the 4 mm of the surround on the paper could be painted with less risk. Some thin white Edding

That's a very good point, I could do something like that. I'll look around for a bone/ivory color maybe. Otherwise, might just go brown. If it works on that, maybe it could be done to the entire surround.

Still reviewing the above masked vs unmasked response. It is different of course. Though when listening its not super obvious.

Very best,
 
As for preference, I just DSP'd the top end down a lot with a curve similar to what a contour filter bending it down would do, starting around 2khz to flatten it, and I honestly like it better with the higher treble. It sounds immediately veiled with the flattening curve. So maybe I'll accept the treble spikes.

So really just comes down to seeing the yellow or not I suppose. I like the cone either way. I would prefer to see the surround, I just wish it were ivory/bone color. I can live with it being masked, could try coloring the surround with a marker to a brown or ivory if I can find an appropriate color marker. Or leave the yellow.

I have many days to work this out. The baffle is no where near being done anyways.

Very best,
 
yes, dsp is a nice thing. Off axis response is important, too.

Some use even Karlson type diffusing element. And you could dsp it then until it sounds good again.

So a smaller opening can help dispersion - not only the optics.

I am thinking of putting a fullrange in a short front horn and linearize it again with appropriate EQ just for the efficiency.

At the moment I like this beast a lot: Fullrange 38cm guitar speaker, heavily modded and piezo above 4khz. Only one LCR turns 2khz bump down. Side piezo gives something to the indirect sound field.
 

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Basically Everything changed. When I reprinted the new waveguide, everything improved and it was very apparent upon first listen. It was a significant improvement. Joseph Crowe had similar findings with a fostex driver.

From this, I just went back and looked at distortion on my two basic measurements of masked vs umasked, and yup, more distortion on the masked version from 700hz down, 2~5% more distortion immediately.

Very best,
 
Interesting.

Maybe the covering is too close to the driver?

Some PA loudspeaker have middle tone horns. Yet I can't believe their design does not take care of distortion.
Whats with Graham BBC monitor LS 5 / 5 ?

I imagine there is a reason for it, much like I see it's purpose with bass woofers in various builds. Just not sure how it would work out for a wideband. Maybe it's good for bass woofers and mid-woofers, potentially. Maybe not great for a wideband. Would be interesting to know more about that last one, where its all masked and what the effect is and if it's worth it, or what it's doing.

Very best,