Yes, the idea would be to separate on signal from the other no matter how you do it.
Probably the best thing would be a "balloon" measurement that could be seen in software like Ease. That's common in the pro audio world. You get a measurement of the sound-field all around the speaker that can then be visualized and also used in system/room simulation. You wouldn't exactly know what was what with one balloon measurement, you'd have to make changes to the cabinet and measure again.
As informative as that would be, it would be equally as expensive and time consuming.
Probably the best thing would be a "balloon" measurement that could be seen in software like Ease. That's common in the pro audio world. You get a measurement of the sound-field all around the speaker that can then be visualized and also used in system/room simulation. You wouldn't exactly know what was what with one balloon measurement, you'd have to make changes to the cabinet and measure again.
As informative as that would be, it would be equally as expensive and time consuming.
An externally hosted image should be here but it was not working when we last tested it.
Okay, so that was easy. I placed the Dunlavy’s together, hooked one up out of phase, played some correlated pink noise, and wow! It’s so loud! I put my ear up to where the speakers meet, and there’s very little noise. It’s all coming from the panels. As you can see, I covered one up with thick pillows to hopefully keep the lower panel frequencies from canceling out the other side. My wife is using the kitchen(bull in a China shop) so no useful measurements today, but it should be a piece of cake when I eventually run some sweeps.
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I guess Peerless makes that tweeter now, so I can fix the Dunlavy's. DAL did modifications to the originals, so it won't be perfect. Better than nothing. At least they're relatively inexpensive.
Peerless by Tymphany D27TG35-06 1" Silk Dome Tweeter
Peerless by Tymphany D27TG35-06 1" Silk Dome Tweeter
Okay, finally a few measurements..
The first image is on axis at 10 cm
The second image is the side panel at 10cm
The relative amplitude is much closer than I could have imagined. Yikes!
Compare to John Atkinson's accelerometer measurements..
https://www.stereophile.com/images/archivesart/1294SCIfig12.jpg
The lower side panel frequencies are very surprising. These speakers are stuffed all the way with acoustic foam, but I'll try to see if they have any bracing at all.
The first image is on axis at 10 cm
The second image is the side panel at 10cm
The relative amplitude is much closer than I could have imagined. Yikes!
Compare to John Atkinson's accelerometer measurements..
https://www.stereophile.com/images/archivesart/1294SCIfig12.jpg
The lower side panel frequencies are very surprising. These speakers are stuffed all the way with acoustic foam, but I'll try to see if they have any bracing at all.
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Yes, the mic is calibrated(Umik-1), but this is a relative comparison at 10cm. I wanted the signal to noise ratio to be as high as possible without clipping the mic. The vibration peak is only at 98db. The loudspeaker on axis is 108db.
No disrespect but have you calibrated the "absolute" loudness of the measurement system (typically using an SPL meter - even a smart-phone app) or only the FR of the mic? As I said, not critical but helpful to see the levels your mic is picking up.
The S/N I meant was speaker/cab ratio. What is that?
B.
The Umik-1 usb mic is automatically calibrated for spl readings when used with REW, so FR readings are also of the correct absolute spl. I will also do the measurement again, putting them both on the same graph. Hopefully that answered your question
And of course the calibration file is loaded.
Acoustic Measurement Tools : UMIK-1
And of course the calibration file is loaded.
Acoustic Measurement Tools : UMIK-1
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what I was expecting is that the best cancellation (between the two out-of-phase drivers) would be at low frequency, and the cancellation would become less effective at higher frequencies.
You are getting about 10 dB of cancellation at 100 Hz, and closer to 20 dB at 200 Hz. By 400 - 700 Hz you are getting 30 to 40 dB of cancellation.
You are getting about 10 dB of cancellation at 100 Hz, and closer to 20 dB at 200 Hz. By 400 - 700 Hz you are getting 30 to 40 dB of cancellation.
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