Measurement mics

These are mild corrections.
I think it is the Q of what is being fixed that bugs me.

If I try to eq the calibration of my oldest dayton mix, I can see it is around a Q=10 to fix. So in reality, the mic naturally has q=10 hump right where I have noticed problems in previous measurements. I am now wondering if the Q of the correction is to blame.

1730790623809.png

Better get your trusty low budget mike checked periodically than owning an expensive one
Good advice. I might use multiple mics no matter what. I am looking into calibration.
 
o I thought I'd compare the calibration files of a few mics. Huge props to Audix support for sending me some random cal files. Comparing the audix cal (blue shades), my 2 dayton mics(red shades), and an a m23r earthworks I found online (green)
dayton_audix_earthworks.png

The cal for the earthworks looks less extreme. The dayton look the worst. The audix in the middle.

That's also a great thing of my earthworks M50 - it doesn't need calibration up to 20kHz!

But there is no reason a microphone with omni capsule has a narrow peak of 1,5dB at 330Hz and the next one doesn't (Dayton red) - this STRONGLY looks like measurement tolerance! I'm sure these cheap mics are not calibrated in a proper anechoic room, that's probably a small chamber in a chinese production environment with noise and disturbances around. Don't take anything +-1dB too serious with the Daytons!
Audix already looks better but for e.g. Audix C ... that's not a microphone behaviour, that's room behaviour!
Earthworks calibration seems more on track what to expect.

Better get your trusty low budget mike checked periodically than owning an expensive one of which you assume it’s straight.
Taking into account the cost of a calibration ... I would consider an Earthworks already as low budget.
 
The Earthworks M23 has a calibration file. The M23R (Reference) is tested to have +/- 0.5 to db without a calibration file. So not sure where you found a "calibration file" for the M23R but I'm skeptical of it's authenticity.

Disclaimer: I own the M23R. I tested it against the Dayton EMM and Behringer ECM8000 HERE
 
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So I thought I'd compare the calibration files of a few mics. Huge props to Audix support for sending me some random cal files. Comparing the audix cal (blue shades), my 2 dayton mics(red shades), and an a m23r earthworks I found online (green)
View attachment 1377295
The stuff below 1kHz is almost certainly due to poor mounting in your 'calibration' rig. You need to get the mike diaphragms within 1mm of each other with NOTHING else nearby for calibration.
Did you measure the mikes separately?
Can you show a pic of your measurement rig?

This is more like I expect but is still wonky. I don't expect even a Behringer ECM8000 to show wobbles until it nears 10kHz
 
This is just a display of the calibration files provided to fix the mic. I did no measuring.
Then IamJF's comments
.. these cheap mics are not calibrated in a proper anechoic room, that's probably a small chamber in a chinese production environment with noise and disturbances around. Don't take anything +-1dB too serious with the Daytons!
Audix already looks better but for e.g. Audix C ... that's not a microphone behaviour, that's room behaviour!
apply. I don't believe ANY of these except the Earthworks.
 
Hi Dave,

I use REW.

According to the manual

“When measuring a system with high distortion levels use a long sweep setting (e.g. 1M or higher), at shorter sweep lengths the harmonics may affect each other giving misleading results. A spot check can be made at frequencies of interest using the RTA and the signal generator. If discrepancies are observed consider making a stepped sine measurement instead. The noise floor of log sweep distortion measurements rises with frequency. For the lowest noise floor with sweep measurements use multiple sweeps, but note that requires the input and output to be on the same device for reliable results.

Although much, much slower than a log sweep the stepped sine measurement can measure low distortion levels much more accurately than a sweep, particularly at high frequencies and for higher harmonics. Stepped sine distortion measurements show distortion components up to the ninth harmonic, THD and the noise floor, in the same way as the sweep-derived results, but also include THD+N (total harmonic distortion plus noise and non-harmonic distortion) and N (noise and non-harmonic distortion) alone. Note that the noise floor plot shows the spectral content of the noise measured with no signal playing. The 'Noise' in the N and THD+N shows the summed level of all non-harmonic distortions and noise across the frequency span for each test frequency. It consequently sits much higher than the noise floor plot. For stepped level measurements the X axis can be dB SPL, dBFS, dBu, dBV, dBW, V or W showing either the generator or input level.”

Reference:
https://www.roomeqwizard.com/help/help_en-GB/html/graph_distortion.html

6+ dB is definitely worthwhile IMHO.

In practice I find using 4 sweeps of 4M samples not much different between my preferred 2 sweeps of 2M samples between 5Hz and 40KHz.
So for frequency response only I use a 1M sample sweep which takes about 12 seconds.
For distortion I use 2M x 2, particularly on a noisier night.

I've privileged to have my own permanently set up lab, indoors. I
t’s the size of a typical Australian suburban bedroom, which is about 10 m^2, climate controlled etc. with a noise floor of about <30dB(A).

Nevertheless, I need to find a sweet spot between my patience, and my (family's) sanity.
No one likes Brrrrrrrrrrrrreeeeeeep!! going on repeatedly, for up to minutes at a time…

I think this is more like a visual or mathematical artifact?

But this text makes it sound it's a physical artifact?

Noise and (sometimes) distortion values always differ depending on how long the measurements are as well as what kind FFT window has been used.
Even more so with a live spectrum analyzer, each one has their tradeoffs.

Hello,

I look at this from the point of view of bin width which is determined by sample size.

Neither the hardware ( microphone or amplifier and other stuff ) nor the software know or care about there being a difference between Harmonics or Noise. Both are summed in the sampled bin width. The wider the bin more noise is included in Harmonic calculation. large sample size and averaging noise over several measurements will lower the noise included in the calculation of Harmonic distortion.

Yes the stuff that shows up on a distortion plot may not be distortion at all, but only be noise.

Thanks DT
 
dayton_audix_earthworks_rnd2.png
Ok, now earthworks sent me 3 cal files. They aren't all set to the same zero but this gives me an idea. (i did adjust the earthworks -1.6db to each). Yellow is the earthworks cal I found on another site.

Reds= my dayton mic calibration files, Blues = Audix calibration files, and Greens = earthworks m23R calibration files.
 
Measuring mikes in a non-anechoic space, you must make a Quasi Anechoic Measurement by getting rid of the reflections. eg p116 et al of Clio 7 manual.

Otherwise you are just measuring room effects.

Only the Earthworks measurements above seem to do this properly and I'm suspicious even of those from designing and making Measurement Mikes circa 1980. Maybe electret capsules have become worse in the last 44 yrs 😊

Certainly the original Panasonic capsules used by Earthworks for their early mikes are now Unobtainium and there doesn't seem to be a similarly consistent replacement.

The LF cutoff needs to be estimated (measured? guessed?) by other means but it's usually very simple to do even if you don't use Benjamin's method above.

If anyone is making measurement mikes and can advise us, please share your trade secrets.

BTW, the Clio 7 manual is the ONLY good & accurate explanation of Quasi Anechoic I've found on da WWW or da AES library. If anyone knows different, please tell. Alas IIRC, later Clio manuals omit this treasure.
 
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I also own a 23R - there is no cal file. You sure you have the 23 or the 23R?

You got you calibration file from a user on a forum? That’s not how this works… only a manufacturer should send you a cal file unique to your mics serial number.
I got some new files direct from earthworks. I asked for 3 random files. We can ignore the one I found. (see the post 310)

There is a cal for the 23R. https://earthworksaudio.com/support/ecf/

I don't own any mics other than the 2 daytons.
 
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Yes the stuff that shows up on a distortion plot may not be distortion at all, but only be noise.
In da 21st century, the method of choice to measure response & distortion of speakers & mikes is Prof Angelo Farina's method used by AP, ARTA, Clio, bla bla and REW's ESS method.

It produces the most accurate Response & Distortion in the shortest possible time in the presence of noise (ALL measuring environments have noise).

You get a handle on how much noise by just measuring again with the speaker muted.
 
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I got some new files direct from earthworks. I asked for 3 random files. We can ignore the one I found. (see the post 310)

There is a cal for the 23R. https://earthworksaudio.com/support/ecf/

I don't own any mics other than the 2 daytons.
Ahh I see. Interesting! all mics I've purchased previously mention in their documentation getting a cal file, the 23R I got made no such mention so I assumed they didn't have/need them.
 
In da 21st century, the method of choice to measure response & distortion of speakers & mikes is Prof Angelo Farina's method used by AP, ARTA, Clio, bla bla and REW's ESS method.

It produces the most accurate Response & Distortion in the shortest possible time in the presence of noise (ALL measuring environments have noise).

You get a handle on how much noise by just measuring again with the speaker muted.

Yes bla bla, Farina's method method is used by the APx analyzer and APx500 software on my bench.

The software is unable to separate noise from harmonic peaks.

If the test frequency F is 1kHz then the measured SPL at at 2F is used to calculate H2 Distortion.

Noise from a laminated steel core inductor will measured and calculated as if it were real distortion from the driver. The software does not know the difference.
 
The software is unable to separate noise from harmonic peaks.
Actually it does. The equivalent 'swept filter' for each Harmonic is so narrow band that very little noise is picked up. That's why Angelo's method is the fastest method to get a given accuracy in the presence of noise.

If the 'noise' is actually a 'distortion', like your 'steel core noise', it will still be picked up at the correct level by Angelo's method. It might be swamped by each Harmonic but then you'll know which is more audible / important 😊