I think it is the Q of what is being fixed that bugs me.These are mild corrections.
If I try to eq the calibration of my oldest dayton mix, I can see it is around a Q=10 to fix. So in reality, the mic naturally has q=10 hump right where I have noticed problems in previous measurements. I am now wondering if the Q of the correction is to blame.
Good advice. I might use multiple mics no matter what. I am looking into calibration.Better get your trusty low budget mike checked periodically than owning an expensive one
o I thought I'd compare the calibration files of a few mics. Huge props to Audix support for sending me some random cal files. Comparing the audix cal (blue shades), my 2 dayton mics(red shades), and an a m23r earthworks I found online (green)
The cal for the earthworks looks less extreme. The dayton look the worst. The audix in the middle.
That's also a great thing of my earthworks M50 - it doesn't need calibration up to 20kHz!
But there is no reason a microphone with omni capsule has a narrow peak of 1,5dB at 330Hz and the next one doesn't (Dayton red) - this STRONGLY looks like measurement tolerance! I'm sure these cheap mics are not calibrated in a proper anechoic room, that's probably a small chamber in a chinese production environment with noise and disturbances around. Don't take anything +-1dB too serious with the Daytons!
Audix already looks better but for e.g. Audix C ... that's not a microphone behaviour, that's room behaviour!
Earthworks calibration seems more on track what to expect.
Taking into account the cost of a calibration ... I would consider an Earthworks already as low budget.Better get your trusty low budget mike checked periodically than owning an expensive one of which you assume it’s straight.
Have you checked Dr Jordan’s site? For those who don’t trust Hifi selbstbau, but both are quite reliable. You don’t need full calibration, frequency correction is enough. But you know. Just as you don’t know your unchecked Earthworks…the cost of a calibration
The Earthworks M23 has a calibration file. The M23R (Reference) is tested to have +/- 0.5 to db without a calibration file. So not sure where you found a "calibration file" for the M23R but I'm skeptical of it's authenticity.
Disclaimer: I own the M23R. I tested it against the Dayton EMM and Behringer ECM8000 HERE
Disclaimer: I own the M23R. I tested it against the Dayton EMM and Behringer ECM8000 HERE
The stuff below 1kHz is almost certainly due to poor mounting in your 'calibration' rig. You need to get the mike diaphragms within 1mm of each other with NOTHING else nearby for calibration.So I thought I'd compare the calibration files of a few mics. Huge props to Audix support for sending me some random cal files. Comparing the audix cal (blue shades), my 2 dayton mics(red shades), and an a m23r earthworks I found online (green)
View attachment 1377295
Did you measure the mikes separately?
Can you show a pic of your measurement rig?
This is more like I expect but is still wonky. I don't expect even a Behringer ECM8000 to show wobbles until it nears 10kHzThis post on another site went through a few earthworks mics:
https://www.audiosciencereview.com/...-deviation-of-6-earthworks-microphones.40546/
View attachment 1377294
Post your cal file.I own the M23R
The cal in my graph came from a user on audioscience. It does only adjust less than .5db?
This is just a display of the calibration files provided to fix the mic. I did no measuring.Did you measure the mikes separately?
Then IamJF's commentsThis is just a display of the calibration files provided to fix the mic. I did no measuring.
apply. I don't believe ANY of these except the Earthworks... these cheap mics are not calibrated in a proper anechoic room, that's probably a small chamber in a chinese production environment with noise and disturbances around. Don't take anything +-1dB too serious with the Daytons!
Audix already looks better but for e.g. Audix C ... that's not a microphone behaviour, that's room behaviour!
Hi Dave,
I use REW.
According to the manual
“When measuring a system with high distortion levels use a long sweep setting (e.g. 1M or higher), at shorter sweep lengths the harmonics may affect each other giving misleading results. A spot check can be made at frequencies of interest using the RTA and the signal generator. If discrepancies are observed consider making a stepped sine measurement instead. The noise floor of log sweep distortion measurements rises with frequency. For the lowest noise floor with sweep measurements use multiple sweeps, but note that requires the input and output to be on the same device for reliable results.
Although much, much slower than a log sweep the stepped sine measurement can measure low distortion levels much more accurately than a sweep, particularly at high frequencies and for higher harmonics. Stepped sine distortion measurements show distortion components up to the ninth harmonic, THD and the noise floor, in the same way as the sweep-derived results, but also include THD+N (total harmonic distortion plus noise and non-harmonic distortion) and N (noise and non-harmonic distortion) alone. Note that the noise floor plot shows the spectral content of the noise measured with no signal playing. The 'Noise' in the N and THD+N shows the summed level of all non-harmonic distortions and noise across the frequency span for each test frequency. It consequently sits much higher than the noise floor plot. For stepped level measurements the X axis can be dB SPL, dBFS, dBu, dBV, dBW, V or W showing either the generator or input level.”
Reference:
https://www.roomeqwizard.com/help/help_en-GB/html/graph_distortion.html
6+ dB is definitely worthwhile IMHO.
In practice I find using 4 sweeps of 4M samples not much different between my preferred 2 sweeps of 2M samples between 5Hz and 40KHz.
So for frequency response only I use a 1M sample sweep which takes about 12 seconds.
For distortion I use 2M x 2, particularly on a noisier night.
I've privileged to have my own permanently set up lab, indoors. I
t’s the size of a typical Australian suburban bedroom, which is about 10 m^2, climate controlled etc. with a noise floor of about <30dB(A).
Nevertheless, I need to find a sweet spot between my patience, and my (family's) sanity.
No one likes Brrrrrrrrrrrrreeeeeeep!! going on repeatedly, for up to minutes at a time…
I think this is more like a visual or mathematical artifact?
But this text makes it sound it's a physical artifact?
Noise and (sometimes) distortion values always differ depending on how long the measurements are as well as what kind FFT window has been used.
Even more so with a live spectrum analyzer, each one has their tradeoffs.
Hello,
I look at this from the point of view of bin width which is determined by sample size.
Neither the hardware ( microphone or amplifier and other stuff ) nor the software know or care about there being a difference between Harmonics or Noise. Both are summed in the sampled bin width. The wider the bin more noise is included in Harmonic calculation. large sample size and averaging noise over several measurements will lower the noise included in the calculation of Harmonic distortion.
Yes the stuff that shows up on a distortion plot may not be distortion at all, but only be noise.
Thanks DT

Ok, now earthworks sent me 3 cal files. They aren't all set to the same zero but this gives me an idea. (i did adjust the earthworks -1.6db to each). Yellow is the earthworks cal I found on another site.
Reds= my dayton mic calibration files, Blues = Audix calibration files, and Greens = earthworks m23R calibration files.
I also own a 23R - there is no cal file. You sure you have the 23 or the 23R?Post your cal file.
The cal in my graph came from a user on audioscience. It does only adjust less than .5db?
You got you calibration file from a user on a forum? That’s not how this works… only a manufacturer should send you a cal file unique to your mics serial number.
Measuring mikes in a non-anechoic space, you must make a Quasi Anechoic Measurement by getting rid of the reflections. eg p116 et al of Clio 7 manual.
Otherwise you are just measuring room effects.
Only the Earthworks measurements above seem to do this properly and I'm suspicious even of those from designing and making Measurement Mikes circa 1980. Maybe electret capsules have become worse in the last 44 yrs 😊
Certainly the original Panasonic capsules used by Earthworks for their early mikes are now Unobtainium and there doesn't seem to be a similarly consistent replacement.
The LF cutoff needs to be estimated (measured? guessed?) by other means but it's usually very simple to do even if you don't use Benjamin's method above.
If anyone is making measurement mikes and can advise us, please share your trade secrets.
BTW, the Clio 7 manual is the ONLY good & accurate explanation of Quasi Anechoic I've found on da WWW or da AES library. If anyone knows different, please tell. Alas IIRC, later Clio manuals omit this treasure.
Otherwise you are just measuring room effects.
Only the Earthworks measurements above seem to do this properly and I'm suspicious even of those from designing and making Measurement Mikes circa 1980. Maybe electret capsules have become worse in the last 44 yrs 😊
Certainly the original Panasonic capsules used by Earthworks for their early mikes are now Unobtainium and there doesn't seem to be a similarly consistent replacement.
The LF cutoff needs to be estimated (measured? guessed?) by other means but it's usually very simple to do even if you don't use Benjamin's method above.
If anyone is making measurement mikes and can advise us, please share your trade secrets.
BTW, the Clio 7 manual is the ONLY good & accurate explanation of Quasi Anechoic I've found on da WWW or da AES library. If anyone knows different, please tell. Alas IIRC, later Clio manuals omit this treasure.
I got some new files direct from earthworks. I asked for 3 random files. We can ignore the one I found. (see the post 310)I also own a 23R - there is no cal file. You sure you have the 23 or the 23R?
You got you calibration file from a user on a forum? That’s not how this works… only a manufacturer should send you a cal file unique to your mics serial number.
There is a cal for the 23R. https://earthworksaudio.com/support/ecf/
I don't own any mics other than the 2 daytons.
In da 21st century, the method of choice to measure response & distortion of speakers & mikes is Prof Angelo Farina's method used by AP, ARTA, Clio, bla bla and REW's ESS method.Yes the stuff that shows up on a distortion plot may not be distortion at all, but only be noise.
It produces the most accurate Response & Distortion in the shortest possible time in the presence of noise (ALL measuring environments have noise).
You get a handle on how much noise by just measuring again with the speaker muted.
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Ahh I see. Interesting! all mics I've purchased previously mention in their documentation getting a cal file, the 23R I got made no such mention so I assumed they didn't have/need them.I got some new files direct from earthworks. I asked for 3 random files. We can ignore the one I found. (see the post 310)
There is a cal for the 23R. https://earthworksaudio.com/support/ecf/
I don't own any mics other than the 2 daytons.
In da 21st century, the method of choice to measure response & distortion of speakers & mikes is Prof Angelo Farina's method used by AP, ARTA, Clio, bla bla and REW's ESS method.
It produces the most accurate Response & Distortion in the shortest possible time in the presence of noise (ALL measuring environments have noise).
You get a handle on how much noise by just measuring again with the speaker muted.
Yes bla bla, Farina's method method is used by the APx analyzer and APx500 software on my bench.
The software is unable to separate noise from harmonic peaks.
If the test frequency F is 1kHz then the measured SPL at at 2F is used to calculate H2 Distortion.
Noise from a laminated steel core inductor will measured and calculated as if it were real distortion from the driver. The software does not know the difference.
Audio Precision has a pretty good application note, slightly less JurassicBTW, the Clio 7 manual is the ONLY good & accurate explanation of Quasi Anechoic I've found on da WWW or da AES library. If anyone knows different, please tell. Alas IIRC, later Clio manuals omit this treasure.
https://ampslab.com/RECOMMMENDED READ/LOUDSPEAKER MEASUREMENTS/AUDIO PRECISION.pdf
What measuring method can tell the difference?Noise from a laminated steel core inductor will measured and calculated as if it were real distortion from the driver. The software does not know the difference.
Thanks for this fluid. It is indeed a useful document for speaker measurement.Audio Precision has a pretty good application note, slightly less Jurassic
https://ampslab.com/RECOMMMENDED READ/LOUDSPEAKER MEASUREMENTS/AUDIO PRECISION.pdf
But I think the Clio 7 manual is a better explanation of Quasi Anechoic .. especially for DIYers wanting to measure stuff in their living room.
Actually it does. The equivalent 'swept filter' for each Harmonic is so narrow band that very little noise is picked up. That's why Angelo's method is the fastest method to get a given accuracy in the presence of noise.The software is unable to separate noise from harmonic peaks.
If the 'noise' is actually a 'distortion', like your 'steel core noise', it will still be picked up at the correct level by Angelo's method. It might be swamped by each Harmonic but then you'll know which is more audible / important 😊
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