• WARNING: Tube/Valve amplifiers use potentially LETHAL HIGH VOLTAGES.
    Building, troubleshooting and testing of these amplifiers should only be
    performed by someone who is thoroughly familiar with
    the safety precautions around high voltages.

All-DHT amplifiers: no indirectly heated signal tubes!

Ha! I said I was going to experiment with the power supply caps and that turned out to be more important than I realised. The 2P29L stage had a standard Dubilier 22uF as first cap and the 112A had a 15uF Kemet DC Link cap. I swapped around these caps in both stages, and it turns out that some of the tone quality is coming from the first cap. When I put a DC Link cap in first position in the 2P29L stage the sound improved quite audibly - the tone was fuller with a perceptibly better timbre to instruments and voices. For those that are sceptical about capacitors in the power supply, you don't need to consider this. But I assure those who do believe that caps make a difference that I'm calling this just as I hear it - the tonality with the DC Link cap is a step up. I wouldn't put the electrolytic back. Who knows if there are better caps again. I'm happy I made this discovery since it's quite audibly an improvement. I also use a DC Link cap as last cap in the PSU chain in all my builds. I'm OK with an electrolytic as the middle cap. Schematics I used for the 112A and 2P29L builds below.


View attachment 1096092View attachment 1096099
I believe in both schematics the load resistance is too low. This not only reduces stage gain, but, more importantly, increases distortion. I understand that there isn't enough available B+ for higher value load resistor, but plate choke would solve this problem.

DC link capacitor at power supply filter input makes a lot of sense. These capacitors have very low ESR and inductance, making them very effective in suppressing power line and rectifier noise. But in last filter capacitor position I prefer paper in oil with foil electrodes. Metallization causes a little bit of edginess. Metallized capacitors (and resistors) have "flicker distortion". As voltage across metallized surface increases, more metal particles are recruited to conductive layer. Solid metal films do not have this type of distortion.
 
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I believe in both schematics the load resistance is too low. This not only reduces stage gain, but, more importantly, increases distortion. I understand that there isn't enough available B+ for higher value load resistor, but plate choke would solve this problem.

DC link capacitor at power supply filter input makes a lot of sense. These capacitors have very low ESR and inductance, making them very effective in suppressing power line and rectifier noise. But in last filter capacitor position I prefer paper in oil with foil electrodes. Metallization causes a little bit of edginess. Metallized capacitors (and resistors) have "flicker distortion". As voltage across metallized surface increases, more metal particles are recruited to conductive layer. Solid metal films do not have this type of distortion.
Yes, I understand that plate chokes are technically a better solution. I'm just not convinced about the tonality of acoustic instrument which is my main consideration. That's why I don't use active loads - they add an artificial sound. Plate chokes are better than active loads in terms of tonality. Not sure they are as pure as resistors, maybe they can be.

I'm going to look more closely at the PSU caps. I suspect that the DC Link caps may need a small bypass. I've never believed in bypasses but I think these DC Link caps shift the frequency response down a little away from the high treble.

I can try the LL1660 in 2:4.5 at some point. I have some. This points to the 2P29L which has a slightly higher mu than the 112A.
 
According to my humble experience, the best I’ve used in a P/S were ASC oil can caps. And I also used a dual mode choke like in the following recommendation from the emission labs:
1664794442369.gif


My amp is a SRPP-2A3 with tube rectification
 
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I am following this thread with interest. As a mechanical engineer who can hold a soldering iron, I am not in a position to design my own, but nonetheless very interested in your input on the merits of several design choices.

I recently came into posession of a pair of 811A monoblocks designed by Acquablue. They are a three stage affair, with the 811A in cathode feedback. I am thinking of changing these to two stage to simplify things and because I use a preamp stage (Zenmod's Iron Pumpkin). There is some info and schematics here but I do have slightly different drivers in, first EF86 then KT66 to 811A. The transmitter tubes are running at 780V on an 11k OPT Lundahl LL9202.

A DHT driver would be nice, but should also have enough swing to drive the 811A. First improvement to make is dc filament regulators for the 811A, I have a pair of Rod's almost ready.
 
So would you expect that this could be addressed by the following stages, for each channel, or would this need to be addressed prior to this?
Cheers
Grant
CM choke will block common signal in + and - lines, which is not a concern in tube amplifier power supply. Of course, filtering can be done by adding chokes and capacitors, but why wasting money on expensive Lundahl choke if it doesn't do anything?
 
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Whether resistor is a superior load for voltage amplifier stage is an open question. At least it has to be a very good resistor. Either non-inductive wire wound, or bulk metal foil.

Non-inductive wire wound may have pretty high shunt capacitance, which may affect high frequencies. Bulk metal foil is close to ideal, but they are expensive, especially in wattage necessary for the purpose.

The common types, including metal film, carbon, and metal oxide have obvious flaws.

IMO, a typical resistor is not sound-neutral.
 
Whether resistor is a superior load for voltage amplifier stage is an open question. At least it has to be a very good resistor. Either non-inductive wire wound, or bulk metal foil.

Non-inductive wire wound may have pretty high shunt capacitance, which may affect high frequencies. Bulk metal foil is close to ideal, but they are expensive, especially in wattage necessary for the purpose.

The common types, including metal film, carbon, and metal oxide have obvious flaws.

IMO, a typical resistor is not sound-neutral.
How about using battery to bias and getting rid of cathode resistor?
 
.... just a general question.... for those schematics in this thread that use a step up at the input of the amp... am I correct in assuming that the preamp or source before the all DHT is of very low impedance, like 100hms or less?

Thanks
Fm
 
.... just a general question.... for those schematics in this thread that use a step up at the input of the amp... am I correct in assuming that the preamp or source before the all DHT is of very low impedance, like 100hms or less?

Thanks
Fm
A typical CD player has output impedance of 100-150 Ohms. The output op-amp has much lower output impedance; 100-150 Ohms is from RF-blocking series resistor. This resistor can be replaced with RF coil, about 20 turns of 32 AWG magnet wire wound on 0.5 W carbon comp resistor - for even lower output impedance. Output impedance of less than DCR of input transformer primary doesn't result in any improvement.
 
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.... just a general question.... for those schematics in this thread that use a step up at the input of the amp... am I correct in assuming that the preamp or source before the all DHT is of very low impedance, like 100hms or less?

Thanks
Fm
I believe in both schematics the load resistance is too low. This not only reduces stage gain, but, more importantly, increases distortion. I understand that there isn't enough available B+ for higher value load resistor, but plate choke would solve this problem.

DC link capacitor at power supply filter input makes a lot of sense. These capacitors have very low ESR and inductance, making them very effective in suppressing power line and rectifier noise. But in last filter capacitor position I prefer paper in oil with foil electrodes. Metallization causes a little bit of edginess. Metallized capacitors (and resistors) have "flicker distortion". As voltage across metallized surface increases, more metal particles are recruited to conductive layer. Solid metal films do not have this type of distortion.
I use ultrapath, or parafeed with fixed battery bias - so there is still a cap in the AC path. Find the space for those PIO caps in the amp is my challenge. But agree that PIO caps are great sounding.
 
I haven't tried battery bias recently and I can't remember why I stopped using it and preferred filament bias, but that was the case. I've been using filament bias ever since, so no cathode bypass caps. It does mean putting together a couple of Rod Coleman regs (from Lyrima) but the kits are cheap enough and they're very good, especially the new V9. I use Hammond chokes in the filament supply as well. At the moment I'm using a 112A input and liking it a lot - very modest filament requirements, no big transformers and heatsinks like 26, 10Y and 46. It's a step up from the 2P29L.