Chester,
Even if this SE amp sounded just as good as a well designed SS amp, it would be a reason to be surprised given the huge THD.
I can’t imagine in case the SE amp had sounded bad, that positive reviews could have been published.
One shouldn’t be naive, but not even considering that there may be some truth in this could also be a prejudice.
Hans
Even if this SE amp sounded just as good as a well designed SS amp, it would be a reason to be surprised given the huge THD.
I can’t imagine in case the SE amp had sounded bad, that positive reviews could have been published.
One shouldn’t be naive, but not even considering that there may be some truth in this could also be a prejudice.
Hans
e has made a point with the SE tube amp with horrible THD figures but excellent IMD results and very positive reviews in audio magazines.
IMO reason enough to give it some thoughts.
Hans
it does come close to agreeing with what some professional high end audio designers believe..
Now the problem is that, if you look at plenty of reviews and interviews you will find pretty much any topology has a 'professional high end audio designer' (whatever that is) who believes in it and a reviewer who will give it top marks.
But I will agree that there is more love for SET amplifiers than one might imagine given the generally horrendous efficiency and awful measurements that is at least intriguing to investigate.
Who posted such statement?that my ears don't matter because they don't prove anything, while their instruments prove the absolute truth.
You mean relevant evidence. Because if it's non-relevant evidence to the claim, it won't be convincing no matter how solid that evidence is.I think what we need first is convincing evidence that at least some people,
Sounding good is in the ears of the beholder. In self-fi world, anything goes. It doesn't even need any standards.Even if this SE amp sounded just as good as a well designed SS amp, it would be a reason to be surprised given the huge THD.
It's obvious to me, many "golden ears" like the sound of high second-harmonic distortion a SET gives, and to them it sounds better and more realistic than a perfectly clean, very low distortion amp.
Funny how people talk about THD of the amplifier and very rarely on the THD of the acoustic output. Just like looking for a lost key in the living room because the basement where it dropped was dark.it would be a reason to be surprised given the huge THD.
Well Indrawan, I have good news, the basement isn’t as dark as you thought.
Most speakers have (much) less distortion as this SE amp at normal listening levels above 100Hz.
Hans
Most speakers have (much) less distortion as this SE amp at normal listening levels above 100Hz.
Hans
Who posted such statement?
The SICRAP comparison graphs for example.
They clearly show the evolution of the audio reproduction along the last 50 years (old poor quality at the left against superb contemporary quality at the right.).
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These days measurement tools are affordable. Comparing how people like a particular sound relates more to the acoustic THD. It is confusing to compare how different amp THD sounds when the speakers being used are different. What I suspect is that high THD SE amps will not sound good on more commonly available low THD speakers and vice versa.the basement isn’t as dark as you thought.
I think he has made a point with the SE tube amp with horrible THD figures but excellent IMD results and very positive reviews in audio magazines.
IMO reason enough to give it some thoughts.
Hans
To have horrible THD and excellent IMD is impossible by nature. THD or IMD are only different means how to have a look at the same nonlinearity. Plus frequency dependence of this nonlinearity.
That's what I thought. All this talk of THD is irrelevant doesn't make sense to me.To have horrible THD and excellent IMD is impossible by nature. THD or IMD are only different means how to have a look at the same nonlinearity. Plus frequency dependence of this nonlinearity.
@PMA
True for time-invariant nonlinearity (and or stationary one), not necessarily true for systems that are changing linearity dynamically (like some tube circuits and or some class-D).
True for time-invariant nonlinearity (and or stationary one), not necessarily true for systems that are changing linearity dynamically (like some tube circuits and or some class-D).
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Anyone wonder why higher THD types of amplifiers are preferred by older folks?
Sorry Ed, this is an utter nonsense to generalize this way.
@PMA
True for time-invariant nonlinearity (or stationary one), not necessarily true for systems that are changing linearity dynamically (like some tube circuits and or some class-D).
So you would be saying that the burst non-linearity function with a sine or a twin-tone in "some tube circuits" would considerably differ, right? Any proof here? Anyway any normal SS power amp will have the nonlinearity in orders lower than the power tube amp. Usual junk.
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A good intro to the dynamics of tube circuits is the book, "Designing Tube Preamps for Guitar and Bass." Of course the magnitude of effects are usually much smaller in hi-fi tube amps, but I think the underlying complexities still exist.
To have horrible THD and excellent IMD is impossible by nature. THD or IMD are only different means how to have a look at the same nonlinearity. Plus frequency dependence of this nonlinearity.
Pavel, For amps with substantial amounts of feedback I fully agree.
But in case of having none feedback at all I have no idea, that's why I will attempt to do some LTSpice sims, maybe leading to get a better feeling.
And at the same time, when you are right for this special case , the Uni of New Hampshire has agreed on the publication of a 86 pages paper with completely wrong conclusions based on completely wrong measurements and assumptions.
How likely is that, would be bad for their reputation.
Maybe someone like Syn08 could shine his light on this, one of the few whose knowledge I trust.
Hans
Yes both syn08 and Scott Wurcer love this thesis as much as I do. It was discussed in BT threads zillion times in past 20 years and I can see no reason why to start a new circle of debates. Especially Scott “loved” it. This place is really helpless.
Especially Scott “loved” it. This place is really helpless.
I also love patents that start their background section with a discussion of how it is "well known" that the sound of no global feedback (or some equally silly claim) is preferred by critical listeners.
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