What is the ideal directivity pattern for stereo speakers?

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David, Simon. It's been a few years since read the Prologic papers, but IIRC the active steering was to make up for the small amount of physical separation between typical home speakers. Not needed in the cinema, but needed at home to more closely approach what is heard at the cinema.

With all the new formats, discreet channels and remixes for video, I doubt it's of much use these days.
 
Weather has been beautiful here, so a little late to the in/out of phase tests.

These shots were taken from the LP in a fairly symmetrical room with fairly directional speakers (subs off). 1000ms, 1/3 octave with identical impulse start for both channels.

First, right channel blue, left black:

1000msleftblackrightblue.gif


In and out of phase:

2chblueoutphaseblack1000ms1-3octave.gif
 
Here could be interesting paper for individual perception of phantom sources:

Individual Localisation Behaviour for Perception of Virtual Sound Sources

Test results normally indicate very large variability in perception of lateral virtual sound sources with a 5-channel speaker setup. Three recent studies indicate that up to a third of stimuli from a side speaker pair were perceived surprisingly accurately as virtual sound sources. In other cases sound sources were perceived as coming from only one speaker or from it’s vicinity. Therefore, we specified prototypical localisation behaviours. We examined effects on localisation by reproduction rooms, exact position of test persons in relation to speakers, test persons’ head movements and trading between time delay and level differences.

AES E-Library Individual Localisation Behaviour for Perception of Virtual Sound Sources


"Test results normally indicate very large variability in perception of lateral virtual sound sources"


- Elias
 
Here could be interesting paper for individual perception of phantom sources:



AES E-Library Individual Localisation Behaviour for Perception of Virtual Sound Sources


"Test results normally indicate very large variability in perception of lateral virtual sound sources"


- Elias

Lateral, i.e. a side speaker pair (@60° and 90-110°)? That's very old news - from Blauert, "Spatial Hearing":

An externally hosted image should be here but it was not working when we last tested it.


Elias, are you seriously still trying to find proof 60° stereo wouldn't work?
 
..... The phase at frequencies below 500Hz is all over the place, no wonder I loose the correlation below that frequency!

Tony, I wouldn't worry too much about phase at such low frequencies as long as the FR is good.

Here could be interesting paper for individual perception of phantom sources:
AES E-Library Individual Localisation Behaviour for Perception of Virtual Sound Sources
"Test results normally indicate very large variability in perception of lateral virtual sound sources"

Elias, I haven't read the paper, but from the abstract you quoted it seems the authors suspect *other factors* were causing the erratic localisation results in some recent experiments conducted by third parties. So they investigate it in this paper. I don't think, from the abstract, they are arguing that phantom images are not possible.

Are you still trying to back-rationalise your personal localisation experiences by searching out science that supports it, rather than accept the mainstream consensus? Take care, or you might become the audio equivalent of the creationists who cherry pick little pieces of science and proceed to argue it proves their beliefs true. :usd:
 
On a quick aside, does anybody know if it possible to get true full-space radiation from a sub in a living space, rather than half-space? At the lowest frequencies, does a sub 4 feet off the ground still act like it's radiating into half-space?

One way to look at it is to consider the unit and its reflection. If the unit is 1/4 wavelength off the surface the 2 units are 1/2 wave apart and a null would happen in the upwards direction. For wavelengths longer than that the unit and its reflection would be in phase in all directions. At that point (and for frequencies lower) the units are essentially joined and the unit must be in half space.

4 ft would give a 1/2 wave separation at 69 Hz. For frequencies below that the unit is essentially in half space. Of course the room's standing wave pattern will always apply and may overide the simple boundary effect.

Why are you asking?

David S.
 
Of course the room's standing wave pattern will always apply and may overide the simple boundary effect.

David S.

This was the point that I was going to make. In a real room the modal effects overide any measurement except one that is in-situ. The room dominates everything in the low modal density region making free-field or infinite baffle data equally unrealistic.
 
This was the point that I was going to make. In a real room the modal effects overide any measurement except one that is in-situ. The room dominates everything in the low modal density region making free-field or infinite baffle data equally unrealistic.

Probably the tenth time I read the Allison paper it dawned on me that he had averaged curves from houses all over Boston. The boundary effects would be constant for a given distance to the boundary, but the particular standing wave effects of every room would be different and would average out in the mix.

David S.
 
David

Quite true. Using an average like that may make sense in some sense, but its just going to "average out" exactly those things that you need to know, leaving behind something that has lost its meaning. The room dominates the situation, every room is different (and not just a little, a lot) so each room is its own study and generalizations are more misleading than helpful.
 
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