Geddes on Waveguides

18sound:
NSD1095N, ND1090 = 27°
NSD1480N = 10°


B&C

1"
DE250 14.6°
DE10 7.7°
DE12 24°
DE400TN 20.7°
DE400 31°
DE500 17°
DE200 9.9°

2"
DE85TN 34.5°
DE750TN 22°
DE950TN 17°

BEYMA:

CP750Nd – 24º
CP850Nd – 7º
CP755Nd – 12º60’
SMC65Nd – 15º
CP385Nd – 16º30’
SMC225Nd – 13º1’

Hello jzagaja,

From what I have read on this forum, I was under the impression that the exit angle for the B&C DE250 was 6.5°, and not 14.6°. Did you get these numbers from the manufacturer?
 
I was sitting in front of them today. First row, center seat. Stage imaging was disappointing, I'm afraid. On my request they played "The last time" (Eurythmics) through them. That track has some fancy widening and narrowing of the acoustic space on it. This was hardly reproduced. Imaging did not get better when I stood at the back of the room. Sound was mainly glued to the speakers.

Both speaker sets (the BLHs in the background too) had sizzling highs. So I expect that to be due to excessive high pitch of the source/amplifier.

Apart from that those big horns reproduced midrange and lower treble in a very life-like way.

Rudolf

Hi Rudolf,

sounds like the horns or the whole loudspeakers were connected out of phase.

Best, Markus
 
Yeah, this was my first thought too .

In the meantime I found out that the bass may have been a 18" Faital actively crossed at 500 Hz.

Roehren-und-Hoeren :: Thema anzeigen - Gelsenkirchen im Herbst - Hifi-Music-World 2009

The author also reports that auditioning was a mixed bag - "mediocre" with one track ( Alicia-Keys ) and pretty at another one ( Nils Lofgren ).

From another forum tipped up heights (and bass) but also authority in a good sense was confirmed.
He too had the impression that the sound sometimes wasn't exactly free from artefact's (sizzling highs?).


Seemingly they announced the min phase horn as a Kugelwellenhorn / tractrix horn
:xeye:


Michael
 
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Hi Rudolf,
sounds like the horns or the whole loudspeakers were connected out of phase.
Best, Markus

Markus & Michael,
would you mind to read kboe's comment of the WG on the German HiFi-Forum? Scroll down to Strassacker.

'kboe' obviously did listen longer to the speakers than I could and his explanation could very well be right. Maybe you could translate that comment for this forum too?
 
Markus & Michael,
would you mind to read kboe's comment of the WG on the German HiFi-Forum? Scroll down to Strassacker.

'kboe' obviously did listen longer to the speakers than I could and his explanation could very well be right. Maybe you could translate that comment for this forum too?

Seems Kboe also had troubles with image localization for the area between the speakers.

I doubt the room was big - they probably would have given the speaker more space towards the front wall, which most certainly would have relaxed (ported) bass presentation.
The possible reflection from the side wall can be seen on one of the pix - there seems to be a glass front right behind the curtain.

Well, a lot of funny reading the tea leaves...
As there were positive comments too - especially for voices presented with ease, I have faith there is considerable "room for improvement" - to be fair, they really didn't have much time to put that whole thing together

:)


Michael
 
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kboe wrote:

Strassacker:

Haben heuer nur 2 Lautsprecher vorgeführt. Offenbar ein Viech mit Zusatzhochtöner, welches ich nicht gehört habe. Und einen 2Weger mit riesigem Mittel-hochtonhorn und einem 15 Zöller drunter ( oder wars gar ein 18er?)
Ich hab auch sofort die Assoziation mit einem überdimensionierten Waschbecken gehabt. Zum Klang:
Für mich am auffallendsten war die fehlende Mittenordnung. Ich war 2 mal drinnen mit wechselnden Hörplätzen. Eine wirklich präzise Ortung einer Schallquelle war mir nicht möglich. Mir ist aber auch aufgefallen, daß ich die Kommentare des Vorführenden 3 mal hören konnte. Einmal ihn selber, dann die erste Reflexion von der Rückwand und danach die Reflexion von der Seitenwand. Hier wird wahrscheinlich die beste Box ein Problem mit der Abbildung bekommen.
Eine ordentliche Vorbehandlung des Hörraumes wäre einer Firma wie Strassacker ganz sicher gut zu Gesicht gestanden


Strassacker

This year they presented two speakers only. Obviousely a "Viech" with added tweeter – which I haven't heard. And a two way speaker with a huge mid- high horn on top of a 15" (maybe its even been a 18"?)
Immediately I associated with a giant wash-bowl.
As for the sound:
What sticks out the most for me was absent mid-stage localisation. I've been there two times at different listening positions. I wasn't able to get any precise source localisation. I noticed that the presenter could be heard 3 times . First him, than reflected from the back wall and after that reflected from the side wall. Under those conditions possibly the best box would get into troubles regarding imaging.
A proper preparation of the listening room certainly would have suited for a company like Stassacker.


###
Well – more or less....
;)

Michael
 
kboe wrote:

Strassacker:

Haben heuer nur 2 Lautsprecher vorgeführt. Offenbar ein Viech mit Zusatzhochtöner, welches ich nicht gehört habe. Und einen 2Weger mit riesigem Mittel-hochtonhorn und einem 15 Zöller drunter ( oder wars gar ein 18er?)
Ich hab auch sofort die Assoziation mit einem überdimensionierten Waschbecken gehabt. Zum Klang:
Für mich am auffallendsten war die fehlende Mittenordnung. Ich war 2 mal drinnen mit wechselnden Hörplätzen. Eine wirklich präzise Ortung einer Schallquelle war mir nicht möglich. Mir ist aber auch aufgefallen, daß ich die Kommentare des Vorführenden 3 mal hören konnte. Einmal ihn selber, dann die erste Reflexion von der Rückwand und danach die Reflexion von der Seitenwand. Hier wird wahrscheinlich die beste Box ein Problem mit der Abbildung bekommen.
Eine ordentliche Vorbehandlung des Hörraumes wäre einer Firma wie Strassacker ganz sicher gut zu Gesicht gestanden


Strassacker

This year they presented two speakers only. Obviousely a "Viech" with added tweeter – which I haven't heard. And a two way speaker with a huge mid- high horn on top of a 15" (maybe its even been a 18"?)
Immediately I associated with a giant wash-bowl. As for the sound:
What sticks out the most for me was absence of mid-stage localisation. I've been there two times at different listening positions. To get any precise source localisation wasn't possible for me. I noticed that the presenter could be heard 3 times . First him, than reflected from the back wall and after that reflected from the side wall. Under those conditions possibly the best box would get into troubles regarding imaging.
A proper preparation of the listening room certainly would well have suited for a company like Stassacker.


###
– more or less....
;)

Michael
 
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kboe says he could hear the presenter three times? How big was the room? For an audible echo it must have been huge or did they use a mike and there was some kind of feedback?

An externally hosted image should be here but it was not working when we last tested it.


Room was at least 6 m wide and 8 m deep. I did not hear the presenter adressing the auditorium, so don't know about any mike.
The front wall distance during presentation was as in the picture -obviously too (?) short. As you can see there was virtually no damping in the room - except from the listeners :).

Moderators:
Could you separate all posts regarding this horn/waveguide into a new thread?

Earl:
My apologies for cluttering your thread with off-topic things.:(

Rudolf
 
Moderators:
Could you separate all posts regarding this horn/waveguide into a new thread?

Rudolf

Good idea , and thanks for you patience Earl in hosting the OT postings!

May I ask for the title of the new thread to be :

„Min Phase Horn with Faital Drivers at German DIY Show in Gelsenkirchen“

:)

Michael
 
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Moderators:
Could you separate all posts regarding this horn/waveguide into a new thread?

Earl:
My apologies for cluttering your thread with off-topic things.:(

Rudolf

Rudolp, I quite agree. I'm not going to argue with people here, but a lot of what is being said is bunk and I'd prefer that it be said elsewhere. If it continues in this thread then I am going to be forced to "call" some people on their erronious claims and that WILL start another flame war.
 
Well, a lot of funny reading the tea leaves...

I'm just trying to find out what the problem of this speaker (setup) was/is. Usually any similar pair of direct radiating speakers will be able to produce a phantom center. So obviously something's wrong.

I agree on splitting the thread although I'd like to hear Earl's opinion because this device looks pretty CD to me.

Best, Markus
 
I agree on splitting the thread although I'd like to hear Earl's opinion because this device looks pretty CD to me.

Best, Markus

The profile has a fairly sharp discontinuity to it so I would expect decent CD up to the point at which this sharp transition is 1/2 wavelength. At that point it will likely go "all to heii". CD is not difficult, its been done for years, that point seems to be missing here. Its Narrow CD without diffraction that is difficult. I would expect more diffraction from that device than one of mine that much is certain. The device looks like an axi-symmetric diffraction horn, with a larger radius at the diffraction point than is usually done. To repeat, getting CD with the lowest amount of diffraction is the goal - OS does that, period.